Good morning everyone. As you might have noticed, I’m still fairly locked out of Jetpack and the reader, so I can’t see much of your posts. Anyway, this is just a quick catchup post of the Christmassy paintings I’ve been busy with.
Firstly, this is my interpretation of a stained glass panel. In fact, this was the theme of our last meeting before Christmas at our art Society. And, everyone created something quite unique. For example, I took inspiration from some stained glass panels done by Henri Matisse, one of my favourite artists. Actually, it was great fun to do, largely intuitive in my case, starting off with collage. And then improvising with gouache paint.
Secondly, I created this interpretation of an angel for the online gouache group I belong to. To be honest, I introduced the topic myself, being keen to see how other artists would portray the subject. As well as being eager to research the theme and try something new for Christmassy paintings. Well, there was some fabulous inspiration on line. And I chose this modern style and put my own twist on it. Unfortunately, I couldn’t find the names of the original artists, so I can’t give them a mention. Sorry about that!
Well, that’s a round up of my seasonal painting this year. Hopefully, I can be in better contact with you all in the new year.
Good morning everyone. This is the ‘Happy Christmas’ acrylic painting I chose for my card this year. Actually, I didn’t think it printed out so well, but friends and family seemed to like it! Perhaps as artists we are sometimes too critical of our own work. Obviously a little bit of objectivity about our own work is helpful. But I do know a few amateur artists who have no confidence at all and that can be toxic. Anyway, I enjoyed painting the cool colours of the ice and snow, contrasted with the warm brown and gold of the cottage.
I don’t think I’ve posted this before, something from a few years ago. In fact, at that time I had a great tutor. And I learnt such a lot in the years I went to Simon’s class. As you can tell by this painting, which I would have struggled to do on my own then.
Finally, this is an on the spot watercolour sketch of the snow of last year’s winter. And, I couldn’t call it ‘plein air’ because we were sitting in the car! Happy Christmas everyone and keep on painting!
Good morning everyone. I’ll just make this a short post because I’m not sure whether it will succeed. In fact, I’m having loads of trouble with my blog and I apologise if I don’t see and like your posts. Actually, I’m very limited with what I can do, with no hope of any progress until the beginning of January. Anyway, we went to the Christmas fair at Urban Commune and, for the first time ever, I had a stall! And this is a gouache painting that I finished while I was minding the stall.
As you can see, I had a great time – met some lovely people and connected with new artists. I even got a chocolate sweet from Caribbean Santa!
Also, there was some fab live music (even some dancing!). So, what a great start to Christmas.
Good morning everyone. On Saturday I went with Urban Sketchers Yorkshire to the Tutankhamun exhibition in Experience Barnsley Museum. And I sketched this bust of Nefertiti, who was his father’s chief wife. Actually, this is not the original – it’s a very good replica. But there were lots of original artefacts, arranged in sections telling the life of the pharaoh. For example, the food he ate, members of his family, education and so on. Although the Tutankamun exhibition was small, it was quite fascinating.
After some time sketching, we then went down to the bustling town centre. In fact there was so much to observe and sketch – market stalls, a brass band playing. And then we ended up at the food court in the covered market for refreshments. Happily, from our table there was a delightful bird’s eye view of the main street below.
This was a very quick sketch in pen and watercolour. And I did it on the table, between pie and peas and cups of hot coffee! And the Tutankamun exhibition was a lovely bonus. Another lovely day with my sketching buddies. By the way, I have missed out all the difficult bits, like all the people! If you want to see what else we sketch, see this post here .
Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.
Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.
Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.
Good morning everyone. Well, the title says it all – I’ve not much time for painting at the moment. So I’ll just show you my works in progress. For example, I’ve spent about an hour and a quarter so far on this Australian landscape. Perhaps another 30 minutes will complete it and it’s 7by 9 inches, gouache on paper. Note to self: I must dull down the colours a bit more!
Please don’t laugh (yet!) This was done very quickly at a charcoal drawing workshop. And I’ll tell you all about it later, in my next post. Oh, by the way, this was drawn in very low light, in order to cast strong shadows on the face. So, that’s another excuse! Anyway, I’ll show you both of these when they are finished.
Good morning everyone. I went to a collaborative painting workshop at The Urban Commune Gallery here on Thursday. And we created this colourful abstract together. Actually, it was on the walk route of Artwalk Wakefield so we had plenty of visitors. Perhaps you can’t tell from the photo, but this is not the finished version. Because I had to leave before the end, I haven’t seen it yet.However, I think you’ll get the idea. Firstly, our tutor Gavin had painted a neutral background on this large piece of paper, to kill the white. Then we scribbled out marks and shapes to warm up. After that we started adding stuff, each using one colour at a time, to give some cohesion. Also, we continually switched places around the paper to prevent anyone from getting too cosy!
Then we had to step back and consider the painting as a whole. Unfortunately, that’s just when I had to leave so I didn’t see the colourful abstract completed! But it was a great workshop, thanks to Gavin. And, if you’re ever in the area, it’s a brilliant gallery and artists cooperative to visit.
Maybe you have seen this photo before, if you read my blog. And it is one of my displays in the gallery, see this post here. Anyway, this is an example of my semi-abstract and abstract style. But, it’s only one of the styles I paint in. Because, as you may know, I like to change things up a bit, as I did in this abstract here.