White House in the Valley

White House in the Valley

Good morning everyone. This is my latest acrylic painting and I chose a view of a white house in a valley for my inspiration. Actually, this is based on watercolour sketches I made in the Lake District, Cumbria in the UK. In fact, we used to go once a year, usually in spring or autumn. But we haven’t been in a while. Fortunately, looking at my sketches brings back lots of happy memories. For example, I did the two sketches I based this on whilst sitting in the hotel beergarden. A nice cool drink was just perfect after a days walking. And, as you can see, the views were spectacular.

Patterdale, sketch looking left
Patterdale, sketch looking right

Anyway, I also drew on my own memory to create this, remembering the varied colour and texture of the vegetation on the slopes. By the way, lots of the older buildings are painted white in this region. And they do stand out very picturesquely in these views over the rolling expanse of hills.

I seem to quite enjoy painting a white house, as you can see in this post here and here. All my paintings are for sale at reasonable prices. So if you see something you like, just go to the Contact Me page and send me an email for more details.

New Painting in Colour Exhibition

I Dreamt of a House by the Sea

Good morning everyone. Last week I found out that Fronteer Gallery had accepted my painting ‘ I Dreamt of a House by the Sea’ into their Colour Exhibition. And I was so delighted – firstly because it’s always a pleasure to take part in their events. Secondly, because of the theme ‘Colour’. As you might have noticed, I call this website A World of Colour. So, most of my work does suit this theme. However, I chose this particular painting because it seems absolutely bursting with colour.

I Dreamt of a House by the Sea – a closeup

Virtual Travelling for the Colour Exhibition

Actually, I painted this without a plan and it was quite late on in the process before I saw what it was. Perhaps a path leading up to the house with a view of the sea. Then, later on I suggested landscape and some vegetation on the cliff. But, for me, the most striking thing about this is when I made it. Right in the middle of being isolated at home, when I was desperate to spend time by the sea! In fact, the colours, the sunshine and the sparkling air are much more reminiscent of the coast of northern France in August. Ah, those charming, unspoilt little resorts where we spent weeks camping. Happy Days! So it seemed ideal for the colour exhibition.

There are lots of seascapes for you to dream about in my gallery here. And a post all about another of my paintings in the fabulous Fronteer Gallery here.

All my paintings are for sale at reasonable prices. Just go to my Contact Me page and send me an email.

A Beach Day

This is somewhere on the coast of Queensland, Australia. And you can find out more in my post here. Well, virtual travelling is the only way for me to go, at the moment!

Going Back to Cafe Sketching

Waiting

Good morning everyone. At last, I managed to do a bit of cafe sketching, especially when in a well ventilated space, reasonably distanced from other customers. Actually, it’s probably also the first time I felt relaxed enough to do it. Anyway, we went to the Carding Shed cafe last week and I hid my sketchbook behind my bag and discreetly sketched a couple on the next table to us.

Pencil sketch

Unfortunately, I had left my tiny water bottle behind, so I couldn’t do a watercolour sketch and I had to make do with pencil only. Not my usual style. But, I completed this before they got up and went, so that was lucky.

The Couple at the Next Table

Honestly, this is something I rarely do, add colour afterwards at home. Because I much prefer sketching with the brush and splashing colour around on the scene as I drink my coffee! And, I feel that the resulting painting is more lively, even if it’s a a bit less accurate. However, I really enjoyed myself and I now look forward to doing more cafe sketching.

There are lots of paintings and drawings in my Gallery on the People section here.

Finally, I realised I had done lots of imaginary people sketches over the past year or so. No doubt missing company and lifedrawing classes, so I leave you with this latest one.

Waiting

Revisiting Old Sketches for Inspiration

Burbage Valley

Good morning everyone. This is a gouache painting I did before Christmas and I had a look at some old sketches for inspiration. Actually, I remember this day very well – we had gone for a short walk in Derbyshire. And we were in the beautiful Burbage valley on a hot August afternoon, when my son was small. The heat was shimmering up from the moorland grass and there were no trees to sit under. In fact, this beauty spot was quite busy with people who had come out for some fresh air. But, everyone seemed a bit subdued in the heat. As we neared the car park, my husband and son went and queued for ice creams. Meanwhile, I sat on a rock and sketched the view in my tiny sketch book.

Burbage Rocks

As I worked quickly, I thought about the ancient peoples who once lived here. Incidentally, behind me there was an Iron Age hillfort a field away. So it’s not difficult to imagine figures walking the paths all those years ago. By the way, that brings to mind a painting of mine showing a prehistoric man walking home at dusk. I must find it to show you. Anyway, if you look at this post here, you will see another sketch of the area that I did recently. Or, have a look at my page Gallery – Landscapes for more country scenes. (I’ve just updated the page). As you might have realised, I have many old sketches done over the years. Happily, I find them quite inspiring to repaint. Not to mention the lovely memories they bring back.

Black on Black, Colour Experiment

Black on Black

Good morning everyone. This acrylic painting is painted on a smallish black box canvas that I have had for ages. Frankly, I had no idea what to paint on it, but they were all the rage at the time. Anyway, I decided to have a go, just after trimming this year’s Christmas tree.

And so, as you can see, the colours red, gold and white were on my mind! Well, I put down some shapes intuitively, with the idea that the canvas would stand as the background. My daughter-in-law thought it looked quite festive! However, I hated the effect of unpainted canvas. So, I carried on my usual method of shaping the composition by layering paint. Of course, this included painting over the untouched background. Hence the title.

A close up

Incidentally, I also discovered, or perhaps consciously realised that I prefer colour to be nuanced and subtle. Rather than flat with only one tone, like the black canvas. Sorry about the glare, it’s quite difficult to photograph these colours.

I hope you enjoyed looking at my intuitive abstract – there are loads more on my Abstracts page.

The In Situ Photo

By the way, this is the room I designed the painting for!

Green and Gold Gouache Landscapes

On the Lakeshore

Good morning everyone. Now that everything is getting back to ‘normal ‘ after the festive season, I am catching back up. So, here is a little green and gold scene I painted in gouache, back in November. As I recall, the reference photo was a touristy one I saw somewhere. But I altered it quite a bit and added a figure. That’s me, standing on the rock in the cool morning air with my cagoul hood up. And, I’ve probably got my field sketching kit in my rucksack. Perhaps you’ve noticed that I’m looking at the leafless tree on the left. Unfortunately, a much more common sight now when we’re out walking. Anyway, I still managed to fit in plenty of green and gold to cheer me up. Also, it was good practice to paint in gouache and I am gradually getting more used to manipulating the paint.

In a Park, Somewhere in Wales

Actually, the title says it all! For this scene, I used an old watercolour sketch I did when we were in Wales. However, I can’t remember the location other than it was a lovely ornamental park in North Wales. And, we had the place practically to ourselves. Because the season had been quite wet, all the late spring flowering shrubs were really blooming.In addition, the foliage was glistening after a brief shower. On the technical side, the paint was gouache and I built the painting from my watercolour sketch and , surprisingly, a bit of memory. In fact, it’s really addictive and I have a huge archive of sketches to mine!

The Flowering Shrub in my Green and Gold Gouache Landscape

Incidentally, there’s another uplifting green and gold painting in this post here , this time a woodland scene.

As ever, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for further details.

Some New Small Sketchbook Abstracts

Good morning everyone. Well, I don’t know about you, but I didn’t seem to have much time to start on big projects lately. So, I thought I would show you some of the small sketchbook abstracts I managed to squeeze into my busy days. Actually, I find it quite a comfort to grab the nearest small sketchbook, relax in my armchair and paint!

Just Breathe

However, this first one started life as a rapid ink sketch, intuitive really. Then watercolour, but this time I made an effort to keep the colours very clean. That is to say, adding glazes on top of the three basic colours to add tone, instead of creating mixes on the palette. Also, having seen something online about adding depth to abstract shapes, I tried to think of them as 3d objects. Incidentally, this is very pleasurable to try. In fact, I’ve just realised these small sketchbook abstracts are arty experiments, as well as being good for stress management.

Watercolour pencil experiment

As you can see, this small sketch book abstract has been built using watercolour pencils. Actually, I haven’t played around with these for ages and I was considering taking them on an outdoor sketch trip. So I wanted to remind myself how easy it is achieve quick, bright colour. Obviously, it is very easy and so I took a couple of pencils with me when we went to the Danum museum, before Christmas. And I really enjoyed using them.

Objects in Doncaster Museum

Above all, I really love painting intuitive abstracts, whether they are small or larger, like this one in this post here.