This Week’s Mindful Scribbly Doodles

Feeling Angry

Good morning everyone. Well, just to keep you up to date, some of my website problems have been solved, thank goodness! But, things are not fully restored , so, I apologise if I can’t really follow, like and comment properly yet. Anyway, as you may be able to tell, I was feeling slightly fed up when I did one of my little scribbly doodles. Actually, it was done in about three snatched five minute sections. And, I did feel a bit better afterwards. First I scribbled away with ink, then I added watercolour and oil pastel. And then I couldn’t resist some final calligraphic marks on top.

The Tunnel

Finally, this one was completed even quicker as I was experimenting with charcoal, graphite and wash pencils. In fact, I found them as I was tidying up my studio, don’t ask! Well, I don’t think this one needs much explanation. However, you could read it as either coming out of a dark place or going onto one! Let’s see what happens next! Thank goodness I can do these scribbly doodles and feel the benefit. There are more mindful paintings on this post here.

Charcoal Portraits All Finished Now

Feeling Thoughtful

Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.

A Portrait in the Scribbly Technique

Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.

Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.

The Colourful One

Not Much Time for Painting

Australian Landscape – unfinished

Good morning everyone. Well, the title says it all – I’ve not much time for painting at the moment. So I’ll just show you my works in progress. For example, I’ve spent about an hour and a quarter so far on this Australian landscape. Perhaps another 30 minutes will complete it and it’s 7by 9 inches, gouache on paper. Note to self: I must dull down the colours a bit more!

Scribbly Drawing – unfinished

Please don’t laugh (yet!) This was done very quickly at a charcoal drawing workshop. And I’ll tell you all about it later, in my next post. Oh, by the way, this was drawn in very low light, in order to cast strong shadows on the face. So, that’s another excuse! Anyway, I’ll show you both of these when they are finished.

Big Tree in my Garden

The Big Tree

Good morning everyone. Well, it’s finished at last! And, to be honest, I don’t really know why I didn’t complete the Big tree in my Garden earlier. Actually, I started this big painting back in the spring, after doing at least two other studies. In fact, you may remember these mixed media versions, because I think I did post them.

Study 1 for The Big Tree

As I remember, I painted the twisting shapes of the branches, still really visible in spring, before the leaves grew thicker. And I found these fascinating, at the same time realising that we had created them ourselves. Simply by hacking the growth back every year in a vain attempt to keep the tree small for our modestly sized town garden. Anyway, I sketched first in charcoal and then I worked in oil pastel.

Study 2 for The Big Tree

Now, this is the second version that I sketched in charcoal and then added watercolour and pen for finishing touches. By the way, I sketched both of these through the living room window. And, as you can see,the season is moving on!

The Big Tree

But, to get back to the bigger painting, I decided to paint the tree quite simply and make sure that it dominates the space. But I also wanted to give emphasis to the rather fine building on the other side of my garden wall. At present it is used as offices, but, using my artistic licence, I show it as the grand family home that it once was.

And, I daydream about the people who live there, do they watch my house from their windows? And, what is there over the hill that the house sits on top of? So, as you have realised, I have created an imaginary scene from the reality I live in. Because, there’s always more than meets the eye, in my imagination anyway!

The Big Tree – a closeup

Finally, this acrylic painting on paper is 16 by 20 inches and the price is £80 plus postage, free in UK. Just email me on my Contact Me page here. And, if you want to see more of my trees, see here.

A Charcoal and Pastel Sketch

The View through the Window

Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!

To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?

You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.

A Charcoal and Pastel Sketch of the Camelia Bush

The View through the Window – a closeup

Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!