Good morning everyone. This is the first of a little series of studies from the online course I’m enrolled on. Actually, I’ve been wanting to paint these mountain studies for a while, but my other projects kept getting in the way! For example, here is the post on dogs for my MeWe gouache group . And here is my work on old masters with Care Visions Healthy Aging . Incidentally these classes are free. So you can see I have been busy!
Here is the full sheet of small studies from a module in the course covering landscape features. And, you might remember that I have already completed the sections on skies and trees. Incidentally, I must say that this is a very useful exercise even though I don’t enjoy doing it as much as painting a whole picture.
We began with a vista of mountain ranges unfolding increasingly nearer to the viewer. Admittedly, the acrylic sketch is pretty basic. But the main teaching point was to show aerial perspective by using darker and lighter tones . This makes the faraway peaks look distant and the nearer ones look close. Easy peasy ( when someone explains it to you! )
If you look closely, you can see that I have tried to show how the background hills recede.But the grassy slope although nearer is still a good distance away. In fact, I indicated this by the cool tones of the green. I need more practice here, I think! Please try not to get too distracted by the poor quality paper. ( Note to self : Use the best. )
Alpine Mountain Studies in Acrylic
Now, this was the fun part! To be honest, I had never tried to paint high peaks and had thought it was too difficult. However, I’m quite pleased with this attempt. And I learnt how to describe form using a dark tone for deep shadow, a dull blue white for the shady side of the snow. And, finally, a brilliant white for the sunlit peaks.
The Rocky Outcrop
Lastly, a lovely scene of a rocky outcrop, in an Australian landscape where the rock is a strong red colour. Actually, the crags were the challenge in this study and I achieved them using a dragging motion of the brush. And then I modelled them with lighter and darker tones of the sandstone colour.
As you can see, I did learn a lot in this section and I do really appreciate the tutor – Rod Moore of the Learn to Paint Academy. So much so that I was exhausted after it and had to have a rest! Now, back to painting whole landscapes.