Good morning everyone. I’m really pleased with this gouache painting of a barn – it was half finished for a couple of weeks. And, I was a bit nervous to add details to the first version, not wanting to spoil it! Actually, I don’t like to keep paintings hanging on because it’s easy to lose the thread. In particular, with this one, I liked the loose way I had sketched out the field. And I didn’t want to loose the fresh, rhythmic movement of the grasses and so on. So, added minimal detail to those areas. However, I deliberately put the barn into sharp focus as it’s the main idea in the picture. And I want the viewer’s eye to be drawn to it. Hopefully I have succeeded in this to some extent. By the way, gouache paint seems to be the perfect medium for detail.
Anyway, when I think about it, I have done another painting of a barn recently. And I do think it’s a nice subject which allows me to concentrate on a small area of landscape. Normally, left to my own devices, I try to paint a wide panoramic view. So this makes a very pleasant change.
Good morning everyone. I finished this small watercolour painting yesterday and, with a bit of magic, it’s now one of my new framed abstracts. Isn’t science wonderful? Only a few minutes work, and there it is , in a frame and on the wall of a virtual room!
Not only does it boost my confidence to see my work displayed on the wall. But also I can then easily assess the work and make mental notes how to progress in the next one.
Perhaps you might not be aware, but I can see quite a lot of influence here from the Painting with Yvette course I am following. For example, the general movement of the colour red across the paper. Also, I have used both thin, washy paint and more thickly applied coats in this composition. In addition, I have applied patches of fine surface pattern on the top layer. Obviously, this might not be all that easy to see in these images of one of my framed abstracts. But, close up it is more effective and I learned all this from this excellent course.
Finally, I couldn’t resist ‘hanging’ this little abstract on the wall. And I like the way the dark, moody colour of the background complements the mysterious feeling of the painting. In fact, when I look at it now, I think of a passage back into the light from a dark place, perhaps a cave? However, it was an intuitive composition, with no planning beforehand. If you would like to see more of my abstract work, see here.
Good morning everyone. As you may know if you read my blog, I am at present working my way through an excellent online course by Yvette. And I am learning how to create pale abstracts, which are completely different in style to my usual paintings. In fact, in this module we are taking the approach of first creating a background of patterns in dark paint, then applying layer after layer of colours and shapes. Have a look at this image below first to see the process half way through. Then see how it ends up in the next image.
In fact, this was my first attempt and I relied quite heavily on the tutor’s version. But this next one I really consider to be my own. And I think it looks well presented in this virtual room. However, my paintings are small and the blown up images really demonstrate how effective large scale abstract paintings can be. See what you think.
Well, I’ve been very busy with these new pale abstracts – they do take some time to do for smallish paintings. Actually, I’m half way through the third one just now, but you’ll have to wait a bit longer to see that one! Meanwhile, here’s a link to a post showing some of my ‘old style’ abstract compositions.