A Windmill House in Watercolour

The Windmill House

Good morning, everyone. This is the windmill house in Wentworth village, painted in plein air on a sketchtrip in September. At least, I painted the main part of it outdoors. But, as conditions weren’t great, we dashed off to the garden centre cafe for coffee and a chat. This image below is the first draft that I did outside.

The Windmill House – the first draft

Actually, I was quite pleased with this and I tried to use the techniques I have been learning about recently. However, as we were standing in a field of rough pasture and nettles, behind a 5 foot wall, it wasn’t ideal ! Anyway, at home later that day, I tried to think ‘ plein air sketching ‘ and not paint the picture to death!

The History of the Windmill House

Most of the land and the buildings in Wentworth village were built and are still owned by the Wentworth Estate. And this is now separate from the big house Wentworth Woodhouse, just around the corner from this lane. Perhaps you may remember this post here, where I reported on my visit to the mansion gardens. In fact, the family built this mill here on Clayfield Lane in 1745, obviously to process flour from the grain grown on the estate. Of course, it is now a private dwelling in a charming cottage garden, giving pleasure to everyone who walks by. To be honest, the whole village is full of picturesque views. And, I don’t think this will be the last sketch trip we will make to Wentworth village.

The Windmill House – a closeup

Watercolour Experiment in Autumn Colours

Autumn Wood

Good morning everyone. This watercolour experiment started off as a doodle really, then I began testing out different ways of manipulating the paint. After studying Paul Talbot-Greaves’ lovely book, I realised that I needed to practise techniques. And, by making a sample sheet, rather than a ‘proper’ painting so that I felt free to play. And, it definitely worked! So, here you can see wet-in-wet, stippling, spattering, dry brushing dripping and, hopefully, more movement of paint. However, it’s not in my nature not to put a bit of a story into my painting. Consequently, it became a walk in a wood at autumn time. Actually, the choices of colours and shapes must have come from my subconscious.

Autumn Wood, a closeup

In fact, I found this exercise very useful and I think I shall be a bit more confident now when painting in watercolour. Honestly, I wasn’t using enough paint or making it wet enough, so things had to change!

Last Year’s Watercolour Experiment in Autumn Colours

Lovely Autumn Day

Really, I can’t think of a better way to celebrate the season than to sit and drink in the atmosphere of a beautiful autumn day. And then to paint a memory.

You could see more of last year’s autumn plein air watercolour sketches in this post here. And, don’t forget, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for more details.

Painting Outdoors in Late Summer

Longshaw Estate

Good morning everyone. This is just a catch up post where I’m showing you some of the watercolour sketches I did whilst painting outdoors. In fact, the weather this year was very kind to us artists. And I spent quite a lot of time sitting quietly, painting the view. Sheer bliss! So, this the view over the rough pasture to the pond at Longshaw Estate in Derbyshire, UK. Now the pond is man made and designed to be seen as you leave the formal garden and take the path to the stream. Actually, I’m not sure whether this is the pool for boating or swimming – there are two! But, as you can see, it’s idyllic and right on the edge of the moors.

While I painted this little scene I tried to use some of the techniques I’ve been studying. In particular, I wanted to show the contrast of light and shade in the trees behind the water. Not all that easy on a low sunlight day. Also, I used a gentle touch with the reflections on the water, which were very subtle.

Painting Outdoors at Cannon Hall

The Small Glasshouse at Cannon Hall

Lastly, we also went to Cannon Hall on a warm, sunny day and we sat in the shade in the formal garden. And I had another attempt at portraying the glass panes of the little greenhouse. And the effect is a bit more lifelike, I feel, (see here for another attempt!) Incidentally, this is where the 200 year old grapevine lives, but that’s another story!

A Flower Abstract in Watercolour

Coleus Abstract

Good morning everyone. It’s just a short post for you today about this flower abstract composition. Actually, it was a couple of weeks ago that we went to Brodsworth Hall in South Yorkshire.

And we sat in the formal garden a hot late summer’s day in the shade, next to a beautiful display of red coleus.

Fortunately, I had my plein air sketching set in my bag. So I spent a blissful half hour doodling shapes and colours whilst looking at the flowers. And, the result was this flower abstract. What a lovely memory this painting brings me!

If you want to see another ‘flower memory’, look here.

Learning New Techniques in Watercolour

A Quiet Walk

Good morning everyone. This is the first quick watercolour I did from a little book I have just bought. ’30 Minute Landscapes ‘ by Paul Talbot- Greaves and I can thoroughly recommend it. Actually, I had a couple of recommendations from friends. And as Paul is a brilliant, local artist, I thought I would treat myself and support him too! As you may know, I use watercolour paint for little plein air sketches. But I’m really self taught and I started to feel a bit dissatisfied with the direction my paintings were taking. So, I was ready to learn and experiment with new techniques.

To be more specific, in this sketch I learned how to make the last layer of background recede in a subtle way. That is, by adding a wash of light red plus cobalt blue over the base colour. Also, I understood the importance of using increasingly small brushes for the branches and twigs of the tree.

Down the Lane

Next I tried my hand at this sunlit, summer scene and I really enjoyed the challenge of portraying trees loaded with foliage. In this exercise Paul taught me how to put down the first wash of green with other colours subtly mixed in. For example, sap green, lemon yellow and ultramarine blue. Surprisingly, this makes the end result (after adding more layers) more vibrant. In addition, I tried stippling darker colours into the mass of leaves to show shade. Of course, you use the tip of the brush to dot the paint on. In fact, I was delighted with these two exercises and I can’t wait to attempt more . And I think this studying is changing the way I paint my own subjects – in a good way. What do you think?

Putting New Techniques into Practice

Down by the Bridge

If you would like to see more of my quick sketches, there’s loads on my Instagram margaret hall fine art

New Portrait of my Allotment

The Discovery Apples

Good morning everyone. This is my latest portrait of my allotment. Actually, I just realised that the little watercolour sketches that I do are really portraits. And they seem to me to show different facets of something that I love, very much like artists paint a loved one over and over.

In this particular painting I wanted to make a record of how the fiery red Discovery apples glow. And can be glimpsed through the gap in the hedge that separates two sections of the allotment garden. As you can see, the Brussel sprouts plants are going from strength to strength. Also the leeks in front of them are putting on lots of leaves before the winter comes. In fact, both of these plants will stand over the winter and, hopefully, provide fresh veg till spring.

Can you spot the gardener, weeding the few summer cabbages that remain? Incidentally, I make this figure nice and vague. Because I like to think that it represents both me and my husband, as we both look after the garden. You can see the gardener in this acrylic painting here too.

This Year’s Portraits of my Allotment

Picking the Blackcurrant Crop
Oriental Poppy Flowers going Over
Dreaming of Summer

Well, this last image shows how I sat in the fairly bare winter scene, And dreamed of beautiful mauve flowers! There’s another idealised portrait based on reality here, showing how I think of the time I spend in the garden. But, in reality, we work very hard here. And, I wouldn’t have it any other way!

Wentworth Woodhouse Garden in September

The Path down to the Big House

Good morning everyone. I painted this view of the big house when we spent a few hours in Wentworth Woodhouse Garden , see here. And what a delightful place it is! However, this sight was a complete surprise. Because this is actually the original mansion, and the grander facade on the other side is the larger house that was built on to it. Who knew? Actually, the other side with its impressive carriage drive approach is the longest range of buildings in England. And that includes all our royal palaces. Really built to impress!

This quick phone snap shows you the real life view and we reached this point after a lovely stroll around the park. And there are plenty points of interest. For example, one of the follies carefully placed in the garden was this Ionic Temple. And it’s a quite convincing copy of a classical monument.

In fact, it looked good from all angles, but I chose to sketch the statue on the plinth. Incidentally, this is a representation of the Greek hero Hercules, fighting a mythical creature with his bare hands. Plus a hefty looking club.

Hercules in the Ionic Temple

The Camelia House in Wentworth Woodhouse Garden

Before I finish, I must just mention the Camelia House, now in a very dilapidated state and the subject of a fund raising campaign. But the camelia bushes are still growing and they are the oldest in the UK. And the original purpose of the building was the Duchess’ tearoom, when she entertained the guests of her husband, the Prime Minister in 1765. But, quite apart from that, I can’t resist painting my version of this intriguing building in Wentworth Woodhouse Garden. So, watch this space!

As you might have realised if you look at my blog, I am very fortunate to live in a part of the world where there are lots of beautiful historical places to visit.

Perhaps you might also like to see my visit to Melbourne Hall here.

Last of the Summer Days

View from Sandal Castle

Good morning everyone. Well, summer is officially over now and there are signs of autumn showing. But, on one of the last of the summer days last week, we had our morning coffee break at Sandal Castle. Only 15 minutes drive away, and the weather was heavenly!

To be honest, I don’t know a lot about the castle. Just a few of the walls remain but they are quite impressive on the top of a mound on a hill. So the location is significant and played an important role in the Wars of the Roses in the fifteenth century. Just think Richard the Third. See here for more details.

Anyway, what attracted me was the glorious yellow colour of the fields in the landscape. And the juxtaposition of the old stonework and the modern housing at the bottom of the slope. Of course, I know you can’t see the ruins. But, I promise I will do a plein air watercolour painting of the castle soon. Meanwhile, here’s one of my favourite acrylic paintings of summer days, from a while ago, sunny Jamaica.

Reggae, Reggae

Finally, if you missed seeing this before, here is my imaginary scene of a sunny day nearer to home.

Painting a Castle in Ruins

Ashby de la Zouch Castle

Good morning everyone. Well, this is the last of the watercolour sketches that I managed to do on my little holiday in Derbyshire. And we went to the English Heritage site at Ashby de la Zouch in Leicestershire to look around the castle in ruins. In fact, the castle was built in the 15th century and deliberately partially demolished during the Civil war in 1648. However, enough of the shape of the buildings remains so that you can imagine the life that was lived there.

Actually, the weather was unseasonably cool for August, and the light levels were low. So I had to exaggerate the shadows a bit, as I sat underneath a huge old tree to sketch. And we were looking across at the Medieval Great Hall – that’s in the centre of the picture. To the right is just the edge of the huge kitchen tower. Incidentally, there is a tunnel connecting the kitchen to the hall. Just to make sure the food doesn’t arrive at the table too cold! If you want to know, the building on the right was the chapel. Perhaps you may know that this castle was one of the settings for the novel ‘Ivanhoe’ by Walter Scott in 1819. As I’ve not read the book , I can’t tell you much more, apart from the fact that Ivanhoe was a medieval knight.

Another Castle, not in Ruins

From a painting by John Piper

Now, just to finish off with, this is a real castle, not in ruins. As I recall, we picked up a postcard in Renishaw Hall, a painting by John Piper, one of my favourite artists. Incidentally, this is my version in acrylic. And, if you want to look at a folly in my own local area, see here for another plein air sketch.

Beautiful Garden at Melbourne Hall, Derbyshire

The Birdcage Arbour

Good morning everyone. This is another of the little watercolour sketches I did on my hols in Derbyshire. In fact, it’s a sketch of the Birdcage arbour in the beautiful garden of Melbourne Hall. And we spent a very pleasant couple of hours there, despite the cool, drizzly weather. Unfortunately, the house itself wasn’t open, but the garden was not a disappointment at all. If you’d like to know, it was designed in the style of Le Notre as a formal French garden. And I chose this view, looking down the gently sloped lawns to the pond. Of course the viewpoint was the ornamental arbour, known as the Birdcage, for obvious reasons. Incidentally, it’s made of wrought iron, constructed to mimic wood, as in the originals in French chateau gardens.

The Birdcage Arbour, a photo from the brochure

As I was sitting on a lovely French style park bench, the slight drizzle turned into a downpour, so I quickly packed up my paints. And we ran for cover under a spectacular tunnel made of a double row of ancient yew trees. Honestly, we were bone dry under that gloomy, atmospheric canopy. However, the rain dried up and I went back to my bench to finish off my painting.

The Other Melbourne

Well, I should of course say the first Melbourne! Because the larger, more famous Melbourne in Australia was named in honour of our Lord Melbourne from this town in Derbyshire, UK. And, as you may know, this chap was Prime Minister to Queen Victoria in 1837. But, that’s another story!

And this is just one of my phone snaps that I plan to paint now I’m back home. But, that is no where near as much fun as painting in situ, en plein air (just to say it in French!)

A View over Melbourne Hall Gardens

And if you want to see a similar bird cage, in a very different context, see my painting ‘The Caged Bird’ in my gallery here.

Sketching at World Heritage Site

Cromford Mill

Good morning everyone. As you may remember, I spent a few days in Derbyshire last week. And I managed to fit in quite a bit of sketching, including at this World Heritage Site, Cromford Mill. Perhaps you’ve heard of it – I had too but it didn’t look anything like I had imagined. In fact, it was quaint and very sketchable. Actually, this part of the complex is the original mill and it dates back to 1771. Incidentally, it was the first successful cotton spinning mill ever to be driven by water, so no wonder the complex is a World Heritage Site.

The founder, Sir Richard Arkwright is credited as inventing the first factory system, bringing workers together in one large building. And also providing housing nearby in Cromford village. But, as you might guess, my main interest was in the pleasing views I could sketch. And I really liked the juxtaposition of the old mill building and the even older limestone crag. I spent about thirty minutes on the watercolour sketch. Then I felt like my eyes needed a rest, so we had good coffee and cake in the courtyard cafe. Sometimes I realize that I benefit from taking a break from a painting, even a quick one. Then, I can see it clearer, and, in this case, add a bit of pen and ink for emphasis. What a lovely way to spend a few hours!

Cromford Mill – World Heritage Site

If you want to see more sketches from this trip, see here.

Quick Sketching in Walled Gardens

The Walled Garden at Calke Abbey

Good morning everyone. Well, we just got back yesterday from a few days holiday in Derbyshire, UK. And, it was very pleasant indeed! So, I thought I’d show you some of the quick sketching I did. Actually, I painted this yesterday afternoon when we were visiting Calke Abbey, an old stately home managed by the National Trust. To be honest, we chose not to go on the tour of the house, although I’m sure it was fascinating. But we are still being a bit cautious about indoor spaces at present. However, the estate, park and gardens were very impressive.

The Walled Garden – image by Wikimedia Commons.

Part of the Walled Garden

As you can see, this section of the walled garden was laid out with delightful flower beds and very healthy looking tree ferns. But for us the best bit was the vegetable garden and the fruit trees. And we admired a medlar tree in full fruit and the most bright orange pumpkins we have ever seen! Then we walked out through one of the lovely arched entrances. Fortunately, there was a very well placed bench for me to sit on, where I quite happily spent almost an hour watercolour sketching.

Quick Sketching in the Walled Garden

The Walled Garden at Calke Abbey

To tell you the truth, I had just read an article in my art magazine about keeping plein air sketches simple. So I immediately put it into practice and followed the three steps. Firstly, make an accurate sketch using light pencil strokes. Then draw over the lines in ink – without following them too carefully. After erasing most of the pencil marks, next add colour. And, it’s nowhere as easy as it sounds! Especially the add the colour bit – but it did simplify and speed up the process. Finally, back in the cottage, I took a good look at it and just added a few more darks. In fact, I think I needed that bit of time and distance to assess it. And add the finishing touches to my quick sketching.

See more of my plein air sketching here.

Painting Watercolour Sketches from Life

In the Park

Good morning everyone. Today I’d like to write you a quick post about sketches from life – something I love to do. Especially when the weather is kind ! Actually, this image is from a sketchtrip we went on two weeks ago. And we went to our local town park, which is a lovely, green space in the middle of an urban environment. So, here I am trying to show the patterns of light and shade, cast by the well established trees. Normally, the contrast between light and dark can be quite muted in Britain. But, on this particular day the sun was very bright and the patches of shadow were very dense.

Please bear in mind that I painted this plein air sketch quickly and instinctively. Honestly, this type of sketching is more about practising observation and recording the occasion, and less about producing a finished, complete painting. Incidentally, I’m a member of an Urbansketchers group, and our intention is to ‘ record the world, one sketch at a time’.

Sketches from Life at Pot House Hamlet

The Garden Centre

Perhaps you remember that we went sketching at Pot House Hamlet in Silkstone village recently. And I had the chance to paint a goat and some chickens (see here). Well, the place is so picturesque that I had to go back and capture this scene at the entrance to the plant shop. Of course, it was a very busy location, and I had to select what to include and what to miss out. For example, all the parked cars and the customers. You see, painting from life takes a lot of practice. And sometimes I feel like a beginner! Anyway, I enjoyed myself and the sketch is a nice reminder of my visit. Maybe you might enjoy it too, making sketches from life, if you give it a try! If you want to see more plein air sketching, have a look at this post here.

Lovely Old Buildings in Watercolour

At Pot House Hamlet

Good morning everyone. Today I’d like to show you two watercolour paintings of lovely old buildings that I have just finished. In fact, you may have seen the pencil sketches of animals in the petting zoo at Pot House Hamlet before. (See here). Because we visited this place in Silkstone village on a recent sketch trip. And we were surrounded by the beautiful old buildings of this little settlement – now a garden centre, cafe, shops and small zoo. Actually, the original buildings were 17th century glass making workshops and later pottery kilns. To be honest, I’m not sure about this building, but I chose it because of the unusual shapes. And, of course, the attractive colour of the stone. Then I added more washes of colour at home – the hot sunshine drove us into the shade!

Sketching at Elsecar Heritage Centre

Secondly, this is a sketch I more or less completed en plein air here at Elsecar, despite the steady drizzle. But, when I got home, I decided to heighten the colours, just for impact. Interestingly, one of my art buddies was painting his dramatically coloured acrylic paintings that morning. And I felt that I just had to have a go! I think I need a bit more practice, but I really enjoyed it.

Watercolour sketch of the Allotment

Picking Fruit

Good morning everyone. This is a little watercolour sketch I did yesterday, when I was sitting in the shade. Actually, it was a hot day and I thought that I had been in the sun long enough. And I had been quite busy. Firstly preparing a small patch of soil in the polytunnel and putting in some lettuce seedlings. Also sowing spinach and sorrel for salad leaves – we do love salad leaves! Next, I raked a small bed of ground outside to break the soil up a bit. Then I planted sixteen chicory plants and, hopefully, we shall have some winter salad next year. Meanwhile, my husband checked the courgette plants and did a bit more picking in the blackcurrant bushes . As you can see, I just managed to sketch him, examining the bush closely, not wanting to miss a berry. Unfortunately, it’s not been a good year for blackcurrant.

Man at Work, a Watercolour Sketch

Man at Work

Did you spot him? Incidentally, if you’re wondering about the ‘palm’ tree in my watercolour sketch, it’s actually a house plant we put there a few years ago and it really flourished! But I do confess to having used artistic license on the tomatoes in the green house. In effect, they are not red yet, rather pale yellowish green at the moment.

Ripe Tomatoes?

Well, this is good evidence, I think, that I really am very busy at the moment. Because everything in the veg garden is growing madly, and it takes up all my energy. If you want to see more paintings of us working in the allotment, see this post here. Anyway, some day soon I’ll put together a post with all the paintings of the garden that I have not yet shown you. Because it really does give me a lot of inspiration.

New Small Landscape for Sale

A View over to the Moors

Good morning everyone. Well, I’ve had another busy week, the pace of my life really does seem to be speeding up now. So, unfortunately I haven’t had much time for art. Obviously, it’s all a question of balancing up my commitments. But, I appear to be out of practice! Anyway, I’d like to show you my latest small landscape in acrylic.

Incidentally, I painted this small scene without referring to a photo. But instead I used a small watercolour sketch done on the spot to jog my memory. In fact, this is a new approach for me, not using a photo. And I’m pleased to say that I was able to draw on memories of the country walk too. Again, quite an improvement for me, as my visual memory is not great.

A quick watercolour sketch

The Sparkling Light in the Small Landscape

The light sparkling

Anyway, I hope you can see that I tried to convey the damp mistiness of the far view to the hills. And the way the light sparkles in the moisture on the tree trunks and the leaves in the hedge. To be honest, I do remember that feeling of optimism at the beginning of a day’s walking on the moors. When you can’t quite give up believing that the the day will fine up. Despite the unpromising weather forecast you have just seen! (If you click here, you can see another rainy day painting)

However, you can still enjoy looking at this small landscape even if you can’t experience the hike. Because, this painting is for sale – acrylic on paper 7 by 10 inches, unframed and without a mount. Priced at £15 plus shipping (free postage in the UK). Just go to the Contact Me page and send me a message. Then, it’s easy really, you pay by PayPal.

Rotherham Steel Henge in Watercolour

Rotherham Steel Henge

Good morning everyone. Well, the image above is a page out of my sketchbook and I completed it on Thursday. You see, I went to a very interesting location with Rotherhamroar artbuddies. The Steel Henge at Centenary Riverside nature park, Rotherham. Honestly, it seemed at first like a very odd choice for a sketchtrip, but nothing could be further from the truth! Admittedly, it was a tiny green space in the middle of an industrial area. However, it was a haven for wildlife, with a river and wildflower meadows.

The Wildflower Meadow

In addition, there is this very powerful art installation right in the centre of the space. Honestly, we all reacted strongly to it, and set to work straight away with pencil, oils, acrylic and, in my case, watercolour.

Watercolour Sketching at the Henge

The History Bit

Just to give a bit of background, before much industrial development, this beautiful spot was used as a swimming place. And, very likely a picnic area by the locals. Then came the building of steel works. Actually, as they were investigating this site to add to the existing plant, the workmen found the remains of a Roman fort here. Apparently, it was sited to guard the crossing place of the River Don. What a history! (You could take a peep here at my painting of the mighty Hadrian’s Wall, another Roman remain in Britain.)

The Steel Henge

Anyway, the artist created the sculpture by using these huge pieces of steel, discarded parts of machinery that were found nearby. As you can see, the artist had the inspired idea of shaping them into a Stonehenge like formation. And, it certainly does pull at your heartstrings when you stand among the monoliths of the Steel Henge.

After my first watercolour sketch, I looked out in a different direction to see a modern factory in the distance. Now, perhaps it’s just me, but these buildings often remind me of a castle. So, that’s what I thought of as I painted. All in all, a very thought-provoking place to simply sit and sketch.

The Factory at the Edge of the Reserve

Watching the Water Go By

The New Path

Good morning everyone. Today I’d like to show you some of the paintings I did while watching the water go by. And I dug this one out of the archives. But I remember the occasion well. Because we walked down this path for the first time and it had just been opened up beside the river. Actually, this river is dammed to make a lake at Nostell Priory, Yorkshire and here is the outfall. And I think it’s officially called the Lower Lake. In fact, it soon widens out to make a perfect habitat for swans, ducks and other waterfowl.

To be precise, I sketched the scene in pencil on the spot and then painted in acrylic after, my favourite medium. If I remember correctly, I tried to show the cold, grey light of a winter’s afternoon. However, I distinctly recall feeling optimistic that Spring would come in a few weeks time. Then we would take walks along this new path in all seasons. And spend some time watching the water go by. By the way, I’m selling this painting – acrylic on paper 12 by 8inches, unframed, £20 plus shipping [postage free in UK].

Another view over Thrybergh Reservoir

Finally, I sketched Thrybergh Reservoir in watercolour recently and I completed it on the spot. See my post on this sketchtrip here. All done while watching the water go by.

Drawing Small Animals from Life

The Billy Goat

Good morning everyone. Last week I went with my art group to Silkstone, a picturesque village nearby. We wanted to spend some time drawing small animals. And one of the attractions for us was the opportunity to observe farm animals and birds up close. I used all my powers of persuasion on my artbuddies to encourage them to draw living creatures. As you probably know, it’s quite a difficult task, because they won’t keep still! Actually, the sheep did doze off quite nicely in the shade, convenient for us sketchers.

Anyway, I sketched hens, sheep, goats and a peacock. For the most part, these were quick sketches, trying to capture the shape of the body. Also attempting to show the posture and perhaps some of the attitude.

Drawing Small Animals

Sheep and Goats

Then I spent a bit of time observing this mature male goat, pacing around his own field. Speaking of attitude, he was clearly in charge of all his family, even though they were the other side of the fence. And most impressive of all was his beard, long and luxuriant, sweeping down to the ground.

The Billy Goat

Finally, I’d like to show you a mixed media painting I did en plein air at Wigfield Farm. This was a couple of years ago when our sketch group visited this teaching farm, with some beautifully cared for animals. Luckily for me, this rabbit stayed still every minute or so. Sometimes it wandered around, investigating all the corners, and snacking. As I recall, I was using pen and oil pastel – these are rather unforgiving media, so expect a few mistakes I couldn’t correct. Even when I tried watercolour on top! Anyway, it was great fun and I’m sure we will go again. After all, practice makes perfect ( so they say!)

And if you want to see some paintings of dogs, you’ll find them here.

The Black Rabbit

Sketching Scenes in Sunny Scarbrough

The Path down to the Undercliff

Hello everyone. We’ve just come back from a lovely short break in Scarbrough on the Yorkshire coast in the UK. And it was quite sunny and perfect for sketching scenes! To be honest, I did this first sketch in Ravenscar, which is a half-hour drive further north of Scarbrough. Actually, it’s quite a fascinating place, the resort that never was.

Now, I must explain that the location is stunning, right on the edge of a dramatic stretch of steep cliffs. We love to spend time there, gazing down at the lush, expanse of under cliff, which comes between the top of the cliff and the rocky beach. But, this is really the problem because the path to the beach is very steep, and the beach has very little sand. So, not at all the best place to site a resort with relaxing walks and easy access to a nice sandy beach. However, this is exactly what the Peak Estates Company tried to do in 1890. And they planned the entire resort, buying up the land and everything. Even the streets and the sewers were laid out. Unfortunately, the gamble didn’t pay off, the venture failed. Nonetheless , the place has a cafe, a hotel and a National Trust Information Centre, so it makes our visits there even more worthwhile.

Perhaps you may wish to know that I was sitting at a picnic bench on the green in front of the one and only cafe as I sketched this. And, it was closed for the day!

Sketching scenes at the Mere

The Ducks at the Mere

Yesterday, as we were setting off back home, we parked the car right next to the lake. Then we had a cup of coffee and watched the ducks, geese and swans, as they preened and squabbled. In fact, they were never still for long, a bit inconvenient when you’re sketching!

Sketching on the Balcony

Behind the Flats

Finally, here’s a watercolour painting of the view from the flat we usually stay in when we visit Scarbrough. Actually, I did a small sketch on the spot and then I painted this larger version at home two years ago. Incidentally, this view shows the undercliff area at North Bay, Scarbrough. But it’s not as extensive as the one at Ravenscar. Nor as cut off and mysterious like a little lost world!

Perhaps you would like to look at the landscapes and seascapes in my gallery here . And there are more paintings of Scarbrough there too. After all, it is one of my favourite places!