Good morning everyone. Today I’d like to show you two watercolour paintings of lovely old buildings that I have just finished. In fact, you may have seen the pencil sketches of animals in the petting zoo at Pot House Hamlet before. (See here). Because we visited this place in Silkstone village on a recent sketch trip. And we were surrounded by the beautiful old buildings of this little settlement – now a garden centre, cafe, shops and small zoo. Actually, the original buildings were 17th century glass making workshops and later pottery kilns. To be honest, I’m not sure about this building, but I chose it because of the unusual shapes. And, of course, the attractive colour of the stone. Then I added more washes of colour at home – the hot sunshine drove us into the shade!
Secondly, this is a sketch I more or less completed en plein air here at Elsecar, despite the steady drizzle. But, when I got home, I decided to heighten the colours, just for impact. Interestingly, one of my art buddies was painting his dramatically coloured acrylic paintings that morning. And I felt that I just had to have a go! I think I need a bit more practice, but I really enjoyed it.
Good morning everyone. This is a little watercolour sketch I did yesterday, when I was sitting in the shade. Actually, it was a hot day and I thought that I had been in the sun long enough. And I had been quite busy. Firstly preparing a small patch of soil in the polytunnel and putting in some lettuce seedlings. Also sowing spinach and sorrel for salad leaves – we do love salad leaves! Next, I raked a small bed of ground outside to break the soil up a bit. Then I planted sixteen chicory plants and, hopefully, we shall have some winter salad next year. Meanwhile, my husband checked the courgette plants and did a bit more picking in the blackcurrant bushes . As you can see, I just managed to sketch him, examining the bush closely, not wanting to miss a berry. Unfortunately, it’s not been a good year for blackcurrant.
Man at Work, a Watercolour Sketch
Did you spot him? Incidentally, if you’re wondering about the ‘palm’ tree in my watercolour sketch, it’s actually a house plant we put there a few years ago and it really flourished! But I do confess to having used artistic license on the tomatoes in the green house. In effect, they are not red yet, rather pale yellowish green at the moment.
Well, this is good evidence, I think, that I really am very busy at the moment. Because everything in the veg garden is growing madly, and it takes up all my energy. If you want to see more paintings of us working in the allotment, see this post here. Anyway, some day soon I’ll put together a post with all the paintings of the garden that I have not yet shown you. Because it really does give me a lot of inspiration.
Good morning everyone. Well, I’ve had another busy week, the pace of my life really does seem to be speeding up now. So, unfortunately I haven’t had much time for art. Obviously, it’s all a question of balancing up my commitments. But, I appear to be out of practice! Anyway, I’d like to show you my latest small landscape in acrylic.
Incidentally, I painted this small scene without referring to a photo. But instead I used a small watercolour sketch done on the spot to jog my memory. In fact, this is a new approach for me, not using a photo. And I’m pleased to say that I was able to draw on memories of the country walk too. Again, quite an improvement for me, as my visual memory is not great.
The Sparkling Light in the Small Landscape
Anyway, I hope you can see that I tried to convey the damp mistiness of the far view to the hills. And the way the light sparkles in the moisture on the tree trunks and the leaves in the hedge. To be honest, I do remember that feeling of optimism at the beginning of a day’s walking on the moors. When you can’t quite give up believing that the the day will fine up. Despite the unpromising weather forecast you have just seen! (If you click here, you can see another rainy day painting)
However, you can still enjoy looking at this small landscape even if you can’t experience the hike. Because, this painting is for sale – acrylic on paper 7 by 10 inches, unframed and without a mount. Priced at £15 plus shipping (free postage in the UK). Just go to the Contact Me page and send me a message. Then, it’s easy really, you pay by PayPal.
Good morning everyone. Well, the image above is a page out of my sketchbook and I completed it on Thursday. You see, I went to a very interesting location with Rotherhamroar artbuddies. The Steel Henge at Centenary Riverside nature park, Rotherham. Honestly, it seemed at first like a very odd choice for a sketchtrip, but nothing could be further from the truth! Admittedly, it was a tiny green space in the middle of an industrial area. However, it was a haven for wildlife, with a river and wildflower meadows.
In addition, there is this very powerful art installation right in the centre of the space. Honestly, we all reacted strongly to it, and set to work straight away with pencil, oils, acrylic and, in my case, watercolour.
The History Bit
Just to give a bit of background, before much industrial development, this beautiful spot was used as a swimming place. And, very likely a picnic area by the locals. Then came the building of steel works. Actually, as they were investigating this site to add to the existing plant, the workmen found the remains of a Roman fort here. Apparently, it was sited to guard the crossing place of the River Don. What a history! (You could take a peep here at my painting of the mighty Hadrian’s Wall, another Roman remain in Britain.)
The Steel Henge
Anyway, the artist created the sculpture by using these huge pieces of steel, discarded parts of machinery that were found nearby. As you can see, the artist had the inspired idea of shaping them into a Stonehenge like formation. And, it certainly does pull at your heartstrings when you stand among the monoliths of the Steel Henge.
After my first watercolour sketch, I looked out in a different direction to see a modern factory in the distance. Now, perhaps it’s just me, but these buildings often remind me of a castle. So, that’s what I thought of as I painted. All in all, a very thought-provoking place to simply sit and sketch.
Good morning everyone. Today I’d like to show you some of the paintings I did while watching the water go by. And I dug this one out of the archives. But I remember the occasion well. Because we walked down this path for the first time and it had just been opened up beside the river. Actually, this river is dammed to make a lake at Nostell Priory, Yorkshire and here is the outfall. And I think it’s officially called the Lower Lake. In fact, it soon widens out to make a perfect habitat for swans, ducks and other waterfowl.
To be precise, I sketched the scene in pencil on the spot and then painted in acrylic after, my favourite medium. If I remember correctly, I tried to show the cold, grey light of a winter’s afternoon. However, I distinctly recall feeling optimistic that Spring would come in a few weeks time. Then we would take walks along this new path in all seasons. And spend some time watching the water go by. By the way, I’m selling this painting – acrylic on paper 12 by 8inches, unframed, £20 plus shipping [postage free in UK].
Finally, I sketched Thrybergh Reservoir in watercolour recently and I completed it on the spot. See my post on this sketchtriphere. All done while watching the water go by.
Good morning everyone. Last week I went with my art group to Silkstone, a picturesque village nearby. We wanted to spend some time drawing small animals. And one of the attractions for us was the opportunity to observe farm animals and birds up close. I used all my powers of persuasion on my artbuddies to encourage them to draw living creatures. As you probably know, it’s quite a difficult task, because they won’t keep still! Actually, the sheep did doze off quite nicely in the shade, convenient for us sketchers.
Anyway, I sketched hens, sheep, goats and a peacock. For the most part, these were quick sketches, trying to capture the shape of the body. Also attempting to show the posture and perhaps some of the attitude.
Drawing Small Animals
Then I spent a bit of time observing this mature male goat, pacing around his own field. Speaking of attitude, he was clearly in charge of all his family, even though they were the other side of the fence. And most impressive of all was his beard, long and luxuriant, sweeping down to the ground.
Finally, I’d like to show you a mixed media painting I did en plein air at Wigfield Farm. This was a couple of years ago when our sketch group visited this teaching farm, with some beautifully cared for animals. Luckily for me, this rabbit stayed still every minute or so. Sometimes it wandered around, investigating all the corners, and snacking. As I recall, I was using pen and oil pastel – these are rather unforgiving media, so expect a few mistakes I couldn’t correct. Even when I tried watercolour on top! Anyway, it was great fun and I’m sure we will go again. After all, practice makes perfect ( so they say!)
And if you want to see some paintings of dogs, you’ll find them here.
Hello everyone. We’ve just come back from a lovely short break in Scarbrough on the Yorkshire coast in the UK. And it was quite sunny and perfect for sketching scenes! To be honest, I did this first sketch in Ravenscar, which is a half-hour drive further north of Scarbrough. Actually, it’s quite a fascinating place, the resort that never was.
Now, I must explain that the location is stunning, right on the edge of a dramatic stretch of steep cliffs. We love to spend time there, gazing down at the lush, expanse of under cliff, which comes between the top of the cliff and the rocky beach. But, this is really the problem because the path to the beach is very steep, and the beach has very little sand. So, not at all the best place to site a resort with relaxing walks and easy access to a nice sandy beach. However, this is exactly what the Peak Estates Company tried to do in 1890. And they planned the entire resort, buying up the land and everything. Even the streets and the sewers were laid out. Unfortunately, the gamble didn’t pay off, the venture failed. Nonetheless , the place has a cafe, a hotel and a National Trust Information Centre, so it makes our visits there even more worthwhile.
Perhaps you may wish to know that I was sitting at a picnic bench on the green in front of the one and only cafe as I sketched this. And, it was closed for the day!
Sketching scenes at the Mere
Yesterday, as we were setting off back home, we parked the car right next to the lake. Then we had a cup of coffee and watched the ducks, geese and swans, as they preened and squabbled. In fact, they were never still for long, a bit inconvenient when you’re sketching!
Sketching on the Balcony
Finally, here’s a watercolour painting of the view from the flat we usually stay in when we visit Scarbrough. Actually, I did a small sketch on the spot and then I painted this larger version at home two years ago. Incidentally, this view shows the undercliff area at North Bay, Scarbrough. But it’s not as extensive as the one at Ravenscar. Nor as cut off and mysterious like a little lost world!
Perhaps you would like to look at the landscapes and seascapes in my gallery here . And there are more paintings of Scarbrough there too. After all, it is one of my favourite places!
Good morning everyone. Last week I went out with some art buddies from our Rotherham Roar group, here . And we found this charming scene down the path from the visitors centre at Ulley Reservoir. And, I spent some time painting small boats. Although it was quite cold, we were all entranced by the beautiful view over the calm water. Partly because there were three brightly painted pleasure boats bobbing about, safely tied up to the jetty. Perhaps they are only available at the weekend, I’m not sure. But, I think they lead the eye quite naturally to the far hill in my composition. And, over the hill you’ll find the village of Ulley.
As you can see, the late Spring foliage on the trees is still a fresh, bright green. And it contrasts quite nicely with the blue and red paintwork of the boats. Of course, this is only a rough, quick, plein air sketch of the scene. But I hope it captures a little of the tranquillity and beauty of the morning.
Painting Small Boats at the Seaside
Actually, I found this acrylic painting in my stash when I was attempting to tidy my studio. In fact, I painted it from a little postcard photo. (Really, in order to get this viewpoint in real life, I would have been standing in the sea!) And it shows the picturesque Edwardian seaside resort of Filey, on the Yorkshire Coast. Incidentally, the tutor on the online course I’m following was recently encouraging us to look back at our old paintings. And, the intention was to critique them, carefully noting both the good as well as the poorer aspects of the painting. It’s all good practice in the grand plan. ( That is, of becoming a better artist!) So, wish me luck!
If you want to see a more recent example of me painting small boats, see this post here. And have a look at my tribute to artist Raoul Dufy.
Good morning everyone. Well, today I thought I would tell you all about when I went watercolour sketching with art buddies last week. Actually, I arranged the outing myself and I chose Worsbrough Mill for our get-together. Because it is an impressive site with lots of inspiration for keen sketchers. Or, even sociable art group members and friends who want to connect after some lonely times! Anyway, there was a good turnout and we had a brilliant time.
Just to explain, I sketched the scene above looking over the yard to the main mill building. In fact, my painting shows the more modern section, which was added to the old mill in the 19th century. And, the original part of the complex dates from 1625. But apparently there has been a corn mill on this site since medieval times. If you are interested in more details of the history, see this link here.
Watercolour Sketching at the Mill with Art Buddies
In actual fact, we were sitting on tiny fold up stools to sketch this, so the view point is very low. As you can see, the buildings are made of beautiful, old sandstone which really did glow in the grey, overcast light. Probably a little bit beyond my watercolour skills, but I had a go!
Well, after everyone had disappeared back to their cars to go home, I sneaked back to the millpond. And I did a small, 10min sketch of the scene. By now, the strong breeze blowing from the reservoir was chilly, so I went home too!
And, I couldn’t resist adding some colour later on at home. So, now I have two ‘snapshots ‘ to remind me of my morning watercolour sketching with friends!
If you’d like to see me sketching in the Mill Country Park and the paints I use, see this post here.
Good morning everyone. Today I’d like to show you my new small landscape painting. As you may remember, I am following an online course, on Learn to Paint Academy, at my own pace. And our tutor, Rod Moore suggested something I hadn’t thought of before – small studies, brought to a finished state. Of course, this is a great way to practise techniques and experiment with composition ideas. However, it doesn’t take anywhere near the same amount of time as one of my larger works. And, it’s just as satisfying to do. But, although it sounds simple, I never thought to try it!
The painting above is 7×9 inches, acrylic on paper and I’m offering this mini landscape at £15 plus shipping, (in UK free!). So, if this quiet, end of winter, English scene appeals to you, go to the Contact Me page and email me. Then you can pay by PayPal.
The Preliminary Sketch for my Small, Landscape Painting
Actually, you may have seen this sketch before. If I remember, the day was icy cold – the park was looking great, peaceful and dignified. Surprisingly green for the season. And some families were calmly taking their daily Lockdown exercise in superb surroundings. Unfortunately, I only managed a quick pencil sketch and then the cold defeated me. So I had to go home and warm up and I didn’t add colour at the scene, as I prefer. Anyway, after studying with Rod for a while, I now have the confidence to paint a small, landscape painting later. In fact, that’s a departure for me because I didn’t feel I could trust my visual memory. But, now it seems to be improving! Consequently, expect to see more little paintings based on my treasure trove of sketchbook pages made en plein air. ( I made some this week, but, that’s another story, perhaps for my Tuesday blogpost!)
So, enjoy this glimpse into my world, and let me know if you would like this piece of more affordable art for yourself.
Good morning everyone. Well, I had a little bit of time to play this week and I read something online about not forgetting the importance of experimenting with your art. So I spent some time adding colour to this very quick pen sketch I made last year. As you might remember, I wrote here about how inspiring I found the lush growth on the runner bean plants. Anyway, I took the opportunity to really try to work out how to use the Inktense paints I bought. And, I had a breakthrough – use more water! In fact, as you will see, a bit too much water in places!
Adding Colour to the Pencil Sketch
Actually, this is the second very quick sketch I made when we went to Cannon Hall Park and Gardens (see here). And now, here’s the coloured version.
Now I feel that I’m getting to grips with using this type of watercolour, and the colours certainly are bright. And, to be honest, I felt very relaxed when I just concentrated on texture and colour like this, so it’s a win-win situation for all! So, have a good weekend, everyone!
Good morning everyone. Just a quick post today, my life seems to be opening up a bit more now. And, we’ve plenty of work waiting at our allotment garden. But, I wanted to show you some of the artwork I have managed to do, based on a pencil sketch. Unfortunately, I haven’t got a ‘before’ picture to show you.
So, the image above is the ‘after’ picture! I started it off as a pencil sketch done in about February, I think. Or maybe March. Anyway, we booked a timed visit to Brodsworth Hall, a graceful, elegant large house nearby. But, the weather was dreadful. So I sat down on a bench where I could glimpse the pale sandstone building through the trees. Actually, I was fascinated by this view every time I had walked by. However, it was drizzling and quite cold, so I only had time for a quick pencil sketch. And no chance to capture the colours.
Adding the Colours to my Pencil Sketch
Well, as you can see, I re-imagined the scene as it looks on a sunny morning. And, all this from the comfort of my armchair, something I rarely do. Perhaps you remember that I mentioned I was fed up with the watercolour travel set I use. Honestly, I thought the colours seemed very dull . Incidentally, can anyone recommend some bright, vibrant watercolours I could try? Well, I did impulse buy this little travel set of Inktense pans because they seemed bright. And, they certainly are bright, but not quite suited to plein air sketching, I think. Just an experiment!
Another ‘cold weather’ sketch
Of course, I sketched this on another still, grey winter’s day in the picturesque village of Wentworth. Because it was too cold to make a watercolour sketch, I feel it’s not really finished. So, time for the colour treatment, I think. There’s another post here of the other beautiful church in Wentworth, and I completed this one in colour, on the spot!
Good morning everyone. Firstly, this is my quick sketch of part of the walled garden at Cannon Hall. And, if you look carefully, you can see the pear trees trained against the old brick wall. Actually, this garden has Heritage Pear Tree status and these varieties are amongst the oldest ones growing in the UK. In effect, some are over 200 years old. And the lovely old brick buildings forming one wall of this space are part of the estate offices and courtyard complex. In fact, the garden is conveniently next to the ‘big house’ . Because, this is where all the veg and fruit for the household was grown. Here’s the link to Cannon Hall’s website, it’s a really interesting old mansion.
Our Sketch Trip to the Walled Garden
To tell you the truth, this was our first outdoor trip as a society for two years! Also, our art society met for the last time indoors in March 2020, when we had an illustrated talk on painting icons for the Orthodox Church. And it seems such a long time ago – have a look at our Facebook page here to see more. Anyway, we had an absolute blast! Because sketching together outdoors, chatting and the all important coffee and cake is what we love to do.
In this image you can see two of our sketchers near the ornamental pond (just hidden). Also, you can see part of the installation displayed here temporarily. It’s inspired by the story of a local woman, Lady Mary Wortley Montagu, who brought inoculation into England in 1721. Apparently, she saw this medical procedure being carried out in Turkey to protect against smallpox. And, given our present situation, this is surely something to celebrate.
Well, in my sketch, which I did in 30 minutes, I tried to capture the soft, mellow colour of the ancient brickwork. In addition, I was interested in the contrast between the formal, espaliered trees, flat against the wall and the modern prairie planting in the foreground.
What a fabulous day out – the first of many, I hope!
Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!
To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?
You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.
A Charcoal and Pastel Sketch of the Camelia Bush
Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!
Good morning everyone. Today I’d like to show you my attempt at a semi-abstract cityscape. Actually, I didn’t want to waste the leftover paint on my palette, so I started doodling. (Or, you could call it an intuitive abstract!). Anyway, when I saw the shape of a doorway, I thought I would try to paint a cityscape. Then, I loved the blocks of colour so much that it gradually led me into some semi- abstraction of the scene. And then a bit more! To tell the truth, this is my first attempt at this subject. That is, if you discount one collage of an imaginary view over a city that I did a few years ago. But, I would definitely like to explore this theme a bit more . And, I could even do a series, like a proper artist!
However, I must say that when I posted this on my Instagram account at least two friends saw this as an industrial scene, a steelworks melting shop to be exact. Well, at least they both liked it, so that’s the main thing.
And now, in complete contrast, this is a cityscape in southern France somewhere. That is to say, judging by the architecture and the strength of the sunlight. Obviously, I painted this based on a reference photo, and a bit of memory, not from my imagination like the first image. At the time I painted it, a few years ago, I was quite pleased with it. And, I still am, but, I’m quite glad that I am now moving away from following the photo so carefully. So, if I were to do a similar scene, I’m sure I would interpret it with more artistic licence.
An Urban Sketch Cityscape
Finally, this is an urban sketch I did, on the spot in about 30 minutes. Incidentally, I was out sketching with Urbansketchers Yorkshire, back in the day when there were no restrictions on mixing. Happy days! And, this old warehouse by the canal was part of the site dedicated to the well-known sculptor Barbara Hepworth. Well, I know it has its flaws, and I’ve learnt a bit more about perspective since then. But I do like the freshness and atmosphere I’ve captured here. Plus, of course the memory of a fab day out sketching.
So, whether I use acrylic or watercolour, a photo, my imagination or plein air approach. And, whether I paint in realistic or abstract style, I still find plenty of inspiration in this subject. You could see a very different type of cityscape if you look at this post here – the Piece Hall in Halifax, UK.
Good morning everyone. As you may know, I absolutely love painting outside and the glorious fine, sunny weather is perfect for me. So, yesterday I went to Thrybergh Country Park to meet up with some art buddies. And we could paint all morning in complete comfort. That is, no shivering with cold or battling with strong winds to keep hold of paper and so on.
The Colours of Spring when Painting Outside
To be honest, it was the colours of the scene which inspired me most. Because at this time of year, as the trees begin to come into leaf, some of the greens are soft and yellowy and even the more vibrant ones are still easy on the eye. However, in this part of the landscape that I chose, most of the trees are bare and stark. Actually, that gave quite a dramatic effect against the calm, lazy surface of the water, gently reflecting the sky and trees. Of course, I did use artistic licence and I left out all the waterbirds. Also, all the walkers. But, for today it was the sight of nature gradually progressing through Springtime that interested me. Incidentally, this man made lake is available for free swimming on two evening sessions during the week. Maybe one day!
Naturally, there was plenty of time for coffee and chat. Plus, most importantly of all, scrumptious cake! And we talked about pochade boxes and outdoor easels. Then how to prepare wooden panels with gesso. And we discussed the different methods of capturing a scene like this using realistic versus impressionistic styles. So, all my artistic batteries were charged up. And I really am looking forward to a lovely summer season of sketch trips with like minded people. Sheer bliss! Have a look at this post here to read all about another sketchcrawl on a hot summer’s day last year.
Good morning everyone. One fine day last week we went to have a look at this old colliery site – Barnsley Main in the Dearne Valley. Actually, we knew that the community group who look after it have worked really hard on it. So we had a wander round and I sat down at the picnic table and bench to sketch the view. To be honest, I had planned to do this some time ago. But, I suppose I was always too busy going somewhere else to sketch. And I needed a Lockdown to make me concentrate on the interesting locations that are just on my doorstep.
The Barnsley Main Pithead with Winding Gear at the Old Colliery Site
Of course, I did this fairly quick watercolour sketch (40 minutes) on the spot with a little tidy up at home. To be honest, I didn’t want to use pen and ink. But I thought I must add a bit more definition. So I strengthened the black lines with more washes at home. This and the large building that houses it is the only remaining evidence of the pit above ground. However, it is quite unique and now it’s a Grade Two listed building. And it is well known as the mine that blew up in the Oaks mining disaster in 1866. Tragically, the fire from the explosion took the lives of over 380 miners and rescuers. If you want to know more, here is the link to the website.
The Oaks Mining Disaster Memorial
This is my quick, rough and ready plein air sketch of the statue by our local sculptor Graham Ibbeson. In fact, it is a very impressive and moving installation right in the town centre. Naturally, you can’t see all the details here. But, the sculptor has made up the hair and shawl of the miner’s wife out of pieces of coal. In effect, she waits at the colliery for news of her husband. And you can just make out the body of a miner, trapped underground beneath her feet.
Anyway, after I had finished my sketch, we walked down the path the miners used to get to work, over the canal and on to the fishing ponds. Really, it was a lovely sight, swans gliding on the water and families enjoying the sunshine and the outdoors together. A perfect day!
Have a look at this post here to see another recent plein air watercolour sketch done in my local surroundings, this time a lovely country park.
Good morning everyone. This is a little watercolour sketch I did at Worsbrough Country Park last week. Finally we had one or two milder days and we really enjoyed the fresh air. Actually, I have been searching out the first signs of Spring this year. Because the winter did seem to me to be very long. And, it was such a pleasure to spot the first hazel catkins and the willow blossoms.
In fact I realised this year something I had never noticed before. That is, that the pussy willow flowers gradually open right out into larger flowers and the pollen escapes. Then the tree seems to be a vivid greeny yellow from a distance. As you approach, it gradually changes to be a dusty yellow colour. Just remember, the stark, dark brown branches are bare of leaves at this time. Honestly, this is the first time I ever noticed this!
One of the first signs of Spring on the willow trees
But, just to return to the blackthorn tree and its creamy white blossom. What a welcome sight at the end of winter! Again, the branches have no leaves, and the trees are covered in clouds of creamy white blossom.
In order to sketch this view en plein air, I sat on a very comfy bench near one of the pedestrian entrances of the park. And we were looking down towards the paths that lead around the shore of the reservoir in both directions. Honestly, it was such a treat to sit in the sunshine, and see happy walkers, children and dogs relaxing. In fact, even the watercolour sketch went well until I tried to indicate the showy, white flowers! Eventually, I had to leave that part of the painting until I got home. Then, out came the little tube of white gouache paint , but even then, I couldn’t quite do the tree justice! But, it was worth it to do my first outdoor sketch of the season.
Last year’s Spring flowers
Incidentally, this is an acrylic painting I did last year, in Spring to cheer myself up. It’s a semi abstracted view of pansies and polyanthus flowers in my garden, listening in the Spring showers. Well, it did cheer me up, but I’m so glad that I could go out this year. And appreciate the trees and their impressive blossoms in the Great Outdoors! If you want to read my post about last year’s exhibition ‘Springtime in Yorkshire ‘ see here .
Good morning everyone. I thought I’d like to share with you some winter landscapes I’ve painted quite recently. In fact, I realized I’d better hurry up, as everyone is now spotlighting the signs of Spring!
Well, the image above is a mixed media piece I did instinctively straight after a short drive in local countryside. As you can see, the mist was fairly thick, and the sun just peeped through briefly in a couple of spots. Actually, I was quite fascinated by the tangle of bare, tree branches looming in and out of focus . And all this against the thick, soupy consistency of the off-white sky.
Winter Landscapes – Part One, the Instinctive Semi Abstract
Firstly, I scribbled some trunks, branches and random lines with a graphite pencil. And this gave me very strong marks, just what I wanted. Then, my idea was to lay in shapes in the negative spaces between the branches with acrylic paint. But the paint wouldn’t quite cooperate – I think it’s time I tried water mixable oils! However, I used what I had, sketched in some grasses and so on. Then I put some detail into the tree trunks with sepia ink, applied with a tiny brush.
A Winter Scene – Part Two , the Plein Air Sketch
And this is the other one of my winter landscapes – a watercolour sketch I did en plein air. To be honest, the ‘air’ was very cold! So I spent 20 minutes sketching from life, then painted more layers of washes at home. Again we have the bare branches against the beautiful, subtle greys of the sky. But I hope you can see the difference between the two approaches to the similar subject matter. That is, an impressionistic, imagined painting and an on the spot sketch, staying close to reality. Which style do you think gives a more effective record of a scene?
We often walk in the grounds of Wentworth Castle Gardens (NT) and I love to paint the mock castle here and the other features, such as the rockery, see here if you’d like to enjoy the views.
Good morning everyone. Last week we went for a stroll around a very picturesque village where I did some plein air sketching. Actually, the weather was extremely cold and we saw a fair few other people, wandering aimlessly around. Well, that’s the Lockdown effect for you, but I couldn’t think of a more pleasant place for an easy winter walk.
The Village Buildings – My Plein Air Sketching
In fact, Woolley village was full of beautiful old cottages, some farm buildings and a splendid Old Hall. But it was the church that caught my eye, and we found a bench under a huge yew tree. So, this is the view right in front of us- irresistible. Just look at the glowing sandstone, the backlit holly tree and the quirky shapes of the ancient gravestones.
Plein Air Sketching at this Historic Site
In fact, there has been a church on this site since Norman times, that is since the eleven hundreds. Hopefully, you can just make out the odd shapes in the bottom left of the picture. Apparently, these are shrine like tomb boxes from the Norman period. In addition to this grade 2 listed graveyard, inside the church there is a William Morris stained glass window. Unfortunately, the church wasn’t open, so that will be for another day.
If you follow my blog, you will be aware that I love to sketch en plein air or from life outdoors. For me, this means watercolour sketching and I do like to complete the sketch whilst outside. However, for this one, I managed to do about two layers and then my fingers froze! (40 minutes). Then I finished it off at home. But you can see the Quarry Park here and Wentworth Old Church here which were completed in situ. Oh well, let’s hope for some mild spring weather soon!