Good morning everyone. Now that everything is getting back to ‘normal ‘ after the festive season, I am catching back up. So, here is a little green and gold scene I painted in gouache, back in November. As I recall, the reference photo was a touristy one I saw somewhere. But I altered it quite a bit and added a figure. That’s me, standing on the rock in the cool morning air with my cagoul hood up. And, I’ve probably got my field sketching kit in my rucksack. Perhaps you’ve noticed that I’m looking at the leafless tree on the left. Unfortunately, a much more common sight now when we’re out walking. Anyway, I still managed to fit in plenty of green and gold to cheer me up. Also, it was good practice to paint in gouache and I am gradually getting more used to manipulating the paint.
Actually, the title says it all! For this scene, I used an old watercolour sketch I did when we were in Wales. However, I can’t remember the location other than it was a lovely ornamental park in North Wales. And, we had the place practically to ourselves. Because the season had been quite wet, all the late spring flowering shrubs were really blooming.In addition, the foliage was glistening after a brief shower. On the technical side, the paint was gouache and I built the painting from my watercolour sketch and , surprisingly, a bit of memory. In fact, it’s really addictive and I have a huge archive of sketches to mine!
The Flowering Shrub in my Green and Gold Gouache Landscape
Incidentally, there’s another uplifting green and gold painting in this post here , this time a woodland scene.
As ever, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for further details.
Good morning everyone. This is my latest portrait of my allotment. Actually, I just realised that the little watercolour sketches that I do are really portraits. And they seem to me to show different facets of something that I love, very much like artists paint a loved one over and over.
In this particular painting I wanted to make a record of how the fiery red Discovery apples glow. And can be glimpsed through the gap in the hedge that separates two sections of the allotment garden. As you can see, the Brussel sprouts plants are going from strength to strength. Also the leeks in front of them are putting on lots of leaves before the winter comes. In fact, both of these plants will stand over the winter and, hopefully, provide fresh veg till spring.
Can you spot the gardener, weeding the few summer cabbages that remain? Incidentally, I make this figure nice and vague. Because I like to think that it represents both me and my husband, as we both look after the garden. You can see the gardener in this acrylic painting here too.
This Year’s Portraits of my Allotment
Well, this last image shows how I sat in the fairly bare winter scene, And dreamed of beautiful mauve flowers! There’s another idealised portrait based on reality here, showing how I think of the time I spend in the garden. But, in reality, we work very hard here. And, I wouldn’t have it any other way!
Good morning everyone. I painted this view of the big house when we spent a few hours in Wentworth Woodhouse Garden , see here. And what a delightful place it is! However, this sight was a complete surprise. Because this is actually the original mansion, and the grander facade on the other side is the larger house that was built on to it. Who knew? Actually, the other side with its impressive carriage drive approach is the longest range of buildings in England. And that includes all our royal palaces. Really built to impress!
This quick phone snap shows you the real life view and we reached this point after a lovely stroll around the park. And there are plenty points of interest. For example, one of the follies carefully placed in the garden was this Ionic Temple. And it’s a quite convincing copy of a classical monument.
In fact, it looked good from all angles, but I chose to sketch the statue on the plinth. Incidentally, this is a representation of the Greek hero Hercules, fighting a mythical creature with his bare hands. Plus a hefty looking club.
The Camelia House in Wentworth Woodhouse Garden
Before I finish, I must just mention the Camelia House, now in a very dilapidated state and the subject of a fund raising campaign. But the camelia bushes are still growing and they are the oldest in the UK. And the original purpose of the building was the Duchess’ tearoom, when she entertained the guests of her husband, the Prime Minister in 1765. But, quite apart from that, I can’t resist painting my version of this intriguing building in Wentworth Woodhouse Garden. So, watch this space!
As you might have realised if you look at my blog, I am very fortunate to live in a part of the world where there are lots of beautiful historical places to visit.
Perhaps you might also like to see my visit to Melbourne Hall here.
Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!
To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?
You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.
A Charcoal and Pastel Sketch of the Camelia Bush
Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!
As I promised ,here is the finished version of the mixed media pigeon . I first drew this in pen . Then I added thin watercolour washes , and next I strengthened the colours with more washes . And , finally , I added detail with coloured pencils .
Mixed Media Pigeon Spots Something with her Beady Eye !
As you can see , I like leaving all the construction lines in . To tell you the truth , I actually started this piece off as a doodle , so there are plenty of lines . And then I decided what the drawing should be ! ( see more bird art in this posthere )
Actually , I find that the coloured pencils are ideal for soft feathers and grasses .
I sell all the art on my website at reasonable prices . For example, this mixed media piece is 9 by 9 inches square in watercolour , pen and coloured pencil on paper and it’s priced at £25 including shipping in the UK .So , it’s Affordable Art – if you want to treat yourself !
This is a painting of a bunch of flowers that I quickly gathered from the allotment one day this week . It’s painted in a loose watercolour style and I can’t really call it a sketch. Because I spent about an hour and a half on it. It’s in my Lockdown art journal where I can be a bit freer and experiment ( play , really) .
I tried to use more water in the paint and let it flow around . I like using a technique called ‘ wet-in -wet ‘ when you load up your brush with fairly runny watercolour paint and paint it on top or right next to wet paint . Then watch what happens ! Sometimes the effects are quite pleasing . And then I exaggerated and worked into the bits that looked effective. I must confess that I’m not so experienced with this medium . But working in an art journal gives you the freedom to try things out , without worrying about ‘ spoiling anything ‘ .And I have noticed that I have used my journal to paint in loose watercolour style on several pieces.
As you can see , there’s Sweet Williams , euphorbia and verbena in there . And also a ferny sort of plant with delicate heads of pale yellow flowers . But I’m not sure I know what it’s called . It probably planted itself !
At least now I have more time to paint when I feel inspired – instead of putting it on a to-do list ! See more flowers in my gallery .
Loose Watercolour Style
This is watercolour on paper, a page in my art journal , about 10 inches square. If you want to know more , email me using the form on the Contact Me page . All my work is for sale at reasonable prices.
An Intuitive Abstract Composition in Pink and Green
This is the first painting in a set of three that I mentioned a couple of posts ago .And I called this one ‘Paradise ‘ . I think I must have imagined a tropical scene or a scene in a jungle . The colours I was drawn to – luscious pinks and vibrant greens – definitely fitted into this theme . I tried really hard not to paint anything too figurative and realistic . But when I stood back from my easel, I saw suggestions of a bird , an insect , perhaps an animal, flowers and leaves . So I realized that I was going to make this this acrylic abstract composition semi-abstracted not purely abstract . But that’s ok. To be honest , I often find that my paintings decide what they want to be . And , sometimes without a lot of input from me ! I even turned this one upside down several times to paint it and the motifs still appeared ! I wonder if you can see any signs of life in this jungle ( as well as the luxuriant foliage , that is ) ?
Paradise – Birds , Flowers and an Insect ? – details from my acrylic abstract
I believe that the term ‘ paradise ‘ has its origins in a word which meant ‘garden’ , a place with lush growth and plenty of water , a place where you could rest and gaze upon a beautiful scene . When I painted this , I was thinking about the story I was telling in a series of three canvases for a commission proposal : this is the first one ‘Paradise ‘. And the second one ‘ Hell on Earth ‘ was shown in a previous post in May here and it carries the story forward .. All will become clearer soon when I reveal the third part !