New Narrative Paintings for Mirfield

Paradise

Good morning everyone. This is a quick post today, I’m insanely busy right now. Why is it that you wait two years for an exhibition and then five come along at once! Anyway, I wanted to show you another two of my narrative paintings. And, as we speak, this should be hanging on the wall at Creative Arts Hub Gallery, Mirfield. Well, I hope so, it’s the launch of our art society show ‘Every Picture Tells a Story’ in the morning!

Actually, you may have seen this on this blog before, along with the next part of the story, in this post here and here. In fact, I did paint five pieces to tell the tale of ‘ The Progress of Mankind ‘. As illustrated by me! Simply put, this first chapter shows the unspoilt paradise that the earth once was. Perhaps you can see the suggestions of an insect, a bird, a butterfly and a flower.

Hell on Earth

And here is part two – my interpretation of the way our world is almost destroyed by the exploitation of all our resources. Perhaps you think it’s pretty bleak. But by Chapter Five of my narrative paintings, things are a little bit more hopeful.

I’m really looking forward to seeing all the other stories on the wall tomorrow morning.

One More Quick Watercolour Abstract

Golden

Good morning everyone. I’m very busy at the moment, arranging exhibitions, visiting galleries and so on. So I don’t seem to have had much time to do any bigger painting projects. And I have also been finishing art society projects. Not to mention planting things at the allotment garden. But I did complete this quick watercolour abstract, thank goodness. As you may know, I hate leaving work unfinished. Anyway, this is quick abstract number 8. Actually, for this one I had a picture in my mind beforehand of hexagonal shapes. And, that along with the golden colour made me think of the shape of honeycomb. However, that was as far as the similarity went. As I painted, I got more interested in blending the gold and mauve together harmoniously. Of course, these two produce a range of soft browns. Therefore, brown was my third colour – I prefer to restrict myself to a few colours in abstract work now.

Areas of soft blending in my quick abstract

Then I decided to do the surface pattern over the soft background. On another day, in a ten minute slot of free time. Perhaps you can see that I used oil pastel, coloured pencil and markers for this stage. Frankly, the problem is knowing when to stop! Well, I added an accent of red and scribbled in some small pattern with black ink. Incidentally, I don’t think I am quite finished with this idea, so I may visit it again. Possibly with acrylic paint this time. As you may have seen on this post here, I am quite fond of the yellow and purple combination!

Finally, I can’t sign off without a mention that our Northern Fringe Gallery exhibition ‘Yorkshire Makers Inspired by Yorkshire Writers ‘ opens tomorrow at Skelmanthorpe Library Gallery. And it’s presented by Village Art. To be honest, this is the third venue on our tour! And this is one of my pieces – Top Withens, the ruined farmhouse near Haworth. Widely agreed to be the inspiration for Wuthering Heights, the famous novel by Emily Bronte.

Top Withens

New Painting at Halifax Gallery

Warm Afternoon in Queensland

Good morning everyone. I’m so delighted, my new painting has been accepted for the Summer show in the Open Gallery in Halifax! And this is a new gallery, so I’m really looking forward to seeing it and the current show on the walls. By the way, the theme actually is Summer, so I thought that this painting would fit in very well. In fact, I created this while I was studying a module in an online course. And the tutor, Rod Moore lives in Queensland, Australia. So, most of the reference photos he provides are of his local area. Maybe you can see that I tried to create an atmosphere of heat rising from the fields in the late afternoon. And a hint of heat haze on the distant mountains.

Of course, we have to deliver it soon, so we can spend a morning walking around historic Halifax. And perhaps potter around the wonderful Piece Hall, as I described in my post here. And you can read all about this Grade 1 listed building.

The Piece Hall, Halifax

If you’re in the area, please join us at the opening event on Saturday 25th June, 5 till 7pm.

Painting Old Houses in Watercolour

Old Houses in West Yorkshire

Good morning everyone. I don’t think I have shown you this watercolour, where we were painting old houses at art society. Actually, Tony Burke, a local artist, came to our evening meeting and led us through this painting step by step. It was quite a challenge but very enjoyable. And we found this curved row of houses in a small village very unusual and inspiring. So, the perfect subject for painting old houses. In fact, this was the first time for ages that we invited a guest artist to work with us. Of course, the society was closed a long time during the pandemic. And it’s taken us a while to get back to normal. Anyway, in this exercise I learned how to blend a sunset colour into my sky. Also, Tony taught us how to add character into trees by twisting the brush when painting foliage.

Top Withens

This is another old house in West Yorkshire, but this time it’s a more famous one! Perhaps you remember this post here. Where I explained that this ruin is widely accepted as the inspiration for ‘Wuthering Heights ‘ by Emily Bronte. And I painted it for our Northern Fringe Gallery exhibition, Yorkshire Makers Inspired by Yorkshire Writers. Firstly we showed our work in Creative Arts Hub, Mirfield. Then in Queen’s Mill, Castleford. And now Skelmanthorpe Library Gallery have invited us to exhibit in a week’s time. It was a lovely surprise. What a shame you can’t all come to our preview event – you would be very welcome!

Some Beautiful Old Stone Buildings

Kirkham Priory

Good morning everyone. I thought I would show you the last of the three watercolour sketches I did on our mini holiday. ( See the other two here) Perhaps you have noticed how much I love painting old stone buildings. So, here’s another one! In fact, I did this as we were driving home from the coast. And we stopped for an hour to eat a sandwich at Kirkham Priory, a beautiful ruin looked after by English Heritage. Well, this was the view from the picnic table and we we were in the old gatehouse. Obviously, I couldn’t resist sketching this section of the massive wall and a glimpse through the door. Meanwhile, my husband walked around the site with a guidebook, trying to imagine the splendid buildings as they once were.

Conisbrough Castle

Actually, we seem to do a lot of this, trying to imagine what old stone buildings once looked like. But, just to show you the exception to the rule, here is the keep at Conisbrough castle which is completely restored. As I recall, when we visited in November last year, we saw all three floors. Then we climbed up to the viewing platform at the top, to see a glorious view over the town. If you want to see another historic English castle, see this post here.

A Day by the Sea

North Landing, Flamborough

Good morning everyone. We’ve just spent a lovely few days by the sea. And I painted this quick watercolour sketch looking down at North Landing Bay at Flamborough on the Yorkshire coast. Although it looks deserted in my sketch, there were actually some families playing on the beach. And the snack bar was open and doing a roaring trade. Also, a small boat came back to the shore, with a few crates of fish. Then they pulled the boat up the ramp to the boat house. After I had finished my sketch, (about 30 minutes) we walked a short way along the cliff path on the headland. Actually, we were looking out for puffins, but they were all hiding! What a beautiful way to spend an afternoon.

In fact, I had paddled in the sea on the beach at Scarborough that morning, in freezing cold water. And when I got back to the flat I decided to do an intuitive abstract. So I painted an impression of the movement of the water, as the tide receded around my feet. If you look at this post here from last year, you’ll see another sketch of this coast.

The Tide

Another Fine Day

Another Fine Day

Good morning everyone. I really enjoyed painting this landscape in gouache, Another Fine Day. And it was one more step in my journey in mastering this medium. Perhaps if I painted solid for a few weeks I could get more confidence in using gouache. But, because I adore using all sorts of media and paint all kinds of subjects, my progress will be slow. Actually, what do you think – is this a disadvantage or instead, is this a gift? Anyway, I posted this on our MeWe group and then started another one!

A close up

Two Paintings from my Archive

The Road to the Mountains

Good morning everyone. As part of my grand tidy-up, I looked through this old sketchbook to check for any empty pages. And I found these two paintings from my archive. Admittedly, I am not very organised, I have several sketchbooks on the go at once, with no particular plan! But the time comes when I must fill them up and put them away. Actually, I found that I had filled up this book and, in the process, I discovered these two mixed media pieces.

Over the Bay

Although I love them both, I must confess that I can barely remember doing them! Except, I do recall that it was round about the time that I was busy experimenting with coloured pencils. Perhaps six or seven years ago, possibly. And, me being me, I also couldn’t refrain from using watercolour pencil, oil pastel and marker pen too! Anyway, I am certain that I drew them from postcards or magazine cut-outs, not plein air. However, when I examine them now, I can clearly see bits that remind me of places I love to draw from life. For example, Over the Bay is definitely influenced by the hours I have spent looking and sketching at the Bay at Scarbrough on the north east coast of Yorkshire.

As for the mountain one, I can see in it the vegetation that grows on the moorland around where I live. So, I do remember happy days when I look at these paintings from my archive after all! You could see some more evocative landscape paintings in my gallery here.

Look at my Group Projects

Amazonian Waterlily Pond

Good morning everyone. I did a bit of tidying yesterday, because we could hardly move in the living room and hall. And all because I brought my stuff back from two exhibitions and failed to store it away! Anyway, to be honest, the space was already packed to capacity with sketchbooks and loose pieces on paper. And while I was shuffling paper, I came across some work I had done for my group projects. Somehow, this kind of painting ranks a bit lower in my mind than my own self lead creations. Actually, I shouldn’t really think that way, so, to make up for it, here they are in the spotlight.

Gouache Paintings of Brazil – one of our Group Projects

As you can see, the title says it all and this was for our Beginner Gouache group on the Mewe platform. In fact, we are a friendly bunch. None of us claim to be experts and we help each other along the way. And help is very welcome when you’re trying to make progress with this challenging medium!

The House for a Folding Book of a Street Project

While I was tidying up, I found these paintings I created for some of my group projects. I love the variety of inspiration they give me for my art work.
A House for the Street

This is my second offering for the street and it is also in gouache paint. (Because it is so easy to take out and use at our art society meetings). If you would like to see my first house, look at this post here and keep watching this channel for an update on the book. In construction as we speak!

An Unfinished Project

Reading

Finally, here’s a finished painting for one of the group projects I intended to enter, but never quite completed. To be honest, I didn’t think it was quite good enough, the brief for the open call was very restricting. And the image I ended up with didn’t inspire me. So, this princess stayed at home! And now I’ll get back to finding space to store all of these paintings I’ve “tidied”!

New Pale Abstracts to See

Something Blue

Good morning everyone. As you may know if you read my blog, I am at present working my way through an excellent online course by Yvette. And I am learning how to create pale abstracts, which are completely different in style to my usual paintings. In fact, in this module we are taking the approach of first creating a background of patterns in dark paint, then applying layer after layer of colours and shapes. Have a look at this image below first to see the process half way through. Then see how it ends up in the next image.

Misty Landscape, half way through
Misty Landscape, finished

In fact, this was my first attempt and I relied quite heavily on the tutor’s version. But this next one I really consider to be my own. And I think it looks well presented in this virtual room. However, my paintings are small and the blown up images really demonstrate how effective large scale abstract paintings can be. See what you think.

Something Blue

Well, I’ve been very busy with these new pale abstracts – they do take some time to do for smallish paintings. Actually, I’m half way through the third one just now, but you’ll have to wait a bit longer to see that one! Meanwhile, here’s a link to a post showing some of my ‘old style’ abstract compositions.

Art Work Inspired by Japan

Full Moon, inspired by Hiroshige

Good morning everyone. This is a painting I did for this month’s theme in our Beginner Gouache group, Of course, the theme is Japan and I looked up works by Hiroshige and Hokusai, two masters of the woodblock printing technique. Actually, in this art work inspired by Japan, I did change some of the elements in the design when I painted this tribute to the artist. And I just loved working in this gorgeous limited palette of colours, a couple of blues, black and white. Perhaps you agree with me how effective these choices can be, creating a mood of calm and serenity.

The Great Wave

You may remember seeing this acrylic painting before, if you like to look at this blog. Anyway, I painted this in response to a theme for a Northern Fringe Gallery exhibition a couple of years ago. In fact, we chose from a long list of a hundred objects selected from the marvellous British Museum collection. And I chose that well-known print by Hokusai, The Great Wave. But I set it in a local beauty spot, so that the keen fisherman on the bank was blissfully unaware of the coming deluge!

Another Art Work Inspired by Japan

Mount Fuji

Finally, I couldn’t miss out this acrylic painting of the familiar iconic view of Mount Fuji. It shows the view from over the water. And this painting is at present on display at Rotherham Roar Buzz Gallery. (Incidentally, we take it down next Wednesday, the month is nearly up). So, I found at least three paintings inspired by Japan. And there are two more in existence, if only I could find them!

All my paintings are for sale at reasonable prices. To find out more, go to the Contact Me page and send me an email and we can have a chat.

Painting Spring Flowers in Watercolour

A Bunch of Daffs

Good morning everyone. Well, it really feels like spring is here, for this week at least! And I love to have spring flowers in the house. As soon as these daffodils opened up, I just had to paint them! So I practised some of the watercolour techniques I have learned from an online course. In fact, after years of trying, I finally managed to loosen up a little with watercolour. That means, more water in the mixture and just nudge it into place, instead of controlling it more tightly. Actually, I was really pleased with the end result. In fact, I succeeded better conveying the papery texture of the petals this time, I feel. Hopefully, you can see that in my photo.

Daffs at Brodsworth

Because it was so sunny and bright, we went to Brodsworth Hall for a few hours. Perhaps you remember some of the other sketches I have shown you in this blog, we do go to this garden often. As you might know, the gardens are spectacular, in all seasons. By the way, I must admit that I definitely took artistic license with this view. Because I completely missed off the main building , being far too interested in the trees and the daffodils, tiny points of golden light that studded the grass. Perhaps I will use this quick sketch in watercolour and pen in plein air as a study for a larger painting.

Finally, I couldn’t sign off without giving a mention to my acrylic painting of spring flowers. At the moment, Daffs at my Allotment is part of my exhibition Picturing the Landscape at Rotherham Roar , see this post here . Alas, very soon to come down, so there’s just a few days to see it! Well, nothing lasts for ever, not even spring!

Daffs at the Allotment

Virtual Travelling to Queensland, Australia

A Hot Day in Queensland, Australia

Good morning everyone. Today I thought I would feature some of the paintings at present on show in the Buzz Gallery at Rotherham Roar. And I think this must be my favourite, the tin roofed little house in the Outback. Actually, I did feel the heat as I was painting it, in my imagination at least. This was just one of my adventures in virtual travelling in Australia.

The Morning Sun on the Crags

Another one of the paintings I enjoyed painting was this beautiful view over the rocky, exposed crags . To be honest, I learned a useful tip from our tutor Rod Moore here. In order to achieve that effect, I painted the red rock colours with horizontal strokes and then dragged a dry brush downwards, carefully over the paint.

The Australia Section

Incidentally, I painted the Mary River picture on Rod’s course too. But this time in gouache, not acrylic. However, it didn’t make the final cut into the show. So, here it is for you to see.

The Mary River, Queensland, Australia

Well, I hope you enjoyed my virtual travelling along with me. It certainly lifted my spirits during the past two years, as you can see in this post here.

All my work is for sale at reasonable prices. For example, the Mary River painting is £40 plus shipping, unframed. Just go to the Contact Me page and send me an email for more details.

Northern Fringe Exhibition at Castleford

Top Withens

Good morning, everyone. As I promised, here is my report on our exhibition at Castleford. Actually, we put this show on at Mirfield Creative Arts Hub last November and December, see this post here. But, several of the group, me included, added new work. So, it’s not quite the same show. Here is my new acrylic canvas that I just completed in time to hang up!

Looking towards Heaven- Whitby Abbey

This is a view through the ruined church of the abbey, a fabulous English Heritage site in Whitby on the Yorkshire coast. And the literary link is Caedmon, a monk who lived there in the 7th century. When he experienced a vision of heaven there in a dream, he composed a hymn praising God as the creator of heaven and earth. Because this appears to be the first poem in Old English, Caedmon is remembered in history. Actually, the bit I like best in this short poem is the reference to heaven being the roof for Mankind.

As I mentioned in my first post, my other paintings were based on works by Ted Hughes and Emily Bronte, Joann Fletcher, Simon Armitage and Ebenezer Elliott. After all, the exhibition was called ‘Yorkshire Makers Inspired by Yorkshire Writers!

My ‘Yorkshire Writer’ Paintings

Exhibition at Castleford, in the Queen’s Mill

Anyway, the highlights of this show were: firstly the fact that it was opened by Yvette Cooper, local member of parliament and shadow home secretary.

Yvette with Eddie, our chairman

And, secondly the fabulous location in the restored 19th century flour mill on the edge of the River Aire. Incidentally, there was a mill on this site over nine hundred years ago. And, possibly back to Roman times!

Our Exhibition Poster

Well, we spent quite a few hours in the gallery on the second floor. And the view over the river was spectacular. As the river was very high after some heavy rains.

The River Aire in Full Flood

And, I just couldn’t resist sketching the scene!

The Torrential River Aire

New Solo Exhibition Now Open

The Poster

Good morning everyone. My new solo exhibition is now open, until the end of March at the Buzz Gallery, Rotherham Roar. What a pleasure it was to put it together and then to see it actually on the wall. Actually, I haven’t displayed works on paper unframed before. And I was surprised at the immediacy of the paintings without glass or frames. In my opinion they made much more of an impact. And I could see this in the strong emotional reactions of the visitors. Admittedly, we did it this way because the walls weren’t suitable for hanging. However, it was a bright, lively display which demanded attention. Exactly what I wanted!

The Three Sections of my New Solo Exhibition

As I was choosing acrylic paintings on paper , I realised that they fell roughly into three categories: British landscapes, Australian scenes and abstracts. So, that was how I displayed them. For example, in the general landscape section I placed this painting, a scene inspired by enjoyable holidays in the Lake District, UK.

Next, here I can show you the Australian group of paintings. And these are some of the results of an online course tutored by Rod Moore from Queensland. When two of my artbuddies said how much it reminded them of trips to Australia, I was delighted!

The Red Path

Finally, my favourite section – the abstracted and semi abstracted landscape. In fact, I kept changing my mind what to include here. But, I had to make room for this one, which certainly commanded a lot of attention!

Jagged

Well, there certainly was a great deal of work in mounting my new solo exhibition, but I had a blast! And, to top it off, the minute the show was live, a very delighted customer took my ‘Bluebell Wood ‘ painting to a new home! If you want to have a look at the last solo exhibition I did before the pandemic, see this post here.

Bluebell Wood

Quick Sketch in Oil Pastel

Movement

Good morning everyone. Today this is a short post because I’m insanely busy this week! Incidentally, have you ever noticed how everything happens at once?. Not only is my show opening this week, but I’m helping to put up our group exhibition at the weekend. And, I did squeeze in an oil pastel workshop at the weekend, which was brilliant. What a difference good quality materials make. In fact, it was quite a revelation to use artists quality pastels and paper on Saturday. Not to mention learning from our excellent tutor how to blend colours and create textures. So, I promptly ordered some pastel and oil pencils online and can’t wait until they arrive. Actually, the work we produced at the class will be on display for a short while, so more of that later. And there’s a cute little bird in oil pastel here , from a while ago.

Anyway, this is an enthusiastic little oil pastel sketch I did when I got home, to practise some of the techniques. Finally, here’s a taster of the work in my new exhibition, more of that in my next post.

Jagged

Another Muted Abstract in Gouache

Waves

Good morning everyone. Just a short post today, I’m very busy sorting out my new solo exhibition due to open next week. Actually, there always seems to be a lot more work to do than you plan for! Anyway I did manage to finish this muted abstract, the fourth in my series in the online course I’m following. To tell the truth, I did struggle with getting it right. But, at the same time I did seem to know a bit better where I was going!

Waves- a draft

Well, this is one of the earlier stages of the painting. Perhaps it’s not as easy for you to see these details on the screen, but I studied it long and hard. Then I toned down the little dots and dashes and brightened the white areas. Finally, I was satisfied and called it finished. Now I must learn how to use the wax medium I bought, in order to give it a protective coat. Because it’s painted in gouache and I learned the hard way that this is really necessary (don’t ask!). If you want to see the other paintings in the muted abstract series, look here and here.

Here’s a sneaky peek at my exhibition poster – more of this later!

White House in the Valley

White House in the Valley

Good morning everyone. This is my latest acrylic painting and I chose a view of a white house in a valley for my inspiration. Actually, this is based on watercolour sketches I made in the Lake District, Cumbria in the UK. In fact, we used to go once a year, usually in spring or autumn. But we haven’t been in a while. Fortunately, looking at my sketches brings back lots of happy memories. For example, I did the two sketches I based this on whilst sitting in the hotel beergarden. A nice cool drink was just perfect after a days walking. And, as you can see, the views were spectacular.

Patterdale, sketch looking left
Patterdale, sketch looking right

Anyway, I also drew on my own memory to create this, remembering the varied colour and texture of the vegetation on the slopes. By the way, lots of the older buildings are painted white in this region. And they do stand out very picturesquely in these views over the rolling expanse of hills.

I seem to quite enjoy painting a white house, as you can see in this post here and here. All my paintings are for sale at reasonable prices. So if you see something you like, just go to the Contact Me page and send me an email for more details.

New Painting in Colour Exhibition

I Dreamt of a House by the Sea

Good morning everyone. Last week I found out that Fronteer Gallery had accepted my painting ‘ I Dreamt of a House by the Sea’ into their Colour Exhibition. And I was so delighted – firstly because it’s always a pleasure to take part in their events. Secondly, because of the theme ‘Colour’. As you might have noticed, I call this website A World of Colour. So, most of my work does suit this theme. However, I chose this particular painting because it seems absolutely bursting with colour.

I Dreamt of a House by the Sea – a closeup

Virtual Travelling for the Colour Exhibition

Actually, I painted this without a plan and it was quite late on in the process before I saw what it was. Perhaps a path leading up to the house with a view of the sea. Then, later on I suggested landscape and some vegetation on the cliff. But, for me, the most striking thing about this is when I made it. Right in the middle of being isolated at home, when I was desperate to spend time by the sea! In fact, the colours, the sunshine and the sparkling air are much more reminiscent of the coast of northern France in August. Ah, those charming, unspoilt little resorts where we spent weeks camping. Happy Days! So it seemed ideal for the colour exhibition.

There are lots of seascapes for you to dream about in my gallery here. And a post all about another of my paintings in the fabulous Fronteer Gallery here.

All my paintings are for sale at reasonable prices. Just go to my Contact Me page and send me an email.

A Beach Day

This is somewhere on the coast of Queensland, Australia. And you can find out more in my post here. Well, virtual travelling is the only way for me to go, at the moment!

Revisiting Old Sketches for Inspiration

Burbage Valley

Good morning everyone. This is a gouache painting I did before Christmas and I had a look at some old sketches for inspiration. Actually, I remember this day very well – we had gone for a short walk in Derbyshire. And we were in the beautiful Burbage valley on a hot August afternoon, when my son was small. The heat was shimmering up from the moorland grass and there were no trees to sit under. In fact, this beauty spot was quite busy with people who had come out for some fresh air. But, everyone seemed a bit subdued in the heat. As we neared the car park, my husband and son went and queued for ice creams. Meanwhile, I sat on a rock and sketched the view in my tiny sketch book.

Burbage Rocks

As I worked quickly, I thought about the ancient peoples who once lived here. Incidentally, behind me there was an Iron Age hillfort a field away. So it’s not difficult to imagine figures walking the paths all those years ago. By the way, that brings to mind a painting of mine showing a prehistoric man walking home at dusk. I must find it to show you. Anyway, if you look at this post here, you will see another sketch of the area that I did recently. Or, have a look at my page Gallery – Landscapes for more country scenes. (I’ve just updated the page). As you might have realised, I have many old sketches done over the years. Happily, I find them quite inspiring to repaint. Not to mention the lovely memories they bring back.

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