Rainy Day Painting in Acrylic

A dreamy, misty view through the trees to the hills on a rainy day .
Rainy Day

Good morning everyone. I thought I should show you this rainy day painting today. Because it’s part of the online course I’m following and I have painted a couple since this! Anyway, the challenge in this simple scene is how to make all the different shades of green make sense. In fact, our tutor Rod Moore helped us through this by reminding us of the principles of colour perspective.That is, colours in the distance become cooler in the sense that there is more blue in the mix. In practice, the greens further away are greeny blue and those in the foreground are yellowy blue. To be honest, it’s actually much more tricky than it sounds and it involves a lot of careful colour mixing.

The Greens in the Foreground

Rainy Day – a closeup of the foreground grasses

The second big challenge in this acrylic painting is how to convey the idea of rain and dampness in the air. Well, I tried to blur the colours and shapes by using some indistinct brush strokes. But, if you go too far with this, you’re in danger of losing too much detail. And then the scene just looks confusing. So, although the features in the composition are relatively simple (trees, distant hills and a path) it wasn’t easy!

The Distant Hills in my Rainy Day Painting

A close up of the line of hills in the mist of a rainy day.
Rainy Day – a closeup of the hills and the mist

Finally, I hope you can see in this closeup how I indicated damp, misty conditions. In order to do this I brought the pale sky colour over the line of the wooded hills. And this really helped with the illusion of misty dampness I was trying to create. In effect, this is the only view of Australia in the rain that we have painted on the course. For example, take a look at this sun drenched scene here that I painted a few weeks ago.

My Abstract Impression of English Rain

Raindrops on the Window

See this post here for the story behind this picture!

A Moorland Scene in Acrylic

In the Hills

Hello everyone. I’ve been busy working on two more projects from the Acrylic Painting course I’m following on line. But, before I tell you about the painting above- the moorland scene, I’d like to describe the first exercise I did. It was studies of skies, as part of a module on landscape features. Actually, I found it very helpful to concentrate on this subject as I have found this difficult to do. And, to be honest, I have more or less limited myself to simple sunny or overcast skies in the past. So, taking up the challenge to paint sunrise and sunset was, for me, both daunting and encouraging at the same time!

A hint of the sunrise behind a headland in a calm seascape.
Sunrise
The sun setting in a blaze of glory over a moorland scene.
Sunset

Admittedly, these little paintings are only studies, not finished works. And I had never chosen this subject before, but I felt quite pleased with my first attempt. Then, I tried my hand at clouds, something I had often included in my landscape paintings. However, by taking advantage of my tutor’s advice, Rod Moore of the Learn to Paint Academy, my clouds looked much more convincing!

Clouds in the Sky

Our final study addressed the problematic subject of heavy storm clouds and driving rain. Of course, I will need to practice this much more to improve, but, at least, I will now know how to approach it.

The Storm

A Moorland Scene

A moorland scene in acrylic,  showing a lovely path through the hills, in the north of England.
In the Hills

And now to the best bit – a landscape painting of a moorland scene. Well, to tell you the truth, the image provided was a view over Australian countryside, looking over to a mountain range. But, as we were encouraged to use the method and, also, paint the landscape we were familiar with, that’s what I did! You see, a short drive from where I live, there are moorland hills like these, with plenty of footpaths. So, I just imagined a walk in the hills and tried to convey the atmosphere of an English summer’s day. In fact, changing the colours and the vegetation whilst keeping the features and the tones was a bit mind boggling. But, I expect I’ll get better with practice! And, it’s also what I love to paint. See here for more paintings of northern England landscapes.