Good morning everyone. This is my second new style portrait and I promised to show you how it turned out. So, here it is! And I decided to title it ‘What’s Next?’. Actually, I don’t have much inspiration when it comes to inventing titles! Anyway, I’m pleased to say that I feel that I am making progress with learning how to paint better portraits. So much so that I felt confident enough to show the unfinished painting to my artbuddies. And test out ideas about changing the background colour of the portrait. So I decided to go ahead with this purpley blue colour.
As these are really practice paintings, I’m content to leave it as it is now. And remember the lessons I’ve learnt to try out on the next one. Hint – it’s a fairly famous person ( in England anyway!)
Good morning everyone. This is a new style of portrait for me! Actually, I don’t think I have ever produced such a decent attempt and all because I’m following a course on online. You see, I never went to art school or had any formal training in the basics. So, I’m lapping it up! Anyway, this is my first try at putting the principles I’ve learned into action. And there’s another one on the easel half finished, so wish me luck!
By the way, I’m busy at the moment setting up a little shop. So, watch this space!
Last Friday I went to a brilliant exhibition at the Millennium Gallery in Sheffield. ‘ Lines of Beauty ‘ and this got me thinking about drawing. I saw some fabulous Old Master Drawings from the Chatsworth House collection like this one by Van Dyck.
In addition to these works of art, there was also interesting information about the artist’s materials available back in the day . And I was very taken by the drawings on toned paper made with black or brown ink, and , then coloured with watercolour wash . Finally, highlights were added in white chalk . Amazingly, these materials were often made by the artist and his or her assistant. To be honest, it made me feel very grateful for how easy it it is nowadays to buy chalk, ink, charcoal and paint ! If you want to see more pictures of the exhibition, have a look at the latest post on our Art Society Facebook page here .
Reserving the White Paper
However, to get back to thinking about drawing, I did the drawing above last year. And, I think it shows very clearly how when you draw on white paper, you add the medium tones first. Then you strengthen some of them up to create dark areas . And, all the time you are quite cleverly ‘reserving’ the white paper for the light tones and the highlights. This means, plan the drawing carefully and leave the paper white in all the right places! To be honest, it took me a while to manage to do this properly.
Toned Paper – Thinking about Drawing
Now comes the difficult bit – for me anyway. You see, when you use toned paper( that is, not white ) you can leave the paper showing for the mid tones. And this works well with beige or stone coloured paper. Then you can use darker pastel pencil or watercolour wash for the darks. Of course, you can then add white pastel or chalk for highlights. Obviously, this sounds straightforward but it took me a while to get my head around it . However, with the guidance of a good tutor , I managed to produce this drawing at art class.
The Old Church
This was another exercise we did in class , thinking about drawing on grey toned paper.
As you can see, I had to be very disciplined about the different shades of grey. Because I wanted to show the shapes of the building and landscape as the light fell on them . Actually, all this at the same time as looking at a colour photo of the scene , which can be confusing. In truth, it’s a real workout for the brain !
Drawing from Life
Finally, I would suggest that when you are thinking about drawing, the very best thing you can do is to draw from life . So, here’s some of our pumpkin harvest , drawn very quickly at my allotment yesterday. Just think of all that roasted pumpkin ( with garlic ) that we shall enjoy all winter !