English Cottages in Acrylic and Watercolour

English cottages- this one is a grand house beside a large, beautiful pond. Semi-abstract style.
The Red House by the Pond

Good morning everyone. Last week I took advantage of two free tutorials online and I painted English cottages. Although this one looks to be rather a grand cottage. Of course, the location of it is superb, right next to a tranquil pond. You see, Artclassesgroup is the name of the host, and the classes took place over our school half term week. Although, to be honest, a lot of children in the UK are at home anyway right now. But, nonetheless, the group provided some good activities which were designed to interest all ages, including adults like me!

The Reflections of the Cottage

Closeup of the Water and the Reflection

As you can probably tell, I painted this in acrylic and fairly rapidly too (the class was only one hour long, but I spent another hour on it as well). Actually, I felt out of my comfort zone using this colour palette, which can be a good thing. Also I enjoyed learning a different way of depicting reflections. In this case, I roughly painted the shape of the cottage, let it dry and then very lightly brushed over the greeny blue colour of the water. Then, when that was dry, I applied some fine ripples in dryish white paint, to show the flow of the water. And all the time, I was wondering about who lived there. And I imagined being able to gaze out over that delicious view every morning, as I opened the curtains.

English Cottages in Watercolour

This white English cottage is beside a river, running through a beautiful valley. Watercolour in realistic style.
The House down by the River

And now for something completely different! In my opinion, this delicate watercolour in more realistic colours and detailed style contrasts well with the first painting. Obviously, the acrylic painting had dramatic, heightened colours and a fairly abstract brushstroke treatment. However, they are both English cottages near the water. Well, I painted this one while I was following a good tutorial hosted by Care Visions Healthy Aging group. Incidentally, I have done a few lessons with this group, including this girl on the beach here , a tribute to Joachim Sorolla. But, to return to my watercolour, here I tried to include realistic detail (not my usual style, but good practice).

Closeup of the House by the River

Although my brushstrokes are only suggestions, I have shown quite a lot of detail in the shutters, the garden shrubs and the gate. Again, what an idyllic, peaceful place to live! So, there’s some more virtual travelling for us, and I hope you enjoyed it!

If you want to see a more humble style of cottage, have a look at this post here. Then you’ll see the miner dressed in his Sunday best too!

Landscapes in Gouache Paint – New Experiments

An atmospheric view of the sunrise over the sea in tones of greys and blues.
Sunrise

This is my first attempt at a very small painting in my experiments on landscapes in gouache, 6 by 4 inch. You see, I watched a lot of great videos online about this medium . And I was very impressed by the amount of beautiful detail in these little paintings. So, here’s my first try – just ignore the botched border . ( I’ve had some issues with the tape I used, anyone got a good recommendation? ) Anyway, this photo was given to me by a friend and it’s a sunrise scene from New Zealand. Actually, I also tried to concentrate on tonality, and I struggled with the different tones in the cliffs and hills. But, it was a good exercise and I think I did learn a bit about seeing the values of colours in the landscape Just to make it clear, this means identifying where the shadows and colours are light, darker and darkest.

A Second Attempt – Landscapes in Gouache

Down the River

As you can see, this was the second of my landscapes in gouache on a smaller scale. In fact, it’s one more super scene from a trip to New Zealand. And again, I foolishly set myself two challenges on this. Firstly, the small size (6 by 4 inch ) and secondly how to capture the quality of light on the water. To be honest, working in this way tends to make me paint more tightly and carefully. And that’s not really my style but, again, I did call this a series of experiments. Realistically, I can see how my practice on the tones of faraway hills did help here. As did the use of white gouache to create convincing water in this wide river !

A bright, cheerful gouache painting of a small stream, shaded by trees in a sunlit wood.
The Brook in the Wood

Finally, in this piece, I treated myself to a slightly larger sheet of paper 6.5 by 6.5 inch ( in a mixed media journal). The photo is by Nicola Soricelli Boerer on Artists Free Reference Photos. I must admit, I do feel a bit more comfortable with the paint now. However, I’m still learning all the time about how to paint layers without making mud! To explain, the paint never dries which makes washes and detail over a previous layer tricky ! But, I must confess, I find it quite addictive and I’m looking forward to more experiments. If you want to know more, there is a good video by Sarah Burns here .If you want to see a wood that is atmospheric in a different way (The Boy and the Bird ) have a look at my Gallery here. In fact, I almost included this one in my Halloween post here , but then I thought that might have been a bit over the top!

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