A WORLD OF COLOUR
Merry Christmas everyone! Or, Happy Holidays. I thought I would show you my latest gouache painting, done at our art society social this year. Just for a change, I looked up some symbols for a Midwinter celebration. And combined two of them for this picture – a stag and some candles. All the Best, and I hope to post more next year.
Good morning everyone. This is the second of the series on angels that I am painting in gouache. Perhaps you may have seen the first one here that I did before Christmas. Actually, I want to point out that I don’t paint these for any religious purpose. But I just love the motif and the opportunity of trying to achieve different light effects. Anyway, I spent some time this week catching up and finishing off several pieces I had on the go. And, in this one, I needed to make the figure look more realistic. ( I’m really missing my Life Drawing practice!) In addition, I experimented with the texture of the feathers, and the golden light effect around the angel.
Meanwhile, I kept thinking about a class I did a couple of weeks ago. In fact, it was very good. Our tutor tried to help us to move away from figurative style into a more abstracted representation. Firstly, we sketched a simple line drawing of a ceramic object. Then, we tried to abstract and exaggerate the features and maybe change the colours.
Then we were encouraged to go one stage further and create a completely abstract composition, using the ideas in our previous stages.
Well this was just the start of my idea, we ran out of time in class. Hopefully, I will get a bit more done in my next catching up and finishing off session!
Good morning everyone. Well, the title says it all – I’ve not much time for painting at the moment. So I’ll just show you my works in progress. For example, I’ve spent about an hour and a quarter so far on this Australian landscape. Perhaps another 30 minutes will complete it and it’s 7by 9 inches, gouache on paper. Note to self: I must dull down the colours a bit more!
Please don’t laugh (yet!) This was done very quickly at a charcoal drawing workshop. And I’ll tell you all about it later, in my next post. Oh, by the way, this was drawn in very low light, in order to cast strong shadows on the face. So, that’s another excuse! Anyway, I’ll show you both of these when they are finished.
Good morning everyone. I’d love to show you my new mini exhibition at the Urban Commune Gallery in Wakefield, UK, see here . Well, it’s a small exhibition really over two panels in this gorgeous new Gallery, but it feels a lot bigger!
Actually, the commune was founded by a group of artists for the purpose of encouraging creativity in the community. And also to provide a place for local artists to show their work. In addition, they are partnered with the charity Uthink, dedicated to supporting young people in poverty. What a brilliant idea! So, I had to be a part of this and I booked some space for my new mini exhibition.
By the way, it didn’t take us long to set up. Then it was time for a cup of coffee and a look around at all the fab work on the walls and on the shelves. And chat with the artist volunteers who make all this possible.
Perhaps you have seen some of this work before, if you read my blog. So, I’ll just feature this one – take a closer look at my watercolour portrait of a valley in the Yorkshire Dales
Anyway, that’s all about this show, but I’m preparing another in this gallery. And I think it will look good, displayed the way I’ve dreamed of, so, watch this space! If you want to see more of my landscape paintings, have a look at my gallery here.
Hi everyone. I saw something online explaining how to do a nature inspired abstract, so I thought I’d have a go. The idea was to study the subject you have chosen – in this case, glorious pink clematis. Then, make a small sketch, recording the details you really like. And then, let your imagination go wild! (That’s the bit I like!) I’m not sure it’s finished, the pink isn’t vibrant enough for my liking. But it was interesting.
You can see why I was inspired! Anyway, just to finish this quick post, this is the same scene (a few years ago) with a different treatment. Acrylic, and painted more slowly. Also with a bit of artist’s license on the colour!
Good morning everyone. Firstly, this is my quick sketch of part of the walled garden at Cannon Hall. And, if you look carefully, you can see the pear trees trained against the old brick wall. Actually, this garden has Heritage Pear Tree status and these varieties are amongst the oldest ones growing in the UK. In effect, some are over 200 years old. And the lovely old brick buildings forming one wall of this space are part of the estate offices and courtyard complex. In fact, the garden is conveniently next to the ‘big house’ . Because, this is where all the veg and fruit for the household was grown. Here’s the link to Cannon Hall’s website, it’s a really interesting old mansion.
To tell you the truth, this was our first outdoor trip as a society for two years! Also, our art society met for the last time indoors in March 2020, when we had an illustrated talk on painting icons for the Orthodox Church. And it seems such a long time ago – have a look at our Facebook page here to see more. Anyway, we had an absolute blast! Because sketching together outdoors, chatting and the all important coffee and cake is what we love to do.
In this image you can see two of our sketchers near the ornamental pond (just hidden). Also, you can see part of the installation displayed here temporarily. It’s inspired by the story of a local woman, Lady Mary Wortley Montagu, who brought inoculation into England in 1721. Apparently, she saw this medical procedure being carried out in Turkey to protect against smallpox. And, given our present situation, this is surely something to celebrate.
Well, in my sketch, which I did in 30 minutes, I tried to capture the soft, mellow colour of the ancient brickwork. In addition, I was interested in the contrast between the formal, espaliered trees, flat against the wall and the modern prairie planting in the foreground.
What a fabulous day out – the first of many, I hope!
Hello everyone. I’ve been busy working on two more projects from the Acrylic Painting course I’m following on line. But, before I tell you about the painting above- the moorland scene, I’d like to describe the first exercise I did. It was studies of skies, as part of a module on landscape features. Actually, I found it very helpful to concentrate on this subject as I have found this difficult to do. And, to be honest, I have more or less limited myself to simple sunny or overcast skies in the past. So, taking up the challenge to paint sunrise and sunset was, for me, both daunting and encouraging at the same time!
Admittedly, these little paintings are only studies, not finished works. And I had never chosen this subject before, but I felt quite pleased with my first attempt. Then, I tried my hand at clouds, something I had often included in my landscape paintings. However, by taking advantage of my tutor’s advice, Rod Moore of the Learn to Paint Academy, my clouds looked much more convincing!
Our final study addressed the problematic subject of heavy storm clouds and driving rain. Of course, I will need to practice this much more to improve, but, at least, I will now know how to approach it.
And now to the best bit – a landscape painting of a moorland scene. Well, to tell you the truth, the image provided was a view over Australian countryside, looking over to a mountain range. But, as we were encouraged to use the method and, also, paint the landscape we were familiar with, that’s what I did! You see, a short drive from where I live, there are moorland hills like these, with plenty of footpaths. So, I just imagined a walk in the hills and tried to convey the atmosphere of an English summer’s day. In fact, changing the colours and the vegetation whilst keeping the features and the tones was a bit mind boggling. But, I expect I’ll get better with practice! And, it’s also what I love to paint. See here for more paintings of northern England landscapes.
Hello everyone. Today I’d like to explain about the difference between plein air drawing and finished drawing. Well, this is only my opinion, and, I know for a fact that many other artists feel differently. Anyway, to my mind, a plein air painting or drawing is one that is completed outdoors and on the spot. Of course, you could complete it indoors, if you were in a museum or a gallery, church or anywhere really. The point is that you draw your impression of the scene and then leave it . To be honest, this means that some parts of it could perhaps benefit from some improvement later. Personally, I prefer to leave it as it is, as a true record of what I saw.
This watercolour sketch was done in 25 minutes in a medium sized sketchbook whilst sitting on a bench. In fact, this is one of our favourite places, an English Heritage garden. And it is beautiful even in cold, overcast autumn weather. Actually, I love this spot, looking across at the majestic Scots pines to the ” daffodil meadow “. (You’ll have to use your imagination ! ) You see, some people might think that this is not a finished piece. Mainly because it could stand quite a bit of improvement. But, to my way of thinking it is one of my finished drawings. Because it’s a true record of my immediate reaction to the scene, full, I hope , of spontaneity and memories.
Well, this is an example of what I call a finished watercolour sketch. To be clear, I sat for half an hour in front of this glorious bright view and sketched it and laid down about two layers of colour. Then, time was up! And I had to leave it at that and come home. In effect, I was very inspired by the beauty of the mellow autumn colours of the trees and hedgerows . So I did some work on it afterwards to do it justice, spending a very pleasant hour doing so. To sum up, I have now created quite a nice finished off painting. But I can’t describe it as a plein air watercolour sketch. I hope that I have made my reasoning clear and that you can appreciate both kinds of work.
Finally, this watercolour sketch was completed in 40 minutes as I sat in the car, while my husband was shopping in the supermarket. In my mind, this is finished, although some people might think of it as unfinished. Mainly because it could be improved. You can see more real plein air sketches here . As we say in Urban Sketchers, a true record of that day. And, I do hope that you can see the difference.
As I promised ,here is the finished version of the mixed media pigeon . I first drew this in pen . Then I added thin watercolour washes , and next I strengthened the colours with more washes . And , finally , I added detail with coloured pencils .
As you can see , I like leaving all the construction lines in . To tell you the truth , I actually started this piece off as a doodle , so there are plenty of lines . And then I decided what the drawing should be ! ( see more bird art in this post here )
Actually , I find that the coloured pencils are ideal for soft feathers and grasses .
I sell all the art on my website at reasonable prices . For example, this mixed media piece is 9 by 9 inches square in watercolour , pen and coloured pencil on paper and it’s priced at £25 including shipping in the UK .So , it’s Affordable Art – if you want to treat yourself !
I wanted to show you one of my lockdown art journal piece , a mixed media abstract, now that it is finished. I had seen a few great ideas online using masking tape to divide up paper or canvas into sections. Then you paint an abstract composition, remove the tape carefully and admire ! Well , I couldn’t find the tape , so , rather than waste time looking, I quickly drew some strips with pencil and rule .Then came the fun part . I treated each shape as an independent unit and just painted instinctively. I will admit to having used a limited palette of colours , but no other planning took place . On this mixed media abstract , I used all sorts. For example, watercolour , acrylic , collage , pen , pencil , oil pastel .
I really enjoyed using all kinds of media on this piece mixed media abstract – first pen , then lots of watercolour . It might be a bit difficult to see in the image ‘ Fragments ‘, but at this stage , I glued on some cutouts of collage samples I made using leftover acrylic paints ( like the one above ) . After that , I couldn’t resist using coloured markers and oil pastels ( and a bit more acrylic in the strips ) .
What did I think about during the process ? Well, stained glass , glimpses of landscape through a window and colour experiments . But , to be honest, it took on a life of it’s own and I just painted intuitively . It’s quite small , about 8 inches square and I think it’s time I tried this on a much bigger scale . I wonder , do you ever experiment with mixed media work ?
Actually , I did a few mixed media pieces in my isolation art journal – you can see them on my Instagram account – @margarethallfineart or click on the button right at the very bottom of this post.
