Virtual Travelling to Queensland, Australia

A Hot Day in Queensland, Australia

Good morning everyone. Today I thought I would feature some of the paintings at present on show in the Buzz Gallery at Rotherham Roar. And I think this must be my favourite, the tin roofed little house in the Outback. Actually, I did feel the heat as I was painting it, in my imagination at least. This was just one of my adventures in virtual travelling in Australia.

The Morning Sun on the Crags

Another one of the paintings I enjoyed painting was this beautiful view over the rocky, exposed crags . To be honest, I learned a useful tip from our tutor Rod Moore here. In order to achieve that effect, I painted the red rock colours with horizontal strokes and then dragged a dry brush downwards, carefully over the paint.

The Australia Section

Incidentally, I painted the Mary River picture on Rod’s course too. But this time in gouache, not acrylic. However, it didn’t make the final cut into the show. So, here it is for you to see.

The Mary River, Queensland, Australia

Well, I hope you enjoyed my virtual travelling along with me. It certainly lifted my spirits during the past two years, as you can see in this post here.

All my work is for sale at reasonable prices. For example, the Mary River painting is £40 plus shipping, unframed. Just go to the Contact Me page and send me an email for more details.

Old and New Style Abstracts

The Path of Life

Good morning everyone. Today I’d like to show you the way my abstract painting is changing. The image above is one of my new abstracts, experiments I am creating as I follow a great online course. It’s called Painting with Yvette. And, I’m really enjoying it. Because the colours and compositions are quite different from my own intuitive abstracts.

The Abstract Section of my Exhibition

The picture above is one of the sections in my current solo exhibition at Rotherham Roar. Actually, I am pleased with the way they came together. And each one has a particular meaning to me which evolved as I painted it. In contrast to that way of creating, my new abstracts are of course suggested by the tutor. Nonetheless, the brush marks are full of significance to me the artist. Perhaps in a more subtle way than in my earlier paintings. For example, the painting at the top of this post, The Path of Life, developed out of the suggestions by Yvette on colours to choose and techniques to use. I’m very often out of my comfort zone but I do feel that I am moving on.

The Path of Life

Another of my New Abstracts

Dominant

Anyway, I’m learning new approaches and techniques on this course so that I can apply them in my own work. So, it’s all part of a learning curve and I love it!

Pink and Blue 2

What do you think, is this old or new? Find out more in this post here.

Northern Fringe Exhibition at Castleford

Top Withens

Good morning, everyone. As I promised, here is my report on our exhibition at Castleford. Actually, we put this show on at Mirfield Creative Arts Hub last November and December, see this post here. But, several of the group, me included, added new work. So, it’s not quite the same show. Here is my new acrylic canvas that I just completed in time to hang up!

Looking towards Heaven- Whitby Abbey

This is a view through the ruined church of the abbey, a fabulous English Heritage site in Whitby on the Yorkshire coast. And the literary link is Caedmon, a monk who lived there in the 7th century. When he experienced a vision of heaven there in a dream, he composed a hymn praising God as the creator of heaven and earth. Because this appears to be the first poem in Old English, Caedmon is remembered in history. Actually, the bit I like best in this short poem is the reference to heaven being the roof for Mankind.

As I mentioned in my first post, my other paintings were based on works by Ted Hughes and Emily Bronte, Joann Fletcher, Simon Armitage and Ebenezer Elliott. After all, the exhibition was called ‘Yorkshire Makers Inspired by Yorkshire Writers!

My ‘Yorkshire Writer’ Paintings

Exhibition at Castleford, in the Queen’s Mill

Anyway, the highlights of this show were: firstly the fact that it was opened by Yvette Cooper, local member of parliament and shadow home secretary.

Yvette with Eddie, our chairman

And, secondly the fabulous location in the restored 19th century flour mill on the edge of the River Aire. Incidentally, there was a mill on this site over nine hundred years ago. And, possibly back to Roman times!

Our Exhibition Poster

Well, we spent quite a few hours in the gallery on the second floor. And the view over the river was spectacular. As the river was very high after some heavy rains.

The River Aire in Full Flood

And, I just couldn’t resist sketching the scene!

The Torrential River Aire

Experiments at Beginner Printing Workshop

Which Way Up?

Good morning everyone. This is just a quick catchup post, I’m quite busy with two exhibitions at the moment, so, more of that later! Anyway, we did an in house beginner printing workshop at Art Society last week. And we carved out designs on cheap polystyrene tiles. Honestly we really did have a great time. Firstly I concentrated on a simple star shaped design.

Stars 1
Stars 2

Then I went a bit more fancy, added two colours, reversed the block for the second print and used cardboard to print on ( breakfast cereal packet, actually!

Which Way Up?

Finally, I went mad and printed white, black and orange on black paper. And I tore up the two blocks into pieces and over printed with them till the paper was saturated with ink! Perhaps you can see how the protective sheet of paper I placed on top ripped out chunks of the print. All because it wasn’t dry as I took it home. In fact, it didn’t dry for a week!

Black on Black

Anyway, it was great fun and we went home full of ideas to try out on our next printing workshop. You could have a look at more mixed media experiments in this post here.

New Solo Exhibition Now Open

The Poster

Good morning everyone. My new solo exhibition is now open, until the end of March at the Buzz Gallery, Rotherham Roar. What a pleasure it was to put it together and then to see it actually on the wall. Actually, I haven’t displayed works on paper unframed before. And I was surprised at the immediacy of the paintings without glass or frames. In my opinion they made much more of an impact. And I could see this in the strong emotional reactions of the visitors. Admittedly, we did it this way because the walls weren’t suitable for hanging. However, it was a bright, lively display which demanded attention. Exactly what I wanted!

The Three Sections of my New Solo Exhibition

As I was choosing acrylic paintings on paper , I realised that they fell roughly into three categories: British landscapes, Australian scenes and abstracts. So, that was how I displayed them. For example, in the general landscape section I placed this painting, a scene inspired by enjoyable holidays in the Lake District, UK.

Next, here I can show you the Australian group of paintings. And these are some of the results of an online course tutored by Rod Moore from Queensland. When two of my artbuddies said how much it reminded them of trips to Australia, I was delighted!

The Red Path

Finally, my favourite section – the abstracted and semi abstracted landscape. In fact, I kept changing my mind what to include here. But, I had to make room for this one, which certainly commanded a lot of attention!

Jagged

Well, there certainly was a great deal of work in mounting my new solo exhibition, but I had a blast! And, to top it off, the minute the show was live, a very delighted customer took my ‘Bluebell Wood ‘ painting to a new home! If you want to have a look at the last solo exhibition I did before the pandemic, see this post here.

Bluebell Wood

Quick Sketch in Oil Pastel

Movement

Good morning everyone. Today this is a short post because I’m insanely busy this week! Incidentally, have you ever noticed how everything happens at once?. Not only is my show opening this week, but I’m helping to put up our group exhibition at the weekend. And, I did squeeze in an oil pastel workshop at the weekend, which was brilliant. What a difference good quality materials make. In fact, it was quite a revelation to use artists quality pastels and paper on Saturday. Not to mention learning from our excellent tutor how to blend colours and create textures. So, I promptly ordered some pastel and oil pencils online and can’t wait until they arrive. Actually, the work we produced at the class will be on display for a short while, so more of that later. And there’s a cute little bird in oil pastel here , from a while ago.

Anyway, this is an enthusiastic little oil pastel sketch I did when I got home, to practise some of the techniques. Finally, here’s a taster of the work in my new exhibition, more of that in my next post.

Jagged

Another Muted Abstract in Gouache

Waves

Good morning everyone. Just a short post today, I’m very busy sorting out my new solo exhibition due to open next week. Actually, there always seems to be a lot more work to do than you plan for! Anyway I did manage to finish this muted abstract, the fourth in my series in the online course I’m following. To tell the truth, I did struggle with getting it right. But, at the same time I did seem to know a bit better where I was going!

Waves- a draft

Well, this is one of the earlier stages of the painting. Perhaps it’s not as easy for you to see these details on the screen, but I studied it long and hard. Then I toned down the little dots and dashes and brightened the white areas. Finally, I was satisfied and called it finished. Now I must learn how to use the wax medium I bought, in order to give it a protective coat. Because it’s painted in gouache and I learned the hard way that this is really necessary (don’t ask!). If you want to see the other paintings in the muted abstract series, look here and here.

Here’s a sneaky peek at my exhibition poster – more of this later!

Still Life in the Kitchen

Old Kitchen Scales

Good morning everyone. I really enjoyed painting this gouache portrait of old kitchen scales at art group last week. One of our members brought in loads of fascinating old objects to inspire us to do a still life. And I decided to paint quickly, like I do when I’m out urban sketching. First I did a very quick pencil sketch to set the general shape. Then I drew with the brush, something I love to do. Also, I tried to show the grime and wear and tear on this well used weight scale. Which wasn’t all that easy , actually! And it felt good to paint from life – photos obviously have their place in my art practice. But, I feel that observing and recording an object sharpens up my drawing skills.

Old Saucepan

If I remember correctly, I painted this in the Victorian kitchen of our local stately home . Back in the day when sketching groups were encouraged to linger and draw ( about two years ago!) Anyway, I used pen and watercolour and chose this little group of utensils on the old shelf near the big, black range. By the way, one of the best days to visit is when they fire up the range and demonstrate baking for the big house.

Still life in my Kitchen

Finally, here’s a painting of a fish, caught at sea by a friend of a friend and being prepared for cooking. Acrylic on box canvas, I put it on my kitchen wall! And here’s another food still life you might like to see, this time fruit.

Fish

In fact, making this post reminded me that it’s high time I updated my Still Life and Flowers section in my gallery. Oh well, that will have to be something for another day- I’m far too busy painting today!

More Abstract Experiments in Gouache

Moving On

Good morning everyone. As I promised, here is the next one of my abstract experiments in gouache. And, you wouldn’t believe how many different versions I painted until I arrived at this final one!

To begin at the beginning, our tutor asked us to sketch potential compositions using shapes. I chose rectangles and a spiral and I painted in some of the soft colours suggested. And this is how it went.

Moving On – version 1

Well, this was ok but it didn’t look all that different from my usual type of abstract. Also, I thought it looked too busy. And so I decided to make more of the painting a restful creamy white.

Moving On – version 2

Now, I thought this looked better, but it still wasn’t right. So I added some gold – this is the part I love!

Moving On – version 3

Actually, I was quite pleased with this result of my abstract experiments. However, meanwhile, I had read the next lesson in the course. And I had begun to think about areas of colour forming the composition, as well as shapes. Honestly, I put down so many layers of gouache paint that I thought it might crack. Nonetheless, I struggled on and gradually eliminated the spiral, bit by bit. Until I arrived at the final version.

The Final Version of my Abstract Experiments

Moving On – the end result

Now I’m happy! Perhaps you’ve noticed that I also rotated it to find the best view. Immediately after that, I started painting two more! Of course I will show you these later. But I must point out that the moral of this story is: don’t change direction midway into a painting! Because it costs an awful lot of paint and also, it makes your brain hurt! Ah, let’s go back to the carefree days of quick, intuitive abstract painting like this here ! Only joking, I love it really.

Two New Style Abstract Paintings

Waves

Good morning everyone. Well, as I promised, I’d like to show you the first abstract composition I painted from Painting with Yvette. And it’s a new style abstract painting, for me, that is! Actually I found out about this course by chance, just at the very time I was feeling that I needed a change of direction. To be honest, as you might have noticed, the shapes and composition are not all that different from the ones I often use in my paintings. But, first of all, the colours are very different, or, in different combinations – see this post here. Secondly, there is a lot more empty space between the elements. As you might say, a bit more breathing space. Lastly, there are more definite calligraphic marks. In fact, our tutor Yvette St Amant is very generous with her advice and guidance. So I try not to reproduce her work, but to use the ideas and develop them into my own style.

However, I find it quite difficult to achieve and, I spend a few hours on each painting, but I do feel that I am learning. Indeed, I think this is the only way to achieve progress, to spend time practising.

Another New Style Abstract

Pink and Gold

Actually, have a look at the image this way round, I’ve just this minute noticedthat in this view, a totally different idea springs to mind. To me it suggests new things on the horizon.

A New Horizon

I think I like it better this way! And, putting gold paint on a painting and having it make sense in an abstract way is a first for me! So, I’m working on a couple more of these new direction abstract compositions at the moment. But quite slowly. And I will show you when they are ready. (By the way, these are gouache not acrylic)

Try Zentangle Patterns in Animals

My Zentangle Monster

Good morning everyone. I hope you like my monster filled with Zentangle patterns. Incidentally, have you heard of Zentangle drawing? Actually, it’s been very popular for a few years now. Of course, my drawing is only inspired by this style. Because I haven’t got the hand control or the patience to do the beautiful, intricate patterns that people do. Although I do admire them very much. In fact, I heard about this style of drawing a couple of years ago at my drawing group. And we decided to use animal outlines as a template. Have a look at what I did then.

The Ink Fish ( !)
A Decorated Penguin

Anyway, the main point of these exercises is to enjoy yourself and to create a feeling of calm as you draw. And, it really does work – I feel it myself and I have seen the soothing effect on my art buddies. In fact, it doesn’t seem to matter whether you are creating something original or following along someone else’s design. Because, the result is the same – a calm, quiet room full of contented people! I drew my zentangle patterns at our art society meeting recently and I sketched a made up monster outline. Then, I amused myself drawing the lines of pattern design so that they followed the contours of the body. When I was looking through my picture gallery I found another recent attempt at the style. And, this time it was for one of last year’s Inktober prompts – tick.

Zentangle Patterns for Inktober

Tick

To be honest, I think it’s a good idea to try something completely different from your usual art practice. Certainly it refreshes your ideas, and that’s always a good thing. For myself, these new ideas seem to find their way into my quick abstracts like the fruit one in this post here. And I do believe that they can take your art into new directions that might even surprise you! But, also, it’s fun to do work that’s a bit less serious from time to time.

Painting Houses for our Street

John Knox House

Good morning everyone. On Tuesday evening at our art society meeting we started a new project – painting houses for ‘our’ street. In fact, we are each taking a sheet of paper and painting or drawing a house or building. Then we will make a folding, concertina book of our street. Actually, we do a group project like this once or twice a year. And, it feels very good to be involved in something together. Especially a book which we can enjoy looking at and showing off afterwards.

Anyway, I chose this scene as my contribution – I’m guessing it’s in Edinburgh, Scotland (image from Unsplash). If you’ve got very good eyesight, the placard reads John Knox House. And now the original dwelling serves as a museum, no doubt telling the story of this religious leader in the 1500’s.

John Knox House – a closeup

As you can see in this image, I applied the paint lightly and delicately in a watercolour technique, but it was actually gouache paint. Usually with gouache I layer it on thickly and use lots of white paint to achieve that gorgeous chalky look. Instead, I painted wet on wet and encouraged the paint to be more transparent. And here are some houses in gouache, using the thicker technique.

Painting Houses in Gouache

Harbour in Norway

As I was looking at all the photos of my paintings, I realised I had actually painted loads of houses and other buildings. So, that gave me the idea to make a section for them in my gallery here – I let you know when it’s ready. Meanwhile, there are more houses here and here.

Two More Nice Bright Abstracts

Sunshine and Rain

Good morning everyone. I did this one of my nice bright abstracts before Christmas and I’m quite pleased with the way if turned out. Again, I had no plan beforehand, except perhaps to incorporate lots of lovely, juicy colour! And, on this one I particularly enjoyed splashing the flashes of white across the gold and bronze.

Sunshine and Rain – a closeup

In fact, I noticed that I have been featuring a lot of round, globe shaped objects in my abstracts lately. Of course, if you paint them yellow your mind interprets them as the sun. And dark clouds creeping up in the background can then suggest imminent rain. So, that’s how I found the title! Anyway, I suppose this led me to thinking that it was time for a bit more development of my abstract work. However, more of that in later posts. Meanwhile, here is another of my nice, bright abstracts, completely intuitive and in a watercolour sketch book.

Afternoon in the Garden

Now, this was a lovely art therapy exercise – a quick watercolour sketch in a few spare moments. And then, some flourishes with oil pastel, ink and white gel pen. I wonder if you can see anything in it? I wonder if you see the same as me? There’s another intuitive abstract in this post here for you to puzzle out!

If you like my abstracts, I just updated my abstracts page in the gallery here. And, don’t forget, I shall be showing you some new style compositions soon.

Best Trees I Ever Painted

Tree Study 1

Good morning everyone. Actually, I’m really quite pleased with these watercolour studies – they’re my best trees ever! As it happens, I do paint trees often, either in landscapes or in urban sketching. And, I don’t think I paint them all that well. So, I decided to invest in a short online course by Watercolours Made Simple . To be honest, I’ve only looked at a lesson or two but I have been pleased with what I’ve learned so far. Otherwise, I might have continued to make it up as go along, a particular drawback of watercolour for me, I find. In fact, I think it’s really necessary to study techniques to improve. More so than in acrylic, for example. But, that’s just my opinion and I can’t claim to be particularly gifted at watercolour painting.

Learning how to paint your best trees

Anyway, this learning was good fun too, so it wasn’t a chore. Simply explained, the tutor taught us to start with the foliage first. (Who knew?). So I painted three or four irregular ovals with a watery mid green mix, leaving little patches of paper white. Then use a mix of a darker shade of the colour and a lighter one too. And, describe the shapes of the clumps of foliage, not individual leaves, with lighter colour in the sun . And, darker colour in the shade. It does help to look at a tree or a photo when doing this. After that, put in the trunks and branches, using a watery mix of lightish brown and add patches of darker shade.

Tree Study 2

Here I practised mixing lots of tree greens using yellows, blues, brown and red – see top row. Then we stayed with the greens to paint conifers and another deciduous tree. I really liked doing a row of trees on the horizon, something I always botched before. Finally, I attempted to show how some trees recede into the background when you paint a forest, mainly using the paler shade of the original green. Now, I do hope I can remember that when I’m sketching en plein air!

Big Tree in my Garden

Or in my back garden for that matter, as I did here last summer. And , even though this one was in acrylic, some of these principles would help with other kinds of paint. If you want to see some of my winter trees, see here.

Mixed Media Art Therapy Sketch

Bright Life

Good morning everyone. This is just a catch up of the quick art therapy watercolour sketches that I do in my sketchbooks. Actually, this particular one took a little bit longer, as I wanted to add more after the initial twenty minutes or so. Well, I made some shapes and colours with my travel watercolour set, which I keep very handy in my living room. And, I usually do this when I have gone a whole day without arty activities! In fact, it never fails to lighten my mood, however I’m feeling. So, I consider it a very useful way to look after my mental wellbeing. Also, it is almost entirely stress free because I make no demands on myself as regards the quality of the work. And, it’s purely experimenting and, of course, you need not show it to anyone, unless you choose to. Perhaps you could try this easy art therapy sometime! And let me know how you get on.

Anyway, after the first pass, I put the little sketchbook on the table till next day. And looked at it a lot. Then I strengthened the yellow,green and brownish red with oil pastel. Next I doodled a bit with marker pen and white gel pen to bring it together. And, it definitely cheered me up!

Bright Life – a closeup

More Art Therapy

Finally, this is another another quick piece done to calm my nerves and I did this in one pass and left it as it was. If you want to see more, have a look at this post here.

Green Veg and Purple Flowers?

White House in the Valley

White House in the Valley

Good morning everyone. This is my latest acrylic painting and I chose a view of a white house in a valley for my inspiration. Actually, this is based on watercolour sketches I made in the Lake District, Cumbria in the UK. In fact, we used to go once a year, usually in spring or autumn. But we haven’t been in a while. Fortunately, looking at my sketches brings back lots of happy memories. For example, I did the two sketches I based this on whilst sitting in the hotel beergarden. A nice cool drink was just perfect after a days walking. And, as you can see, the views were spectacular.

Patterdale, sketch looking left
Patterdale, sketch looking right

Anyway, I also drew on my own memory to create this, remembering the varied colour and texture of the vegetation on the slopes. By the way, lots of the older buildings are painted white in this region. And they do stand out very picturesquely in these views over the rolling expanse of hills.

I seem to quite enjoy painting a white house, as you can see in this post here and here. All my paintings are for sale at reasonable prices. So if you see something you like, just go to the Contact Me page and send me an email for more details.

New Painting in Colour Exhibition

I Dreamt of a House by the Sea

Good morning everyone. Last week I found out that Fronteer Gallery had accepted my painting ‘ I Dreamt of a House by the Sea’ into their Colour Exhibition. And I was so delighted – firstly because it’s always a pleasure to take part in their events. Secondly, because of the theme ‘Colour’. As you might have noticed, I call this website A World of Colour. So, most of my work does suit this theme. However, I chose this particular painting because it seems absolutely bursting with colour.

I Dreamt of a House by the Sea – a closeup

Virtual Travelling for the Colour Exhibition

Actually, I painted this without a plan and it was quite late on in the process before I saw what it was. Perhaps a path leading up to the house with a view of the sea. Then, later on I suggested landscape and some vegetation on the cliff. But, for me, the most striking thing about this is when I made it. Right in the middle of being isolated at home, when I was desperate to spend time by the sea! In fact, the colours, the sunshine and the sparkling air are much more reminiscent of the coast of northern France in August. Ah, those charming, unspoilt little resorts where we spent weeks camping. Happy Days! So it seemed ideal for the colour exhibition.

There are lots of seascapes for you to dream about in my gallery here. And a post all about another of my paintings in the fabulous Fronteer Gallery here.

All my paintings are for sale at reasonable prices. Just go to my Contact Me page and send me an email.

A Beach Day

This is somewhere on the coast of Queensland, Australia. And you can find out more in my post here. Well, virtual travelling is the only way for me to go, at the moment!

Going Back to Cafe Sketching

Waiting

Good morning everyone. At last, I managed to do a bit of cafe sketching, especially when in a well ventilated space, reasonably distanced from other customers. Actually, it’s probably also the first time I felt relaxed enough to do it. Anyway, we went to the Carding Shed cafe last week and I hid my sketchbook behind my bag and discreetly sketched a couple on the next table to us.

Pencil sketch

Unfortunately, I had left my tiny water bottle behind, so I couldn’t do a watercolour sketch and I had to make do with pencil only. Not my usual style. But, I completed this before they got up and went, so that was lucky.

The Couple at the Next Table

Honestly, this is something I rarely do, add colour afterwards at home. Because I much prefer sketching with the brush and splashing colour around on the scene as I drink my coffee! And, I feel that the resulting painting is more lively, even if it’s a a bit less accurate. However, I really enjoyed myself and I now look forward to doing more cafe sketching.

There are lots of paintings and drawings in my Gallery on the People section here.

Finally, I realised I had done lots of imaginary people sketches over the past year or so. No doubt missing company and lifedrawing classes, so I leave you with this latest one.

Waiting

Revisiting Old Sketches for Inspiration

Burbage Valley

Good morning everyone. This is a gouache painting I did before Christmas and I had a look at some old sketches for inspiration. Actually, I remember this day very well – we had gone for a short walk in Derbyshire. And we were in the beautiful Burbage valley on a hot August afternoon, when my son was small. The heat was shimmering up from the moorland grass and there were no trees to sit under. In fact, this beauty spot was quite busy with people who had come out for some fresh air. But, everyone seemed a bit subdued in the heat. As we neared the car park, my husband and son went and queued for ice creams. Meanwhile, I sat on a rock and sketched the view in my tiny sketch book.

Burbage Rocks

As I worked quickly, I thought about the ancient peoples who once lived here. Incidentally, behind me there was an Iron Age hillfort a field away. So it’s not difficult to imagine figures walking the paths all those years ago. By the way, that brings to mind a painting of mine showing a prehistoric man walking home at dusk. I must find it to show you. Anyway, if you look at this post here, you will see another sketch of the area that I did recently. Or, have a look at my page Gallery – Landscapes for more country scenes. (I’ve just updated the page). As you might have realised, I have many old sketches done over the years. Happily, I find them quite inspiring to repaint. Not to mention the lovely memories they bring back.

Black on Black, Colour Experiment

Black on Black

Good morning everyone. This acrylic painting is painted on a smallish black box canvas that I have had for ages. Frankly, I had no idea what to paint on it, but they were all the rage at the time. Anyway, I decided to have a go, just after trimming this year’s Christmas tree.

And so, as you can see, the colours red, gold and white were on my mind! Well, I put down some shapes intuitively, with the idea that the canvas would stand as the background. My daughter-in-law thought it looked quite festive! However, I hated the effect of unpainted canvas. So, I carried on my usual method of shaping the composition by layering paint. Of course, this included painting over the untouched background. Hence the title.

A close up

Incidentally, I also discovered, or perhaps consciously realised that I prefer colour to be nuanced and subtle. Rather than flat with only one tone, like the black canvas. Sorry about the glare, it’s quite difficult to photograph these colours.

I hope you enjoyed looking at my intuitive abstract – there are loads more on my Abstracts page.

The In Situ Photo

By the way, this is the room I designed the painting for!

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