Good morning everyone. I’ve been very busy with arty stuff this week, so I turned to small scale art works. Just to stop me from going completely potty and suffering too much art deprivation! However , I took a great deal of pleasure in completing this in three very short stages. Actually, I think it succeeds because of the days in between the bursts of painting which I spend looking and assessing. And I created it using biro, watercolour, oil pastel, ink and oil pastel on this small sketchbook page.
Here are two of the small scale art works I did at our art society meeting this week. When we concentrated on simple, quick drawings of objects and the surroundings of the church hall. In fact, I thought it was useful to spend some time drawing without looking at a photo or a screen. To be honest, lots of artists don’t draw on the spot. So this was good practice on conveying the illusion of 3D objects on flat paper. And a good time was had by all, creating small scale art works!
Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.
Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.
Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.
Good morning everyone. I think the title says it all, really, because I’m very busy at the moment. And, this is all the art I can manage to fit in at present – spare time abstracts! Actually, I saw a few things online about doodling, which seems to be very popular just now. But, to be honest, I’ve been scribbling little designs and patterns all my life. So, it seems to be quite natural to me. However, I noticed lots of ideas suggesting doing these small drawings over a background of watercolour marks. So, nothing could be easier, I use my little travel set of colours and it dries fast. Then, a little bundle of markers to choose from, and off I go!
Although, I must say the notion of using lots of surface pattern over paint is still new to me. But, that’s the fun part. And, as most of my marker pens are waterproof, it seems natural to add a bit more emphasis on top with thicker paint. Next, I have a look at the design for any ugly bits and correct them. And now I’ve done another spare time abstract! Right, back to the allotment gardening! There is some more fun doodling in this post here, using a slightly different technique.
Good morning everyone. Today I wanted to show you this abstract design, which required quite a lot of planning. Obviously, it’s just a modest little watercolour abstract painting, but, first I had to think hard about the background. You see, I kept the colours soft so there is not too much eye catching contrast. At the same time, I introduced a subtle sense of movement with the white paint. Honestly, I really had to restrain myself from adding loads of busyness all over the place! Anyway, I achieved it and now I could choose a motif to put over the top. But, what to choose? Not wanting to experiment on the page, I used my I pad trick and scribbled a few ideas over the image on the screen. After a few tries, I settled on a mandala.
So then I felt confident enough to paint my mandala in black paint (don’t laugh, it’s an abstract one!) Actually, I haven’t got the skill or the patience to paint a good one. However, I think it’s quite effective. And the main point of the exercise for me is to take some time and thought when planning an abstract.
Next, here is a glorious example of bad planning, more like my usual style! Here’s the story, l wandered into my ‘studio’ after showering one morning. And there was the usual view over the roofs, all bathed in gentle sunshine. Well, I couldn’t resist grabbing a pad and a black marker for a quick sketch. Then I used my new oil pastel pencils for the colour which didn’t of course cover the lines. So, not the best laid plan, but a real delight to record my response then and there! To sum up, I suppose I think that there is a time for careful planning and also for spontaneous response. Maybe you missed another quick response I made to this view, in a spectacular winter sunrise last year here.
Good morning everyone. Well, as I promised, I’d like to show you the first abstract composition I painted from Painting with Yvette. And it’s a new style abstract painting, for me, that is! Actually I found out about this course by chance, just at the very time I was feeling that I needed a change of direction. To be honest, as you might have noticed, the shapes and composition are not all that different from the ones I often use in my paintings. But, first of all, the colours are very different, or, in different combinations – see this post here. Secondly, there is a lot more empty space between the elements. As you might say, a bit more breathing space. Lastly, there are more definite calligraphic marks. In fact, our tutor Yvette St Amant is very generous with her advice and guidance. So I try not to reproduce her work, but to use the ideas and develop them into my own style.
However, I find it quite difficult to achieve and, I spend a few hours on each painting, but I do feel that I am learning. Indeed, I think this is the only way to achieve progress, to spend time practising.
Another New Style Abstract
Actually, have a look at the image this way round, I’ve just this minute noticedthat in this view, a totally different idea springs to mind. To me it suggests new things on the horizon.
I think I like it better this way! And, putting gold paint on a painting and having it make sense in an abstract way is a first for me! So, I’m working on a couple more of these new direction abstract compositions at the moment. But quite slowly. And I will show you when they are ready. (By the way, these are gouache not acrylic)