Good morning everyone. This is the first intuitive abstract in acrylic that I’ve painted in a long time. That is, apart from a few doodles. But I do know why I didn’t – I was trying to concentrate on landscapes for a couple of months. Actually, I was following the advice of my online tutor, Rod Moore and I think it’s sound. Apparently, studying and practicing one subject and medium leads to more progress. And I think it’s true. But, I was having too many withdrawal symptoms and missing creating abstract composition. So I had to paint this one!
A Closeup of my Abstract in Acrylic
In fact, I had been getting ideas all along for combinations of colours and shapes for an abstract in acrylic. So, I retrieved this idea of interlocking gears from my memory archive. And combined it with a soft colour scheme of misty blues, greens and pinks. Although I followed my usual method of painting from all four angles, the pink figure emerged, and is determined to make its way out of the picture. I’m sure this is another example of art therapy!
A Doodle Abstract in Mixed Media
Finally, here’s one of the aforementioned doodles, this time in biro and pastels. And, I definitely felt better when I’d done it! See more abstracts in this post here.
As you may know, all my artwork is for sale at reasonable prices. Just go to the Contact Me page and email me for more details. ‘Flight’ is acrylic on canvas board, 12 by 15.5 inches, unframed, and I’m letting it go at £50 plus shipping. Affordable art!
Good morning everyone. Well, summer is officially over now and there are signs of autumn showing. But, on one of the last of the summer days last week, we had our morning coffee break at Sandal Castle. Only 15 minutes drive away, and the weather was heavenly!
To be honest, I don’t know a lot about the castle. Just a few of the walls remain but they are quite impressive on the top of a mound on a hill. So the location is significant and played an important role in the Wars of the Roses in the fifteenth century. Just think Richard the Third. See here for more details.
Anyway, what attracted me was the glorious yellow colour of the fields in the landscape. And the juxtaposition of the old stonework and the modern housing at the bottom of the slope. Of course, I know you can’t see the ruins. But, I promise I will do a plein air watercolour painting of the castle soon. Meanwhile, here’s one of my favourite acrylic paintings of summer days, from a while ago, sunny Jamaica.
Finally, if you missed seeing this before, here is my imaginary scene of a sunny day nearer to home.
Good morning everyone. I’m so pleased – Fronteer Gallery in Sheffield accepted my acrylic painting for their new abstract show in October! As you may remember, I exhibited with them in June this year. And I showed my Egyptian Temple in their Summer Solstice exhibition.
Work for the Abstract Show
Well, the theme for the show this time was a dream – Abstract. That’s all, so I found it wide open to interpret just as I liked. Normally, I create a new work for an open call, but this time I had one ready made.
Although I started this abstract composition purely instinctively, as I worked, I realised that two main themes were influencing me. Firstly, I had recently been to a great exhibition at the Hepworth Gallery in Wakefield, by Anthony McCall. The light installation was very impressive and the museum encouraged visitors to move through the beams of light quite freely. So I painted a silhouette against the blinding white and the deep shadows the artist had created.
Secondly, the winter was quite cold that year and the snow was finally beginning to melt. And the streams were swollen, racing through sodden fields. Consequently, I added piles of soft snow, a stream and the moon piercing the darkness. However, you don’t really need to know any of that. In fact you can put your own interpretation on the scene. Or, even, obviously just look at it and react in your own way.
Of course, I shall post a report of the abstract show when it is actually on the wall. Meanwhile, you could look at some of my other abstract paintings in the Abstracts section of my gallery.
As you may know, I sell all my art at reasonable prices and you can email me via my contact page.
Good morning everyone. Well, as I write this post all about summer paintings, the rain is falling in a steady drizzle. And the temperature has dropped a few degrees, so it’s not exactly hot and summery. Nonetheless, the day is warm and fine in this acrylic painting of a scene in the beautiful Yorkshire Dales. Perhaps you don’t know this area of rounded hills and sheltered valleys (the dales) in the north of England. But it’s one of our favourite spots and only a couple of hours drive from our home.
This view shows a very distinctive feature of the valley of the river Swale – the very numerous small barns. Actually, there’s practically one for each field and the farmers used them mainly for storing the hay. Whatever the reason, they are picturesque and very sketchable! In fact, the whole area is covered by a network of public footpaths and quite easy to explore. If you want to find out more about the region, look here.
Another One of my Summer Paintings
Now, this is something completely different! And it started off as an intuitive abstract I painted in March this year. As the winter dragged on, my thoughts turned to sunshine and holidays by the sea. Slowly elements started to emerge which suggested a landscape I’ve often seen in France. Of course, this was back in the day when we used to travel – seems an age ago now! Anyway, we would often camp near a small seaside resort. And, somehow, this scene reminds me of parking the car on a rough patch of ground. Then struggling down a path made of soft sand to the idyllic beach, with only a few families to keep us company. Happy days!
Finally, I hope you enjoy looking at my summer paintings and dreaming your own dreams. Here is another lovely scene you might like. As you may know, all my paintings are for sale at reasonable prices. Affordable art! Just go to myContact Me page and get in touch.
Good morning everyone. Today I’d like to show you two watercolour paintings of lovely old buildings that I have just finished. In fact, you may have seen the pencil sketches of animals in the petting zoo at Pot House Hamlet before. (See here). Because we visited this place in Silkstone village on a recent sketch trip. And we were surrounded by the beautiful old buildings of this little settlement – now a garden centre, cafe, shops and small zoo. Actually, the original buildings were 17th century glass making workshops and later pottery kilns. To be honest, I’m not sure about this building, but I chose it because of the unusual shapes. And, of course, the attractive colour of the stone. Then I added more washes of colour at home – the hot sunshine drove us into the shade!
Secondly, this is a sketch I more or less completed en plein air here at Elsecar, despite the steady drizzle. But, when I got home, I decided to heighten the colours, just for impact. Interestingly, one of my art buddies was painting his dramatically coloured acrylic paintings that morning. And I felt that I just had to have a go! I think I need a bit more practice, but I really enjoyed it.
Good morning everyone. As promised, here is my Australian landscape, finished only yesterday afternoon. And, I must admit, I’m really quite pleased with it. Actually, I feel now as if the tuition I’ve had access to on this course is finally coming together. If you’ve been following my blog, you will have seen many of my practice paintings of Australian landscape. I will confess that I felt out of my comfort zone with some of them. Perhaps the advice on using a restricted palette and simplifying the shapes was a lot to take in at first. Not to mention the unfamiliarity of the Queensland countryside. However, I would fully recommend this course, the Moore Method of Painting here.
At last, I’m beginning to pay attention to the pattern of light and shade in the scene. Also to use different kinds of brushstroke to indicate grasses, leaves and so on.
Anyway, I definitely feel like I’m making progress, at last and I’m really looking forward to my next project, possibly an English landscape scene. Incidentally, there are some interesting paintings in my Gallery. And, if you like this one, it’s for sale. Acrylic on paper, 12 by 16 inches, unframed and without a mount. Go to the Contact Me page and drop me a line. Affordable Art, at reasonable prices. It’s £50 plus shipping , free in UK.
Good morning everyone. Well, here, as I promised is my latest small, woodland painting for sale. Honestly, I really enjoyed creating this one. Probably because painting trees is one of my favourite subjects, as you might have noticed! (See this post here). Actually, I based this study on a pencil sketch in my sketchbook. As I recall, I focused down on just part of the scene to make this study. But then, as often happens, the painting took on a life of its own. Meanwhile, I deepened the shadow in the background to make more of a contrast with the glow cast by the setting sun. As you can see, the rays are falling on to the tree trunks and the soft, thick foliage.
Incidentally, have you ever walked in the wood when the sun is starting to set on a still, summer’s evening? In fact, it can look quite magical and that’s the feeling I was looking for here.
Finally, if you want to buy a unique piece of art, this woodland painting is for sale. Perhaps as a treat for yourself or a gift for a loved one. And it’s only £15 plus shipping (free if in UK). Acrylic on paper, 7 by 9 inches, unframed and without a mount. Simply go to the Contact Me page here and send me an email, payment is by PayPal. Then you can enjoy a ‘walk’ in the woods every time you look at it!
Good morning everyone. Here it is – the second small painting in my new series of work for sale. If you remember, I offered my first one here , and I suppose that this scene is slightly similar. Only, the season has moved on, and now it’s early spring. To be honest, to create this landscape, I had a look through one of my little sketchbooks for inspiration. And I found this scene, it caught my eye and inspired me to paint. In fact, I have realised that I really need to like a subject in order to get my acrylic paints out. Then I set up my easel and the fun begins. However, I must admit that I can’t recall anything about where the scene was, or what happened that day.
Setting the Mood in my Small Painting
Anyway, in a way that left me carte blanche to create any mood I wanted. So, as I worked, I tried to channel brightness, in the fresh foliage of the season. Also, I wanted to indicate early morning and the optimism that you feel when you set off for a walk. Because, the landscape is one you love, and the weather promises a fine day! But, it doesn’t really matter whether you, the viewer see all that or not. In fact, the picture may conjure up quite different kinds of emotional responses for you.
Whatever you feel, if you like this acrylic painting, 7 by 9 inches, it could be yours for £15 plus shipping (free postage and packing for UK). It comes as it is – unframed and without a mount. But, securely packaged and sent to you and you pay by PayPal.
As I was writing this, it just occurred to me that I may well have been influenced by this practice painting here below. Just to recap, I painted this scene for my online course and the setting is Australian landscape. But the sentiments are the same, I think – it’s all about the pleasure of being in the outdoors.
Well, it could be not be easier to contact me you know. Just go to the Contact Me page and send me an email. Then you can have some original artwork at affordable prices, and there are plenty of interesting paintings in my Gallery too!
Good morning everyone. Last week we went for a stroll around a very picturesque village where I did some plein air sketching. Actually, the weather was extremely cold and we saw a fair few other people, wandering aimlessly around. Well, that’s the Lockdown effect for you, but I couldn’t think of a more pleasant place for an easy winter walk.
The Village Buildings – My Plein Air Sketching
In fact, Woolley village was full of beautiful old cottages, some farm buildings and a splendid Old Hall. But it was the church that caught my eye, and we found a bench under a huge yew tree. So, this is the view right in front of us- irresistible. Just look at the glowing sandstone, the backlit holly tree and the quirky shapes of the ancient gravestones.
Plein Air Sketching at this Historic Site
In fact, there has been a church on this site since Norman times, that is since the eleven hundreds. Hopefully, you can just make out the odd shapes in the bottom left of the picture. Apparently, these are shrine like tomb boxes from the Norman period. In addition to this grade 2 listed graveyard, inside the church there is a William Morris stained glass window. Unfortunately, the church wasn’t open, so that will be for another day.
If you follow my blog, you will be aware that I love to sketch en plein air or from life outdoors. For me, this means watercolour sketching and I do like to complete the sketch whilst outside. However, for this one, I managed to do about two layers and then my fingers froze! (40 minutes). Then I finished it off at home. But you can see the Quarry Park here and Wentworth Old Church here which were completed in situ. Oh well, let’s hope for some mild spring weather soon!
Good morning everyone. I thought I should show you this rainy day painting today. Because it’s part of the online course I’m following and I have painted a couple since this! Anyway, the challenge in this simple scene is how to make all the different shades of green make sense. In fact, our tutor Rod Moore helped us through this by reminding us of the principles of colour perspective.That is, colours in the distance become cooler in the sense that there is more blue in the mix. In practice, the greens further away are bluey green and those in the foreground are yellowy green. To be honest, it’s actually much more tricky than it sounds and it involves a lot of careful colour mixing.
The Greens in the Foreground
The second big challenge in this acrylic painting is how to convey the idea of rain and dampness in the air. Well, I tried to blur the colours and shapes by using some indistinct brush strokes. But, if you go too far with this, you’re in danger of losing too much detail. And then the scene just looks confusing. So, although the features in the composition are relatively simple (trees, distant hills and a path) it wasn’t easy!
The Distant Hills in my Rainy Day Painting
Finally, I hope you can see in this closeup how I indicated damp, misty conditions. In order to do this I brought the pale sky colour over the line of the wooded hills. And this really helped with the illusion of misty dampness I was trying to create. In effect, this is the only view of Australia in the rain that we have painted on the course. For example, take a look at this sun drenched scene here that I painted a few weeks ago.
My Abstract Impression of English Rain
See this post here for the story behind this picture!
Good morning everyone. Today I’d like to talk about mood and atmosphere in intuitive abstracts. And, just to make it clear, by intuitive this is what I mean. Simply that I sit down to paint a smallish abstract work in my art journal. And I don’t have any idea about the colours and shapes I’m going to use in the composition. In other words, I work instinctively. On the other hand, that doesn’t mean to say that I am not influenced by what’s happening around me.
Also, I notice more and more often that I unconsciously choose colours and sometimes styles that I may have admired in other artist’s work. In addition I seem to include the contrasts and textures I have noticed in the natural world. But, as I said before, none of this is by deliberate choice.
Bright Mood and Atmosphere
In this little piece, I think my mood must have been upbeat. Because I went for cheerful yellow and glimpses of blue sky. Then trees and branches popped up so I went with the idea of a forest, one of my favourite motifs, actually. And, although I worked on this by rotating it round all four ways, the path was clearly obvious. So I guess my subconscious was showing me that there’s still a way to go. So, keep on keeping on!
Cheerful Optimism and Determination?
Incidentally, I wonder if this scene makes you feel the same as me? Because, of course, I have only discussed the intention and reaction of the artist. However, the reaction of the viewer is also very important. And, with a loose work like this, you can interpret it any way you like. I am sometimes quite fascinated when I talk to friends who visit my exhibitions. Naturally, at the moment this is not possible in the real world. Thank goodness I can show you my work virtually like this! And, we have all got to walk down that path a little bit further yet. Stay well.
If you want to see more of my little intuitive abstracts in mixed media, see this post here.
Good morning everyone. Over the years I have done my fair share of studying old masters, in paint and pencil. In fact, I have always considered it a very useful exercise. And you can learn quite a lot by trying to recreate some of the effects produced by the artist. Actually, this seems to work whether you use the same materials or not. For example the type of paint e.g oils or acrylic, or support (canvas or paper) and so on. In my opinion, there’s always something to be gained by looking closely at the composition, choice of colours and the actual brushstrokes.
And, in my experience, it doesn’t matter which stage you are at in your painting journey. But, the key point is to approach the exercise with the intention to learn . And not to put too much pressure on yourself to paint an exact copy. But it is more enjoyable all round if you choose an artist you admire, or even love! Ok, I confess, I’ve got quite a few ‘ Van Gogh’s ‘ in the archive!
Studying Old Masters – Joachin Sorolla
Well, this is the study I painted in acrylics a few days ago whilst following an online tutorial. Actually, see here for my post on a John Sell Cotman study I completed with this same tutor. To be honest, I’m very fond of this Spanish artist, Joaquin Sorolla, and he is very well-known for painting light. As you can see, I attempted to show the glare of the hot summer sun at the beach. In particular, the extremely subtle play of light on the white cotton material of the young girl’s dress. Admittedly, not an easy task, but it really made me practise mixing slight shifts in tone. And, I will need to improve this skill if I want to progress in my painting. In effect, this is the value in studying old masters.
My Study of Paul Klee’s Abstract Landscape
Finally, I’d like to show you my study of a fab abstract landscape by Paul Klee. He was a Swiss artist who taught at the famous Bauhaus school of art and design. And I love everything he painted! In order to recreate this work in the class I followed online, we first laid down the grid of lines . As you might imagine, these represent the contours and field boundaries of the land. Then came the fun part. First of all, a soft , hazy background of light brown. Then we treated each section separately using a limited palette of yellow ochre, cobalt blue, crimson, black and white. And the finishing touches were the ‘lollipop’ trees and the tiny flowers.
To sum up, whilst working on this piece, I concentrated on choosing harmonious combinations of the colours obtained from the limited palette. Also, I had to think very carefully about the placement of the features in this tightly controlled composition. If you want to see some of my much less tightly controlled abstracts, see this post here. But, I just love studying like this – an unexpected bonus of having lots of free time at the moment.
Good morning everyone. Well, as promised, here are some more Christmas birds that I created for the Birdmas challenge. As you might remember, the challenge was organised by the Triwing Art Challenge group over on Mewe. And, it was a real pleasure to be taking part – one bird a day for the first twelve days of Christmas, or thereabouts. Anyway, here is my close up of a duck, coming really close in, prospecting for food. However, on this occasion the bird was unsuccessful. Because my daughter in law, who took all of the fab photos that I used, she hadn’t got any duck food handy!
Actually, this is the first gouache painting I’ve done in a while. You see, I’ve been working hard on the online acrylic painting landscape course that I’m following, See this post here for an update on that. But, to get back to gouache, much to my relief, I hadn’t forgotten too much about how to handle the paint. To be honest, the main difference between them is that acrylic layers dry completely and gouache never seems to dry. Of course, this makes it awkward to paint layers of colour, but it can be done. And, gouache has a charm all of its own.
Christmas Birds with Shiny Feathers
The plumage on the drake was quite subdued in colour, but the feathers on the head were iridescent. I tried to show the subtle changes of colour, shifting from green to purple by blending small brushstrokes together. But, I’m not sure the photo really shows this well.
I had been really looking forward to painting a chicken. So, I decided to use chalk pastels – I thought they would best portray the fluffiness of the feathers. And, I am fairly pleased with the outcome . But, I did make a big mistake in choosing the wrong paper! Purely because of my impatience to get started. You see, the paper was so smooth that most of the pastel fell off! There must be a lesson to be learnt there.
And, finally, the photo I used for inspiration for this quick watercolour sketch was an absolute gift. For, the pose, the cheeky attitude – they were already there . And, all I had to do was concentrate and alter nothing. Well, I hope you’ve enjoyed looking at my Christmas birds -there might be a few more posted before long! Check out this post here to see the bird paintings I posted last week.
Hello everyone. This morning I thought I’d like to show you the latest in my series of acrylic abstracts. And this one, yet again is largely made up of curved shapes. Perhaps you can see in this painting how I was influenced by the present situation. In a sense, you could interpret it as organic creatures confined behind the mesh structure. Possibly a reflection of lockdown ? But, that’s not the whole story. To be honest, I was also thinking about my ‘stained glass ‘ theme which I was developing a few months ago. And, as you can see, I really got carried away with the beauty of the soft, amorphous coral coloured masses . And, what a glorious contrast they make against the teal blue.
More Curved Shapes
This is just a quick doodle in gouache – part of my experiments to understand how to handle the paint. However, I was struck by the fact that I automatically draw rounded shapes, inspired by nature or imagination . Very rarely do I want to include many geometric or straight edge shapes in my compositions. And , I must admit, I do sometimes feel out of step with the modern trend in abstract painting . Because it seems to be composed of squares, rectangles, angles and straight edges. In fact, the very opposite of my soft, curved shapes !
The First Big Rounded Abstract
I wonder if you remember this one from July this year ? Actually, this is the one that set me off on my mission to go larger with my round, gestural shapes. If you want to see more of the story behind this acrylic abstract see here .
Art for Sale
But, to go back to the star of the show, this painting is now for sale ! It’s in acrylic on paper, 16 by 20 inches, unframed. And, it’s at the very reasonable price of £60 plus shipping . I’m based in the UK and you can pay by PayPal. So, just go to the Contact page here and send me an email. Then you can have this in your home and look at it and lose yourself in the calm, comfortable, soothing atmosphere.
I just finished this acrylic painting today , and I wanted to show it to you straight away ! This painting – Drylands – Art for Sale – needs to be featured all by itself, I think . To be honest, I am quite pleased with it . You see, it’s another experiment with a restricted palette of colour. And this time, I used soft browns, vibrant orange and a touch of gold. In fact, I mixed the shades of brown from blue and a ready made orange. Surprisingly, this combination includes the three primary colours red , yellow and blue. Because, of course, the orange is a mixture of red and yellow. ( In actual fact, it took me a while to figure this out ) . And I had never tried to mix browns before, always using the brown umber straight from the tube. But, I must say, I really prefer the DIY mixtures. And, that’s what I like about these experiments – I always learn something!
Drylands – Art for Sale -The Dead Trees
Clearly, when I painted this parched landscape with its swathes of dusty foliage, I must have been thinking of the climatic changes taking place in the world. For example, it seems that dry, hot regions seem to be getting hotter and drier. If you would like to see another surreal landscape painting, look at this post here .
I’m including this shot in order to try to show the intense and rich colour of the sky . There are also passages of interesting textures, as there are on most of my paintings. Unfortunately, these details don’t show up so well on a screen.
Well, I hope you like my painting ‘Drylands’ . As I said earlier , it is a work in acrylic on paper, 16 by 20 inches, unframed and without a mount. And , it’s priced at £60 plus shipping ( I’m based in the UK ). So you can pay by PayPal and I’ll package it up and send it off to you without delay ! Just go to the Contact Me page here and send me an email for further details. Then you can frame it to suit your taste and enjoy soaking up the evocative atmosphere it seems to create.
This is just a quick post today, to keep you up to date with what I have been painting- Flash. So have a look at my latest 16 by 20 inch acrylic composition. To be honest, I am getting really comfortable with this size of paper. To explain ,it’s not so small as to cramp my gestural style of painting. And also, it’s not so large that it seems a bit of a chore to cover all the canvas with paint. Hopefully, you can see what I mean . In addition, the paintings are done more quickly. And I do enjoy finishing off a piece in roughly three sessions. But sometimes I like to take my time and develop a piece gradually. Perhaps, it’s a sign of the times that I am too restless to commit to anything that will take more time and concentration. I wonder if anyone else has felt that the Covid situation has altered their art practice?
Artist’s Inspiration for Flash
The idea for this piece literally came to me ‘ in a flash ‘ ! Suddenly , I saw some red, zigzag flashes on a beautiful, blue sky. Apparently, there was also some kind of ocean wave or strange sort of rolling landscape underneath it all . So , I just picked up my paintbrushes and started ! I must make it clear that I don’t create all my abstracts in this way. Actually, I might write a post all about it soon – so stay tuned ! Click here to see more abstracts, intuitive or otherwise !
Please don’t forget, all of my art is for sale at reasonable prices. This painting is acrylic on paper, 16 by 20 inches . It’s unframed and without a mount. I’m selling it at £60 plus shipping. And I’m based in the UK. If you feel like treating yourself . So, go to the Contact Me page and send me an email for more details.
This is just a quick post to show you my latest acrylic semi – abstract painting . You might remember that I have recently ‘ gone large ‘ . That means that I have started painting on bigger canvases and sheets of paper . In fact , this composition Flowers in the Rain is 16 by 20 inches on good watercolour paper
Going Large with Flowers in the Rain
You might think that this isn’t very large . But , you see I felt sort of blocked earlier on this year with all the worrying things that were happening. So now , I feel a bit more relaxed and I am revelling in using paint freely on bigger supports . And , I do hope you can see that joyfulness in this flower picture.
Interestingly , I was fascinated by the soft , folded petals of the large bloom that I indicated here . In fact , I got so carried away with painting it , that it grew larger and larger !
To tell the truth , my main inspiration for this piece was the way that the drizzle intensified the colours . The leaves and flowers in the rain were sparkling with light ! I even allowed this to spread onto the fence panels in the background. Of course, they were really a dullish brown . If you want to see some more paintings of lovely flowers, just go to my gallery here .
All my paintings are for sale at reasonable prices. I’m selling this painting for £50 , including shipping in the UK . It’s 16 by 20 inches ( which is not too big , or too small ) . The piece is unframed , so you can choose your own frame . And I think that most people prefer this . If it really calls out you and you need to have it , just send me an email by using the form on the contact page
The lovely people at the Skelmanthorpe Community Library Gallery have given me the opportunity to display my work on their Facebook page here . I’m the featured artist for a fortnight with one of my online exhibitions ! They are doing their very best to support and showcase local artists during the pandemic . I’m sure that as soon as it is safe , the gallery will be open again. Until then , we can enjoy taking part and also looking at other artists’ work in this way .
The Piece Hall – in my online exhibition
The Piece Hall is a very famous site in Halifax, West Yorkshire. It is a Grade 1 listed building . It was the place where handloom weavers sold their pieces of woollen cloth in the 18th Century. As you can see , the building itself is very beautiful . So I couldn’t resist standing on the first floor balcony and doing a small watercolour sketch . Afterwards , at home I used the sketch as a reference along with a couple of postcards to create this larger piece . But , I worked fairly quickly and tried to keep the plein air feeling .
A Reworking of an Old Acrylic Painting – now in one of my online exhibitions
Perhaps you have seen this acrylic painting in one of my blog posts . Or , if not , you might want to go and have a look at the story behind the picture here.
A Spring Painting in one of my Online Exhibitions
I painted this acrylic painting just after Christmas, earlier this year for the Springtime in Yorkshire exhibition at Skelmanthorpe Gallery . But of course , as it was due to open in March it was cancelled due to the pandemic . So , it was a great chance to show the picture in my featured fortnight on the Village Art Facebook page in one of my online exhibitions. It shows a figure ( my husband actually ) on a cold day in February, admiring the Snowdrops in the big rockery at Wentworth Castle Gardens . This is a beautiful place where we quite often like to walk.
Art for Sale
All of these paintings, along with eleven more , are available to see on the display on Village Art Facebook page and to buy . If you see anything you like , send me an email , using the form on the Contact Me page
The Lockdown Art Exhibition
And , finally , I was so pleased to be included in this Fronteerlockdown art exhibition on Instagram. This is my intuitive abstract and I’ve called it ‘Family’. You see , Fronteer are a husband and wife team who promote the arts in Sheffield see here. You certainly ought to look up the whole exhibition on Instagram if you can . It’s top class and , if I’m lucky , I might be included in the real life show selection as soon as it can be staged in their Gallery. I’m keeping my fingers crossed ! That’s all the news on my online exhibitions for now , but , I’ll keep you posted !
This is my latest acrylic intuitive abstract and it’s on show in my virtual exhibition on Artsteps . It was put together for me by my great friend Matt Butt of Rotherham Roar artists , a wonderful artists collective that I belong to . And this acrylic painting on paper is my first example of working in a larger format for a long while . To tell you the truth , I don’t think I shall ever go smaller now !
Flower Paintings in my Virtual Exhibition
I painted this canvas as the last of a set of four – you’ll get the full set in the virtual exhibition, together with Sunflower, Oriental Poppy and SeaThistle . Look for the link at the bottom of this page to see my show. This fantastic app ‘Artsteps’ allows you to create your own exhibition in a virtual gallery . And then you can ‘ walk ‘ around using the arrow keys .
The Progress of Mankind
You’ll also see the last part of my triptych ‘ The Progress of Mankind ‘ – the painting above which I called ‘ Free Spirit ‘ . The other two parts (One and Two) are on show in the virtual exhibition and they really look good hanging together in the gallery . To tell you the truth , that’s the first time I’ve seen them together and it’s amazing what a sense of satisfaction I got from ‘ seeing ‘ them hanging on the wall online . Just imagine , I would never taken up this opportunity of displaying artwork online if not for the pandemic ! And you can also read my post all about this triptych here .
Lockdown Artin my Virtual Exhibition
To finish off this little review , I will include a watercolour and pencil mixed media piece . Well , this came about as a result of watching birds in my garden during early Lockdown. The pigeon continued strutting around as if nothing was amiss . Strangely , this made me feel a lot more optimistic at the time.
Although you can’t visit my show in person , at least you can see my work laid out virtually this way . If you follow this link here , you can see my exhibition. Use the arrow keys or WSAD keys to navigate around . Click on any picture to get a close up and better lighting . Anyway , there are twenty paintings to see and it’s great fun virtually walking around the gallery. This works best on a PC rather than a phone or tablet , unfortunately . All my paintings are available to buy at reasonable prices . So just send me an email using the form on the Contact Me page , if you want to know more.
Last week I was inspired by the combinations of colours that I saw in the summer flowers I was planting in our window boxes . Pink and red caught my eye and I worked with these to create an abstract flower painting . I had been talking to a friend online about simple printing . So I had a go at relief printing some leaves . I used the easiest , non-tech method ! After coating the back of the leaf with acrylic paint , I pressed it gently on to the painting , using a sheet of clean paper to protect everything from my painty fingers . Then I experimented with the amount of paint I used and the pressure I applied to get different effects . I also made a second print with the same painted leaf and the resulting print has quite a faint , dreamy quality that is very pleasing . The possibilities are endless ! I quite liked the result .
You might have seen this mixed media piece earlier on in the year. I just loved the colours of the Spring flowers back in April or May .For this abstract flower painting I used watercolour , pen and coloured pencil.
Another Abstract FlowerPainting
This watercolour painting is one of my own favourites , Sweetpeas from the Allotment. I liked it so much that I chose it for the poster to advertise my solo exhibition back in January at theSkelmanthorpe Gallery in West Yorkshire. You can read all about it in this posthere .
Actually , I have realized just recently that I prefer doing an abstract flower painting now , rather than in realistic style . So , watch this space for more experiments !
All my paintings are available to buy at reasonable prices . For more information , go to the contact page and use the form to send me an email .