Good morning everyone. A day at the seaside – I love this intuitive abstract that I made when I was thinking about a day out. Well, to be precise, I was only dreaming about going to the coast. And that’s because we haven’t been able to go for over a year now. Partly due to Covid restrictions and also for practical reasons – I chose to stay home and keep safe. Anyway, I can always dream!
A Day at the Seaside – an Abstract Acrylic
However, I must insist that this composition must have come from my subconscious. As I have mentioned before, I do a first quick impulsive pass and create a full design, covering all the paper. Then I might leave it until next day, look at it and think about it a lot! After that, I’ll work on it from all angles and enjoy myself, creating texture. For the next session, I’ll choose which is top, and which is bottom and have a look at the balance of shapes and colours. And that’s when I get nice surprises!
The Unexpected Features
Actually, this picture almost painted itself and it was the first of my summery abstracts. Before this, most of my intuitive abstracts were in a different palette of colours. For example, here is one I did at the end of winter, with dramatic, sombre colours. In contrast, my seaside picture is in warm, mellow colours, with hints of cloudless sky and fresh vegetation. And, of course, the almost tactile yellow ochre indicating sand.
Finally, I made this collage a couple of years ago, partly as a tribute to the wonderful Mark Hearld. So, my imaginary scene of a day out at the seaside was made up of painted collage papers, cut-outs and watercolour. And then rounded off with a pretty, decorative border in muted colours. Ah, it’s almost as good as being there in person (almost!)