Good morning everyone. This is just a quick post today – as the title says, it’s been a busy week delivering paintings. Because not only am I catching up furiously in the veg garden. But also I delivered my paintings to two galleries, well, one gallery and a church! Actually, we went to Fronteer Gallery yesterday with the seascape for their exhibition ‘The Sea’. I can’t wait to see that one, Fronteer exhibitions are always interesting, I love a theme for a show.
We also went to St. John’s church at Hoylandswaine delivering paintings because the art group in the village invited me. In fact, I have belonged to this group a number of years. Admittedly, I couldn’t go to the meetings during the worst of the pandemic. But, fingers crossed, I am gradually going out more now and things are looking more normal, socially speaking.
To be honest, I am taking part in five exhibitions at the moment (I know!) So a lot of my work is already out on the road, so to speak. However, this abstract is a favourite of mine. And I’d like to see it in a lovely exhibition again, so the village festival show seems like a good thing to be involved in. Got to run, but if you want to see more of my abstract painting see here.
Good morning everyone. Here are two more of my paintings from our exhibition ‘Every Picture Tells a Story’, on now at Mirfield. And these two in particular are all about women’s stories. For example, in the one above, I wanted to explore the reality behind living a secluded life. As I painted I thought of the women living where the culture requires them to stay indoors most of the time. Hopefully, you can see the loneliness this woman feels, peering at the outside world through the window. While she always must remain indoors.
Next I chose to exhibit this painting which highlights another one of my women’s stories. And the story here is rooted very firmly in time – a period of respite in the recent pandemic. In fact, here in the UK, restrictions had been lifted, only to be reimposed shortly after. During that time, people seemed to sit quite nervously in cafes, socially distanced. However, they didn’t stay long and soon hurried out, with a sigh of relief. Just like this woman, with her coffee and cake. You could see more stories about women’s lives here and here.
Good morning everyone. This is a quick post today, I’m insanely busy right now. Why is it that you wait two years for an exhibition and then five come along at once! Anyway, I wanted to show you another two of my narrative paintings. And, as we speak, this should be hanging on the wall at Creative Arts Hub Gallery, Mirfield. Well, I hope so, it’s the launch of our art society show ‘Every Picture Tells a Story’ in the morning!
Actually, you may have seen this on this blog before, along with the next part of the story, in this post here and here. In fact, I did paint five pieces to tell the tale of ‘ The Progress of Mankind ‘. As illustrated by me! Simply put, this first chapter shows the unspoilt paradise that the earth once was. Perhaps you can see the suggestions of an insect, a bird, a butterfly and a flower.
And here is part two – my interpretation of the way our world is almost destroyed by the exploitation of all our resources. Perhaps you think it’s pretty bleak. But by Chapter Five of my narrative paintings, things are a little bit more hopeful.
I’m really looking forward to seeing all the other stories on the wall tomorrow morning.
Good morning everyone. I’m very busy at the moment, arranging exhibitions, visiting galleries and so on. So I don’t seem to have had much time to do any bigger painting projects. And I have also been finishing art society projects. Not to mention planting things at the allotment garden. But I did complete this quick watercolour abstract, thank goodness. As you may know, I hate leaving work unfinished. Anyway, this is quick abstract number 8. Actually, for this one I had a picture in my mind beforehand of hexagonal shapes. And, that along with the golden colour made me think of the shape of honeycomb. However, that was as far as the similarity went. As I painted, I got more interested in blending the gold and mauve together harmoniously. Of course, these two produce a range of soft browns. Therefore, brown was my third colour – I prefer to restrict myself to a few colours in abstract work now.
Areas of soft blending in my quick abstract
Then I decided to do the surface pattern over the soft background. On another day, in a ten minute slot of free time. Perhaps you can see that I used oil pastel, coloured pencil and markers for this stage. Frankly, the problem is knowing when to stop! Well, I added an accent of red and scribbled in some small pattern with black ink. Incidentally, I don’t think I am quite finished with this idea, so I may visit it again. Possibly with acrylic paint this time. As you may have seen on this post here, I am quite fond of the yellow and purple combination!
Finally, I can’t sign off without a mention that our Northern Fringe Gallery exhibition ‘Yorkshire Makers Inspired by Yorkshire Writers ‘ opens tomorrow at Skelmanthorpe Library Gallery. And it’s presented by Village Art. To be honest, this is the third venue on our tour! And this is one of my pieces – Top Withens, the ruined farmhouse near Haworth. Widely agreed to be the inspiration for Wuthering Heights, the famous novel by Emily Bronte.
Good morning everyone. I’m showing you a catch up post about my series of quick little abstracts. Well, if I call them a series it makes it sound more serious! But it’s really because I’m so busy at the moment, and only seem to have time for small works. In retrospect, in this one I must have been greatly influenced by dark thoughts about the war in Ukraine. Perhaps it’s a cliche, but the red looks like blood to me, with something scary raining down on the city from above. Actually, I mentioned in my last post in this series that I only notice these things after the sketch is finished.
In fact, you may have seen this watercolour sketch before, as I included it in my post about our holiday in Scarbrough here. And I painted it after having paddled in the cold North Sea. Honestly, I found it fascinating to spot the different patterns created by the receding tide on the shore. So I had a lot of scope for decorative patterns in ink over the top of the background.
Finally I painted this one after a day’s work at the allotment garden, Where I immersed myself in greenery, vegetation etc. Obviously, I don’t have to tell all you gardeners out there about the rapid growth. And how all plants grow so quickly in the UK at this time of year. Admittedly, we have to work very hard weeding and cutting back, but it’s quite glorious really. If you want to see more of the greenery in my plot of land, look here. Just another one of my quick little abstracts for the series.
Good morning everyone. At last, I’m really pleased that I managed to do some catching up and finish this gouache painting. In fact, I started it off about four weeks ago at our art society meeting. And the subject was “food” so I chose to paint these pumpkin seedlings we were growing. Well, I called it future food, so it fitted in! Anyway, the way it almost looked like an abstract composition seen from above inspired me. Because of the circles, I suppose. But I didn’t let it take over, and I made sure I painted in quite a realistic style. Another goal I had in mind was to apply the paint more thickly and I did succeed to some extent. However, I will need more practice on this. If you want to check up on the progress of the plants, they are all now in the ground, flourishing and underneath some netting. It’s a rabbit problem, don’t ask! If you want to see a drawing of last year’s harvest, have a look at this post here .
Finally, more catching up,here’s one of my new style abstracts, using passages of colour to provide interest in the background. So, the first stage was done ages ago and was sitting on my dining room table, reproaching me. For, I couldn’t think of a suitable motif to be the top layer. Nonetheless, inspiration eventually came, and I quickly drew in a lifeless tree. See more live trees here .
Good morning everyone. This is a quick catchup post, just to show you more of my small watercolour abstracts. Well, I’m still producing quite a few of these. And I’ve noticed that they definitely reflect my painting interests and colour choices at the time. But I don’t notice this till afterwards! For example, in this one above I’m exploring more restrained and sparse patterns, as a contrast to the busier designs of the previous little abstracts seen here.
On the other hand, I noticed after I had completed this one above that it was connected to my current large acrylic. And also, the softer colours and bold black calligraphic marks are in the style on my online course. Who knew? Actually, my subconscious painting brain surprises me more every day, especially in my small watercolour abstracts!