Good morning everyone. Abstraction in acrylic landscape painting – I’ve finally achieved it! Actually, I was so pleased when I came away from a workshop on Saturday with this semi-abstract landscape. To be honest, this is the furthest I’ve ever gone down the abstraction road when painting a countryside scene. In fact, our tutor encouraged us to experiment with mark making, including using a palette knife. And I think that was what helped me to stop paying too much attention to detail and accuracy.
The theme was clouds, weather and atmosphere. And, there certainly looks to be plenty of weather in those clouds! Anyway, another new method for me was to paint on a thin layer of gesso first before painting. So that way there was an opportunity to add some texture as well as a lovely surface to paint on. Of course, now I’m very keen to practise this. However, I’m busy for the next few days getting stuff ready for Artwalk Wakefield – this year I’m taking part myself! So, I’ll have to be patient, and wait a little while before I experiment with more abstraction in acrylic landscape painting.
Good morning everyone. Well, we are right in the middle of our exhibition/artfair at Choppards Mission. The beautiful stone building we are in is now a church. And it’s our venue for a fringe event for Holmfirth Artweek. So, we are open until Saturday, there’s still time to go and have a look.
If I say so myself, our display of work is very pleasing! And, if you look at the poster closely, you will see my gouache painting of an old barn.
Sorry about the reflections on this one, the sun was streaming through the window! Anyway, I am really pleased with the display space I have got. Perhaps you can see the white plastic ‘bargain box ‘ ? I sold two drawings from this box, this is one here.
In fact, I had very pleasant chat with the lady who bought this. And she and her husband knew this beautiful spot in the Yorkshire Dales very well! It’s a plein air watercolour sketch of the hills near Kilnsey Crag.
And this Canalside View is an old favourite of mine, but I was glad to see it go to a new home.
I also sold a few cards and two more paintings and I have thoroughly enjoyed myself being a part of our event at Choppards Mission.
Good morning everyone. I thought I would update you about our Curiosities exhibition – we’ve moved it to our space in Rotherham market. Maybe you remember I’m a member of a brilliant group of artists called Rotherham Roar. And we had our opening event on Saturday, a chance to talk to fellow artists and shoppers!
This is me and my art buddy, he really liked my painting of a human body cell. (You can just see that one on the left. In fact, that was the one that was chosen for the article in n the Arts supplement of the Rotherham Advertiser. I was so surprised and pleased! You can see it in the top image.
This is my ‘Ocean Girl’ and she was a late addition to the show. If you look closely, you can see all the sea creatures that like to to be with her. And her hair and clothing is made of sea weed.
Finally, here we have a dragon, a hawk moth and Medusa, with snakes for hair. To be honest, it’s been a real pleasure to be a part of this quirky exhibition with my buddies from Rotherham Roar.
Good morning everyone. This is what’s on my easel at the moment and I must stress, it’s not finished! But, I spent a very pleasant hour getting it to this stage and it started me thinking about the different kinds of abstract I like to paint. For example, this type I would call instinctive or intuitive because I had no plan . However, I do think that some deep feelings do surface as I am painting in this way. Of course, no one may notice apart from myself. Hopefully, it will also be a fairly pleasing arrangement of shapes and colours, whether it has a deeper meaning or not .
This is a close up of different ways of applying paint, such as palette knife, dripping and scratching out. I think it just adds interest ( I love doing it too!)
And in this one, I used thin wash, stippling and spattering.
Now this was done in a totally different way – in this class we were shown how to study a real 3d ceramic object. Then take inspiration from its shape, texture and so on and I actually did find this a fascinating way to work. So, there we have at least two different kinds of abstract, but I am sure there must be more. If you paint abstracts, which method do you like to use in your creative practice?
Good morning everyone. I’ve been very busy with arty stuff this week, so I turned to small scale art works. Just to stop me from going completely potty and suffering too much art deprivation! However , I took a great deal of pleasure in completing this in three very short stages. Actually, I think it succeeds because of the days in between the bursts of painting which I spend looking and assessing. And I created it using biro, watercolour, oil pastel, ink and oil pastel on this small sketchbook page.
Here are two of the small scale art works I did at our art society meeting this week. When we concentrated on simple, quick drawings of objects and the surroundings of the church hall. In fact, I thought it was useful to spend some time drawing without looking at a photo or a screen. To be honest, lots of artists don’t draw on the spot. So this was good practice on conveying the illusion of 3D objects on flat paper. And a good time was had by all, creating small scale art works!
Good morning everyone. Well, I’m back for now! This is my new show. But I’m still struggling with my website. Incidentally, if you’re wondering who madpainter is, it’s me!
Anyway, I’ve been very busy in the meantime and this image shows my new show at The Urban Commune. I love the place, and I was thrilled for the opportunity to show my paintings on canvas in this gallery.
In fact, it didn’t take us too long to install this, we’re getting better at it now!
To be honest, I’ve been very busy recently with my arty stuff. But when opportunities come up, I can’t say no! For example, this morning we went to suss out a lovely cafe to display my work in. I can’t wait to set it up! More of that later.
Finally, if I were to chose a favourite painting in my new show, it would be this one . The Silk Princess. To be honest, I really would like to refer you to another post which tells the backstory of this acrylic painting. However, I can’t do that at the moment. Here’s hoping that things will only get better!
Good morning everyone. Well, just to keep you up to date, some of my website problems have been solved, thank goodness! But, things are not fully restored , so, I apologise if I can’t really follow, like and comment properly yet. Anyway, as you may be able to tell, I was feeling slightly fed up when I did one of my little scribbly doodles. Actually, it was done in about three snatched five minute sections. And, I did feel a bit better afterwards. First I scribbled away with ink, then I added watercolour and oil pastel. And then I couldn’t resist some final calligraphic marks on top.
Finally, this one was completed even quicker as I was experimenting with charcoal, graphite and wash pencils. In fact, I found them as I was tidying up my studio, don’t ask! Well, I don’t think this one needs much explanation. However, you could read it as either coming out of a dark place or going onto one! Let’s see what happens next! Thank goodness I can do these scribbly doodles and feel the benefit. There are more mindful paintings on this post here.
Good morning everyone. As you might have noticed, I’m still fairly locked out of Jetpack and the reader, so I can’t see much of your posts. Anyway, this is just a quick catchup post of the Christmassy paintings I’ve been busy with.
Firstly, this is my interpretation of a stained glass panel. In fact, this was the theme of our last meeting before Christmas at our art Society. And, everyone created something quite unique. For example, I took inspiration from some stained glass panels done by Henri Matisse, one of my favourite artists. Actually, it was great fun to do, largely intuitive in my case, starting off with collage. And then improvising with gouache paint.
Secondly, I created this interpretation of an angel for the online gouache group I belong to. To be honest, I introduced the topic myself, being keen to see how other artists would portray the subject. As well as being eager to research the theme and try something new for Christmassy paintings. Well, there was some fabulous inspiration on line. And I chose this modern style and put my own twist on it. Unfortunately, I couldn’t find the names of the original artists, so I can’t give them a mention. Sorry about that!
Well, that’s a round up of my seasonal painting this year. Hopefully, I can be in better contact with you all in the new year.
Good morning everyone. I’ll just make this a short post because I’m not sure whether it will succeed. In fact, I’m having loads of trouble with my blog and I apologise if I don’t see and like your posts. Actually, I’m very limited with what I can do, with no hope of any progress until the beginning of January. Anyway, we went to the Christmas fair at Urban Commune and, for the first time ever, I had a stall! And this is a gouache painting that I finished while I was minding the stall.
As you can see, I had a great time – met some lovely people and connected with new artists. I even got a chocolate sweet from Caribbean Santa!
Also, there was some fab live music (even some dancing!). So, what a great start to Christmas.
Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.
Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.
Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.
Good morning everyone. I went to a collaborative painting workshop at The Urban Commune Gallery here on Thursday. And we created this colourful abstract together. Actually, it was on the walk route of Artwalk Wakefield so we had plenty of visitors. Perhaps you can’t tell from the photo, but this is not the finished version. Because I had to leave before the end, I haven’t seen it yet.However, I think you’ll get the idea. Firstly, our tutor Gavin had painted a neutral background on this large piece of paper, to kill the white. Then we scribbled out marks and shapes to warm up. After that we started adding stuff, each using one colour at a time, to give some cohesion. Also, we continually switched places around the paper to prevent anyone from getting too cosy!
Then we had to step back and consider the painting as a whole. Unfortunately, that’s just when I had to leave so I didn’t see the colourful abstract completed! But it was a great workshop, thanks to Gavin. And, if you’re ever in the area, it’s a brilliant gallery and artists cooperative to visit.
Maybe you have seen this photo before, if you read my blog. And it is one of my displays in the gallery, see this post here. Anyway, this is an example of my semi-abstract and abstract style. But, it’s only one of the styles I paint in. Because, as you may know, I like to change things up a bit, as I did in this abstract here.
Good morning everyone. Here’s another beautiful Dales landscape in gouache, Yorkshire Dales, that is. Actually, this is just a quick post today, to keep you all updated on the artwork I have finished. And I really enjoyed painting the luscious foliage in this sunlit view. To be honest, it reminds me of many walks that we did in this part of the world. Because we have returned to this delightful place over many years, camping and staying in youth hostels. And, now, renting cottages. In fact, the area is not really so big, but each small area is very distinctive and the landscape is quite varied.
As you can see, this view is of the valley bottom, but still quite high up. Of course, the hills are not far away and the view is, in my eyes, very pleasing. At times, the weather can be challenging, even in summer. However, in my painting you can almost feel the heat rising from the grass. Also, in my imagination, I can hear the insects busily buzzing around. Incidentally, the last walk we did in Wharfedale this summer was in sun till halfway round. Then hailstones and heavy rain for the other half! But, that’s part of the charm, I suppose. Anyway, in my opinion, you can have a beautiful Dales landscape in any weather.
Now this is something quite different, a quick intuitive abstract made in marker pen, oil pastel and pencil. And it took me about three sessions of ten minutes each while I was doing chores. And, I felt a great deal better when I finished it! How satisfying to do some art therapy in snatched moments of time. As you may know, if you read my blog. I do rely upon these abstract sketches to cheer me up. See another post here for more examples of occasions when I only had time for sketches.
Good morning everyone. This is just a quick catchup post of my art therapy paintings this week. Well. that’s what my art sometimes feels like, when my life is busy and demanding. But, I’m really glad that I can turn to creating art to calm my nerves. Honestly, I wouldn’t be without it! Anyway, this painting is probably a portrait of all the different thoughts taking up space in my head. And, this time, instead of editing out some of the busyness and explosions of colour, I left everything in. Normally, I keep an eye on the design and overall shape of the composition. And prune back quite a lot to streamline it. So, here is the un- edited version and it means more to me now, but I might feel differently tomorrow.
And, just for a bit of fun, here is my Halloween painting, a bit late, I know. However, this is it, I tried hard to make it look scary. But me and my art buddies have decided to call it ‘Halloween Date Night’. (Not really one of my art therapy paintings, but, a great pleasure to paint)
Good morning everyone. I’d like to show you these two new paintings, finished at last! Firstly, this beautiful Mediterranean scene, based on a photo from Landscape Reference Photos for Artists, here , by Penny Wohler – Stone. And this was such a pleasure to paint! In addition, gouache paint seems made for a scene which cries out for delicious textures and vibrant colours. Of course, this painting also fits in with my theme of hot, dry landscape and Australian scenes. (See here ) In fact, it’s turning into a collection now! To be honest, I couldn’t really see the point of doing a series before. But this one seems to have grown itself! Now I’ll have to think about displaying it together somewhere. Anyway, I’ll just paint a few more first.
Secondly, a completely different intuitive abstract in watercolour, pencil and marker pens. Actually, I found this little painting when I was tidying up some sketchbooks. And, I remember trying out a tip about keeping watercolours moist – I think I proved here that it does work. Because, as you can see, the paint didn’t need much encouragement to wander across the paper nicely. So, I was pleased with it, and when it was dry, I stashed it away.
Anyway, I looked at it from all angles and embellished it with patterns and markings. Then I noticed something in it that suggested a face to face composition – I wonder if you can see it too?
So, there you have it – two new paintings, finished at last.
Good morning everyone. A few weeks back I went out for the day with Urban Sketchers Yorkshire. And we went sketching in the industrial museum at Kelham Island in Sheffield, UK. Actually, the name is slightly misleading because it is an old preserved industrial area in the city centre. Because it is alongside the River Don and some of the water is diverted to power a mill, a small area becomes an island! Now, as well as the museum in an old electricity generating station for city trams, there lots of lovely buildings. To be honest, they are now blocks of flats and pubs and so on. But still beautifully restored and picturesque.
This is an old drawing on display in Kelham Island Industrial Museum. And it shows the sort of work which was carried out in the small shops typical of the area. For example, making tools, in this case metal files. So, I spent an hour or two wandering around the interesting exhibits, looking for inspiration. As I am at present painting industrial subjects for our Northern Fringe Gallery exhibition, see this post here.
Anyway, this is a quick pencil abstract I did later, after spending some time making working drawings in a workshop. In fact, it was an enterprise where the men cut out shapes from sheets of steel, for machinery parts. However, I’m still gathering ideas for a finished painting for our show. If you keep reading this blog I’ll post as soon as it’s finished.
Good morning everyone. This is my new show. And I was delighted to see my five part series ‘ The Progress of Mankind’ displayed at Urban Commune gallery in Wakefield. In fact, I had dreamed of seeing it like this all through the pandemic when I painted it. Of course, I didn’t see it as a story when I painted the first piece ‘Paradise’.
As I painted this intuitive abstract, I realised it was an attempt to portray an idyllic world, completely unspoiled by man. If you look closely, you can spot hints of a bird, an insect, foliage and flowers.
Maybe this piece needs no explanation, it’s a scene of pollution and destruction on an overheated planet. Perhaps you can feel the heat from the monstrous red sun and smell the toxic smoke.
Flying Away in my New Show
Actually, I created this acrylic painting ‘Free Spirit’ out of my subconscious. Because I finished it completely and then afterwards understood its significance. If I can explain, I painted my dream of floating away from all the worry and trouble, just like a kite in the sky.
Now this one is the only one of the series that was partly planned. Really a bit later on when we were aware of vaccines being developed. So I thought of a painting trying to show the feeling of seeing a light at the end of the tunnel. And I decided to use the figure of a young man to represent the human race, naked and vulnerable.
Finally, the last part of my story of my new show – Connections and it’s all about family and friends. Because, this is what I learned during the pandemic, the importance of connections with people. In effect, I painted this without a plan. And, I see here an abstract portrait of me and my nearest and dearest. So, that’s how this work came about and what it means to me. If you like, you could see more of my Story Pictures here.
Good morning everyone. I’d love to show you my new mini exhibition at the Urban Commune Gallery in Wakefield, UK, seehere . Well, it’s a small exhibition really over two panels in this gorgeous new Gallery, but it feels a lot bigger!
Actually, the commune was founded by a group of artists for the purpose of encouraging creativity in the community. And also to provide a place for local artists to show their work. In addition, they are partnered with the charity Uthink, dedicated to supporting young people in poverty. What a brilliant idea! So, I had to be a part of this and I booked some space for my new mini exhibition.
By the way, it didn’t take us long to set up. Then it was time for a cup of coffee and a look around at all the fab work on the walls and on the shelves. And chat with the artist volunteers who make all this possible.
Perhaps you have seen some of this work before, if you read my blog. So, I’ll just feature this one – take a closer look at my watercolour portrait of a valley in the Yorkshire Dales
Anyway, that’s all about this show, but I’m preparing another in this gallery. And I think it will look good, displayed the way I’ve dreamed of, so, watch this space! If you want to see more of my landscape paintings, have a look at my gallery here.
Good morning everyone. It’s that time of year when dedicated artists draw in ink, guided by a list of suggested prompts, Inktober. But after feeling too much pressure to keep up last year, I decided to do Not Inktober! Actually, I was missing doing small, sometimes silly drawings, where I could play! So, I invented Not Inktober, that is, draw when you like and what you like. And then choose a title.
Of of course, this last one doesn’t need any explanation, I think! However, when I was researching for this post, I found out that there is a challenge called Inktober 52, see here . Perhaps this is worth thinking about too – making a more developed sketch over a week, different prompts. And taking the whole year to take part.
Well. this is the last of my Not Inktober sketches ( there may be more!). Perhaps you would be interested to know that I did this one after a great day out with Urban Sketchers Yorkshire. In fact, we went to Kelham Island Industrial Museum and I found it very inspiring. But the best bit is that I’ve now got loads of ideas for an Industry project. Maybe you remember our Northern Fringe Gallery group of artists exhibition on this theme. It’s an ongoing project, so I have plenty of time to create an abstract composition based on this drawing. Anyway, I shall still find time to do small, quirky sketches too as it is so enjoyable. If you want to look back at my Inktober efforts last year, look here.
Good morning everyone. I have felt so inspired lately by the beautiful colours of autumn and I wanted to show you my latest gouache painting. Actually, we were working on the theme of The Colours of Autumn at Art Society this week. So, I decided to do an impressionistic design of leaves drifting to the ground, whilst still keeping their glorious colours. Of course, these colours only last a short while, so, enjoy them while you can. Perhaps you can tell that this little painting is in gouache. Because the creamy texture and soft blending are typical of this medium. Incidentally, can you spot the gold-coloured paint on the two brown leaves? If you would like to see the very. very simple, short video I made about this painting, look here.
Maybe you have seen this plein air watercolour before? In fact, I painted this whilst sitting in my son’s garden last year. And, I particularly wanted to capture the vibrant copper leaves of the Virginia Creeper. Happy Days, sitting on the patio, painting, coffee and cake and good company! Or, here are some more of my happy memories from the year before. When we were admiring the colours of the pumpkin harvest in Wortley Hall gardens, in this post here .
Well, this is just a glimpse of an acrylic painting I started yesterday, based on a fabulous photo by Viktoria Stockmal from Landscape Reference Photos for Artists. And I’ll show you the progress as I go along, I haven’t painted in acrylic for a while. And I’m really enjoying being creative in this simply gorgeous season of the year.