Good morning everyone. This is my latest addition to our Northern Fringe Gallery Industry exhibition which opened this week. As you may recall, we are at the Ridings shopping centre in Wakefield, UK. (See this post here ). To be honest, it was a low key opening at our own gallery. Because we are displaying the pictures as they are finished, on a sort of rolling programme. When we have received a decent amount of entries, we will look for a suitable gallery to exhibit.
The Winding Wheel – now in the Industry exhibition
This is my interpretation of an image of the machinery that powered the winding wheel at a local colliery, now closed. To be honest, I don’t know much about this. Except that the men went down the shaft to work in a lift operated by this machinery. And, I remember my dad telling me that they called the lift the cage! However, I felt inspired by the image itself. I perceived it as a powerful abstract image. And I painted the various bits of it as shapes, not really knowing what they were!
Finally, I will show you the last of my four paintings for our Industry exhibition – Spinning Jenny. Actually, I painted this for an art competition in an industrial town in the North of England a couple of years ago. Unfortunately, the gallery didn’t accept it, but it’s perfect for our theme. Just to explain, I have interpreted an invention called Spinning Jenny in a rather fanciful way. And the real Spinning Jenny was a frame operated by one person to run four wool spinning wheels at once. In effect, the beginning of the mechanisation of the spinning industry. But, I reimagined the machine as a strong, capable working woman, still spinning over the North Pennines where it was invented.
As you might have noticed if you read my blog, I do love painting a story picture! Please look me up again to see what else I might come up with on this interesting theme.
Good morning everyone. This is your last chance to see my solo show in the cafe gallery at Darfield Museum! So I thought I would choose three of my personal favourites to spotlight. Firstly, A Castle in Portugal – and the way this one turned out really pleased me . As you might have noticed, it’s in gouache paint. And I love the texture and chalky quality to the paint. However, it does have its challenges and I’m working on it! To be honest, you have to develop a lightness of touch with the layers. Otherwise, if the top layer is a little bit too wet and you are heavy handed with the brush, the colours will merge.
Now this one I really enjoyed painted and I started it during our holiday in the Yorkshire Dales in July. If you don’t know the area, it’s a series of rivers running through pretty valleys. And this barn is in the vale of the River Swale and it’s a very typical scene. In fact, you can see these small barns almost in every field. Apparently, the tradition was to try and grow two crops of hay each season. And store it conveniently in the barn in the field, so that the farmer and the animals had easy access to the winter feed.
Last Chance to See Top Withens
Anyway, I am very fond of this one too. And, I’m very pleased to say that someone bought it! To be honest, I’m thrilled that someone really loved it enough to take it home. Particularly because it almost sold at another gallery, but mistakes were made. Unfortunately, that potential customer went home disappointed. However, now it will be hung somewhere where it will be appreciated, and that’s all I want. But, I will miss this large framed picture, it does remind so much of the brooding moors up near Haworth. If you want to know the story, read this post here. So, tomorrow really is your last chance to see this show!
Good morning everyone. Why do I love red? Well, that’s a good question, and I’m not really sure of the answer. But I thought I would show you this acrylic painting from a few years ago and try and explain. For example, I was inspired by an old black and white photo of children playing on ‘the backs’. That is, behind the terraced row of houses in a pit village where they live. Obviously the colours were black, grey and white. However, I wanted to show the brightness and hope children bring to a community. So I painted them in colour. In my opinion, the touch of red draws the eye most and makes my point perfectly.
Perhaps you may be wondering how I chose this subject for this post? Actually, it was the theme for our latest meeting at our art society. And, it really inspired us all, so picked out some of my own paintings featuring red. Incidentally, this is my unfinished effort from Tuesday’s meeting. And it is a farm building with a tin roof, in gouache. When it’s propenly finished, I will show you . Anyway, in my opinion, the redness forms a strong focal point and also makes the scene look cheerful!
So, why do I love red? Because it can be cheerful and it helps the composition by being a strong focal point. In fact, it can also heighten the drama of a scene. How about the effect in this one?
Personally, I think this is quite dramatic! Finally, of course, red can suggest blood and danger. And I do have some drawings done in the pandemic which reflect this. I’ll show them in another post, I think.
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Good morning everyone. We had a very enjoyable morning at my Meet the Artist event on Saturday at my solo show. And it was great to show family and friends my exhibition at Darfield Museum. Actually, we all imagined travelling the world while looking at the paintings. In fact, it was fascinating to hear people’s thoughts on exactly where the scenes were set. Because there were no labels on the wall next to the paintings, my visitors didn’t know the titles or locations of the scenes. For example, I described the image above as ‘Sandstone Bluff, Australia’. But a friend of mine said it reminded him of a ruined Crusader castle, somewhere in Europe!
Travelling the World, the Story Behind the Picture
Similarly, another friend was convinced that this was a painting of a town in Italy! Well, it definitely was France, see this post here for the story. However, I must admit that I did miss out the distinctive French 2cv cars on the road. So that the scene was a more simplified composition. Anyway, we both came to the conclusion that the town must have been near the French – Italian border. Perhaps you will have noticed that the tower in the distance is reminiscent of Italian architecture.
Finally, just one more example of a painting that set people off virtually travelling and reminiscing. In reality, this is the scene of a very distinctive rock formation at Brimham Rocks in the Yorkshire Dales. Yet, my friends assured me that it was: a local crag on a moor, another rocky area in the Dales or a beauty spot in Devon in the south of England! And this gave me food for thought, is it better to display a label with title and explanation or not? What do you think?
Good morning everyone. This is the acrylic painting that I put on the poster I made to promote my latest exhibition. Well the show opened yesterday and, I must admit that I was very pleased with the way it looked.
Actually, the museum cafe gallery is a lovely, intimate space and we sat quite a while, looking at my paintings. In addition, the cakes are all homemade and delicious, so the time passed quite pleasantly!
Then I took some photos, but the lighting on the paintings reflected and defeated my camera. So, apologies for that!
Perhaps you might have seen this gouache painting before in this post here. However, I don’t think you know this acrylic I did a few years ago. In case you can’t tell (!) it’s my allotment.
After we had looked at my latest exhibition, we went into the courtyard garden to admire the scarecrows. If I could explain, it was the village Scarecrow Festival. Just a bit of fun for the children at the end of summer. Finally, we walked over the road to the church, All Saints. And it’s very picturesque, sited in a peaceful church yard. Actually there is a public footpath at the edge of the graveyard which takes you past the site of the medieval fish ponds. To be honest, the site is not restored but there is a line of willow trees that trace the line of the banks. What a pleasant afternoon out! I will probably post a bit more about my latest exhibition after the Meet the Artist event next week. Incidentally, if you are in the area, you are very welcome to join us, details on the poster.
Good morning everyone. Today for this very quick post I’m showing you these paintings that you may not have seen before. When I packed them up for delivery to Darfield Museum for my solo show, I realised that they might be new to you.
As you perhaps can guess, this is a scene in the afternoon heat in a small town, somewhere in the south of France. Actually, I spent a year in a town much like this back in the seventies. And I well remember walking through the streets early afternoon, going back to work after lunch break. As the heat was intense, everyone walked carefully in every patch of shade, no matter how small. Obviously, coming from a cool North of England, this was a new experience for me. Alas, with climate change, I’m getting more used to higher summer temperatures now.
In complete contrast, I painted this scene of the Yorkshire coast in memory of lots of strolls along this beach. And, we have walked so many of them in summer mist, or a sea fret as we call it. Which seems to be a band of mist clinging to the coastal strip, when a few miles inland, the sun shines down strongly! Here you can also see the iconic Grand Hotel in the background.
Anyway, both of these paintings will be in the show at Darfield Museum in September. And there are lots more on display in my Gallery.
Good morning everyone. If you follow this blog, perhaps you may know that I belong to a great group called Northern Fringe Gallery. And we have just decided to start a new group project ‘Industry and Yorkshire’. However, that’s only a working title, this project will probably evolve as it goes along.
Anyway, this is my version of a very evocative black and white photo from a book all about coal mining. Actually, my dad was a miner all his life, but not quite in conditions like these, thank goodness! Well, I painted this a few years ago, but I think it fits our theme very well. So I had it framed all ready for our show. Now have a look at the second one.
In fact, I have posted this watercolour painting before, see here. However, I’ll just explain that this World Heritage site in Halifax was originally a place where weavers sold their cloth. And, because the cloth was called a ‘piece’ that’s the origin of the name, Piece Hall. So you can see why I chose this for the theme. By the way, weaving was a very big industry in West Yorkshire, just as we were all about coal mining here in South Yorkshire where I live. However, spinning and weaving were also practised here too and my auntie worked in a wool spinning mill.
Of course, I shall paint a couple more for the show too. But, more of that later!
Good morning everyone. As you can tell, I’m so pleased that my elephant painting has sold from our art society exhibition. And it went off to its new home. The lovely buyer wanted to have it for a splash of colour in a newly decorated hallway in his home. So I know it will be looked after. In fact, we did quite well and four paintings were sold, which is good, I think, in the present state of affairs. Anyway, it’s not the main purpose of putting on our exhibition which was to enjoy showing off our work to each other, friends and family. And, from that point of view it was a huge success.
The two images above were painted in gouache paint during our first Covid lockdown in 2020, photos from Unsplash. Obviously, they are also scenes from life in India, like my elephant painting. And they were part of a monthly challenge in a painting group I joined. To be honest, it was a godsend to virtually meet up and work with other artists at that time. And the group is still going strong – Beginner Gouache Group over on Mewe. As you can see, connecting with fellow artists is always important to me. And, of course, that’s why I love writing this blog and being a part of this artists’ community. You could click here to see my painting of a bluebell wood, which sold at my last solo exhibition in March.
Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.
Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.
Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.
Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.
Good morning everyone. Yesterday I went to see my acrylic painting at Fronteer Gallery, Sheffield and I was very pleased with it. Such a good exhibition of a variety of excellent painters, showing how to paint the sea.
In fact, there were oil, acrylic and watercolour paintings, resin, textiles, ceramics and photos. And what a thrill to be exhibited with them. And a nice opportunity to paint the sea.
Finally, here’s another of my seascapes, I’m taking it to be framed this afternoon. Then it’s all ready for my solo show next month. But more of that later! Meanwhile, here is another seascape to look at.
Good morning everyone. I decided to show you my acrylic painting of this wintry scene. Although it might seem a little odd in the middle of summer! Anyway, I started painting it a few weeks ago and I enjoyed the ruggedness of the trees. Also, the cool colours of the icy cold stream. Well, I reached this stage of the painting after two sessions and then decided to leave it a while. As usual, I left it in full view in the living room to try to assess it. But quite a bit of time passed by and I had spotted all the bits I could smooth out. However, I realised that if I carried on ‘improving’ it, it might look over painted. And then, in my opinion, it wouldn’t reflect my style. So, for the first time ever, I decided to leave it and show it as finished. I hope you see my wintry scene as finished too!
There are more landscapes in all weathers and seasons in my gallery here. And, finally, I found my other painting of a brook, this time in gouache paint. And, this time in summer!
Good morning everyone. As it says in the title, we are about half way through our exhibition at the Mirfieldgallery. So I thought I would show you one of my paintings that you may not have seen before. Actually, I painted this after a lovely holiday in the English Lake District. And, I’ll tell you the idea that inspired me. When people in the farm house looked out of the window at the back, they would see this glorious view. In fact, this hill is part of the Langdale Pikes, if I recall. And, it would be part of their back garden, in my imagination.
By the way, this painting makes me smile every time I look at it. And, I remember how much I enjoyed painting it. Of course, the challenge was to make the skin of the animal appear real, varying the colour from shades of brownish grey to delicate pink. Just to finish this quick post, I include here two snapshots of the launch party. Firstly, me and a friend discussing subtle effects of paint, and how to achieve them.
And here you can see some of our members, deep in discussion about our exhibition. If you look carefully, you can see my elephant in the background! Perhaps you would like to see my post about the launch here.
Good morning everyone. We had our last meeting before the summer break at Art Society last Tuesday. And, as we usually do we had a pop-up gallery evening. And everyone brought a picture or two to show off to the other members. If you want to see my report on Facebook click here. Even if I say so myself, the work was outstanding! Anyway, I chose two Australian landscapes that I completed on the online course I follow. Actually, I said a few words about the most difficult challenge in this scene, as I saw it. And that was creating the illusion of distance with the crags at the back. Because this is something I find quite difficult to do when the wooded slopes are very green. But, overall I was pleased with the end result, especially the bare rock, visible through the vegetation.
Next I showed everyone another of my Australian landscapes. And this time it was an idyllic scene of a hot, lazy day spent on the beach in Queensland. However, the main problem for me was the aerial perspective of the lush green headland. And how to give that feeling of it receding into the background when it’s a warm green colour. Hopefully I managed to make it sit back by muting the green.
Secondly, I was pleased with the tiny figures on the beach as I always find people hard to draw. Happily, everyone felt confident enough to say a few words about their artwork in this supportive group. And the evening went very well. Finally, click here to see another one of my Australian landscapes, at present in the Summer exhibition, Open Gallery, Halifax.
Good morning everyone. On our way back from the Yorkshire Dales, we made a detour to Halifax. Because I wanted to see one of my Australian landscape paintings in the Open Gallery. And I was pleased to see it in a good position in a smart new gallery.
Unfortunately, we were not able to attend the preview, so it was good to have a chat with Alina, the curator. In fact, the show was full of really interesting works. Also I had the chance to catch up with another artist about the art scene in the north of England. So, all in all, a very enjoyable visit.
Finally, we managed to find time to dash to Hoylandswaine church, to see my paintings in the village festival art exhibition. Actually, it’s a very good show. To tell the truth, we haven’t been so active during the pandemic. So I really enjoyed being with fellow members of the Arts Group in the beautiful setting of St. John the Evangelist church.
As you can see, the church is quite beautiful, with a stained glass window by William Morris. And a mural by John Roddam Spencer Stanhope. And I was pleased to show my paintings there, work very different from my Australian landscape paintings (see here for another).
Good morning everyone. This is just a quick catchup post, to show you what I’ve been enjoying painting, a floral abstract. Actually, I’m working my way through a course by Suzanne Allard, see here. In fact, I have experimented with loose floral abstracts before, as you may have noticed on this blog. And, I’ve used other media over the paint. But I never felt like I knew what I was doing. So I’m very pleased that I found Suzanne’s tuition on line. Because she guides me through the myriad possibilities of adding crayon, oil pastel, ink and so on. And in a way that I can understand.
To be honest, I created the background for this painting a while ago, for a different project. However, I thought that it would work well. And I muted the intense colour of the acrylic paint with oil pastel in places where it needed it. As can perhaps see in this close up. You can see another loose floral abstract in my own style in this post here.
Good morning everyone. This is just a quick post today – as the title says, it’s been a busy week delivering paintings. Because not only am I catching up furiously in the veg garden. But also I delivered my paintings to two galleries, well, one gallery and a church! Actually, we went to Fronteer Gallery yesterday with the seascape for their exhibition ‘The Sea’. I can’t wait to see that one, Fronteer exhibitions are always interesting, I love a theme for a show.
We also went to St. John’s church at Hoylandswaine delivering paintings because the art group in the village invited me. In fact, I have belonged to this group a number of years. Admittedly, I couldn’t go to the meetings during the worst of the pandemic. But, fingers crossed, I am gradually going out more now and things are looking more normal, socially speaking.
To be honest, I am taking part in five exhibitions at the moment (I know!) So a lot of my work is already out on the road, so to speak. However, this abstract is a favourite of mine. And I’d like to see it in a lovely exhibition again, so the village festival show seems like a good thing to be involved in. Got to run, but if you want to see more of my abstract painting see here.
Good morning everyone. Here are two more of my paintings from our exhibition ‘Every Picture Tells a Story’, on now at Mirfield. And these two in particular are all about women’s stories. For example, in the one above, I wanted to explore the reality behind living a secluded life. As I painted I thought of the women living where the culture requires them to stay indoors most of the time. Hopefully, you can see the loneliness this woman feels, peering at the outside world through the window. While she always must remain indoors.
Next I chose to exhibit this painting which highlights another one of my women’s stories. And the story here is rooted very firmly in time – a period of respite in the recent pandemic. In fact, here in the UK, restrictions had been lifted, only to be reimposed shortly after. During that time, people seemed to sit quite nervously in cafes, socially distanced. However, they didn’t stay long and soon hurried out, with a sigh of relief. Just like this woman, with her coffee and cake. You could see more stories about women’s lives here and here.
Good morning everyone. This is a quick post today, I’m insanely busy right now. Why is it that you wait two years for an exhibition and then five come along at once! Anyway, I wanted to show you another two of my narrative paintings. And, as we speak, this should be hanging on the wall at Creative Arts Hub Gallery, Mirfield. Well, I hope so, it’s the launch of our art society show ‘Every Picture Tells a Story’ in the morning!
Actually, you may have seen this on this blog before, along with the next part of the story, in this post here and here. In fact, I did paint five pieces to tell the tale of ‘ The Progress of Mankind ‘. As illustrated by me! Simply put, this first chapter shows the unspoilt paradise that the earth once was. Perhaps you can see the suggestions of an insect, a bird, a butterfly and a flower.
And here is part two – my interpretation of the way our world is almost destroyed by the exploitation of all our resources. Perhaps you think it’s pretty bleak. But by Chapter Five of my narrative paintings, things are a little bit more hopeful.
I’m really looking forward to seeing all the other stories on the wall tomorrow morning.
Good morning everyone. This is the fantastic poster for our new story paintings exhibition at Creative Arts Hub, Mirfield in West Yorkshire, UK. Actually Mark Milnes, the curator put this poster together back in 2018 when I arranged the exhibition. And when Covid intervened, the show was postponed until now! So, we are really looking forward to seeing the work up on the wall. It’s all about story pictures. And we would like to invite you to the launch on Saturday morning 18th June, 1.30 till 3pm. If you are in the area, of course!
This is one of my paintings for the show and I decided to put the explanation all in the title. Then, people can look and make up their own story, there is plenty of inspiration there, I think. In addition to this one, I have entered a few more without any further text. But, I have added a short explanation for some of my work. Because I feel that they will be better appreciated that way. For example, you may know this story, or you may not. Let’s see!
The Silk Princess, one of my Story Paintings
Perhaps you know this legend about the princess in China a long time ago? When she travelled to another country to marry the ruler there, she hid silkworms in her large headdress. And smuggled them out of China, effectively taking the secret of silk making with her. Because you see, until then it was known only to her people. Anyway, it’s a good story. And, using artistic licence, I added to it here by showing the ‘silk’ road leading to Bradford, Yorkshire UK. Where there still stands the Manningham Mills building, once the largest silk mill in Europe.
Incidentally, can you spot the silk worm, the silk moth and the white roses of Yorkshire in these two paintings?
Maybe you would like to read more about this painting here.
Good morning everyone. I’m very busy at the moment, arranging exhibitions, visiting galleries and so on. So I don’t seem to have had much time to do any bigger painting projects. And I have also been finishing art society projects. Not to mention planting things at the allotment garden. But I did complete this quick watercolour abstract, thank goodness. As you may know, I hate leaving work unfinished. Anyway, this is quick abstract number 8. Actually, for this one I had a picture in my mind beforehand of hexagonal shapes. And, that along with the golden colour made me think of the shape of honeycomb. However, that was as far as the similarity went. As I painted, I got more interested in blending the gold and mauve together harmoniously. Of course, these two produce a range of soft browns. Therefore, brown was my third colour – I prefer to restrict myself to a few colours in abstract work now.
Areas of soft blending in my quick abstract
Then I decided to do the surface pattern over the soft background. On another day, in a ten minute slot of free time. Perhaps you can see that I used oil pastel, coloured pencil and markers for this stage. Frankly, the problem is knowing when to stop! Well, I added an accent of red and scribbled in some small pattern with black ink. Incidentally, I don’t think I am quite finished with this idea, so I may visit it again. Possibly with acrylic paint this time. As you may have seen on this post here, I am quite fond of the yellow and purple combination!
Finally, I can’t sign off without a mention that our Northern Fringe Gallery exhibition ‘Yorkshire Makers Inspired by Yorkshire Writers ‘ opens tomorrow at Skelmanthorpe Library Gallery. And it’s presented by Village Art. To be honest, this is the third venue on our tour! And this is one of my pieces – Top Withens, the ruined farmhouse near Haworth. Widely agreed to be the inspiration for Wuthering Heights, the famous novel by Emily Bronte.