Good morning everyone. We had the preview of a new exhibition at Skelmanthorpe Library Gallery on Saturday morning. And it was great to meet some of the artists and admire our work together! This one is an acrylic painting of an echinacea flower.
One of my three paintings is ‘Walking alongside Langsett Reservoir’, this brings back lovely memories of family walks in all weathers!
And, finally, my gouache painting of ‘A Castle in Portugal’ . The exhibition is on till September, so there’s plenty of time to see it!
Good morning everyone. Well, we are right in the middle of our exhibition/artfair at Choppards Mission. The beautiful stone building we are in is now a church. And it’s our venue for a fringe event for Holmfirth Artweek. So, we are open until Saturday, there’s still time to go and have a look.
If I say so myself, our display of work is very pleasing! And, if you look at the poster closely, you will see my gouache painting of an old barn.
Sorry about the reflections on this one, the sun was streaming through the window! Anyway, I am really pleased with the display space I have got. Perhaps you can see the white plastic ‘bargain box ‘ ? I sold two drawings from this box, this is one here.
In fact, I had very pleasant chat with the lady who bought this. And she and her husband knew this beautiful spot in the Yorkshire Dales very well! It’s a plein air watercolour sketch of the hills near Kilnsey Crag.
And this Canalside View is an old favourite of mine, but I was glad to see it go to a new home.
I also sold a few cards and two more paintings and I have thoroughly enjoyed myself being a part of our event at Choppards Mission.
Good morning everyone. I thought I would update you about our Curiosities exhibition – we’ve moved it to our space in Rotherham market. Maybe you remember I’m a member of a brilliant group of artists called Rotherham Roar. And we had our opening event on Saturday, a chance to talk to fellow artists and shoppers!
This is me and my art buddy, he really liked my painting of a human body cell. (You can just see that one on the left. In fact, that was the one that was chosen for the article in n the Arts supplement of the Rotherham Advertiser. I was so surprised and pleased! You can see it in the top image.
This is my ‘Ocean Girl’ and she was a late addition to the show. If you look closely, you can see all the sea creatures that like to to be with her. And her hair and clothing is made of sea weed.
Finally, here we have a dragon, a hawk moth and Medusa, with snakes for hair. To be honest, it’s been a real pleasure to be a part of this quirky exhibition with my buddies from Rotherham Roar.
Good morning everyone. This is what’s on my easel at the moment and I must stress, it’s not finished! But, I spent a very pleasant hour getting it to this stage and it started me thinking about the different kinds of abstract I like to paint. For example, this type I would call instinctive or intuitive because I had no plan . However, I do think that some deep feelings do surface as I am painting in this way. Of course, no one may notice apart from myself. Hopefully, it will also be a fairly pleasing arrangement of shapes and colours, whether it has a deeper meaning or not .
This is a close up of different ways of applying paint, such as palette knife, dripping and scratching out. I think it just adds interest ( I love doing it too!)
And in this one, I used thin wash, stippling and spattering.
Now this was done in a totally different way – in this class we were shown how to study a real 3d ceramic object. Then take inspiration from its shape, texture and so on and I actually did find this a fascinating way to work. So, there we have at least two different kinds of abstract, but I am sure there must be more. If you paint abstracts, which method do you like to use in your creative practice?
Good morning everyone. As I said in my last post,see here, I’m feeling very inspired by flowers at the moment. And then there’s my new thing, ink drawing! Anyway, this beautiful bunch of carnations bloomed for so long that I just had to paint it. Actually, I really enjoyed painting larger in acrylic for a change. Because I’ve been so busy lately, my creative work has been smaller and quicker. However, this is big and more finished off and very bright!
It wasn’t without problems though. And the main one was mixing a strong pink colour for the flowers. When I finally managed to do this, I couldn’t capture the colour in the photo. Incidentally, has anyone else had these problems with pink?
Now, don’t laugh – this is my first dip pen drawing of a little creature! So, quite a learning curve, and lots of experimenting with pressure, added water and trying to create texture. To be honest, I even tried applying the background with a brush. My art buddy gave me this little pen and I’m looking forward to more attempts at ink drawing. By the way, thanks to another art friend for the image.
Good morning everyone. My apologies for not being around very much, but I have been very busy with arty stuff. There’s a lot more going on now and I don’t want to miss an opportunity! Anyway, Penistone Arts Weeks is over now and I’m pleased to report that I made a few sales with my flower paintings. For example, these two here, the Sea Thistle and the Sunflower went to new homes almost straight away. Then I sold my poppies painting ( in the image below). Despite the fact that it was on display in quite a shady spot, as you can tell in this photo!
However, it was a great experience to be in a lovely, busy cafe in the middle of town. Happily. being involved in this art festival with other creatives has lead to other exciting events. For example, our group have been invited to show work in a gorgeous florists and gift shop in town! So, I chose another of my flower paintings to go on display.
Actually, I think that this will look good in the beautiful surroundings of Hacketts, which is right next to St. John the Baptist’s church, in the old town centre. Of course, I will report back on that soon. Meanwhile, I haven’t stopped painting! And, I couldn’t resist following along a free online tutorial on watercolour painting. And this dreamy portrait of a rose was the result! Since then I have painted a vase of carnations, but I’ll save that for another post! You could have a look at more flower paintings in this post here.
Hi everyone. I know it’s been a longish time since I posted. But I’ve got two good excuses – I’ve been very busy with arty stuff. And there are still problems with my website. Anyway, this image shows some of my paintings in the new show that we have installed at the lovely Generations Cafe Bar. And it’s for the arts week. Happily, I was invited to take part in the Arts Week in Penistone, a little town near where I live. And we have created a High Street Gallery, so you can see our art in shops, windows and cafes etc.
The Poster
As you can see, there’s lots going on. And I was so pleased to be allocated a busy, welcoming cafe right in the middle of the art walk for my new show.
Spinning Jenny
Actually, this one is all about the wool industry here in Yorkshire, UK. And I was so pleased to have the opportunity to show this painting again for the arts week.
The Progress of Mankind
Finally, you might remember this one from recently, when I had it displayed in the fab Urban Commune Gallery in Wakefield. That’s all for now and I’ll show you even more soon!
Good morning everyone. Things are still a bit dodgy here, so I’ll hurry up and write this post while I can! Actually, I don’t think that I showed you this acrylic painting before. In fact, I almost forgot that I had painted it. And I found it while going through my stash. Because I was looking for work to put in our January sale at The Urban Commune.
The Face of the Sunflower
This one was a study in watercolour for a series on flowers, seen close up. Perhaps you remember four small canvases in acrylic – sunflower, oriental poppy, cone flower and pansy in this post here ?
The Pink Pig
While I was looking for unframed stuff for the January sale, I pulled out my pink pig! And I do remember the fun I had painting this, with the help of Simon, our tutor. Happy Days!
Good morning everyone. Well, I’m back for now! This is my new show. But I’m still struggling with my website. Incidentally, if you’re wondering who madpainter is, it’s me!
Anyway, I’ve been very busy in the meantime and this image shows my new show at The Urban Commune. I love the place, and I was thrilled for the opportunity to show my paintings on canvas in this gallery.
The Setup
In fact, it didn’t take us too long to install this, we’re getting better at it now!
Me, Looking Delighted
To be honest, I’ve been very busy recently with my arty stuff. But when opportunities come up, I can’t say no! For example, this morning we went to suss out a lovely cafe to display my work in. I can’t wait to set it up! More of that later.
Finally, if I were to chose a favourite painting in my new show, it would be this one . The Silk Princess. To be honest, I really would like to refer you to another post which tells the backstory of this acrylic painting. However, I can’t do that at the moment. Here’s hoping that things will only get better!
Good morning everyone. This is the ‘Happy Christmas’ acrylic painting I chose for my card this year. Actually, I didn’t think it printed out so well, but friends and family seemed to like it! Perhaps as artists we are sometimes too critical of our own work. Obviously a little bit of objectivity about our own work is helpful. But I do know a few amateur artists who have no confidence at all and that can be toxic. Anyway, I enjoyed painting the cool colours of the ice and snow, contrasted with the warm brown and gold of the cottage.
The Call of the Wild
I don’t think I’ve posted this before, something from a few years ago. In fact, at that time I had a great tutor. And I learnt such a lot in the years I went to Simon’s class. As you can tell by this painting, which I would have struggled to do on my own then.
Finally, this is an on the spot watercolour sketch of the snow of last year’s winter. And, I couldn’t call it ‘plein air’ because we were sitting in the car! Happy Christmas everyone and keep on painting!
Good morning everyone. I’ll just make this a short post because I’m not sure whether it will succeed. In fact, I’m having loads of trouble with my blog and I apologise if I don’t see and like your posts. Actually, I’m very limited with what I can do, with no hope of any progress until the beginning of January. Anyway, we went to the Christmas fair at Urban Commune and, for the first time ever, I had a stall! And this is a gouache painting that I finished while I was minding the stall.
Painting at the Christmas Fair
As you can see, I had a great time – met some lovely people and connected with new artists. I even got a chocolate sweet from Caribbean Santa!
Caribbean Santa and his Chief Helper at the Christmas Fair
Also, there was some fab live music (even some dancing!). So, what a great start to Christmas.
Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.
A Portrait in the Scribbly Technique
Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.
Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.
Good morning everyone. I went to a collaborative painting workshop at The Urban Commune Gallery here on Thursday. And we created this colourful abstract together. Actually, it was on the walk route of Artwalk Wakefield so we had plenty of visitors. Perhaps you can’t tell from the photo, but this is not the finished version. Because I had to leave before the end, I haven’t seen it yet.However, I think you’ll get the idea. Firstly, our tutor Gavin had painted a neutral background on this large piece of paper, to kill the white. Then we scribbled out marks and shapes to warm up. After that we started adding stuff, each using one colour at a time, to give some cohesion. Also, we continually switched places around the paper to prevent anyone from getting too cosy!
Working Together
Then we had to step back and consider the painting as a whole. Unfortunately, that’s just when I had to leave so I didn’t see the colourful abstract completed! But it was a great workshop, thanks to Gavin. And, if you’re ever in the area, it’s a brilliant gallery and artists cooperative to visit.
My Covid Story at Urban Commune
Maybe you have seen this photo before, if you read my blog. And it is one of my displays in the gallery, see this post here. Anyway, this is an example of my semi-abstract and abstract style. But, it’s only one of the styles I paint in. Because, as you may know, I like to change things up a bit, as I did in this abstract here.
Good morning everyone. Well, the title says it all – a week of arty stuff! For example, today I went to two galleries in Wakefield where some of my work is on display. And I was particularly pleased to see this one – Mary River, Queensland, on show with two other Australian landscapes. Actually, we took them down from a pop-up exhibition at another gallery. And now they are on show in our Northern Fringe Gallery artists display space in the Ridings Shopping Centre.
In Our Gallery
Then we went to the lovely volunteer led Urban Commune Gallery in another part of town, to help out a bit and show support. Actually, I have two mini displays on show at the moment , see this post here. And it’s a real pleasure to be part of a group of artists, dedicated to the promotion of art in the community.
My Story Pictures The Boy and the Bird
Finally, I’ll just say that tomorrow I’ll be going to the launch of the Rotherham Roar exhibition in the indoor market. And I’m really looking forward to meeting my fellow artists and chatting to interested members of the public. More arty stuff. After all, that’s what it is all about!
Good morning everyone. This is my new show. And I was delighted to see my five part series ‘ The Progress of Mankind’ displayed at Urban Commune gallery in Wakefield. In fact, I had dreamed of seeing it like this all through the pandemic when I painted it. Of course, I didn’t see it as a story when I painted the first piece ‘Paradise’.
Paradise
As I painted this intuitive abstract, I realised it was an attempt to portray an idyllic world, completely unspoiled by man. If you look closely, you can spot hints of a bird, an insect, foliage and flowers.
Hell on Earth
Maybe this piece needs no explanation, it’s a scene of pollution and destruction on an overheated planet. Perhaps you can feel the heat from the monstrous red sun and smell the toxic smoke.
Flying Away in my New Show
Free Spirit
Actually, I created this acrylic painting ‘Free Spirit’ out of my subconscious. Because I finished it completely and then afterwards understood its significance. If I can explain, I painted my dream of floating away from all the worry and trouble, just like a kite in the sky.
The Light at the End of the Tunnel
Now this one is the only one of the series that was partly planned. Really a bit later on when we were aware of vaccines being developed. So I thought of a painting trying to show the feeling of seeing a light at the end of the tunnel. And I decided to use the figure of a young man to represent the human race, naked and vulnerable.
Connections
Finally, the last part of my story of my new show – Connections and it’s all about family and friends. Because, this is what I learned during the pandemic, the importance of connections with people. In effect, I painted this without a plan. And, I see here an abstract portrait of me and my nearest and dearest. So, that’s how this work came about and what it means to me. If you like, you could see more of my Story Pictures here.
Good morning everyone. I’d love to show you my new mini exhibition at the Urban Commune Gallery in Wakefield, UK, seehere . Well, it’s a small exhibition really over two panels in this gorgeous new Gallery, but it feels a lot bigger!
Urban Commune Gallery
Actually, the commune was founded by a group of artists for the purpose of encouraging creativity in the community. And also to provide a place for local artists to show their work. In addition, they are partnered with the charity Uthink, dedicated to supporting young people in poverty. What a brilliant idea! So, I had to be a part of this and I booked some space for my new mini exhibition.
Setting Up
By the way, it didn’t take us long to set up. Then it was time for a cup of coffee and a look around at all the fab work on the walls and on the shelves. And chat with the artist volunteers who make all this possible.
My New Exhibition
Perhaps you have seen some of this work before, if you read my blog. So, I’ll just feature this one – take a closer look at my watercolour portrait of a valley in the Yorkshire Dales
The Valley
Anyway, that’s all about this show, but I’m preparing another in this gallery. And I think it will look good, displayed the way I’ve dreamed of, so, watch this space! If you want to see more of my landscape paintings, have a look at my gallery here.
Good morning everyone. I have felt so inspired lately by the beautiful colours of autumn and I wanted to show you my latest gouache painting. Actually, we were working on the theme of The Colours of Autumn at Art Society this week. So, I decided to do an impressionistic design of leaves drifting to the ground, whilst still keeping their glorious colours. Of course, these colours only last a short while, so, enjoy them while you can. Perhaps you can tell that this little painting is in gouache. Because the creamy texture and soft blending are typical of this medium. Incidentally, can you spot the gold-coloured paint on the two brown leaves? If you would like to see the very. very simple, short video I made about this painting, look here.
Autumn Garden
Maybe you have seen this plein air watercolour before? In fact, I painted this whilst sitting in my son’s garden last year. And, I particularly wanted to capture the vibrant copper leaves of the Virginia Creeper. Happy Days, sitting on the patio, painting, coffee and cake and good company! Or, here are some more of my happy memories from the year before. When we were admiring the colours of the pumpkin harvest in Wortley Hall gardens, in this post here .
A New Autumn Picture
Well, this is just a glimpse of an acrylic painting I started yesterday, based on a fabulous photo by Viktoria Stockmal from Landscape Reference Photos for Artists. And I’ll show you the progress as I go along, I haven’t painted in acrylic for a while. And I’m really enjoying being creative in this simply gorgeous season of the year.
Good morning everyone. I wanted to ask you a question – do you choose to paint in realistic or abstract style? Or, if you aren’t an artist yourself, which style do you prefer to look at and admire? Actually, this is what we were discussing last week at a ROAR artists meeting. Well, to be honest, it was a topic I introduced when it was my turn to show my artwork.
Silver Surfer on a Virtual Wall
Perhaps it isn’t so obvious in these images. But this started off as an intuitive abstract and morphed into a seaside themed painting. However, in no way could it be called realistic.
Pink Blossom
Now this one was intended from the outset to be realistic, it’s an Australian landscape. If you read my blog you have probably seen me write about the course I’m following by tutor Rod Moore. And this is the result of one of his tutorials using his own photo. In fact, in addition to learning loads of useful stuff, I found my painting style was really tightening up. Of course, this wasn’t due to the excellent teaching at all. Just an outcome of concentrating very hard on accuracy of detail. Anyway, for me, this is an extremely realistic style .
Showing my work at the meeting
So, realistic or abstract – which do you find yourself drawn to? Or, which do you spend most time painting? If you want see more of my abstract paintings, have a look at my gallery here – I’ve just updated it.
Good morning everyone. This is my latest addition to our Northern Fringe Gallery Industry exhibition which opened this week. As you may recall, we are at the Ridings shopping centre in Wakefield, UK. (See this post here ). To be honest, it was a low key opening at our own gallery. Because we are displaying the pictures as they are finished, on a sort of rolling programme. When we have received a decent amount of entries, we will look for a suitable gallery to exhibit.
The Winding Wheel – now in the Industry exhibition
The Winding Wheel
This is my interpretation of an image of the machinery that powered the winding wheel at a local colliery, now closed. To be honest, I don’t know much about this. Except that the men went down the shaft to work in a lift operated by this machinery. And, I remember my dad telling me that they called the lift the cage! However, I felt inspired by the image itself. I perceived it as a powerful abstract image. And I painted the various bits of it as shapes, not really knowing what they were!
Spinning Jenny
Finally, I will show you the last of my four paintings for our Industry exhibition – Spinning Jenny. Actually, I painted this for an art competition in an industrial town in the North of England a couple of years ago. Unfortunately, the gallery didn’t accept it, but it’s perfect for our theme. Just to explain, I have interpreted an invention called Spinning Jenny in a rather fanciful way. And the real Spinning Jenny was a frame operated by one person to run four wool spinning wheels at once. In effect, the beginning of the mechanisation of the spinning industry. But, I reimagined the machine as a strong, capable working woman, still spinning over the North Pennines where it was invented.
As you might have noticed if you read my blog, I do love painting a story picture! Please look me up again to see what else I might come up with on this interesting theme.
