Good morning everyone. Things are still a bit dodgy here, so I’ll hurry up and write this post while I can! Actually, I don’t think that I showed you this acrylic painting before. In fact, I almost forgot that I had painted it. And I found it while going through my stash. Because I was looking for work to put in our January sale at The Urban Commune.
This one was a study in watercolour for a series on flowers, seen close up. Perhaps you remember four small canvases in acrylic – sunflower, oriental poppy, cone flower and pansy in this post here ?
While I was looking for unframed stuff for the January sale, I pulled out my pink pig! And I do remember the fun I had painting this, with the help of Simon, our tutor. Happy Days!
Good morning everyone. Well, I’m back for now! This is my new show. But I’m still struggling with my website. Incidentally, if you’re wondering who madpainter is, it’s me!
Anyway, I’ve been very busy in the meantime and this image shows my new show at The Urban Commune. I love the place, and I was thrilled for the opportunity to show my paintings on canvas in this gallery.
In fact, it didn’t take us too long to install this, we’re getting better at it now!
To be honest, I’ve been very busy recently with my arty stuff. But when opportunities come up, I can’t say no! For example, this morning we went to suss out a lovely cafe to display my work in. I can’t wait to set it up! More of that later.
Finally, if I were to chose a favourite painting in my new show, it would be this one . The Silk Princess. To be honest, I really would like to refer you to another post which tells the backstory of this acrylic painting. However, I can’t do that at the moment. Here’s hoping that things will only get better!
Good morning everyone. This is the ‘Happy Christmas’ acrylic painting I chose for my card this year. Actually, I didn’t think it printed out so well, but friends and family seemed to like it! Perhaps as artists we are sometimes too critical of our own work. Obviously a little bit of objectivity about our own work is helpful. But I do know a few amateur artists who have no confidence at all and that can be toxic. Anyway, I enjoyed painting the cool colours of the ice and snow, contrasted with the warm brown and gold of the cottage.
I don’t think I’ve posted this before, something from a few years ago. In fact, at that time I had a great tutor. And I learnt such a lot in the years I went to Simon’s class. As you can tell by this painting, which I would have struggled to do on my own then.
Finally, this is an on the spot watercolour sketch of the snow of last year’s winter. And, I couldn’t call it ‘plein air’ because we were sitting in the car! Happy Christmas everyone and keep on painting!
Good morning everyone. I’ll just make this a short post because I’m not sure whether it will succeed. In fact, I’m having loads of trouble with my blog and I apologise if I don’t see and like your posts. Actually, I’m very limited with what I can do, with no hope of any progress until the beginning of January. Anyway, we went to the Christmas fair at Urban Commune and, for the first time ever, I had a stall! And this is a gouache painting that I finished while I was minding the stall.
As you can see, I had a great time – met some lovely people and connected with new artists. I even got a chocolate sweet from Caribbean Santa!
Also, there was some fab live music (even some dancing!). So, what a great start to Christmas.
Good morning everyone. As promised, here are my charcoal portraits from the drawing class last weekend. Actually, I was longing to finish them and finally found some time yesterday. But I spent a couple of days looking at them before that. And it seems to be an important part of the creating, I think. Perhaps you may enjoy hearing about the process of this one, a technique I’ve not tried before. Firstly we had to cover the paper with a thick layer of charcoal. Then we proceeded to carve out the outlines of a face, using an eraser, all the while staring into a little mirror. Maybe that’s why the facial expression is so serious! Well, it was the end of the class then, so I did the rest at home, including more subtle ‘removals’ and the addition of details in fine charcoal. Plus just a touch of white pastel.
Here is the finished version of the drawing I showed you in this post here. And this was a new technique for me too. Because the first preparatory sketch was quickly done and then partially erased! After that, we were encouraged to use a scribbly style of strokes with the sticks of charcoal. In addition, we were working in half light to accentuate the shadows on the face. Then I tidied it up and smoothed it down a bit at home. And, I am quite pleased with these charcoal portraits.
Finally, for those of you who want to see the finished collaborative abstract I took part in, here it is! As you may notice, it underwent a few changes before being hung on the wall in the projects room at The Urban Commune. So we can all admire it.
Good morning everyone. I went to a collaborative painting workshop at The Urban Commune Gallery here on Thursday. And we created this colourful abstract together. Actually, it was on the walk route of Artwalk Wakefield so we had plenty of visitors. Perhaps you can’t tell from the photo, but this is not the finished version. Because I had to leave before the end, I haven’t seen it yet.However, I think you’ll get the idea. Firstly, our tutor Gavin had painted a neutral background on this large piece of paper, to kill the white. Then we scribbled out marks and shapes to warm up. After that we started adding stuff, each using one colour at a time, to give some cohesion. Also, we continually switched places around the paper to prevent anyone from getting too cosy!
Then we had to step back and consider the painting as a whole. Unfortunately, that’s just when I had to leave so I didn’t see the colourful abstract completed! But it was a great workshop, thanks to Gavin. And, if you’re ever in the area, it’s a brilliant gallery and artists cooperative to visit.
Maybe you have seen this photo before, if you read my blog. And it is one of my displays in the gallery, see this post here. Anyway, this is an example of my semi-abstract and abstract style. But, it’s only one of the styles I paint in. Because, as you may know, I like to change things up a bit, as I did in this abstract here.
Good morning everyone. Well, the title says it all – a week of arty stuff! For example, today I went to two galleries in Wakefield where some of my work is on display. And I was particularly pleased to see this one – Mary River, Queensland, on show with two other Australian landscapes. Actually, we took them down from a pop-up exhibition at another gallery. And now they are on show in our Northern Fringe Gallery artists display space in the Ridings Shopping Centre.
Then we went to the lovely volunteer led Urban Commune Gallery in another part of town, to help out a bit and show support. Actually, I have two mini displays on show at the moment , see this post here. And it’s a real pleasure to be part of a group of artists, dedicated to the promotion of art in the community.
Finally, I’ll just say that tomorrow I’ll be going to the launch of the Rotherham Roar exhibition in the indoor market. And I’m really looking forward to meeting my fellow artists and chatting to interested members of the public. More arty stuff. After all, that’s what it is all about!
Good morning everyone. This is my new show. And I was delighted to see my five part series ‘ The Progress of Mankind’ displayed at Urban Commune gallery in Wakefield. In fact, I had dreamed of seeing it like this all through the pandemic when I painted it. Of course, I didn’t see it as a story when I painted the first piece ‘Paradise’.
As I painted this intuitive abstract, I realised it was an attempt to portray an idyllic world, completely unspoiled by man. If you look closely, you can spot hints of a bird, an insect, foliage and flowers.
Maybe this piece needs no explanation, it’s a scene of pollution and destruction on an overheated planet. Perhaps you can feel the heat from the monstrous red sun and smell the toxic smoke.
Flying Away in my New Show
Actually, I created this acrylic painting ‘Free Spirit’ out of my subconscious. Because I finished it completely and then afterwards understood its significance. If I can explain, I painted my dream of floating away from all the worry and trouble, just like a kite in the sky.
Now this one is the only one of the series that was partly planned. Really a bit later on when we were aware of vaccines being developed. So I thought of a painting trying to show the feeling of seeing a light at the end of the tunnel. And I decided to use the figure of a young man to represent the human race, naked and vulnerable.
Finally, the last part of my story of my new show – Connections and it’s all about family and friends. Because, this is what I learned during the pandemic, the importance of connections with people. In effect, I painted this without a plan. And, I see here an abstract portrait of me and my nearest and dearest. So, that’s how this work came about and what it means to me. If you like, you could see more of my Story Pictures here.
Good morning everyone. I’d love to show you my new mini exhibition at the Urban Commune Gallery in Wakefield, UK, seehere . Well, it’s a small exhibition really over two panels in this gorgeous new Gallery, but it feels a lot bigger!
Actually, the commune was founded by a group of artists for the purpose of encouraging creativity in the community. And also to provide a place for local artists to show their work. In addition, they are partnered with the charity Uthink, dedicated to supporting young people in poverty. What a brilliant idea! So, I had to be a part of this and I booked some space for my new mini exhibition.
By the way, it didn’t take us long to set up. Then it was time for a cup of coffee and a look around at all the fab work on the walls and on the shelves. And chat with the artist volunteers who make all this possible.
Perhaps you have seen some of this work before, if you read my blog. So, I’ll just feature this one – take a closer look at my watercolour portrait of a valley in the Yorkshire Dales
Anyway, that’s all about this show, but I’m preparing another in this gallery. And I think it will look good, displayed the way I’ve dreamed of, so, watch this space! If you want to see more of my landscape paintings, have a look at my gallery here.
Good morning everyone. I have felt so inspired lately by the beautiful colours of autumn and I wanted to show you my latest gouache painting. Actually, we were working on the theme of The Colours of Autumn at Art Society this week. So, I decided to do an impressionistic design of leaves drifting to the ground, whilst still keeping their glorious colours. Of course, these colours only last a short while, so, enjoy them while you can. Perhaps you can tell that this little painting is in gouache. Because the creamy texture and soft blending are typical of this medium. Incidentally, can you spot the gold-coloured paint on the two brown leaves? If you would like to see the very. very simple, short video I made about this painting, look here.
Maybe you have seen this plein air watercolour before? In fact, I painted this whilst sitting in my son’s garden last year. And, I particularly wanted to capture the vibrant copper leaves of the Virginia Creeper. Happy Days, sitting on the patio, painting, coffee and cake and good company! Or, here are some more of my happy memories from the year before. When we were admiring the colours of the pumpkin harvest in Wortley Hall gardens, in this post here .
Well, this is just a glimpse of an acrylic painting I started yesterday, based on a fabulous photo by Viktoria Stockmal from Landscape Reference Photos for Artists. And I’ll show you the progress as I go along, I haven’t painted in acrylic for a while. And I’m really enjoying being creative in this simply gorgeous season of the year.
Good morning everyone. I wanted to ask you a question – do you choose to paint in realistic or abstract style? Or, if you aren’t an artist yourself, which style do you prefer to look at and admire? Actually, this is what we were discussing last week at a ROAR artists meeting. Well, to be honest, it was a topic I introduced when it was my turn to show my artwork.
Perhaps it isn’t so obvious in these images. But this started off as an intuitive abstract and morphed into a seaside themed painting. However, in no way could it be called realistic.
Now this one was intended from the outset to be realistic, it’s an Australian landscape. If you read my blog you have probably seen me write about the course I’m following by tutor Rod Moore. And this is the result of one of his tutorials using his own photo. In fact, in addition to learning loads of useful stuff, I found my painting style was really tightening up. Of course, this wasn’t due to the excellent teaching at all. Just an outcome of concentrating very hard on accuracy of detail. Anyway, for me, this is an extremely realistic style .
So, realistic or abstract – which do you find yourself drawn to? Or, which do you spend most time painting? If you want see more of my abstract paintings, have a look at my gallery here – I’ve just updated it.
Good morning everyone. This is my latest addition to our Northern Fringe Gallery Industry exhibition which opened this week. As you may recall, we are at the Ridings shopping centre in Wakefield, UK. (See this post here ). To be honest, it was a low key opening at our own gallery. Because we are displaying the pictures as they are finished, on a sort of rolling programme. When we have received a decent amount of entries, we will look for a suitable gallery to exhibit.
The Winding Wheel – now in the Industry exhibition
This is my interpretation of an image of the machinery that powered the winding wheel at a local colliery, now closed. To be honest, I don’t know much about this. Except that the men went down the shaft to work in a lift operated by this machinery. And, I remember my dad telling me that they called the lift the cage! However, I felt inspired by the image itself. I perceived it as a powerful abstract image. And I painted the various bits of it as shapes, not really knowing what they were!
Finally, I will show you the last of my four paintings for our Industry exhibition – Spinning Jenny. Actually, I painted this for an art competition in an industrial town in the North of England a couple of years ago. Unfortunately, the gallery didn’t accept it, but it’s perfect for our theme. Just to explain, I have interpreted an invention called Spinning Jenny in a rather fanciful way. And the real Spinning Jenny was a frame operated by one person to run four wool spinning wheels at once. In effect, the beginning of the mechanisation of the spinning industry. But, I reimagined the machine as a strong, capable working woman, still spinning over the North Pennines where it was invented.
As you might have noticed if you read my blog, I do love painting a story picture! Please look me up again to see what else I might come up with on this interesting theme.
Good morning everyone. This is your last chance to see my solo show in the cafe gallery at Darfield Museum! So I thought I would choose three of my personal favourites to spotlight. Firstly, A Castle in Portugal – and the way this one turned out really pleased me . As you might have noticed, it’s in gouache paint. And I love the texture and chalky quality to the paint. However, it does have its challenges and I’m working on it! To be honest, you have to develop a lightness of touch with the layers. Otherwise, if the top layer is a little bit too wet and you are heavy handed with the brush, the colours will merge.
Now this one I really enjoyed painted and I started it during our holiday in the Yorkshire Dales in July. If you don’t know the area, it’s a series of rivers running through pretty valleys. And this barn is in the vale of the River Swale and it’s a very typical scene. In fact, you can see these small barns almost in every field. Apparently, the tradition was to try and grow two crops of hay each season. And store it conveniently in the barn in the field, so that the farmer and the animals had easy access to the winter feed.
Last Chance to See Top Withens
Anyway, I am very fond of this one too. And, I’m very pleased to say that someone bought it! To be honest, I’m thrilled that someone really loved it enough to take it home. Particularly because it almost sold at another gallery, but mistakes were made. Unfortunately, that potential customer went home disappointed. However, now it will be hung somewhere where it will be appreciated, and that’s all I want. But, I will miss this large framed picture, it does remind so much of the brooding moors up near Haworth. If you want to know the story, read this post here. So, tomorrow really is your last chance to see this show!
Good morning everyone. Why do I love red? Well, that’s a good question, and I’m not really sure of the answer. But I thought I would show you this acrylic painting from a few years ago and try and explain. For example, I was inspired by an old black and white photo of children playing on ‘the backs’. That is, behind the terraced row of houses in a pit village where they live. Obviously the colours were black, grey and white. However, I wanted to show the brightness and hope children bring to a community. So I painted them in colour. In my opinion, the touch of red draws the eye most and makes my point perfectly.
Perhaps you may be wondering how I chose this subject for this post? Actually, it was the theme for our latest meeting at our art society. And, it really inspired us all, so picked out some of my own paintings featuring red. Incidentally, this is my unfinished effort from Tuesday’s meeting. And it is a farm building with a tin roof, in gouache. When it’s propenly finished, I will show you . Anyway, in my opinion, the redness forms a strong focal point and also makes the scene look cheerful!
So, why do I love red? Because it can be cheerful and it helps the composition by being a strong focal point. In fact, it can also heighten the drama of a scene. How about the effect in this one?
Personally, I think this is quite dramatic! Finally, of course, red can suggest blood and danger. And I do have some drawings done in the pandemic which reflect this. I’ll show them in another post, I think.
All my work is for sale at reasonable prices, simply email me on the Contact Me page for further details.
Good morning everyone. We had a very enjoyable morning at my Meet the Artist event on Saturday at my solo show. And it was great to show family and friends my exhibition at Darfield Museum. Actually, we all imagined travelling the world while looking at the paintings. In fact, it was fascinating to hear people’s thoughts on exactly where the scenes were set. Because there were no labels on the wall next to the paintings, my visitors didn’t know the titles or locations of the scenes. For example, I described the image above as ‘Sandstone Bluff, Australia’. But a friend of mine said it reminded him of a ruined Crusader castle, somewhere in Europe!
Travelling the World, the Story Behind the Picture
Similarly, another friend was convinced that this was a painting of a town in Italy! Well, it definitely was France, see this post here for the story. However, I must admit that I did miss out the distinctive French 2cv cars on the road. So that the scene was a more simplified composition. Anyway, we both came to the conclusion that the town must have been near the French – Italian border. Perhaps you will have noticed that the tower in the distance is reminiscent of Italian architecture.
Finally, just one more example of a painting that set people off virtually travelling and reminiscing. In reality, this is the scene of a very distinctive rock formation at Brimham Rocks in the Yorkshire Dales. Yet, my friends assured me that it was: a local crag on a moor, another rocky area in the Dales or a beauty spot in Devon in the south of England! And this gave me food for thought, is it better to display a label with title and explanation or not? What do you think?
Good morning everyone. This is the acrylic painting that I put on the poster I made to promote my latest exhibition. Well the show opened yesterday and, I must admit that I was very pleased with the way it looked.
Actually, the museum cafe gallery is a lovely, intimate space and we sat quite a while, looking at my paintings. In addition, the cakes are all homemade and delicious, so the time passed quite pleasantly!
Then I took some photos, but the lighting on the paintings reflected and defeated my camera. So, apologies for that!
Perhaps you might have seen this gouache painting before in this post here. However, I don’t think you know this acrylic I did a few years ago. In case you can’t tell (!) it’s my allotment.
After we had looked at my latest exhibition, we went into the courtyard garden to admire the scarecrows. If I could explain, it was the village Scarecrow Festival. Just a bit of fun for the children at the end of summer. Finally, we walked over the road to the church, All Saints. And it’s very picturesque, sited in a peaceful church yard. Actually there is a public footpath at the edge of the graveyard which takes you past the site of the medieval fish ponds. To be honest, the site is not restored but there is a line of willow trees that trace the line of the banks. What a pleasant afternoon out! I will probably post a bit more about my latest exhibition after the Meet the Artist event next week. Incidentally, if you are in the area, you are very welcome to join us, details on the poster.
Good morning everyone. Today for this very quick post I’m showing you these paintings that you may not have seen before. When I packed them up for delivery to Darfield Museum for my solo show, I realised that they might be new to you.
As you perhaps can guess, this is a scene in the afternoon heat in a small town, somewhere in the south of France. Actually, I spent a year in a town much like this back in the seventies. And I well remember walking through the streets early afternoon, going back to work after lunch break. As the heat was intense, everyone walked carefully in every patch of shade, no matter how small. Obviously, coming from a cool North of England, this was a new experience for me. Alas, with climate change, I’m getting more used to higher summer temperatures now.
In complete contrast, I painted this scene of the Yorkshire coast in memory of lots of strolls along this beach. And, we have walked so many of them in summer mist, or a sea fret as we call it. Which seems to be a band of mist clinging to the coastal strip, when a few miles inland, the sun shines down strongly! Here you can also see the iconic Grand Hotel in the background.
Anyway, both of these paintings will be in the show at Darfield Museum in September. And there are lots more on display in my Gallery.
Good morning everyone. If you follow this blog, perhaps you may know that I belong to a great group called Northern Fringe Gallery. And we have just decided to start a new group project ‘Industry and Yorkshire’. However, that’s only a working title, this project will probably evolve as it goes along.
Anyway, this is my version of a very evocative black and white photo from a book all about coal mining. Actually, my dad was a miner all his life, but not quite in conditions like these, thank goodness! Well, I painted this a few years ago, but I think it fits our theme very well. So I had it framed all ready for our show. Now have a look at the second one.
In fact, I have posted this watercolour painting before, see here. However, I’ll just explain that this World Heritage site in Halifax was originally a place where weavers sold their cloth. And, because the cloth was called a ‘piece’ that’s the origin of the name, Piece Hall. So you can see why I chose this for the theme. By the way, weaving was a very big industry in West Yorkshire, just as we were all about coal mining here in South Yorkshire where I live. However, spinning and weaving were also practised here too and my auntie worked in a wool spinning mill.
Of course, I shall paint a couple more for the show too. But, more of that later!
Good morning everyone. As you can tell, I’m so pleased that my elephant painting has sold from our art society exhibition. And it went off to its new home. The lovely buyer wanted to have it for a splash of colour in a newly decorated hallway in his home. So I know it will be looked after. In fact, we did quite well and four paintings were sold, which is good, I think, in the present state of affairs. Anyway, it’s not the main purpose of putting on our exhibition which was to enjoy showing off our work to each other, friends and family. And, from that point of view it was a huge success.
The two images above were painted in gouache paint during our first Covid lockdown in 2020, photos from Unsplash. Obviously, they are also scenes from life in India, like my elephant painting. And they were part of a monthly challenge in a painting group I joined. To be honest, it was a godsend to virtually meet up and work with other artists at that time. And the group is still going strong – Beginner Gouache Group over on Mewe. As you can see, connecting with fellow artists is always important to me. And, of course, that’s why I love writing this blog and being a part of this artists’ community. You could click here to see my painting of a bluebell wood, which sold at my last solo exhibition in March.
Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.
Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.
Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.
Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.