Good morning everyone. Well, summer is officially over now and there are signs of autumn showing. But, on one of the last of the summer days last week, we had our morning coffee break at Sandal Castle. Only 15 minutes drive away, and the weather was heavenly!
To be honest, I don’t know a lot about the castle. Just a few of the walls remain but they are quite impressive on the top of a mound on a hill. So the location is significant and played an important role in the Wars of the Roses in the fifteenth century. Just think Richard the Third. See here for more details.
Anyway, what attracted me was the glorious yellow colour of the fields in the landscape. And the juxtaposition of the old stonework and the modern housing at the bottom of the slope. Of course, I know you can’t see the ruins. But, I promise I will do a plein air watercolour painting of the castle soon. Meanwhile, here’s one of my favourite acrylic paintings of summer days, from a while ago, sunny Jamaica.
Finally, if you missed seeing this before, here is my imaginary scene of a sunny day nearer to home.
Good morning everyone. This Saturday I took my big acrylic painting to our gallery at the Ridings centre in Wakefield. Because we are getting our show ready for the 29th September – Yorkshire Makers Inspired by Yorkshire Writers. Perhaps you remember that we started this project in 2019, but the pandemic stopped it in its tracks, with only half of the artwork in the gallery.
My First Painting for our Yorkshire Writers Exhibition
As you can see, here is my first piece for our current Northern Fringe Gallery exhibition and you can read all about it here. Actually, we do have super themes for our exhibitions – have a look at my Exhibitions page here. And you will see some of the work I did for the Northern Fringe Gallery exhibitions.
Anyway, just a word of explanation about this painting in which I felt inspired by poet Ted Hughes. In fact, I like many of his poems but I really loved the one entitled ‘Wuthering Heights’. And this location, Top Withens, is a ruined farmhouse on the Pennine moors near Haworth in West Yorkshire. Because it is presumed to be the setting for Emily Bronte’s novel Wuthering Heights, it’s quite a famous spot. Well, Ted Hughes and his wife, the American poet Sylvia Plath lived nearby. And they hired a local guide to take them to the house. Both poets wrote a poem about the moving experience and I chose Ted’s piece. Here he describes the wild, now abandoned spot where the story of Cathy and Heathcliff took place. As well as his wife’s reaction to the experience. You can see both poems here.
Finally, here’s a closeup so you can see the ghostly figure in the window, as described in the poem.
We are launching this exhibition 29th September at the Ridings, then it moves on to Mirfield Creative Arts Hub in October. And, I must admit that I just love being involved in art projects!
Good morning everyone. I’m so pleased – Fronteer Gallery in Sheffield accepted my acrylic painting for their new abstract show in October! As you may remember, I exhibited with them in June this year. And I showed my Egyptian Temple in their Summer Solstice exhibition.
Work for the Abstract Show
Well, the theme for the show this time was a dream – Abstract. That’s all, so I found it wide open to interpret just as I liked. Normally, I create a new work for an open call, but this time I had one ready made.
Although I started this abstract composition purely instinctively, as I worked, I realised that two main themes were influencing me. Firstly, I had recently been to a great exhibition at the Hepworth Gallery in Wakefield, by Anthony McCall. The light installation was very impressive and the museum encouraged visitors to move through the beams of light quite freely. So I painted a silhouette against the blinding white and the deep shadows the artist had created.
Secondly, the winter was quite cold that year and the snow was finally beginning to melt. And the streams were swollen, racing through sodden fields. Consequently, I added piles of soft snow, a stream and the moon piercing the darkness. However, you don’t really need to know any of that. In fact you can put your own interpretation on the scene. Or, even, obviously just look at it and react in your own way.
Of course, I shall post a report of the abstract show when it is actually on the wall. Meanwhile, you could look at some of my other abstract paintings in the Abstracts section of my gallery.
As you may know, I sell all my art at reasonable prices and you can email me via my contact page.
Good morning everyone. I suddenly realised that I hadn’t shown you my latest Australian landscape. Actually, I finished Morning Sunshine on the Crags a couple of weeks ago. But my life is quite busy just now and it slipped through the net. However, I like to use this blog as a record of my painting life so I had to find a space for it.
Apparently this location is Kenilworth Bluff, somewhere in Australia, but that’s all I know! If you know more, please tell me. Anyway, I sort of projected my own story on to it. And I imagined myself going out for an early morning walk across the sun burned grass of the fields. Obviously, this is where the path enters the cool inviting trees and then on to the slopes.
As you can see, the rocky crags sparkle in the sunshine – the view must be spectacular from up there. Unfortunately though, I must turn back, go home and get started on my chores. So, perhaps another day I’ll walk up to the tops.
That’s it for today – all of my artwork is for sale. Just go to my Contact Me page here for enquiries. Of course, there are lots more landscapes with stories in my Gallery here.
Good morning everyone. Well, it’s finished at last! And, to be honest, I don’t really know why I didn’t complete the Big tree in my Garden earlier. Actually, I started this big painting back in the spring, after doing at least two other studies. In fact, you may remember these mixed media versions, because I think I did post them.
As I remember, I painted the twisting shapes of the branches, still really visible in spring, before the leaves grew thicker. And I found these fascinating, at the same time realising that we had created them ourselves. Simply by hacking the growth back every year in a vain attempt to keep the tree small for our modestly sized town garden. Anyway, I sketched first in charcoal and then I worked in oil pastel.
Now, this is the second version that I sketched in charcoal and then added watercolour and pen for finishing touches. By the way, I sketched both of these through the living room window. And, as you can see,the season is moving on!
The Big Tree
But, to get back to the bigger painting, I decided to paint the tree quite simply and make sure that it dominates the space. But I also wanted to give emphasis to the rather fine building on the other side of my garden wall. At present it is used as offices, but, using my artistic licence, I show it as the grand family home that it once was.
And, I daydream about the people who live there, do they watch my house from their windows? And, what is there over the hill that the house sits on top of? So, as you have realised, I have created an imaginary scene from the reality I live in. Because, there’s always more than meets the eye, in my imagination anyway!
Finally, this acrylic painting on paper is 16 by 20 inches and the price is £80 plus postage, free in UK. Just email me on my Contact Me page here. And, if you want to see more of my trees, see here.
Good morning everyone. Today I’d like to show you my beautiful sunflowers, painted in acrylic on paper. Actually, I’m quite pleased with this effort and, as I said in a recent post here, I feel like I’m finally making progress. Because this picture seemed to come together fairly well.
Anyway, I also tried something different here and I used gloss medium for the bright petals and leaves. Just a dab when mixing the sunny yellow, the vibrant green of the sunflowers. Not to mention the rich purple of the irises.
In fact , the other intention of this project was to try to work in a looser style. That is, not to concentrate too much on precise detail and leave something for the viewer to work out. In other words, not to paint the picture to death! Well, I did manage to loosen up a little, but I clearly need more practice!
Now, just for the sake of contrast, I painted this sunflower in watercolour last year. And here I tried to show the accurate shape and arrangement of the petals and the seeded centre. But the actual brush strokes were quite loose and gestural. So, you see there’s clearly more than one way of painting beautiful sunflowers!
All my artwork is for sale at reasonable prices. Have a look at more flowers in my Gallery here.
Good morning everyone. Well, as I write this post all about summer paintings, the rain is falling in a steady drizzle. And the temperature has dropped a few degrees, so it’s not exactly hot and summery. Nonetheless, the day is warm and fine in this acrylic painting of a scene in the beautiful Yorkshire Dales. Perhaps you don’t know this area of rounded hills and sheltered valleys (the dales) in the north of England. But it’s one of our favourite spots and only a couple of hours drive from our home.
This view shows a very distinctive feature of the valley of the river Swale – the very numerous small barns. Actually, there’s practically one for each field and the farmers used them mainly for storing the hay. Whatever the reason, they are picturesque and very sketchable! In fact, the whole area is covered by a network of public footpaths and quite easy to explore. If you want to find out more about the region, look here.
Another One of my Summer Paintings
Now, this is something completely different! And it started off as an intuitive abstract I painted in March this year. As the winter dragged on, my thoughts turned to sunshine and holidays by the sea. Slowly elements started to emerge which suggested a landscape I’ve often seen in France. Of course, this was back in the day when we used to travel – seems an age ago now! Anyway, we would often camp near a small seaside resort. And, somehow, this scene reminds me of parking the car on a rough patch of ground. Then struggling down a path made of soft sand to the idyllic beach, with only a few families to keep us company. Happy days!
Finally, I hope you enjoy looking at my summer paintings and dreaming your own dreams. Here is another lovely scene you might like. As you may know, all my paintings are for sale at reasonable prices. Affordable art! Just go to myContact Me page and get in touch.
Good morning everyone. Today I’d like to show you two watercolour paintings of lovely old buildings that I have just finished. In fact, you may have seen the pencil sketches of animals in the petting zoo at Pot House Hamlet before. (See here). Because we visited this place in Silkstone village on a recent sketch trip. And we were surrounded by the beautiful old buildings of this little settlement – now a garden centre, cafe, shops and small zoo. Actually, the original buildings were 17th century glass making workshops and later pottery kilns. To be honest, I’m not sure about this building, but I chose it because of the unusual shapes. And, of course, the attractive colour of the stone. Then I added more washes of colour at home – the hot sunshine drove us into the shade!
Secondly, this is a sketch I more or less completed en plein air here at Elsecar, despite the steady drizzle. But, when I got home, I decided to heighten the colours, just for impact. Interestingly, one of my art buddies was painting his dramatically coloured acrylic paintings that morning. And I felt that I just had to have a go! I think I need a bit more practice, but I really enjoyed it.
Good morning everyone. Well, here, as I promised is my latest small, woodland painting for sale. Honestly, I really enjoyed creating this one. Probably because painting trees is one of my favourite subjects, as you might have noticed! (See this post here). Actually, I based this study on a pencil sketch in my sketchbook. As I recall, I focused down on just part of the scene to make this study. But then, as often happens, the painting took on a life of its own. Meanwhile, I deepened the shadow in the background to make more of a contrast with the glow cast by the setting sun. As you can see, the rays are falling on to the tree trunks and the soft, thick foliage.
Incidentally, have you ever walked in the wood when the sun is starting to set on a still, summer’s evening? In fact, it can look quite magical and that’s the feeling I was looking for here.
Finally, if you want to buy a unique piece of art, this woodland painting is for sale. Perhaps as a treat for yourself or a gift for a loved one. And it’s only £15 plus shipping (free if in UK). Acrylic on paper, 7 by 9 inches, unframed and without a mount. Simply go to the Contact Me page here and send me an email, payment is by PayPal. Then you can enjoy a ‘walk’ in the woods every time you look at it!
Good morning everyone. This is a quick catch up post showing you this week’s paintings. Honestly, I haven’t really had much time for creating art. Because things have opened up a bit, I seem to be busier. And, of course, there is lots to be done in my allotment vegetable garden. For example, yesterday I spent a few hours watering everything and weeding the parsnip and broadbean plants. And it was tough on my hands as the ground was hard after heavy rain, then baking hot June sunshine.But, I can’t complain – I absolutely love the fresh, organic fruit and veg we grow.
Well, you can tell how much I miss painting when I take my sketching kit up to the garden. And snatch a few moments between chores. As you see, I couldn’t resist trying to paint these beautiful flowers. For example, the huge red Oriental poppies are so spectacular and so short lived. Also, the blooms of the purple irises in the tiny barrel pond last just a few days. So I had to include them in this week’s paintings. Fortunately, the mauve foxglove does stick around longer and these self seeded flowers are dotted all around the garden. However, I think you can tell by the way I overworked the watercolour that I am really missing painting with acrylic! There are some more paintings of my allotment here, you may not have seen them.
My Art Journal Abstract – One of This Week’s Paintings
As you can see, I had to do a small, intuitive abstract in my art journal in watercolour. When I was longing to do one on canvas. But, I didn’t have the time, so I really enjoyed creating this smaller one. And, it calmed my nerves, so, a good result all round! Plus the bonus is an interesting experiment in shapes and colours that I could expand into a larger version. When I have time!
In fact, I can see lots of possibilities of interpretation here – for some reason it reminds me of cave painting. What do you see?
Good morning everyone. Today I’d like to tell you all about our Solstice exhibition – now on show at Fronteer Gallery in Sheffield, UK. Well, we had a great launch on Monday evening, despite the Covid regulations. Of course, we had to wear masks and only ten people were allowed in the Gallery at one time. Nevertheless, I managed to have a good look around the show. And to have a nice chat with Michael and Sharon, who set the whole thing up. Actually, it’s not been the best time to open an art gallery in the pandemic, but they have done it!
I took this snap in a sort of an open space in front of the gallery which is traffic free. In fact, it’s an ideal performance area. And we watched a bit of street theatre by Pink and grAy. Sun Circle, referencing Ra, the sungod, bringing light to the world. Incidentally, this is the theme of my gouache painting too! Also, the abundance of food produced by its energy, represented by a basket of oranges.
The Artwork in Our Solstice Exhibition
Honestly, it was a real pleasure to see my own painting up on the wall in this super gallery. It’s been so long since I could chat to people looking at my work. In addition to that I had actual contact with the other artists too! Here is just a taster of the wonderful artwork on display. I did take lots of photos, but the lighting in the rooms was too much for my little phone camera!
At last, my artworld is slowly returning.
The solstice exhibition is on this week and next. Just see the poster for the dates and times it is open. And, with its wide variety of media and interpretation of the summer sun, it’s well worth a visit.
If you want to have a look at the beautiful exhibition catalogue, see here.
Hello everyone. We’ve just come back from a lovely short break in Scarbrough on the Yorkshire coast in the UK. And it was quite sunny and perfect for sketching scenes! To be honest, I did this first sketch in Ravenscar, which is a half-hour drive further north of Scarbrough. Actually, it’s quite a fascinating place, the resort that never was.
Now, I must explain that the location is stunning, right on the edge of a dramatic stretch of steep cliffs. We love to spend time there, gazing down at the lush, expanse of under cliff, which comes between the top of the cliff and the rocky beach. But, this is really the problem because the path to the beach is very steep, and the beach has very little sand. So, not at all the best place to site a resort with relaxing walks and easy access to a nice sandy beach. However, this is exactly what the Peak Estates Company tried to do in 1890. And they planned the entire resort, buying up the land and everything. Even the streets and the sewers were laid out. Unfortunately, the gamble didn’t pay off, the venture failed. Nonetheless , the place has a cafe, a hotel and a National Trust Information Centre, so it makes our visits there even more worthwhile.
Perhaps you may wish to know that I was sitting at a picnic bench on the green in front of the one and only cafe as I sketched this. And, it was closed for the day!
Sketching scenes at the Mere
Yesterday, as we were setting off back home, we parked the car right next to the lake. Then we had a cup of coffee and watched the ducks, geese and swans, as they preened and squabbled. In fact, they were never still for long, a bit inconvenient when you’re sketching!
Sketching on the Balcony
Finally, here’s a watercolour painting of the view from the flat we usually stay in when we visit Scarbrough. Actually, I did a small sketch on the spot and then I painted this larger version at home two years ago. Incidentally, this view shows the undercliff area at North Bay, Scarbrough. But it’s not as extensive as the one at Ravenscar. Nor as cut off and mysterious like a little lost world!
Perhaps you would like to look at the landscapes and seascapes in my gallery here . And there are more paintings of Scarbrough there too. After all, it is one of my favourite places!
Good morning everyone. Here it is – the second small painting in my new series of work for sale. If you remember, I offered my first one here , and I suppose that this scene is slightly similar. Only, the season has moved on, and now it’s early spring. To be honest, to create this landscape, I had a look through one of my little sketchbooks for inspiration. And I found this scene, it caught my eye and inspired me to paint. In fact, I have realised that I really need to like a subject in order to get my acrylic paints out. Then I set up my easel and the fun begins. However, I must admit that I can’t recall anything about where the scene was, or what happened that day.
Setting the Mood in my Small Painting
Anyway, in a way that left me carte blanche to create any mood I wanted. So, as I worked, I tried to channel brightness, in the fresh foliage of the season. Also, I wanted to indicate early morning and the optimism that you feel when you set off for a walk. Because, the landscape is one you love, and the weather promises a fine day! But, it doesn’t really matter whether you, the viewer see all that or not. In fact, the picture may conjure up quite different kinds of emotional responses for you.
Whatever you feel, if you like this acrylic painting, 7 by 9 inches, it could be yours for £15 plus shipping (free postage and packing for UK). It comes as it is – unframed and without a mount. But, securely packaged and sent to you and you pay by PayPal.
As I was writing this, it just occurred to me that I may well have been influenced by this practice painting here below. Just to recap, I painted this scene for my online course and the setting is Australian landscape. But the sentiments are the same, I think – it’s all about the pleasure of being in the outdoors.
Well, it could be not be easier to contact me you know. Just go to the Contact Me page and send me an email. Then you can have some original artwork at affordable prices, and there are plenty of interesting paintings in my Gallery too!
Good morning everyone. Well, ok, I have shown you this gouache painting before. But, I am really pleased with myself because I entered it in a Summer painting open call. And Fronteer Gallery in Sheffield, UK accepted it! Then they will actually hang it on a wall, for two weeks in June. Somehow, I can’t quite believe it will really happen, but I’m keeping my fingers crossed.
My Summer Painting – All Framed and Ready
Of course, we are planning a launch, but it will all depend on government regulations and infection rates. But, I can look forward to it anyway. Honestly, it feels so good to be involved in shows and sketch trips again.
In fact, Fronteer Gallery opened up just before the pandemic and they’ve worked very hard to keep it open. To be honest, I really enjoy being able to support a gallery like theirs. Because they are giving us, the ‘little’ artists, a chance to show work.
Finally, I have created lots of Egyptian themed paintings over the past two years. And, I chose this for my favourite, which I based on a photo of a wall decoration in a tomb. Another hot, summer painting. Just like this onehere, but in quite a different interpretation.
I sell all my work at reasonable prices. If you see anything you like, go to the Contact Me page and send me an email to find out the details – there’s no obligation to buy!
Good morning everyone. Well, I had a little bit of time to play this week and I read something online about not forgetting the importance of experimenting with your art. So I spent some time adding colour to this very quick pen sketch I made last year. As you might remember, I wrote here about how inspiring I found the lush growth on the runner bean plants. Anyway, I took the opportunity to really try to work out how to use the Inktense paints I bought. And, I had a breakthrough – use more water! In fact, as you will see, a bit too much water in places!
Adding Colour to the Pencil Sketch
Actually, this is the second very quick sketch I made when we went to Cannon Hall Park and Gardens (see here). And now, here’s the coloured version.
Now I feel that I’m getting to grips with using this type of watercolour, and the colours certainly are bright. And, to be honest, I felt very relaxed when I just concentrated on texture and colour like this, so it’s a win-win situation for all! So, have a good weekend, everyone!
Good morning everyone. Just a quick post today, my life seems to be opening up a bit more now. And, we’ve plenty of work waiting at our allotment garden. But, I wanted to show you some of the artwork I have managed to do, based on a pencil sketch. Unfortunately, I haven’t got a ‘before’ picture to show you.
So, the image above is the ‘after’ picture! I started it off as a pencil sketch done in about February, I think. Or maybe March. Anyway, we booked a timed visit to Brodsworth Hall, a graceful, elegant large house nearby. But, the weather was dreadful. So I sat down on a bench where I could glimpse the pale sandstone building through the trees. Actually, I was fascinated by this view every time I had walked by. However, it was drizzling and quite cold, so I only had time for a quick pencil sketch. And no chance to capture the colours.
Adding the Colours to my Pencil Sketch
Well, as you can see, I re-imagined the scene as it looks on a sunny morning. And, all this from the comfort of my armchair, something I rarely do. Perhaps you remember that I mentioned I was fed up with the watercolour travel set I use. Honestly, I thought the colours seemed very dull . Incidentally, can anyone recommend some bright, vibrant watercolours I could try? Well, I did impulse buy this little travel set of Inktense pans because they seemed bright. And, they certainly are bright, but not quite suited to plein air sketching, I think. Just an experiment!
Another ‘cold weather’ sketch
Of course, I sketched this on another still, grey winter’s day in the picturesque village of Wentworth. Because it was too cold to make a watercolour sketch, I feel it’s not really finished. So, time for the colour treatment, I think. There’s another post here of the other beautiful church in Wentworth, and I completed this one in colour, on the spot!
Good morning everyone. Well, I’m really pleased to tell you that our Northern Fringe Gallery is now open again! And with some lovely new work in there too.
We went to the Ridings shopping centre, Wakefield at the weekend and had a good look around. Also a nice catch up with Eddie, our chairman, who is looking after the empty shop premises that we have claimed as our own. In fact, I also found out about our next project, based around the idea of Midsummer. Honestly, it was such a joy to feel connected to our artist group. Especially after so many months of communication by email.
Taking my work to Northern Fringe Gallery
I was so thrilled to take my interpretation of Hadrian’s Wall to be hung in our gallery. Because I felt quite proud of the way this semi abstracted view of the wall, dominating the landscape turned out. And, everything seemed to fit together, including the massive size of the stones. Also, I tried to convey the feeling of the overwhelming power of the Romans who built this huge barrier in northern England. Of course, they intended to keep the fierce Scottish tribes out of the territories that they controlled. But I also wanted to show the Scottish side of the wall, very much alive and thriving.
My Acrylic Painting of the Moors
This was the second picture I took to our gallery. Incidentally, you may recognise this – it’s the banner image for the home page of this website. And, I hope it best represents my description of my site, A World of Colour, with its vibrant greens and blues. In fact, this is a place we’ve walked around many times over the years. Hopefully, in this interpretation you can sense my love of the place. And enjoy the heightened colours of a still, warm summer’s day on the tops, looking down at the jewel-like expanse of the water.
It was a real morale booster to talk about the group’s future plans- all of our exhibitions in bigger galleries were put on hold. And such a pleasure to see my fellow artists’ new work. You could find out about our activities here on our website.
These two paintings are for sale at reasonable prices, plus all the work in my Gallery. (There’s a new moody painting of the Pennine moors in Yorkshire coming soon!)
Good morning everyone. A day at the seaside – I love this intuitive abstract that I made when I was thinking about a day out. Well, to be precise, I was only dreaming about going to the coast. And that’s because we haven’t been able to go for over a year now. Partly due to Covid restrictions and also for practical reasons – I chose to stay home and keep safe. Anyway, I can always dream!
A Day at the Seaside – an Abstract Acrylic
However, I must insist that this composition must have come from my subconscious. As I have mentioned before, I do a first quick impulsive pass and create a full design, covering all the paper. Then I might leave it until next day, look at it and think about it a lot! After that, I’ll work on it from all angles and enjoy myself, creating texture. For the next session, I’ll choose which is top, and which is bottom and have a look at the balance of shapes and colours. And that’s when I get nice surprises!
The Unexpected Features
Actually, this picture almost painted itself and it was the first of my summery abstracts. Before this, most of my intuitive abstracts were in a different palette of colours. For example, here is one I did at the end of winter, with dramatic, sombre colours. In contrast, my seaside picture is in warm, mellow colours, with hints of cloudless sky and fresh vegetation. And, of course, the almost tactile yellow ochre indicating sand.
Finally, I made this collage a couple of years ago, partly as a tribute to the wonderful Mark Hearld. So, my imaginary scene of a day out at the seaside was made up of painted collage papers, cut-outs and watercolour. And then rounded off with a pretty, decorative border in muted colours. Ah, it’s almost as good as being there in person (almost!)
You could look at more scenes of the fab Yorkshire coast in my Gallery – Landscapes here. It’s affordable art, folks! Contact me for details here.
Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!
To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?
You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.
A Charcoal and Pastel Sketch of the Camelia Bush
Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!
Good morning everyone. Today I’d like to show you my attempt at a semi-abstract cityscape. Actually, I didn’t want to waste the leftover paint on my palette, so I started doodling. (Or, you could call it an intuitive abstract!). Anyway, when I saw the shape of a doorway, I thought I would try to paint a cityscape. Then, I loved the blocks of colour so much that it gradually led me into some semi- abstraction of the scene. And then a bit more! To tell the truth, this is my first attempt at this subject. That is, if you discount one collage of an imaginary view over a city that I did a few years ago. But, I would definitely like to explore this theme a bit more . And, I could even do a series, like a proper artist!
However, I must say that when I posted this on my Instagram account at least two friends saw this as an industrial scene, a steelworks melting shop to be exact. Well, at least they both liked it, so that’s the main thing.
And now, in complete contrast, this is a cityscape in southern France somewhere. That is to say, judging by the architecture and the strength of the sunlight. Obviously, I painted this based on a reference photo, and a bit of memory, not from my imagination like the first image. At the time I painted it, a few years ago, I was quite pleased with it. And, I still am, but, I’m quite glad that I am now moving away from following the photo so carefully. So, if I were to do a similar scene, I’m sure I would interpret it with more artistic licence.
An Urban Sketch Cityscape
Finally, this is an urban sketch I did, on the spot in about 30 minutes. Incidentally, I was out sketching with Urbansketchers Yorkshire, back in the day when there were no restrictions on mixing. Happy days! And, this old warehouse by the canal was part of the site dedicated to the well-known sculptor Barbara Hepworth. Well, I know it has its flaws, and I’ve learnt a bit more about perspective since then. But I do like the freshness and atmosphere I’ve captured here. Plus, of course the memory of a fab day out sketching.
So, whether I use acrylic or watercolour, a photo, my imagination or plein air approach. And, whether I paint in realistic or abstract style, I still find plenty of inspiration in this subject. You could see a very different type of cityscape if you look at this post here – the Piece Hall in Halifax, UK.