Painting in Monochrome in Acrylic and Watercolour

Sunday Best

Hello everyone. Today I’d like to show you some of the monochrome paintings I have done. To be honest, I haven’t actually done a lot of painting in monochrome. But I have done loads of drawings in pencil and charcoal and some of the principles are the same. Just to be clear, monochrome means using one colour only. However, you can create all the different tones of colour to create form and perspective. Of course, this is done by adding water to watercolour and white paint to acrylic to make the original colour progressively lighter. ( I’m sure some of you know this already!)

Painting in Monochrome – a Welsh Valley

A watercolour painting in sepia tones. A beautiful, tranquil landscape of brooding Welsh hills, the valley and the river. After John Sell Cotman.
A Valley in Wales, after John Sell Cotman

Well, this is a watercolour exercise I painted this week , following an online tutorial. We were advised to use sepia coloured paint or ink. But the artist himself used black ink, back in the 19th century and it has since faded to a pleasing soft brown . In fact, I mixed burnt umber and ultramarine blue to create a faded sepia look . As we were doing a study of this master’s work, we gridded up the page to copy the composition. Incidentally, this simple scene is really quite complex!

A close up of the bridge and the cattle

The different tones of the hills and trees were carefully mixed , copying the artistic decisions of the artist. Actually, I really enjoyed the experience but I must just mention how much I struggled with the paper – supposedly a good quality one . But I found that the colour wouldn’t lift off at all and also , it ran down in strange vertical lines! And now the painting pad has been firmly placed in the ‘scrap paper’ pile!

A Nostalgia Painting in Acrylic

An acrylic painting in monochrome, faded tones of brown. A man standing proudly outside his cottage in his Sunday best clothes.
Sunday Best

Finally, here’s one from the archives, inspired by an old photo from a local mining museum. This worker stands proudly outside his humble cottage in his Sunday best clothes. As you can imagine, I was well inside my comfort zone with this acrylic painting, making all my own artistic decisions . And, I’m pleased to say that this nostalgic painting went to a new home last year. But, of course, I have plenty more artwork for sale in my gallery here

Painting Dogs in Gouache and Acrylic Paint.

Painting Dogs  - a gouache portrait of a South African wild dog. His coat is patterned with irregular splotches of colour,  good camouflage in the grassland.
A Wild Dog – photo by Moragh Dann

Hello everyone. This is my attempt at a wild dog in South Africa . To be honest, I haven’t really spent much time painting dogs and so, I don’t have a good idea about how the body fits together. Therefore, I was very reliant on the photo, taken by Moragh Dann. Moragh tells us that these dogs are very shy and rarely seen. Also, they are on the endangered species list, so that makes encounters like this all the more precious.

Wild Dog

Firstly, I started off with a detailed pencil drawing, not something that I do often. But, I have found that since joining the Beginner Gouache Group on Mewe, I find myself working a lot more carefully. And I think the paintings are much more like illustrations too.Just to explain, our theme this month is ‘Canines’, so I was really taken with this photo.

Actually, I have been working a lot on acrylic paintings for my online course with Rod Moore (see here ) . So, coming back to gouache paint required a shift in method. The gouache paint doesn’t really dry like acrylic. Consequently, you have to use a much lighter touch when applying layers of paint so that the layer underneath doesn’t rewet. Because then it would blend in with the new layer and create a lovely mud colour!

Painting Dogs- the Face

Painting Dogs – the Face

In my opinion, this is the tricky bit. Well, you can get along ok with the ears and eyes, if you have a good photo ( which I did ). But when it comes to the muzzle, it’s quite difficult to show that the nose and mouth jut forward. Happily, at this point I did remember my classes with a tutor a few years back. And I managed to indicate a bit of foreshortening with subtle brush strokes. Hopefully, I captured a little bit of the proud, alert stance of the dog. After that, I tried to sort out the tangle of limbs in this seated pose. And, the most straight forward element of the scene – the blurry, parched grassland was soon sketched in with soft sandy colours.

A Dog in the Snow – Acrylic Paint.

Painting dogs - an acrylic portrait of a young husky dog with a thick winter coat, waiting in the snow for the off.
A Young Husky Dog

And now, for something completely different! With reference to the art classes I mentioned earlier, I painted this snow scene a few years ago. As you may be able to tell, this is painted in my favourite medium, acrylic paint. It’s much more forgiving and will allow as many revisions as necessary. In fact, I do remember enjoying the process of layering on the texture of the animal’s fur and the deep snow. But, I shall still continue to experiment with gouache, because I love a challenge! If you want to have a little look at the work I have done in gouache paint, see here .

The Quiet Stream – an Acrylic Painting

An acrylic painting of a New Zealand  landscape - The Quiet Stream.
A Quiet Stream

Happy New Year, everyone. Let’s hope it’s peaceful and full of possibilities for us all. To be honest, I don’t usually bother with resolutions. But I do intend to work hard this year studying on the online course in acrylic painting that I’m following. And this painting is one of the pieces I just completed – A Quiet Stream. But before I talk about this in detail. I’ll show you some of the studies I painted with the Moore Method of Painting.

Tree Studies

A study of eucalyptus trees in full summer leaf , as later painted in my The Quiet Stream picture.
Tree Study – Eucalyptus

Hopefully, you can see some of the detail on this. To explain, here I concentrated on giving 3d shape to the clusters of leaves and the trunks by using tones. That is, dark, medium and light shades of green.

Tree Study – Pine, Cypress and Willow

In this study, I used a fan brush for the first time. You see, I created the pine and cypress branches by holding the brush so that only the top part of one edge was touching the paper. And, yes, I found that as hard to do as it sounds! Well, for me anyway! Admittedly, it does give a very feathery effect that you couldn’t really produce with a plain brush.

A study in acrylic paint - birch trees in winter with traces of snow on the trunks.
Tree Study – Birch

Happily, I was more in my comfort zone with this one. Because I have more visual memories of winter trees, and touches of snow. And, sometimes, I feel a bit more challenged with the Australian landscape subjects that our tutor Rod Moore demonstrates so well. However, I did experiment in this study with using the edge of a square shaped palette knife to lay down the lighter marks on the tree trunks. Perhaps I might try this technique on another painting. ( I applied the dark green background simply to show off the effect of the white markings.)

Tree Study – Palms

In this last study, I used the fan brush again, this time to create the fronds of long thin leaves that make up the foliage. Well, I tried, but I definitely need more practice!

A New Zealand Landscape

The Quiet Stream

Actually, I am pleased with this acrylic painting and , I think I did a reasonable job of bringing to life this quiet stream, meandering through a little valley in my friend’s photo of New Zealand. In fact, the teaching in the demonstrations must have stayed in my mind and resurfaced in the techniques I used here.

Painting Techniques I have used in The Quiet Stream

For example, if you saw my post on painting a waterlily pond here , that’s where I learned how to convey the idea of reflections and paint credible looking leaves floating on the surface. In addition, the teaching about adjusting the tones of the greens in the trees to suggest recession (distance ) gave me more confidence. Have a look at this post here for more examples. Of course this task is made easier by keeping to a restricted palette, as my teacher suggests. All this benefit, plus , it’s fun too! For your information, I shall do regular updates on my journey through this programme of study. And , if that doesn’t help me to stick to my New Year’s resolution, I don’t know what will!

A Moorland Scene in Acrylic

In the Hills

Hello everyone. I’ve been busy working on two more projects from the Acrylic Painting course I’m following on line. But, before I tell you about the painting above- the moorland scene, I’d like to describe the first exercise I did. It was studies of skies, as part of a module on landscape features. Actually, I found it very helpful to concentrate on this subject as I have found this difficult to do. And, to be honest, I have more or less limited myself to simple sunny or overcast skies in the past. So, taking up the challenge to paint sunrise and sunset was, for me, both daunting and encouraging at the same time!

A hint of the sunrise behind a headland in a calm seascape.
Sunrise
The sun setting in a blaze of glory over a moorland scene.
Sunset

Admittedly, these little paintings are only studies, not finished works. And I had never chosen this subject before, but I felt quite pleased with my first attempt. Then, I tried my hand at clouds, something I had often included in my landscape paintings. However, by taking advantage of my tutor’s advice, Rod Moore of the Learn to Paint Academy, my clouds looked much more convincing!

Clouds in the Sky

Our final study addressed the problematic subject of heavy storm clouds and driving rain. Of course, I will need to practice this much more to improve, but, at least, I will now know how to approach it.

The Storm

A Moorland Scene

A moorland scene in acrylic,  showing a lovely path through the hills, in the north of England.
In the Hills

And now to the best bit – a landscape painting of a moorland scene. Well, to tell you the truth, the image provided was a view over Australian countryside, looking over to a mountain range. But, as we were encouraged to use the method and, also, paint the landscape we were familiar with, that’s what I did! You see, a short drive from where I live, there are moorland hills like these, with plenty of footpaths. So, I just imagined a walk in the hills and tried to convey the atmosphere of an English summer’s day. In fact, changing the colours and the vegetation whilst keeping the features and the tones was a bit mind boggling. But, I expect I’ll get better with practice! And, it’s also what I love to paint. See here for more paintings of northern England landscapes.

Two Acrylic Practice Paintings – Works in Progress

A dreamy view over the beautiful Australian countryside to the distant Mountains m, in the early morning light , one of my acrylic practice paintings.
The Red Path

As some of you may know, I am following an online course on painting at the moment. And I’d like to show you two of my acrylic practice paintings. In fact, the painting above is almost completely finished and I decided to leave it a while. To be honest, I am learning such a lot on this course. And I want to think a bit more about the techniques and design ideas I now know about. Then, later I will bring the painting to completion. However, I am fairly pleased with the stage I have brought it to. Incidentally, this method of working is quite new to me. Actually, I usually work in a more impulsive manner, but I do always put a lot of thought into my paintings.

New Techniques and Design Ideas in my Practice Paintings

In this painting, I used a different choice of colours on the palette, following the instruction given. And, this took me right out of my comfort zone, which can be a good thing! But, as you can see, these were the right choices for this dreamy Australian landscape. Secondly, I attempted to blend the colours in the sky – again something I never try to do. Admittedly, I need to practise this more, but then, hopefully, I will have acquired a new skill.

The Tribute to Monet Acrylic Painting

A spectacular deep lily pond with pink and white blossoms - one of my acrylic practice paintings.
The Lily Pond

Again, I must make it clear that this one of my acrylic practice paintings just lacks the final finishing touches. And , I’m prepared to leave it a while before I decide how much extra detail to add, if any. As you can see, there were plenty of challenges in this. Including, naturally, the subject – reflections on still water, a subject I have skillfully avoided until now! Well, I did do my best, but there’s room for improvement. On the other hand, I managed to suggest perspective in the floating flowers and leaves. That is, to put it simply, the furthest ones smaller and the nearest ones bigger and all at the correct angle to suggest they are lying on the water. Baby steps I know, but it’s very valuable to a self taught artist like me ! I really can’t wait to see what else I can learn. If you want to see a painting that I completed with the tutor’s help, see this post here . I will post another update soon!

Autumn Colours- a Gouache Painting

A beautiful old tree in autumn colours,  next to St. Mary's church in churchyard.
St. Mary’s

Hello everyone. Don’t you think the autumn colours have been beautiful this year ? Happily, this charming church in its tranquil garden churchyard is about five minutes walk from my house. To be honest, you wouldn’t think it was right in the middle of a busy town . Yes, I know it isn’t as busy as usual right now. But even when there are no restrictions, it still has that air of peace and quiet.

In fact, there are some glorious trees in the garden , each with its own unique character and shape . Of course, I can enjoy the sight of them all year round, in every season. However, the trees in their autumn colours have to be the most impressive sight of all.

The Dancing Leaves in Autumn Colours

The Dancing Leaves

So, in this closeup of my gouache painting, I really tried to show how the subtle yellow green leaves flickered and gleamed in the autumn sunshine. Well, I tried but it was an impossible task really.

More Autumn Colours

A basket of ripe, red apples in a basket - autumn colours in the harvest.
The Apple Harvest

As it happens, this is an oil pastel drawing of last year’s harvest. But the tree is very reliable and we usually get to eat these delicious fruits all winter ! Actually, this painting was on display for a few months in the Rotherham Art Cafe here .

A bright, impressionistic sketch of a tree in a beautiful garden, full of autumn colours.
View from the Glasshouse Window

Finally, something completely different. To explain , I went to a printing workshop in the elegant Victorian conservatory at Wentworth Castle Gardens last year . It was part of our Inktober 2019 activities. And, this is my impressionistic painting of the show of autumn colours in the garden, through the window. And, if I remember correctly, I used some acrylic inks to do a quick sketch, while my print was drying !

In my opinion, this time of year is truly beautiful. And, the display doesn’t last so long. So, get out and enjoy it while you can !

Floating on Air – an Acrylic Painting

A peaceful scene , beautiful white flower-like shapes floating on air in a warm, pink sky.
Floating on Air

Hello everyone. I finished this acrylic painting quite recently. But I had started it a few weeks ago . And I had begun seeing pictures in my mind a little while before that. Pictures of things floating on air – first of all fluffy, cold snowflakes drifting down from a peaceful , warm sky . Then I visualized white flowers or petals slowly sinking on to a dry, dark landscape. To be honest, the inspiration for this idea was easy to see. Because every time I look out of my kitchen window, I see glorious, blooming begonia flowers in the windowbox. Actually I was inspired earlier by my flowers in another planting arrangement here – a painting in a very different mood.

Blooming Begonias

Begonias in the Windowbox

As you can see, these beautiful flowers with their delicate layers of petals are very appealing. However, when I picked up my paintbrush, I had decided on the main idea of something white , drifting down. Also, I was clear that that I wanted a subtle pink sky above a grey expanse – perhaps landscape or rolling waves ? After all, that’s the image that came to me. But, I kept seeing snowflakes or clouds, balloons or parachutes. And that’s what took me so much time to plan this painting. Well, a long time for me anyway.

The Close Ups

Floating on Air

I hope that I managed to capture the light, drifting quality of these white objects. In effect, I was thinking of all of the ideas I had at first. For example, clouds, snowflakes and petals, and so on. Although, obviously, the actual form they took was the shape of flowers.

A Flower Floating on Air

A close up of a flower with ruffled,  layered petals , floating on air.
White on White

As it happens, the actual painting of the white flower shape was quite difficult. In order to give it some idea of form, I had to introduce other colours to suggest the layers of ‘ petals ‘. Hopefully, you can see this in the detail above. Well, I tried ! But , I don’t think this particular inspiration has finished with me yet. And, I might have to work with it again !

From Sketch to Acrylic Painting

Scarlet Flowers

Well, here it is, as promised . A step by step demonstration of the runner bean plant in my allotment – from sketch to acrylic painting! To be honest, it really seems a long time ago now when the growth was at its height. Of course, I’m talking about August, when I did this quick, plein air sketch.

The Working Sketch

The Working Sketch of Runner Beans

As you can see, (if it’s not too faint) I wrote myself a few notes about colours. Actually, I often do this, if I plan to paint the scene later. But, on this occasion, I did find another few minutes later that day to add watercolour to the sketch . Although I took a few photos as well, a colour sketch at the scene is much more helpful.

From sketch to acrylic painting.  This is the working sketch in pencil with added watercolour.
The Runner Bean Plant in Colour

So far, so good. Perhaps you may have seen these sketches in a post I wrote a few weeks ago. And, I drew our cabbage and sprout plants too here . Really, I find my garden very inspiring. But, I’m often far too busy working on the plants to do much artwork. But, when I got home, I drafted this painting in acrylic in a couple of sessions.

From Sketch to Acrylic Painting – the First Draft

The Runner Bean Painting – First Draft

At last, some time to paint! In fact, I had already done a lot of the editing and designing of the composition in the working sketch. To explain, I had to decide which of the shapes of leaves and so on I wanted to include in the final version. Because the design would have looked too busy if I had included them all. Also, I tried to give the arrangement of the stems, beans and flowers some movement across the page. After all, this would give a more pleasing picture. Well, that’s the theory, anyway!

The Final Version

From sketch to acrylic painting  - the finished version.  A runner bean plant climbing up a cane support .
The Runner Bean Plant – Acrylic Painting

Well, this is the version I decided on. First of all, I painted in too much detail in the background. So , all that had to be calmed down so it did not take attention away from the plant . Then, I made some decisions about the different shades of green and tried to be more consistent with them. Finally, I made sure that the focal point – the scarlet flowers – were as red as I could paint them . So , I really hope you like my painting! By the way, we ate the last helping of runner beans last night at dinner. So, all the work is really worthwhile!

All my work is for sale at reasonable prices. This painting is acrylic on paper, 16 by 20 inches. Unframed and without a mount. Price – £ 60 plus shipping. I’m based in the UK . You can pay by PayPal. Just go to the Contact Me page and send me an email

I Love Trees.

I love trees - I really enjoyed sketching with a thick pen, fineliner and watercolour wash to create this close up of an old massive tree trunk
The Old Tree

I love trees and we often walk in the country in order to enjoy the peaceful, green spaces. And we had a stroll around Cannon Hall Park and Gardens yesterday to have a look at the restoration of the Georgian walled garden. You see, the park finally acquired the cash to restore some of the original features. For example, the 60’s style rectangular pond and pergola was replaced by a beautiful round lily pond. And the old glasshouses that grow the famous 200 year old grapevine are being restored too. However, the work is not quite finished . And when it is, I’ll write a post all about it .

I love trees

But yesterday , I simply enjoyed being in the formal garden. As you know, I love trees and I’m always attracted to drawing them when I’m out plein air sketching. The sketch above was completed in 20 minutes using a super dark pen, a fineliner and a wash of black watercolour. In fact, I sat on a low wall right under the tree. And the markings on the bark and the shadows cast by the foliage of the tree itself were quite fascinating up close .

Some other trees

The Tree in the Park

Actually, I feel quite affectionate towards this drawing. Because it was the first urban sketch I did back in May, when we were at last allowed to go to the town park .

The Wentworth Folly

To be honest, I don’t think I have shown this sketch before. As I have already said, I love trees and at all times of the year too! So this is a tiny pen and watercolour sketch I painted at Wentworth Castle Gardens last year.

I Love Trees – Even in a Spooky Wood !

The Boy and the Bird

Finally, I couldn’t resist showing you one of my favourite acrylic paintings. Obviously, this is what happens when I just let my imagination go wild! You could see another abstracted tree in this post here . But, these paintings and drawings have one thing in common – they are all inspired by trees.

Drylands – Art for Sale

Picture of the Month

Drylands

I just finished this acrylic painting today , and I wanted to show it to you straight away ! This painting – Drylands – Art for Sale – needs to be featured all by itself, I think . To be honest, I am quite pleased with it . You see, it’s another experiment with a restricted palette of colour. And this time, I used soft browns, vibrant orange and a touch of gold. In fact, I mixed the shades of brown from blue and a ready made orange. Surprisingly, this combination includes the three primary colours red , yellow and blue. Because, of course, the orange is a mixture of red and yellow. ( In actual fact, it took me a while to figure this out ) . And I had never tried to mix browns before, always using the brown umber straight from the tube. But, I must say, I really prefer the DIY mixtures. And, that’s what I like about these experiments – I always learn something!

Drylands – Art for Sale -The Dead Trees

A detail from ‘Drylands’

Clearly, when I painted this parched landscape with its swathes of dusty foliage, I must have been thinking of the climatic changes taking place in the world. For example, it seems that dry, hot regions seem to be getting hotter and drier. If you would like to see another surreal landscape painting, look at this post here .

A close up of the sky

I’m including this shot in order to try to show the intense and rich colour of the sky . There are also passages of interesting textures, as there are on most of my paintings. Unfortunately, these details don’t show up so well on a screen.

Well, I hope you like my painting ‘Drylands’ . As I said earlier , it is a work in acrylic on paper, 16 by 20 inches, unframed and without a mount. And , it’s priced at £60 plus shipping ( I’m based in the UK ). So you can pay by PayPal and I’ll package it up and send it off to you without delay ! Just go to the Contact Me page here and send me an email for further details. Then you can frame it to suit your taste and enjoy soaking up the evocative atmosphere it seems to create.

Drylands – Art for Sale

Painting Water – How to Do It

Painting water -  pen and watercolour sketch of water cascading down a little fall in a park.
The Waterfall in the Rockery

When I went out plein air sketching last week at Clifton Park, I chose to sit in the rockery. And I tried to capture the movement of the waterfall over the limestone rocks. Painting water. Well, I tried ! To be honest, this is well-known as a particularly difficult subject for artists. Actually, I am fairly satisfied with this as a quick watercolour sketch ( 20 minutes ). Although I am well aware of all the faults, for example the lack of deep shadows in the water. But the drawing is a record of the scene and my response to it. And, most importantly, it was really enjoyable. Finally, believe it or not, it does help you to improve your drawing skills!

More Watercolour Water

Ducks at Cannon Hall Park
Worsbrough Country Park

These two sketches were completed recently . Again in about 25 minutes. If you look carefully, you’ll see that I used the same trick in both. So, when painting water, try adding ducks or any waterbirds, in fact. Only joking . But I do also try to add ripples, splashes or a touch of blue reflected sky . Really, it’s just to help to create the illusion of water.

Painting Water in Acrylic

Painting water- a moody, misty acrylic of huge waves crashing into the seawall at Scarbrough.
Scarborough in the Mist

I must admit, this acrylic painting is one of my favourites. Mainly because it’s Scarborough in North Yorkshire where we often go on holiday. And the weather is sometimes really misty when the sea fret comes over. But, the fascination for me is trying to show the movement of the waves, crashing into the bay And, this took considerably longer than 20 minutes ! By the way, the huge building looming over the town really does exist. It’s the Grand Hotel. If you like sea paintings, have a look in my Gallery here .

All my paintings are for sale at affordable prices . So, if you really like any of the seascapes in my Gallery, just go to the Contact Me page . And send me an email using the form on the page to find out more details.

Magazine Article about my paintings

Bluebell Wood

At last – I’m famous ! (Well , nearly ). Because there is now a magazine article showing my artworks. To explain, I am a member of the Barnsley U3A group. And this is a great , world wide organisation which is run entirely by volunteers of retirement age . In fact, we are called the University of the 3rd Age . Perhaps you have heard of us – our aim is learning, companionship and fun ! The group in my home town is fantastic . So when Derek , editor of our branch’s magazine asked permission to publish some of my paintings I quickly agreed !

The magazine article

To be honest, Derek had seen my work on this website, which is nice. Hopefully, you can read the text as it is a bit small. There are just over a thousand members in the group now , I think. And our magazine ‘ The Buzz ‘ is also published on our website see here .

More Paintings from the Magazine Article

A soft dreamy painting of a street in the south of France on a hot afternoon- featured in the magazine article
Somewhere in France
A semi abstracted scene of jungle vegetation  - Paradise. Featured in my magazine article
Paradise

These two images above were also featured in the magazine article. In addition to some details about the artist groups I belong to including Northern Fringe. Have a look at this post here to see our latest exhibition ‘Inspired ‘at the Ridings Centre, Wakefield. It’s about the third exhibition down.

To be honest, I did also promote Barnsley Art Society too. Although we are not very active at the moment, obviously. But you might be interested to have a look at our Facebook page here . Who knows , if you are nearby , you may like to take part in our arty activities when we start up again.

Of course, I didn’t forget to say some nice things about the U3A group too ! And they were all quite sincere. Actually . I belong to the painting group which we attend each week. And I also really enjoy the drawing group which inspires me to practise drawing skills . In actual fact , I really do need the practice ! Finally, I’d like to say a big Thank You to Derek for putting together a great Autumn issue during Lockdown ( especially the bit with my feature! )

Urban Sketching Art in Rotherham

A quick watercolour sketch of Clifton Park Museum -  a  beautiful sandstone mansion. Urban sketching art in Rotherham.
Clifton Park Museum, Rotherham

We had a great day out yesterday , making urban sketching art in Clifton Park Museum . To be honest, we didn’t really go inside the museum this time . Although it is very interesting and full of inspiring things to draw . No, we stayed outside and drew the beautiful sandstone building. Actually, this is the view at the back of the mansion where the modern extension is built. And this lower building on the left is the cafe . Well, you’ve got to get your morning caffeine somewhere !

Watercolour Urban Sketching Art

Perhaps, the way I see it, urban sketching art includes any quick sketching that I do when I’m out and about. Another way to put it would be ‘ en plein air ‘ . Or simply, outside sketching from life. Also , I have to say that I personally sketch mainly in watercolour. For example, I didn’t draw out the shapes with a pencil or pen on this one . Sometimes I do . Obviously, this is not the world’s most accurate, well finished drawing of the big house. But , for a 40 minute piece, it has some of the freshness and life I was aiming for.

If you want to see more plein air sketching adventures, see here and here .

The Front Entrance

Of course , the front entrance of the mansion is very grand . But, the whole building is well proportioned and pleasing to the eye . And it is set in an elegant Victorian park.

The Art Cafe Exhibition.

In the afternoon, we went down into the town centre to Fitzwilliam and Hughes cafe. Or, as I call it, the Art Cafe. If you look at my post here you’ll see that I had two paintings displayed with them earlier this year . And then in March I changed the paintings round a little bit . But I hadn’t had chance to see them due to Lockdown. So it was great to sit with a coffee and a slice of banana and chocolate cake and admire my handiwork! All-in-all , a great day out in Rotherham .

The paintings on the wall.
The cosy Fitzwilliam and Hughes cafe
Rest in Peace - my acrylic painting on display in the art cafe. Developed from urban sketching art done on the spot.
Rest in Peace
Somewhere in France

Flash – an Acrylic Painting

Three red zigzag lines flash on a soft blue sky  over a strange ochre coloured wave
Flash

This is just a quick post today, to keep you up to date with what I have been painting- Flash. So have a look at my latest 16 by 20 inch acrylic composition. To be honest, I am getting really comfortable with this size of paper. To explain ,it’s not so small as to cramp my gestural style of painting. And also, it’s not so large that it seems a bit of a chore to cover all the canvas with paint. Hopefully, you can see what I mean . In addition, the paintings are done more quickly. And I do enjoy finishing off a piece in roughly three sessions. But sometimes I like to take my time and develop a piece gradually. Perhaps, it’s a sign of the times that I am too restless to commit to anything that will take more time and concentration. I wonder if anyone else has felt that the Covid situation has altered their art practice?

Artist’s Inspiration for Flash

The idea for this piece literally came to me ‘ in a flash ‘ ! Suddenly , I saw some red, zigzag flashes on a beautiful, blue sky. Apparently, there was also some kind of ocean wave or strange sort of rolling landscape underneath it all . So , I just picked up my paintbrushes and started ! I must make it clear that I don’t create all my abstracts in this way. Actually, I might write a post all about it soon – so stay tuned ! Click here to see more abstracts, intuitive or otherwise !

Flash

Please don’t forget, all of my art is for sale at reasonable prices. This painting is acrylic on paper, 16 by 20 inches . It’s unframed and without a mount. I’m selling it at £60 plus shipping. And I’m based in the UK. If you feel like treating yourself . So, go to the Contact Me page and send me an email for more details.

Flowers in the Rain – Acrylic Painting

A huge bright yellow bloom crowded up against three purple pansies . The colours really glow in the wet weather  - flowers in the rain .

This is just a quick post to show you my latest acrylic semi – abstract painting . You might remember that I have recently ‘ gone large ‘ . That means that I have started painting on bigger canvases and sheets of paper . In fact , this composition Flowers in the Rain is 16 by 20 inches on good watercolour paper

Going Large with Flowers in the Rain

You might think that this isn’t very large . But , you see I felt sort of blocked earlier on this year with all the worrying things that were happening. So now , I feel a bit more relaxed and I am revelling in using paint freely on bigger supports . And , I do hope you can see that joyfulness in this flower picture.

Flowers in the Rain – a close up of the beautiful yellow begonia .

Interestingly , I was fascinated by the soft , folded petals of the large bloom that I indicated here . In fact , I got so carried away with painting it , that it grew larger and larger !

Flowers in the Rain – detail of a deep purple pansy glistening in the rain .

To tell the truth , my main inspiration for this piece was the way that the drizzle intensified the colours . The leaves and flowers in the rain were sparkling with light ! I even allowed this to spread onto the fence panels in the background. Of course, they were really a dullish brown . If you want to see some more paintings of lovely flowers, just go to my gallery here .

All my paintings are for sale at reasonable prices. I’m selling this painting for £50 , including shipping in the UK . It’s 16 by 20 inches ( which is not too big , or too small ) . The piece is unframed , so you can choose your own frame . And I think that most people prefer this . If it really calls out you and you need to have it , just send me an email by using the form on the contact page

Virtual Exhibition of New Work

Blue and Yellow

This is my latest acrylic intuitive abstract and it’s on show in my virtual exhibition on Artsteps . It was put together for me by my great friend Matt Butt of Rotherham Roar artists , a wonderful artists collective that I belong to . And this acrylic painting on paper is my first example of working in a larger format for a long while . To tell you the truth , I don’t think I shall ever go smaller now !

Flower Paintings in my Virtual Exhibition

A close up acrylic painting on canvas.  Cone flowers  - red against green foliage . In my virtual exhibition
Cone Flowers

I painted this canvas as the last of a set of four – you’ll get the full set in the virtual exhibition, together with Sunflower, Oriental Poppy and SeaThistle . Look for the link at the bottom of this page to see my show. This fantastic app ‘Artsteps’ allows you to create your own exhibition in a virtual gallery . And then you can ‘ walk ‘ around using the arrow keys .

An intuitive abstract suggesting flight and release - blue shapes floating across a pale yellow sky. Part of my virtual exhibition
Free Spirit

The Progress of Mankind

You’ll also see the last part of my triptych ‘ The Progress of Mankind ‘ – the painting above which I called ‘ Free Spirit ‘ . The other two parts (One and Two) are on show in the virtual exhibition and they really look good hanging together in the gallery . To tell you the truth , that’s the first time I’ve seen them together and it’s amazing what a sense of satisfaction I got from ‘ seeing ‘ them hanging on the wall online . Just imagine , I would never taken up this opportunity of displaying artwork online if not for the pandemic ! And you can also read my post all about this triptych here .

Lockdown Art in my Virtual Exhibition

Pigeon

To finish off this little review , I will include a watercolour and pencil mixed media piece . Well , this came about as a result of watching birds in my garden during early Lockdown. The pigeon continued strutting around as if nothing was amiss . Strangely , this made me feel a lot more optimistic at the time.

Although you can’t visit my show in person , at least you can see my work laid out virtually this way . If you follow this link here , you can see my exhibition. Use the arrow keys or WSAD keys to navigate around . Click on any picture to get a close up and better lighting . Anyway , there are twenty paintings to see and it’s great fun virtually walking around the gallery. This works best on a PC rather than a phone or tablet , unfortunately . All my paintings are available to buy at reasonable prices . So just send me an email using the form on the Contact Me page , if you want to know more.

Acrylic abstract painting – Break Through

Abstract Composition in Acrylic

Acrylic abstract composition in lemon,  green , ultramarine blue and a touch of maroon.  Big , gestural marks.
Break Through acrylic abstract painting

I’m very proud of this painting – let me explain why . It’s been about six or seven weeks since I felt like painting anything bigger than a small journal page. To be honest , after finishing off a large acrylic abstract begun before Lockdown and then creating just one more ( because the idea wouldn’t give me any peace until I did , see here ) I found that I could only work in a small art journal given to me as a gift . It was an absolute godsend . I could use it to make me feel calmer , and , also to express some of the feelings that I couldn’t say in words , as in this one .

Bunch from the Allotment – watercolour

Back in the studio

However , I really missed painting and , this Monday , I dragged myself to the ‘studio ‘ ( just a small bedroom really ) and , once I started working , I couldn’t stop ! A break through ! It was glorious- painting all day . I’ve decided to work larger now , I was feeling too cramped , trying to work too small so this piece is 16 by 20 inches , on paper . I completed it in two sessions of an hour and a half, on the same day . This abstract composition has been rattling around in my head about four weeks or so . So now it’s finished , I can relax .

Break Through – detail 1
Abstract composition in lemo ,green , ultramarine blue and a touch of  maroon . Big , gestural marks.
Break Through – detail 2

The colours are dynamic and vibrant – they make me feel positive and buoyed up . I don’t think you will be able to see the small , subtle details and texture – perhaps you can see them better in these close- ups .

I hope you enjoy looking at my paintings – all of my artwork is for sale at reasonable prices. There are lots of interesting examples of acrylic abstract painting on my Gallery page too.. If you want to know more about prices and so on , go to the Contact page and send me an email using the form.

Break Through

An Old Acrylic Painting Repainted

Abstract composition in pink and Green, a woman staring out through her window. Atmosphere all dreamy and mysterious.
Woman at the Window- acrylic on paper

You might think that I created this acrylic abstract composition during Lockdown this year . I say that because it definitely would fit the theme of loneliness and isolation . In fact , I have painted a few with similar themes recently . Perhaps I’ll gather them together into a post one day soon . Anyway , I did this as part of a series last year on the problems of modern life as a woman ( but that’s another story ). And , what I really wanted to talk about was the way this came about . It is an old acrylic painting repainted !

Old Acrylic Painting – Pink and Green Abstract

An old acrylic painting . an abstract composition in pink and green
Pink and Green Abstract

This is how it began ! In fact , this old acrylic painting was my very first proper abstract ever – painted for an on-line group on Facebook. It did get quite a few likes , but I was not really very pleased with it . So I decided to try to create another painting out of it , using the same colour palette and some of the same shapes . Of course , I can achieve this much more easily with acrylic paint than with watercolour or mixed media . Because the paint has great covering capacity .

Halfway

This is the halfway stage – the composition is just beginning to emerge. Then I started thinking about the way some women today are not allowed to move around freely . And this image of someone staring wistfully outside definitely seemed to fit my theme .

A woman wistfully looking out of the window . Semi abstract style , repainted over an old acrylic painting .
Woman at the Window

I hope you enjoyed reading about how I used one canvas to create another by repurposing an old acrylic painting . It was an interesting experiment . If you did find it interesting , there is another post I wrote not too long ago, where I describe the same process . Just click on the link here . And you can see more pictures about Modern Woman in my Gallery-People here .

Story Pictures

Do you like looking at Story Pictures ? I love creating them . Some people like to have the explanation to think about , some prefer to make up their own idea of what the painting is about . What do you think ?

All my one-of-a-kind artwork is available at reasonable prices. Contact me by email for further details , using the form on the Contact page .

Painting in Red – Three Abstracts

A mixed media abstract composition in red and black.  The black is collaged paper.  The shapes are bold and gestural.
Red and Black

This time , I’d like to show you three new abstracts where I was painting in red plus a couple of other colours.

The image above is the latest page in my art journal ( 9inch square ) – a mixed media piece using collage, watercolour , pen and coloured pencil . It was quite instinctive . However , the only idea I consciously brought to it was using a restricted palette . I think that red and black go very well together and I added greys to get some mid tones into the design . The white you can see is the paper showing through . To sum up , I feel that the mood is loud , upbeat and , possibly confrontational. Can you see any images in this ? I know I can, but I’d be interested to know what your interpretations are.

This abstract is in my Gallery – Abstracts – along with lots of other interesting paintings . Click on the link here

Painting in Red and Blue – Mixed Media on Paper

Sinking

In this one , as you can see , I paired red with blue and added black for more emphasis . And you’ll see collage , watercolour , pen and oil pastel. The red is subdued in places and the blue is quite pale . The atmosphere here is more uncertain , confused and , because of the suggestion of deep water , more sinister. It’s definitely Lockdown art ! I love the way that my feelings come through in the work – but I only realise it later .

Painting in Red and Purple

The last image I want to show you is my ‘ Hell on Earth ‘ acrylic painting on a 2 foot square canvas . As you can see , I chose red and purple colours mainly . This was actually done in response to a challenge from an online group that I belong to : paint in red and purple and orange. To be honest , this is a colour combination I wouldn’t normally choose . But I was quite pleased with the outcome . The subject matter , a ravaged landscape , really sets the scene. And the red and purple help to give quite an eerie feeling to the atmosphere. As you can see , working with a restricted palette leads me to fresh ideas and inspiration which is always welcome !

Hell on Earth

All of my one-of-a-kind artwork is for sale at reasonable prices. If you see anything you like , email me for more details , using the form on the Contact page . It’s Affordable Art !

More Blog Posts

Don’t forget to check out my blog more often – I’m writing two posts a week now and you might not want to miss out on anything !

The Light at the End of the Tunnel – acrylic painting

Hope -The Progress of Mankind , Part 4

We see the back of a naked figure standing in a lush forest  , looking out towards a beautiful green light in the distance - in acrylic . Is this the light at the end of the tunnel ?
Light at the End of the Tunnel – acrylic painting

I painted this picture back in April – I was just longing for some relief from the worry and grief I felt at the height of the pandemic. I’ve waited quite a long while before showing it but perhaps now is the time? The Light at the End of the Tunnel -is there some now ?

Artist’s Inspiration for ‘The Light at the End of the Tunnel ‘

The idea for the painting came to me quite instinctively . I was walking through a small park , enjoying looking at the tree blossom and the new growth on all the plants . And I suddenly thought about how vulnerable we are to illness or viruses . So I decided that the figure should be naked to symbolise the defenceless feelings a lot of us have had , during this pandemic . I also pictured him in luxuriant foliage . I was , no doubt , influenced by the scene in the garden I was walking through !

Light at the End of the Tunnel – acrylic painting

I think I was gradually working towards this idea . Just have a look at this mixed media journal page I created in March this year , to cheer myself up. I called it ‘ A Brighter Day ‘ It was very intuitive , but afterwards I realised it was a picture of hope , breaking through like a glorious sunrise .

A semi-abstract view of light seen through the trees - mixed media  blue and orange  . Is this the light at the end of the tunnel ?
A Brighter Dayin acrylic

My ‘ Progress of Mankind ‘ Series

And the other stage in the process was , of course , my ‘Paradise ‘ painting . Here I portrayed the Earth as a wonderful , unspoilt world in the trilogy that I created for a commission proposal earlier this year.

A semi abstract acrylic painting of a lush jungle with insects and birds - pink  , green and golden yellow .
Paradise

You could say that ‘ Paradise ‘ was Part 1 , then ‘ Hell on Earth ‘ Part 2 came next , followed by ‘ Free Spirit ‘Part 3 . You can see the whole story in this post here . But now I can see that ‘Light at the End of the Tunnel ‘ Part 4 comes next in the story . I’ll show you Part 5 in a little while . None of this was planned . But I realise , with hindsight , that my intuitive inspiration was steadily moving through these past events and helping me to cope . I wonder if anyone else has noticed any effects on their art practice ?

Light at the End of the Tunnel – acrylic on canvas .