Good morning everyone. This is just a catch up post where I’m showing you some of the watercolour sketches I did whilst painting outdoors. In fact, the weather this year was very kind to us artists. And I spent quite a lot of time sitting quietly, painting the view. Sheer bliss! So, this the view over the rough pasture to the pond at Longshaw Estate in Derbyshire, UK. Now the pond is man made and designed to be seen as you leave the formal garden and take the path to the stream. Actually, I’m not sure whether this is the pool for boating or swimming – there are two! But, as you can see, it’s idyllic and right on the edge of the moors.
While I painted this little scene I tried to use some of the techniques I’ve been studying. In particular, I wanted to show the contrast of light and shade in the trees behind the water. Not all that easy on a low sunlight day. Also, I used a gentle touch with the reflections on the water, which were very subtle.
Painting Outdoors at Cannon Hall
Lastly, we also went to Cannon Hall on a warm, sunny day and we sat in the shade in the formal garden. And I had another attempt at portraying the glass panes of the little greenhouse. And the effect is a bit more lifelike, I feel, (see here for another attempt!) Incidentally, this is where the 200 year old grapevine lives, but that’s another story!
Good morning everyone. This Saturday I took my big acrylic painting to our gallery at the Ridings centre in Wakefield. Because we are getting our show ready for the 29th September – Yorkshire Makers Inspired by Yorkshire Writers. Perhaps you remember that we started this project in 2019, but the pandemic stopped it in its tracks, with only half of the artwork in the gallery.
My First Painting for our Yorkshire Writers Exhibition
As you can see, here is my first piece for our current Northern Fringe Gallery exhibition and you can read all about it here. Actually, we do have super themes for our exhibitions – have a look at my Exhibitions page here. And you will see some of the work I did for the Northern Fringe Gallery exhibitions.
Anyway, just a word of explanation about this painting in which I felt inspired by poet Ted Hughes. In fact, I like many of his poems but I really loved the one entitled ‘Wuthering Heights’. And this location, Top Withens, is a ruined farmhouse on the Pennine moors near Haworth in West Yorkshire. Because it is presumed to be the setting for Emily Bronte’s novel Wuthering Heights, it’s quite a famous spot. Well, Ted Hughes and his wife, the American poet Sylvia Plath lived nearby. And they hired a local guide to take them to the house. Both poets wrote a poem about the moving experience and I chose Ted’s piece. Here he describes the wild, now abandoned spot where the story of Cathy and Heathcliff took place. As well as his wife’s reaction to the experience. You can see both poems here.
Finally, here’s a closeup so you can see the ghostly figure in the window, as described in the poem.
We are launching this exhibition 29th September at the Ridings, then it moves on to Mirfield Creative Arts Hub in October. And, I must admit that I just love being involved in art projects!
Good morning everyone. Well, as I write this post all about summer paintings, the rain is falling in a steady drizzle. And the temperature has dropped a few degrees, so it’s not exactly hot and summery. Nonetheless, the day is warm and fine in this acrylic painting of a scene in the beautiful Yorkshire Dales. Perhaps you don’t know this area of rounded hills and sheltered valleys (the dales) in the north of England. But it’s one of our favourite spots and only a couple of hours drive from our home.
This view shows a very distinctive feature of the valley of the river Swale – the very numerous small barns. Actually, there’s practically one for each field and the farmers used them mainly for storing the hay. Whatever the reason, they are picturesque and very sketchable! In fact, the whole area is covered by a network of public footpaths and quite easy to explore. If you want to find out more about the region, look here.
Another One of my Summer Paintings
Now, this is something completely different! And it started off as an intuitive abstract I painted in March this year. As the winter dragged on, my thoughts turned to sunshine and holidays by the sea. Slowly elements started to emerge which suggested a landscape I’ve often seen in France. Of course, this was back in the day when we used to travel – seems an age ago now! Anyway, we would often camp near a small seaside resort. And, somehow, this scene reminds me of parking the car on a rough patch of ground. Then struggling down a path made of soft sand to the idyllic beach, with only a few families to keep us company. Happy days!
Finally, I hope you enjoy looking at my summer paintings and dreaming your own dreams. Here is another lovely scene you might like. As you may know, all my paintings are for sale at reasonable prices. Affordable art! Just go to myContact Me page and get in touch.
Good morning everyone. Today I’d like to tell you all about our Solstice exhibition – now on show at Fronteer Gallery in Sheffield, UK. Well, we had a great launch on Monday evening, despite the Covid regulations. Of course, we had to wear masks and only ten people were allowed in the Gallery at one time. Nevertheless, I managed to have a good look around the show. And to have a nice chat with Michael and Sharon, who set the whole thing up. Actually, it’s not been the best time to open an art gallery in the pandemic, but they have done it!
I took this snap in a sort of an open space in front of the gallery which is traffic free. In fact, it’s an ideal performance area. And we watched a bit of street theatre by Pink and grAy. Sun Circle, referencing Ra, the sungod, bringing light to the world. Incidentally, this is the theme of my gouache painting too! Also, the abundance of food produced by its energy, represented by a basket of oranges.
The Artwork in Our Solstice Exhibition
Honestly, it was a real pleasure to see my own painting up on the wall in this super gallery. It’s been so long since I could chat to people looking at my work. In addition to that I had actual contact with the other artists too! Here is just a taster of the wonderful artwork on display. I did take lots of photos, but the lighting in the rooms was too much for my little phone camera!
At last, my artworld is slowly returning.
The solstice exhibition is on this week and next. Just see the poster for the dates and times it is open. And, with its wide variety of media and interpretation of the summer sun, it’s well worth a visit.
If you want to have a look at the beautiful exhibition catalogue, see here.
Good morning everyone. Well, I had a little bit of time to play this week and I read something online about not forgetting the importance of experimenting with your art. So I spent some time adding colour to this very quick pen sketch I made last year. As you might remember, I wrote here about how inspiring I found the lush growth on the runner bean plants. Anyway, I took the opportunity to really try to work out how to use the Inktense paints I bought. And, I had a breakthrough – use more water! In fact, as you will see, a bit too much water in places!
Adding Colour to the Pencil Sketch
Actually, this is the second very quick sketch I made when we went to Cannon Hall Park and Gardens (see here). And now, here’s the coloured version.
Now I feel that I’m getting to grips with using this type of watercolour, and the colours certainly are bright. And, to be honest, I felt very relaxed when I just concentrated on texture and colour like this, so it’s a win-win situation for all! So, have a good weekend, everyone!
Good morning everyone. Well, I’m really pleased to tell you that our Northern Fringe Gallery is now open again! And with some lovely new work in there too.
We went to the Ridings shopping centre, Wakefield at the weekend and had a good look around. Also a nice catch up with Eddie, our chairman, who is looking after the empty shop premises that we have claimed as our own. In fact, I also found out about our next project, based around the idea of Midsummer. Honestly, it was such a joy to feel connected to our artist group. Especially after so many months of communication by email.
Taking my work to Northern Fringe Gallery
I was so thrilled to take my interpretation of Hadrian’s Wall to be hung in our gallery. Because I felt quite proud of the way this semi abstracted view of the wall, dominating the landscape turned out. And, everything seemed to fit together, including the massive size of the stones. Also, I tried to convey the feeling of the overwhelming power of the Romans who built this huge barrier in northern England. Of course, they intended to keep the fierce Scottish tribes out of the territories that they controlled. But I also wanted to show the Scottish side of the wall, very much alive and thriving.
My Acrylic Painting of the Moors
This was the second picture I took to our gallery. Incidentally, you may recognise this – it’s the banner image for the home page of this website. And, I hope it best represents my description of my site, A World of Colour, with its vibrant greens and blues. In fact, this is a place we’ve walked around many times over the years. Hopefully, in this interpretation you can sense my love of the place. And enjoy the heightened colours of a still, warm summer’s day on the tops, looking down at the jewel-like expanse of the water.
It was a real morale booster to talk about the group’s future plans- all of our exhibitions in bigger galleries were put on hold. And such a pleasure to see my fellow artists’ new work. You could find out about our activities here on our website.
These two paintings are for sale at reasonable prices, plus all the work in my Gallery. (There’s a new moody painting of the Pennine moors in Yorkshire coming soon!)
Good morning everyone. As you may know, I absolutely love painting outside and the glorious fine, sunny weather is perfect for me. So, yesterday I went to Thrybergh Country Park to meet up with some art buddies. And we could paint all morning in complete comfort. That is, no shivering with cold or battling with strong winds to keep hold of paper and so on.
The Colours of Spring when Painting Outside
To be honest, it was the colours of the scene which inspired me most. Because at this time of year, as the trees begin to come into leaf, some of the greens are soft and yellowy and even the more vibrant ones are still easy on the eye. However, in this part of the landscape that I chose, most of the trees are bare and stark. Actually, that gave quite a dramatic effect against the calm, lazy surface of the water, gently reflecting the sky and trees. Of course, I did use artistic licence and I left out all the waterbirds. Also, all the walkers. But, for today it was the sight of nature gradually progressing through Springtime that interested me. Incidentally, this man made lake is available for free swimming on two evening sessions during the week. Maybe one day!
Naturally, there was plenty of time for coffee and chat. Plus, most importantly of all, scrumptious cake! And we talked about pochade boxes and outdoor easels. Then how to prepare wooden panels with gesso. And we discussed the different methods of capturing a scene like this using realistic versus impressionistic styles. So, all my artistic batteries were charged up. And I really am looking forward to a lovely summer season of sketch trips with like minded people. Sheer bliss! Have a look at this post here to read all about another sketchcrawl on a hot summer’s day last year.
Hello everyone. This is my canal scene, a recent acrylic painting that I did while following an online tutorial by Care Visions. Actually, the teaching by the tutor John Skelcher was very good. And, it was free, so that can’t be bad! To be honest, my natural style of painting is not usually this realistic. On the contrary, I like to take a more loose approach and slightly impressionistic. Really, I do find it very difficult to describe my own painting style. But, on this occasion I found it very helpful to follow the instructions and paint like John! Or, at least, to paint in the style he adopted for the tutorial.
A Canal Scene in a Muted Palette
As you can see, the colours we used are quite toned down – the buildings in cream and brown. And a pale, unobtrusive sky, with brownish green trees in the background. However, I did manage to indulge my love of colour by painting some vivid greens in the foreground. But, I must admit that this restricted palette is very effective. Perhaps it’s a better representation of the actual canal scene than my usual highly saturated, intense colour choices would give? Hmm, something to think about here! Just have a look here at this post of some really monochrome paintings.
I’d like to to pass on to you a good tip that John gave us. Just don’t worry about not having an in depth knowledge of a subject when you’re painting. If you can reproduce the shapes of the elements of a scene fairly accurately, that will suffice. Hopefully the viewers eye will recognise the objects because of the surroundings. And, that’s just as well, for I know nothing at all about lockgates! Apologies to any canal experts!
More Houses by the Water
Finally, by way of contrast, this is an acrylic painting that I did a couple of years ago. And, as you can see, here I gave full rein to my enthusiasm for bright colours. In my defence, I must point out that it was a beautiful, sunny winter’s day. And the water and the grass sang out to me. So, no muting in sight! Admittedly, I can now see several bits that I could improve. Maybe I will! Because, I am quite fond of this painting. Perhaps a before and after version would show me the modest improvements I am making. So, the practice and studying are all worthwhile. And that’s good to know!
Good morning everyone. Today I’d like to show you the study I made of a superb painting by the great Dufy. Actually, I did this while following a good online tutorial run by Art Enthusiasts London. Perhaps you remember my post about making a study of a Paul Klee abstract composition with the same tutor (see here ).
Unfortunately I haven’t got a lot of background about this painting. Raoul Dufy, 1877- 1953, was well known for his colourful paintings, influenced by Matisse, Cezanne and Monet. And I have long admired his bright, elegant scenes of smart seaside resorts in early 20th century France. Obviously here you can see a jumble of boats in the harbour- maybe on the Mediterranean coast.
The S Shaped Composition of the Great Dufy
Just look at how Dufy has simplified the shapes into ovals and straight lines. And then arranged them into a reverse S shaped composition, starting from bottom right and including all the boats. Masterly!
However, we also concentrated on the juxtaposition of the glorious colours the artist decided to use. No doubt they were inspired by the actual real details he could see at the quayside. But he then arranged them for maximum effect on the canvas. For example, he used complimentary colours green and red, blue and orange to make really sizzling combinations. As you can imagine, I found this exercise perfect for me – I don’t call my art activities ‘A World of Colour’ for nothing!
My Dufy Inspired Acrylic Abstract
To tell you the truth, I was so inspired that I straight away (well next day anyway) started do an intuitive abstract . I had a print-out of the original in front of me for colour reference. And then I just let my hand paint away. But that was stage one. Then came two more sessions adding and subtracting material, balancing shapes and colours. Until the picture said ” I’m finished “. What a satisfying experience!
I hope you like my little tribute to Dufy. And you can see more abstracts in my Gallery here. All my paintings are for sale at reasonable prices. Just go to the Contact Me page here and use the form to email me.
Good morning everyone. Over the years I have done my fair share of studying old masters, in paint and pencil. In fact, I have always considered it a very useful exercise. And you can learn quite a lot by trying to recreate some of the effects produced by the artist. Actually, this seems to work whether you use the same materials or not. For example the type of paint e.g oils or acrylic, or support (canvas or paper) and so on. In my opinion, there’s always something to be gained by looking closely at the composition, choice of colours and the actual brushstrokes.
And, in my experience, it doesn’t matter which stage you are at in your painting journey. But, the key point is to approach the exercise with the intention to learn . And not to put too much pressure on yourself to paint an exact copy. But it is more enjoyable all round if you choose an artist you admire, or even love! Ok, I confess, I’ve got quite a few ‘ Van Gogh’s ‘ in the archive!
Studying Old Masters – Joachin Sorolla
Well, this is the study I painted in acrylics a few days ago whilst following an online tutorial. Actually, see here for my post on a John Sell Cotman study I completed with this same tutor. To be honest, I’m very fond of this Spanish artist, Joaquin Sorolla, and he is very well-known for painting light. As you can see, I attempted to show the glare of the hot summer sun at the beach. In particular, the extremely subtle play of light on the white cotton material of the young girl’s dress. Admittedly, not an easy task, but it really made me practise mixing slight shifts in tone. And, I will need to improve this skill if I want to progress in my painting. In effect, this is the value in studying old masters.
My Study of Paul Klee’s Abstract Landscape
Finally, I’d like to show you my study of a fab abstract landscape by Paul Klee. He was a Swiss artist who taught at the famous Bauhaus school of art and design. And I love everything he painted! In order to recreate this work in the class I followed online, we first laid down the grid of lines . As you might imagine, these represent the contours and field boundaries of the land. Then came the fun part. First of all, a soft , hazy background of light brown. Then we treated each section separately using a limited palette of yellow ochre, cobalt blue, crimson, black and white. And the finishing touches were the ‘lollipop’ trees and the tiny flowers.
To sum up, whilst working on this piece, I concentrated on choosing harmonious combinations of the colours obtained from the limited palette. Also, I had to think very carefully about the placement of the features in this tightly controlled composition. If you want to see some of my much less tightly controlled abstracts, see this post here. But, I just love studying like this – an unexpected bonus of having lots of free time at the moment.
Happy New Year, everyone. Let’s hope it’s peaceful and full of possibilities for us all. To be honest, I don’t usually bother with resolutions. But I do intend to work hard this year studying on the online course in acrylic painting that I’m following. And this painting is one of the pieces I just completed – A Quiet Stream. But before I talk about this in detail. I’ll show you some of the studies I painted with the Moore Method of Painting.
Hopefully, you can see some of the detail on this. To explain, here I concentrated on giving 3d shape to the clusters of leaves and the trunks by using tones. That is, dark, medium and light shades of green.
In this study, I used a fan brush for the first time. You see, I created the pine and cypress branches by holding the brush so that only the top part of one edge was touching the paper. And, yes, I found that as hard to do as it sounds! Well, for me anyway! Admittedly, it does give a very feathery effect that you couldn’t really produce with a plain brush.
Happily, I was more in my comfort zone with this one. Because I have more visual memories of winter trees, and touches of snow. And, sometimes, I feel a bit more challenged with the Australian landscape subjects that our tutor Rod Moore demonstrates so well. However, I did experiment in this study with using the edge of a square shaped palette knife to lay down the lighter marks on the tree trunks. Perhaps I might try this technique on another painting. ( I applied the dark green background simply to show off the effect of the white markings.)
In this last study, I used the fan brush again, this time to create the fronds of long thin leaves that make up the foliage. Well, I tried, but I definitely need more practice!
A New Zealand Landscape
Actually, I am pleased with this acrylic painting and , I think I did a reasonable job of bringing to life this quiet stream, meandering through a little valley in my friend’s photo of New Zealand. In fact, the teaching in the demonstrations must have stayed in my mind and resurfaced in the techniques I used here.
Painting Techniques I have used in The Quiet Stream
For example, if you saw my post on painting a waterlily pond here , that’s where I learned how to convey the idea of reflections and paint credible looking leaves floating on the surface. In addition, the teaching about adjusting the tones of the greens in the trees to suggest recession (distance ) gave me more confidence. Have a look at this post here for more examples. Of course this task is made easier by keeping to a restricted palette, as my teacher suggests. All this benefit, plus , it’s fun too! For your information, I shall do regular updates on my journey through this programme of study. And , if that doesn’t help me to stick to my New Year’s resolution, I don’t know what will!
Hello everyone. I hope you have had a peaceful few days. Before the season is over, I’d like to show you this little gouache painting in my artjournal, a natural style of Christmas decoration. To be honest, I chose this subject in response to the challenge ‘ Christmas at Home ‘. It was set to inspire us in our Beginner Gouache Group on Mewe. And, I think it is a really good subject to explore. Especially now, of course, when some people can’t get home or see the ones they want to.
Anyway, this little illustration took far longer then I expected to complete, considering that it is only 8 inch square. But, I think it is really good that I try different styles of painting and drawing – it gets me out of my comfort zone. And it can also be surprisingly enjoyable.
Christmas Tree – Natural Style
Actually, I painted this gloriously impressive tree from life, whilst sitting in the beautifully decorated Ballroom at Cannon Hall, a nearby stately home. However, I don’t think that my on the spot watercolour really captures the full effect of the tree. It must have been at least 18 foot tall! Personally, I adore real life fir trees and we always have one in the house ( about 6 feet tall ). It really makes Christmas for me. And, I also choose a very simple, natural style wreath, made of fir or holly, with just a simple ribbon bow. In fact, a lot of the decorations in my house are painted wood and ceramic,textile, my own festive paintings, flowers and plants plus candles – quite simple and natural.
We went for a walk before Christmas in the formal garden of Nostell Priory, another big house nearby. And to my delight, as we walked away from the lake towards the Menagerie Garden, we caught sight of the natural style decorations in the trees. And they were beautifully made by a local artist, using twigs, pinecones, twine and holly. As you might imagine, I felt quite inspired. Something to bear in mind for next Christmas! Click here to see some of my festive paintings from last year.
As some of you may know, I am following an online course on painting at the moment. And I’d like to show you two of my acrylic practice paintings. In fact, the painting above is almost completely finished and I decided to leave it a while. To be honest, I am learning such a lot on this course. And I want to think a bit more about the techniques and design ideas I now know about. Then, later I will bring the painting to completion. However, I am fairly pleased with the stage I have brought it to. Incidentally, this method of working is quite new to me. Actually, I usually work in a more impulsive manner, but I do always put a lot of thought into my paintings.
New Techniques and Design Ideas in my Practice Paintings
In this painting, I used a different choice of colours on the palette, following the instruction given. And, this took me right out of my comfort zone, which can be a good thing! But, as you can see, these were the right choices for this dreamy Australian landscape. Secondly, I attempted to blend the colours in the sky – again something I never try to do. Admittedly, I need to practise this more, but then, hopefully, I will have acquired a new skill.
The Tribute to Monet Acrylic Painting
Again, I must make it clear that this one of my acrylic practice paintings just lacks the final finishing touches. And , I’m prepared to leave it a while before I decide how much extra detail to add, if any. As you can see, there were plenty of challenges in this. Including, naturally, the subject – reflections on still water, a subject I have skillfully avoided until now! Well, I did do my best, but there’s room for improvement. On the other hand, I managed to suggest perspective in the floating flowers and leaves. That is, to put it simply, the furthest ones smaller and the nearest ones bigger and all at the correct angle to suggest they are lying on the water. Baby steps I know, but it’s very valuable to a self taught artist like me ! I really can’t wait to see what else I can learn. If you want to see a painting that I completed with the tutor’s help, see this post here . I will post another update soon!
Hello everyone. Well, we had a few fine days last week and I was able to get out for some fresh air. And we went to a couple of local beauty spots to enjoy the autumn landscapes. So, the image above is the view across Worsbrough Reservoir, looking towards the fields and hills beyond. Honestly, it was a feast for the eyes – soft, mellow brown, gold and russet. We were sitting in a nice sheltered spot and the gentle autumn sunshine kept my fingers warm as I sketched. (35 minutes)
Sketching Autumn Landscapes at Wentworth Castle Gardens
Another one of my autumn landscapes. This took me about 25 minutes. To be honest, it was quite difficult to isolate just one part of this view. Because the vista was huge, stretching from the stream at the bottom of the parkland and then up the hill. And, right at the top was the village and the church. As you can see, the trees in the parkland are beautifully placed. And, at this stage of autumn, all the leaves are now shades of brown. Really, I feel so very lucky to have such delightful countryside so close and accessible. Especially now that we are again in lockdown here in the UK. Personally I think it’s so important now to go outside, somewhere pleasant, if that’s possible. And just breathe and let your mind relax.
Plein Air Sketching with Urban Sketchers Yorkshire
This is a watercolour sketch I did last year when I went out with Urban Sketchers Yorkshire. And what a lovely day it was! To explain, we sat outside on the terrace of a coffee shop and watched the crowds dash by. And I even tried my hand at frantically sketching figures as they wandered around the park and admired the fountains. But, that’s a skill that doesn’t come easily to me. And, now is not quite the time to practise it, for obvious reasons. Oh well, perhaps soon! Stay safe.
P.S. This area is just around the corner from the wonderful Millennium Gallery – click here to see an intriguing exhibition by a local artist from last year.
This is the first of my little gouache paintings and I was thrilled to bits to find the fab reference photo .Thank you Elizabeth Van Der Weert ! You see, I thought the lighting was so perfect and gave just the right atmosphere I was wanting to convey. That is, a mixture of realism (after all it is just a statue ). And , a slight hint of mysticism – is it a real flesh and blood figure ? To be honest, as I was painting I had to restrain myself from using flesh tones, Of course, this would put too much life into the face and skin. Actually, I have been in this position before when painting tomb sculptures in churches. And I had to get rid of rosy cheeks and use more grey ! See my blog post here .
Meanwhile, as I was painting, I also began to think of a sort of a horror film scenario. One where the colossal, crumbling statue of the Egyptian king comes down from the temple wall and walks around ! However, I don’t possess a talent for creative writing so the plot doesn’t get anymore developed than that!
Something Completely Different – a Pattern Based Gouache Painting
I painted the second of my little gouache paintings after seeing a marvellous display of ceramic pieces. And they were in a display all about pattern. Actually, I have written several posts that were inspired by some of the treasures at Cannon Hall , Park and Gardens , For example, this post here on Mythical Creatures. In fact, I plan to write a post soon on these very patterns in ceramics that I saw on this occasion. So, here’s a little example to whet your appetite. And, I do apologise for the blurring – the beautiful piece was in a glass cabinet. Do you know, sometimes you don’t have to go very far from home to see something extra special ?
Hello everyone. I don’t think I told you, but last week I managed to get out plein air sketching on a fine day. (After several weeks of rain ! ) Anyway, we drove to a village in West Yorkshire and had a look around this park inside a small abandoned quarry. For more info and photos, see here . The space is small but very picturesque. And the volunteer gardeners have done a marvellous job tidying, planting and looking after the public space on a daily basis. In fact, I’m not quite sure where we would be without volunteers ? Certainly, life in our society would be a lot less rich.
The Quarry Wall – a Perfect Place to go Plein Air Sketching.
After a little walk around, I finally settled on this view – showing the impressive, tall quarry wall which is used as the boundary for the little garden. Actually, the wall was very high. And I don’t think it is so easy to get the full effect on this photo , or in my drawing. To tell the truth, I was quite inspired by the play of sunlight on the thin slabs of stone which the wall was made up of. So I got to work with my lovely dark marker pen and made some bold, definite marks. And I wonder if you can tell from the gestural drawing how much I enjoyed doing this ? in the end, I thought it was time to put the pen down and break out the watercolours !
Well, I tried very hard to capture the autumn colours in the flickering sunlight. Actually, the green gold foliage of the trees behind the wall was at its best . But, there was still a lot of fresh green in the undergrowth. Anyway, the temperature in this shady spot was quite low, despite the sunshine. So, after thirty minutes, I packed away my art things and we strolled around the garden and stopped to admire this timber sculpture.
Well, I felt a bit warmer by now, so we walked through Cliffe Wood, full of oak and beech trees. Blissful . When we reached the end of this thin strip of wood, it came out at the little back lane. So we retraced our steps and found a handy bench and sat down to drink some hot coffee . It was a lovely morning, and I highly recommend it to calm the nerves and soothe the soul !
You might like to have a look at this post here to find out more about my open air sketching adventures.
Hello everyone. I thought I’d do a quick round up of my Halloween paintings from the last couple of years. And it took me quite a while to find them in my chaotic ‘filing system’ , also known as the piles of sketch books, canvases etc. in the spare bedroom! However, the one above was easy to find because I only just completed it . You see, I painted this for an online Halloween challenge for Artists Free Reference Photos. The original photo was of a peaceful graveyard scene by Fiona Evans. But, I decided to inject a bit of melodrama into it by adding the ghostly bride, waiting at the church. Of course, this is my tribute to Tim Burton’s ‘Corpse Bride’, an image I’ve been longing to paint for a while.
The Churchyard after Dark
Actually, you might recognise this painting above from a recent post I wrote here . Except for the fact that I took the plein air watercolour sketch and tinkered about with it. And, in fact, this is the first time I used the editing tools on my tablet to change the colours on a piece of my own work. And, I must admit, I’m quite pleased with the outcome. Spooky or what ?
More Halloween Paintings
I must admit that I painted this sketch ‘Which Way to Go’ a couple of years ago. Initially, I had the idea when I was doing a series of ‘scary trees ‘ pictures. As you might know, I find a lot of inspiration in trees and this was a project to let my imagination run wild. But, at the time, I became engrossed in another theme and this painting didn’t quite get finished ! However, I’m going to include it as one of my Halloween pictures. And, I will get around to completing it soon. Because I rarely leave anything unfinished – that’s just the way I work.
Finally, I’ll show you a little watercolour sketch I did when I visited the Ancient Egypt exhibition at our town museum .The exhibition was curated by Professor Joann Fletcher of York University, who actually comes from Barnsley. And there is an interesting review of the exhibition here . Well, the ceremonial mask of Anubis, the god of death with his jackal head looked threatening enough to me! So, I had to include it in my Halloween themed show of paintings.
I just finished this acrylic painting today , and I wanted to show it to you straight away ! This painting – Drylands – Art for Sale – needs to be featured all by itself, I think . To be honest, I am quite pleased with it . You see, it’s another experiment with a restricted palette of colour. And this time, I used soft browns, vibrant orange and a touch of gold. In fact, I mixed the shades of brown from blue and a ready made orange. Surprisingly, this combination includes the three primary colours red , yellow and blue. Because, of course, the orange is a mixture of red and yellow. ( In actual fact, it took me a while to figure this out ) . And I had never tried to mix browns before, always using the brown umber straight from the tube. But, I must say, I really prefer the DIY mixtures. And, that’s what I like about these experiments – I always learn something!
Drylands – Art for Sale -The Dead Trees
Clearly, when I painted this parched landscape with its swathes of dusty foliage, I must have been thinking of the climatic changes taking place in the world. For example, it seems that dry, hot regions seem to be getting hotter and drier. If you would like to see another surreal landscape painting, look at this post here .
I’m including this shot in order to try to show the intense and rich colour of the sky . There are also passages of interesting textures, as there are on most of my paintings. Unfortunately, these details don’t show up so well on a screen.
Well, I hope you like my painting ‘Drylands’ . As I said earlier , it is a work in acrylic on paper, 16 by 20 inches, unframed and without a mount. And , it’s priced at £60 plus shipping ( I’m based in the UK ). So you can pay by PayPal and I’ll package it up and send it off to you without delay ! Just go to the Contact Me page here and send me an email for further details. Then you can frame it to suit your taste and enjoy soaking up the evocative atmosphere it seems to create.
At last – I’m famous ! (Well , nearly ). Because there is now a magazine article showing my artworks. To explain, I am a member of the Barnsley U3A group. And this is a great , world wide organisation which is run entirely by volunteers of retirement age . In fact, we are called the University of the 3rd Age . Perhaps you have heard of us – our aim is learning, companionship and fun ! The group in my home town is fantastic . So when Derek , editor of our branch’s magazine asked permission to publish some of my paintings I quickly agreed !
To be honest, Derek had seen my work on this website, which is nice. Hopefully, you can read the text as it is a bit small. There are just over a thousand members in the group now , I think. And our magazine ‘ The Buzz ‘ is also published on our website see here .
More Paintings from the Magazine Article
These two images above were also featured in the magazine article. In addition to some details about the artist groups I belong to including Northern Fringe. Have a look at this post here to see our latest exhibition ‘Inspired ‘at the Ridings Centre, Wakefield. It’s about the third exhibition down.
To be honest, I did also promote Barnsley Art Society too. Although we are not very active at the moment, obviously. But you might be interested to have a look at our Facebook page here . Who knows , if you are nearby , you may like to take part in our arty activities when we start up again.
Of course, I didn’t forget to say some nice things about the U3A group too ! And they were all quite sincere. Actually . I belong to the painting group which we attend each week. And I also really enjoy the drawing group which inspires me to practise drawing skills . In actual fact , I really do need the practice ! Finally, I’d like to say a big Thank You to Derek for putting together a great Autumn issue during Lockdown ( especially the bit with my feature! )
When I want to do a quick painting I will often sit down at my dining table to work . Of course, if I have a large chunk of spare time, I go into my ‘ studio ‘ . To be honest, this is also known as the spare bedroom and it’s where my easel is set up. And , this is where the acrylic paints live. So it’s all a tiny bit more serious ! Anyway , I had half an hour – so I gave myself a little treat and just painted. I chose watercolour flowers from my allotment. Actually, I had noticed last Thursday that I wasn’t achieving the results I wanted with watercolour . I was out urban sketching with art buddies in the park – see here . And when I looked at my friend’s lovely delicate sketch of the mansion, I realised I could do better !
Trying different watercolour paper
You see, I always use the same brand of paper in different , handy sized sketchbooks when I’m out plein air painting. In effect, I was well satisfied with the quality. But, things had changed and the paper was now quite poor. And , it took me a while to notice ! So, out came some better watercolour paper from the stash. And , now I could try laying down pools of colour and wet in wet technique without fighting to drag the paint over the paper !
More Watercolour Flowers
As you can see , I did manage to find some decent paper for these two paintings of watercolour flowers. These are from a little while ago and , quite by chance it would seem, the paper was better ! Well, now I know and I won’t make that mistake again !
For those who like to know , here we have cosmos, sweetpeas, marigold, cerinthe and sweet Williams. A real cottage garden bunch. For lots more flowers in all kinds of media , see my gallery here .