Good morning everyone. I’ve been very busy with arty stuff this week, so I turned to small scale art works. Just to stop me from going completely potty and suffering too much art deprivation! However , I took a great deal of pleasure in completing this in three very short stages. Actually, I think it succeeds because of the days in between the bursts of painting which I spend looking and assessing. And I created it using biro, watercolour, oil pastel, ink and oil pastel on this small sketchbook page.
Here are two of the small scale art works I did at our art society meeting this week. When we concentrated on simple, quick drawings of objects and the surroundings of the church hall. In fact, I thought it was useful to spend some time drawing without looking at a photo or a screen. To be honest, lots of artists don’t draw on the spot. So this was good practice on conveying the illusion of 3D objects on flat paper. And a good time was had by all, creating small scale art works!
Good morning everyone. On Saturday I went with Urban Sketchers Yorkshire to the Tutankhamun exhibition in Experience Barnsley Museum. And I sketched this bust of Nefertiti, who was his father’s chief wife. Actually, this is not the original – it’s a very good replica. But there were lots of original artefacts, arranged in sections telling the life of the pharaoh. For example, the food he ate, members of his family, education and so on. Although the Tutankamun exhibition was small, it was quite fascinating.
After some time sketching, we then went down to the bustling town centre. In fact there was so much to observe and sketch – market stalls, a brass band playing. And then we ended up at the food court in the covered market for refreshments. Happily, from our table there was a delightful bird’s eye view of the main street below.
This was a very quick sketch in pen and watercolour. And I did it on the table, between pie and peas and cups of hot coffee! And the Tutankamun exhibition was a lovely bonus. Another lovely day with my sketching buddies. By the way, I have missed out all the difficult bits, like all the people! If you want to see what else we sketch, see this post here .
Good morning everyone. I had a great day sketching on Saturday at Left Bank Leeds. And we worked with a super artist, Paul Digby, who first showed us some inspiring drawings by Piranese and Seurat. Also, Hopper, Jenny Saville and Barbara Walker. Actually, he used these examples to illustrate some of the things to keep in mind when drawing. For instance, perspective, tone, atmosphere and simplicity of line. Next Paul demonstrated different ways of deepening tone with graphite. Then he taught us some simple rules of perspective. All in all, a very interesting and useful session. Then we were encouraged to find a corner of this impressive Edwardian former church and draw. In fact, it is now a very welcoming arts and community hub, the Left Bank Leeds. (Sorry about the quality of this photo, no natural light, just a desk lamp!)
This is the finished version (just completed) and I deepened the darker tones, as Paul advised. And I think it looks more three dimensional now. As you may know, I don’t usually spend this much time on a drawing. Because my work with urban Sketchers is of necessity short, usually 20 minute sketches,completed on the spot. So, this was something new for me and very good practice. If you want to see an example of creating tones in black and white paint, see this post here.
Good morning everyone. This is the quick watercolour sketch I did in St. Mary’s church, last weekend on Open Heritage Day. Actually, the event lasts for two weeks and it’s great to have the opportunity to visit buildings that are usually closed. For example, last year we went in the very impressive National Union of Mineworkers Headquarters. Of course, St Mary’s is open several times a week. But it was lovely to be welcomed into this beautiful space by the volunteers and the vicar.
Anyway, I chose this view to sketch, as I wanted to show the tall pillars of white stone. They are so tall that they make the massive door look small!
Next I felt inspired to try and include some of the patterns and colours that really stood out amongst the pale plastered walls and pillars. So I chose an abstract representation of this view down towards the altar.
After that we went to the gallery coffee shop which is just opposite the church, for coffee and cake. And also to look at everyone’s sketches. What a perfect way to spend a morning on Open Heritage Day! Maybe you might like to see the outside of this building in this post here , it is very picturesque.
Good morning everyone. Today I wanted to show you this abstract design, which required quite a lot of planning. Obviously, it’s just a modest little watercolour abstract painting, but, first I had to think hard about the background. You see, I kept the colours soft so there is not too much eye catching contrast. At the same time, I introduced a subtle sense of movement with the white paint. Honestly, I really had to restrain myself from adding loads of busyness all over the place! Anyway, I achieved it and now I could choose a motif to put over the top. But, what to choose? Not wanting to experiment on the page, I used my I pad trick and scribbled a few ideas over the image on the screen. After a few tries, I settled on a mandala.
So then I felt confident enough to paint my mandala in black paint (don’t laugh, it’s an abstract one!) Actually, I haven’t got the skill or the patience to paint a good one. However, I think it’s quite effective. And the main point of the exercise for me is to take some time and thought when planning an abstract.
Next, here is a glorious example of bad planning, more like my usual style! Here’s the story, l wandered into my ‘studio’ after showering one morning. And there was the usual view over the roofs, all bathed in gentle sunshine. Well, I couldn’t resist grabbing a pad and a black marker for a quick sketch. Then I used my new oil pastel pencils for the colour which didn’t of course cover the lines. So, not the best laid plan, but a real delight to record my response then and there! To sum up, I suppose I think that there is a time for careful planning and also for spontaneous response. Maybe you missed another quick response I made to this view, in a spectacular winter sunrise last year here.
Good morning everyone. At last, I managed to do a bit of cafe sketching, especially when in a well ventilated space, reasonably distanced from other customers. Actually, it’s probably also the first time I felt relaxed enough to do it. Anyway, we went to the Carding Shed cafe last week and I hid my sketchbook behind my bag and discreetly sketched a couple on the next table to us.
Unfortunately, I had left my tiny water bottle behind, so I couldn’t do a watercolour sketch and I had to make do with pencil only. Not my usual style. But, I completed this before they got up and went, so that was lucky.
Honestly, this is something I rarely do, add colour afterwards at home. Because I much prefer sketching with the brush and splashing colour around on the scene as I drink my coffee! And, I feel that the resulting painting is more lively, even if it’s a a bit less accurate. However, I really enjoyed myself and I now look forward to doing more cafe sketching.
There are lots of paintings and drawings in my Gallery on the People section here.
Finally, I realised I had done lots of imaginary people sketches over the past year or so. No doubt missing company and lifedrawing classes, so I leave you with this latest one.
Good morning everyone. This is just a quick post to update you on my plein air sketching. And we spent a lovely morning, going out sketching in Wakefield. Actually, I was with Urban Sketchers Yorkshire and it was great to see everyone after a long break.
Well, the city is full of characterful streets and imposing buildings. So we headed straight for the cathedral and me and my art buddy found a little wall to sit on. Luckily, the cathedral precinct was a little quieter than the main streets. And I particularly liked being so close to the huge building. In fact, that’s what I tried to capture in the watercolour sketch – the stone work towering above me.
After about fifteen minutes we had enough of the battering gusts of wind, blowing round the building. So, I slapped some colour on the pen sketch and we went for a coffee in the octagonal shaped cathedral cafe.
As I recall, there was almost too much to choose from in the beautiful church. But, my eye was caught by this modern statue and I found it was very moving. Somehow it reminded me of what’s really important in this changing world – the love of family and friends.
If you like looking at sketches of English churches, see this post here and here.
Good morning, everyone. I thought I’d do a little catch up post. Because I’m producing lots of small drawings and paintings at the moment, including painting buildings. Rather than big projects and I suppose that doing Inktober 2021 is partly to blame for that. ( It’s all on my Instagram @margarethallfineart)
Anyway, I really enjoyed doing this quick, virtual urban sketch, thanks to the challenge set by @tobyurbansketch. Actually, I don’t know the location of this photo, but the idea is to imagine that you’re on the spot. Then sketch quickly and fluently, spending the same time on it that you would in the field. In fact, for me that’s about 40 minutes. In this way, you can try to retain the freshness and not overwork it. By the way, this way of urban sketching was very popular during lockdowns, for obvious reasons.
Painting Buildings in the Garden
In contrast, I was actually here on the spot for this sketch, nothing virtual about it! In effect, we have three sheds, a greenhouse and a polytunnel in our allotment. So, I always have plenty of material to paint, not to mention the plants and the crops. Have a look at this post here, for more garden buildings.
Although you might not notice, I can definitely see some improvements in my watercolour sketching now. Because studying techniques in any styles and paints usually does pay off. For example, I’m pleased with the way I’ve achieved more fluidity in the sky and foliage here. Although I’ve spotted a tendency to push the paint around like I used to, if I don’t concentrate. So, more practice required, I think – but, that’s the fun part!
Good morning everyone. Today I’d like to write you a quick post about sketches from life – something I love to do. Especially when the weather is kind ! Actually, this image is from a sketchtrip we went on two weeks ago. And we went to our local town park, which is a lovely, green space in the middle of an urban environment. So, here I am trying to show the patterns of light and shade, cast by the well established trees. Normally, the contrast between light and dark can be quite muted in Britain. But, on this particular day the sun was very bright and the patches of shadow were very dense.
Please bear in mind that I painted this plein air sketch quickly and instinctively. Honestly, this type of sketching is more about practising observation and recording the occasion, and less about producing a finished, complete painting. Incidentally, I’m a member of an Urbansketchers group, and our intention is to ‘ record the world, one sketch at a time’.
Sketches from Life at Pot House Hamlet
Perhaps you remember that we went sketching at Pot House Hamlet in Silkstone village recently. And I had the chance to paint a goat and some chickens (see here). Well, the place is so picturesque that I had to go back and capture this scene at the entrance to the plant shop. Of course, it was a very busy location, and I had to select what to include and what to miss out. For example, all the parked cars and the customers. You see, painting from life takes a lot of practice. And sometimes I feel like a beginner! Anyway, I enjoyed myself and the sketch is a nice reminder of my visit. Maybe you might enjoy it too, making sketches from life, if you give it a try! If you want to see more plein air sketching, have a look at this post here.
Good morning everyone. Today I’d like to show you my attempt at a semi-abstract cityscape. Actually, I didn’t want to waste the leftover paint on my palette, so I started doodling. (Or, you could call it an intuitive abstract!). Anyway, when I saw the shape of a doorway, I thought I would try to paint a cityscape. Then, I loved the blocks of colour so much that it gradually led me into some semi- abstraction of the scene. And then a bit more! To tell the truth, this is my first attempt at this subject. That is, if you discount one collage of an imaginary view over a city that I did a few years ago. But, I would definitely like to explore this theme a bit more . And, I could even do a series, like a proper artist!
However, I must say that when I posted this on my Instagram account at least two friends saw this as an industrial scene, a steelworks melting shop to be exact. Well, at least they both liked it, so that’s the main thing.
And now, in complete contrast, this is a cityscape in southern France somewhere. That is to say, judging by the architecture and the strength of the sunlight. Obviously, I painted this based on a reference photo, and a bit of memory, not from my imagination like the first image. At the time I painted it, a few years ago, I was quite pleased with it. And, I still am, but, I’m quite glad that I am now moving away from following the photo so carefully. So, if I were to do a similar scene, I’m sure I would interpret it with more artistic licence.
An Urban Sketch Cityscape
Finally, this is an urban sketch I did, on the spot in about 30 minutes. Incidentally, I was out sketching with Urbansketchers Yorkshire, back in the day when there were no restrictions on mixing. Happy days! And, this old warehouse by the canal was part of the site dedicated to the well-known sculptor Barbara Hepworth. Well, I know it has its flaws, and I’ve learnt a bit more about perspective since then. But I do like the freshness and atmosphere I’ve captured here. Plus, of course the memory of a fab day out sketching.
So, whether I use acrylic or watercolour, a photo, my imagination or plein air approach. And, whether I paint in realistic or abstract style, I still find plenty of inspiration in this subject. You could see a very different type of cityscape if you look at this post here – the Piece Hall in Halifax, UK.
Good morning everyone. One fine day last week we went to have a look at this old colliery site – Barnsley Main in the Dearne Valley. Actually, we knew that the community group who look after it have worked really hard on it. So we had a wander round and I sat down at the picnic table and bench to sketch the view. To be honest, I had planned to do this some time ago. But, I suppose I was always too busy going somewhere else to sketch. And I needed a Lockdown to make me concentrate on the interesting locations that are just on my doorstep.
The Barnsley Main Pithead with Winding Gear at the Old Colliery Site
Of course, I did this fairly quick watercolour sketch (40 minutes) on the spot with a little tidy up at home. To be honest, I didn’t want to use pen and ink. But I thought I must add a bit more definition. So I strengthened the black lines with more washes at home. This and the large building that houses it is the only remaining evidence of the pit above ground. However, it is quite unique and now it’s a Grade Two listed building. And it is well known as the mine that blew up in the Oaks mining disaster in 1866. Tragically, the fire from the explosion took the lives of over 380 miners and rescuers. If you want to know more, here is the link to the website.
The Oaks Mining Disaster Memorial
This is my quick, rough and ready plein air sketch of the statue by our local sculptor Graham Ibbeson. In fact, it is a very impressive and moving installation right in the town centre. Naturally, you can’t see all the details here. But, the sculptor has made up the hair and shawl of the miner’s wife out of pieces of coal. In effect, she waits at the colliery for news of her husband. And you can just make out the body of a miner, trapped underground beneath her feet.
Anyway, after I had finished my sketch, we walked down the path the miners used to get to work, over the canal and on to the fishing ponds. Really, it was a lovely sight, swans gliding on the water and families enjoying the sunshine and the outdoors together. A perfect day!
Have a look at this post here to see another recent plein air watercolour sketch done in my local surroundings, this time a lovely country park.
Good morning everyone. To be honest, the image above is not an example of virtual sketching. However, I wanted to show you the sort of work I do when we go out into the real world . In fact, on this particular day a couple of years ago, we went to Leeds Market Hall, UK. And we had special permission to go onto the top balcony which is usually closed to the public. And, what a wonderful view we had, looking over the stalls below. This stallholder shouted his wares incessantly and he attracted loads of customers to buy.
Personally, I feel that sketching quickly like this gives a liveliness to the work. Even though the technique suffers of course. But practice does help me to improve at speed painting! Just to explain, the aim of the Urban Sketchers movement is to record what you see, record the world one sketch at a time!
Virtual Sketching during the First Lockdown.
Now, this is the first virtual sketch that I did back in April last year. Unfortunately, the people who put this group together decided to close it after a few months. But I really enjoyed taking part. And I virtually strolled around in Greenland, Venice and Manchester on Google Earth. We were instructed to sit in front of the laptop and imagine being at the scene. Also, I had to use my travel sketching set and work to the same fairly short timetable as when outside. So I did! Actually, it felt a bit odd to start with. But I gradually relaxed into it. If you remember, the first Lockdown in the UK was very strict, and this was a way of getting out! At least in my imagination.
Going out sketching with Urbansketchers Yorkshire
Finally, I sketched this on Saturday when we ‘went’ to Knaresborough together in North Yorkshire. To tell the truth, as I looked up images of this charming place online I realised something. And I thought about how difficult it has been for many people never going more than a short distance from home. But, of course , keeping everyone as safe as possible is the priority. Anyway, I chose to draw the entrance to a famous visitor attraction in Knaresborough – Mother Shipton’s Cave. Apparently, she was a recluse who lived in a cave on this limestone river gorge. And she made a name for herself seeing into the future, the predictions being written down for us to see today.
And I completed the sketch quickly, with my basic watercolour set (see here) and I tried to imagine myself en plein air. It’s the next best thing to being there. Thank goodness for daydreaming! If you want to see my sketch of Wentworth Old Church ( within permitted visiting distance), see here .
Good morning everyone. Last week we went for a stroll around a very picturesque village where I did some plein air sketching. Actually, the weather was extremely cold and we saw a fair few other people, wandering aimlessly around. Well, that’s the Lockdown effect for you, but I couldn’t think of a more pleasant place for an easy winter walk.
The Village Buildings – My Plein Air Sketching
In fact, Woolley village was full of beautiful old cottages, some farm buildings and a splendid Old Hall. But it was the church that caught my eye, and we found a bench under a huge yew tree. So, this is the view right in front of us- irresistible. Just look at the glowing sandstone, the backlit holly tree and the quirky shapes of the ancient gravestones.
Plein Air Sketching at this Historic Site
In fact, there has been a church on this site since Norman times, that is since the eleven hundreds. Hopefully, you can just make out the odd shapes in the bottom left of the picture. Apparently, these are shrine like tomb boxes from the Norman period. In addition to this grade 2 listed graveyard, inside the church there is a William Morris stained glass window. Unfortunately, the church wasn’t open, so that will be for another day.
If you follow my blog, you will be aware that I love to sketch en plein air or from life outdoors. For me, this means watercolour sketching and I do like to complete the sketch whilst outside. However, for this one, I managed to do about two layers and then my fingers froze! (40 minutes). Then I finished it off at home. But you can see the Quarry Park here and Wentworth Old Church here which were completed in situ. Oh well, let’s hope for some mild spring weather soon!
Hello everyone. Well, as promised, I’d like to show you my gouache painting now it’s finished. Yes, yet more gouache experiments ! Just to remind you, here I wanted to use the paint in the same way as I use acrylics. That is, applied quite thickly to the paper . And, also, using bigger more gestural brushstrokes. As you can see, I really enjoyed the freedom of using the paint this way. I could allow myself go to town on painting the shape of the rocks and pebbles in the path.
To be honest, I didn’t take this photo myself. But it reminded me so much of the seaside closest to where I live . The Yorkshire coast here in the UK can be quite spectacular with its steep cliffs and rock beaches. So, I must give a shout out to L J George for the permission to use this lovely photo, on the Artists Free Reference Photos Facebook page.
Yet More Gouache Experiments
Now, I must admit, this is not the best urban sketch style painting I have ever made. But I’d like to explain why I’m showing it. To explain, a couple of weeks ago, I met with two friends to go sketching en plein air. However, it was raining too heavily, so we went into a sweet, little cafe nearby. And we were chatting all the time, not having seen each other face to face for months. Bliss! But, when I got home, I was dying to do some sketching. And so I tried to recreate the scene from memory. As you can see, my visual memory is not so good! But, I’m sure the exercise must have been good for me. Click here to see a more successful urban sketch , drawn from life, outside, a few weeks ago in Wentworth.
The Experimental Bit
In this little painting , I tried to indicate that the trees through the window in the car park were obviously further away. And more indistinct than the figures and the furniture etc in the cafe. Also, I tried to indicate the shapes of the figures using deeper colours in the shading on the clothing. I know, just baby steps – but it sometimes feels like going back to the beginning ! And, my friend really did order a banana with her coffee !
Last Friday I went to a brilliant exhibition at the Millennium Gallery in Sheffield. ‘ Lines of Beauty ‘ and this got me thinking about drawing. I saw some fabulous Old Master Drawings from the Chatsworth House collection like this one by Van Dyck.
In addition to these works of art, there was also interesting information about the artist’s materials available back in the day . And I was very taken by the drawings on toned paper made with black or brown ink, and , then coloured with watercolour wash . Finally, highlights were added in white chalk . Amazingly, these materials were often made by the artist and his or her assistant. To be honest, it made me feel very grateful for how easy it it is nowadays to buy chalk, ink, charcoal and paint ! If you want to see more pictures of the exhibition, have a look at the latest post on our Art Society Facebook page here .
Reserving the White Paper
However, to get back to thinking about drawing, I did the drawing above last year. And, I think it shows very clearly how when you draw on white paper, you add the medium tones first. Then you strengthen some of them up to create dark areas . And, all the time you are quite cleverly ‘reserving’ the white paper for the light tones and the highlights. This means, plan the drawing carefully and leave the paper white in all the right places! To be honest, it took me a while to manage to do this properly.
Toned Paper – Thinking about Drawing
Now comes the difficult bit – for me anyway. You see, when you use toned paper( that is, not white ) you can leave the paper showing for the mid tones. And this works well with beige or stone coloured paper. Then you can use darker pastel pencil or watercolour wash for the darks. Of course, you can then add white pastel or chalk for highlights. Obviously, this sounds straightforward but it took me a while to get my head around it . However, with the guidance of a good tutor , I managed to produce this drawing at art class.
The Old Church
This was another exercise we did in class , thinking about drawing on grey toned paper.
As you can see, I had to be very disciplined about the different shades of grey. Because I wanted to show the shapes of the building and landscape as the light fell on them . Actually, all this at the same time as looking at a colour photo of the scene , which can be confusing. In truth, it’s a real workout for the brain !
Drawing from Life
Finally, I would suggest that when you are thinking about drawing, the very best thing you can do is to draw from life . So, here’s some of our pumpkin harvest , drawn very quickly at my allotment yesterday. Just think of all that roasted pumpkin ( with garlic ) that we shall enjoy all winter !
When I went out plein air sketching last week at Clifton Park, I chose to sit in the rockery. And I tried to capture the movement of the waterfall over the limestone rocks. Painting water. Well, I tried ! To be honest, this is well-known as a particularly difficult subject for artists. Actually, I am fairly satisfied with this as a quick watercolour sketch ( 20 minutes ). Although I am well aware of all the faults, for example the lack of deep shadows in the water. But the drawing is a record of the scene and my response to it. And, most importantly, it was really enjoyable. Finally, believe it or not, it does help you to improve your drawing skills!
More Watercolour Water
These two sketches were completed recently . Again in about 25 minutes. If you look carefully, you’ll see that I used the same trick in both. So, when painting water, try adding ducks or any waterbirds, in fact. Only joking . But I do also try to add ripples, splashes or a touch of blue reflected sky . Really, it’s just to help to create the illusion of water.
Painting Water in Acrylic
I must admit, this acrylic painting is one of my favourites. Mainly because it’s Scarborough in North Yorkshire where we often go on holiday. And the weather is sometimes really misty when the sea fret comes over. But, the fascination for me is trying to show the movement of the waves, crashing into the bay And, this took considerably longer than 20 minutes ! By the way, the huge building looming over the town really does exist. It’s the Grand Hotel. If you like sea paintings, have a look in my Gallery here .
All my paintings are for sale at affordable prices . So, if you really like any of the seascapes in my Gallery, just go to the Contact Me page . And send me an email using the form on the page to find out more details.
We had a great day out yesterday , making urban sketching art in Clifton Park Museum . To be honest, we didn’t really go inside the museum this time . Although it is very interesting and full of inspiring things to draw . No, we stayed outside and drew the beautiful sandstone building. Actually, this is the view at the back of the mansion where the modern extension is built. And this lower building on the left is the cafe . Well, you’ve got to get your morning caffeine somewhere !
Watercolour Urban Sketching Art
Perhaps, the way I see it, urban sketching art includes any quick sketching that I do when I’m out and about. Another way to put it would be ‘ en plein air ‘ . Or simply, outside sketching from life. Also , I have to say that I personally sketch mainly in watercolour. For example, I didn’t draw out the shapes with a pencil or pen on this one . Sometimes I do . Obviously, this is not the world’s most accurate, well finished drawing of the big house. But , for a 40 minute piece, it has some of the freshness and life I was aiming for.
If you want to see more plein air sketching adventures, see here and here .
Of course , the front entrance of the mansion is very grand . But, the whole building is well proportioned and pleasing to the eye . And it is set in an elegant Victorian park.
The Art Cafe Exhibition.
In the afternoon, we went down into the town centre to Fitzwilliam and Hughes cafe. Or, as I call it, the Art Cafe. If you look at my post here you’ll see that I had two paintings displayed with them earlier this year . And then in March I changed the paintings round a little bit . But I hadn’t had chance to see them due to Lockdown. So it was great to sit with a coffee and a slice of banana and chocolate cake and admire my handiwork! All-in-all , a great day out in Rotherham .
As you may remember, I promised to post another more detailed report on the Joana Vasconcelos sculpture exhibition at Yorkshire Sculpture Park. See post here for the short version and my quick sketch of this cheeky chicken !
The Sculptures in the Underground Gallery
The sculptures in the park were fabulous. But the ones in the famous Underground Gallery were just as impressive. To explain, the image above shows a huge soft sculpture, sumptuous fabrics covered in embroidery and collage. Actually, it represents a mythical female warrior you may have heard of – a Valkyrie.
As you can see, the massive stiletto shoes above were made out of saucepans! You’ve probably worked out that the overall theme of the exhibition is female identity
In contrast, the chilling Beretta handgun sculpture in the image above is put together using old , black telephones!
To be honest, this is just a small snapshot of the glorious sculpture exhibition by Joana Vasconcelos. And, if you are in the area ( West Yorkshire, UK ) , it really is not to be missed. If you want to see more just click here
Artist’s Inspiration at Yorkshire Sculpture Park from the Sculpture Exhibition
To tell you the truth, I visit the park quite often. And I have lots of sketches of the grounds and the exhibitions in my sketchbooks . So, to finish off with, I would like to show you some of them
It’s a permanent installation by Ai Weiwei. And if you look closely, you can see the rusty metal structure bolted together.
One of the strange creatures from the KAWS exhibition – about 10 foot high and painted in pastel pink and white.
And, finally, a view over the park to the Longside Gallery, which also belongs to the sculpture park. I did all of these sketches in place and fairly quickly!
I hope that this report whets your appetite a little for the spectacular sculptures on display at the Yorkshire Sculpture Park
We spent a glorious morning sketching at Wentworth village yesterday. And I wanted to concentrate on the tower of the Old Church. As you can see , the sky was a brilliant blue and cloudless for a couple of hours. However, I don’t think I captured the full effect of the brightness of the colour with a quick watercolour sketch. ( about 20 minutes ) . But I was pleased with my attempt at painting the soft, glowing sandstone. In fact , you can see a more detailed description of a sketchcrawl at the old church here . That’s when I sat in the shady churchyard and painted the gravestones and a monument. It’s great to be going out plein air sketching with some of my art buddies again .
At last ! I managed to get out on a sketch crawl with some art buddies . In effect , we hadn’t seen each other since March . Because , naturally , our indoor sketch group had been closed down back at the beginning of Lockdown . So we sat in the churchyard on our own garden chairs , properly distanced , of course . It was bliss to sit together and to just sketch the surroundings . Honestly , I don’t know why it’s more enjoyable to sketch in a group. But it really is . Possibly because you can inspire each other to greater efforts. And , as you might imagine , some people have more confidence when they are not alone . Finally, there is the pleasure of looking at each others work , at the end of the session.
In the Churchyard at the Old Holy Trinity Church at Wentworth village , South Yorkshire
Well , you can see how beautiful the church is , with the glow of the mellowed sandstone in the sunshine But we were sitting in the churchyard a bit further back , looking out through the trees in the green shade .
Unfortunately , the church was closed when we were there last week . But , I have been inside and it is very impressive, in a quiet , atmospheric way . Anyway, this is the tomb of two members of the Wentworth family which is inside the old church. Obviously , a very important local family- the family that the village is named after .You can find out more about the church here
Another Wentworth Tomb
You can find this tomb sculpture in another , beautiful local church – All Saints at Silkstone village , a few miles away . This couple are Sir Thomas Wentworth and his wife .In order to complete this acrylic painting, I sketched this sculpture in the church first when on a sketchcrawl with some art buddies. And then I used some of my own photos as well for reference when I was painting this acrylic back home . After that , I did a watercolour sketch too , whilst sitting outside , in the churchyard. So , as you can see , I really do find these places very inspiring , especially when in good company ! This painting was on display in my first solo exhibition, back in January – see here . If you look closely , you can see Mike , the curator at Skelmanthorpe Gallery, hanging this picture on the wall !