Good morning everyone. This watercolour experiment started off as a doodle really, then I began testing out different ways of manipulating the paint. After studying Paul Talbot-Greaves’ lovely book, I realised that I needed to practise techniques. And, by making a sample sheet, rather than a ‘proper’ painting so that I felt free to play. And, it definitely worked! So, here you can see wet-in-wet, stippling, spattering, dry brushing dripping and, hopefully, more movement of paint. However, it’s not in my nature not to put a bit of a story into my painting. Consequently, it became a walk in a wood at autumn time. Actually, the choices of colours and shapes must have come from my subconscious.
In fact, I found this exercise very useful and I think I shall be a bit more confident now when painting in watercolour. Honestly, I wasn’t using enough paint or making it wet enough, so things had to change!
Last Year’s Watercolour Experiment in Autumn Colours
Really, I can’t think of a better way to celebrate the season than to sit and drink in the atmosphere of a beautiful autumn day. And then to paint a memory.
You could see more of last year’s autumn plein air watercolour sketches in this post here. And, don’t forget, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for more details.
Good morning everyone. Over the years I have done my fair share of studying old masters, in paint and pencil. In fact, I have always considered it a very useful exercise. And you can learn quite a lot by trying to recreate some of the effects produced by the artist. Actually, this seems to work whether you use the same materials or not. For example the type of paint e.g oils or acrylic, or support (canvas or paper) and so on. In my opinion, there’s always something to be gained by looking closely at the composition, choice of colours and the actual brushstrokes.
And, in my experience, it doesn’t matter which stage you are at in your painting journey. But, the key point is to approach the exercise with the intention to learn . And not to put too much pressure on yourself to paint an exact copy. But it is more enjoyable all round if you choose an artist you admire, or even love! Ok, I confess, I’ve got quite a few ‘ Van Gogh’s ‘ in the archive!
Studying Old Masters – Joachin Sorolla
Well, this is the study I painted in acrylics a few days ago whilst following an online tutorial. Actually, see here for my post on a John Sell Cotman study I completed with this same tutor. To be honest, I’m very fond of this Spanish artist, Joaquin Sorolla, and he is very well-known for painting light. As you can see, I attempted to show the glare of the hot summer sun at the beach. In particular, the extremely subtle play of light on the white cotton material of the young girl’s dress. Admittedly, not an easy task, but it really made me practise mixing slight shifts in tone. And, I will need to improve this skill if I want to progress in my painting. In effect, this is the value in studying old masters.
My Study of Paul Klee’s Abstract Landscape
Finally, I’d like to show you my study of a fab abstract landscape by Paul Klee. He was a Swiss artist who taught at the famous Bauhaus school of art and design. And I love everything he painted! In order to recreate this work in the class I followed online, we first laid down the grid of lines . As you might imagine, these represent the contours and field boundaries of the land. Then came the fun part. First of all, a soft , hazy background of light brown. Then we treated each section separately using a limited palette of yellow ochre, cobalt blue, crimson, black and white. And the finishing touches were the ‘lollipop’ trees and the tiny flowers.
To sum up, whilst working on this piece, I concentrated on choosing harmonious combinations of the colours obtained from the limited palette. Also, I had to think very carefully about the placement of the features in this tightly controlled composition. If you want to see some of my much less tightly controlled abstracts, see this post here. But, I just love studying like this – an unexpected bonus of having lots of free time at the moment.
This is just a quick post today, to keep you up to date with what I have been painting- Flash. So have a look at my latest 16 by 20 inch acrylic composition. To be honest, I am getting really comfortable with this size of paper. To explain ,it’s not so small as to cramp my gestural style of painting. And also, it’s not so large that it seems a bit of a chore to cover all the canvas with paint. Hopefully, you can see what I mean . In addition, the paintings are done more quickly. And I do enjoy finishing off a piece in roughly three sessions. But sometimes I like to take my time and develop a piece gradually. Perhaps, it’s a sign of the times that I am too restless to commit to anything that will take more time and concentration. I wonder if anyone else has felt that the Covid situation has altered their art practice?
Artist’s Inspiration for Flash
The idea for this piece literally came to me ‘ in a flash ‘ ! Suddenly , I saw some red, zigzag flashes on a beautiful, blue sky. Apparently, there was also some kind of ocean wave or strange sort of rolling landscape underneath it all . So , I just picked up my paintbrushes and started ! I must make it clear that I don’t create all my abstracts in this way. Actually, I might write a post all about it soon – so stay tuned ! Click here to see more abstracts, intuitive or otherwise !
Please don’t forget, all of my art is for sale at reasonable prices. This painting is acrylic on paper, 16 by 20 inches . It’s unframed and without a mount. I’m selling it at £60 plus shipping. And I’m based in the UK. If you feel like treating yourself . So, go to the Contact Me page and send me an email for more details.
I painted this picture back in April – I was just longing for some relief from the worry and grief I felt at the height of the pandemic. I’ve waited quite a long while before showing it but perhaps now is the time? The Light at the End of the Tunnel -is there some now ?
Artist’s Inspiration for ‘The Light at the End of the Tunnel ‘
The idea for the painting came to me quite instinctively . I was walking through a small park , enjoying looking at the tree blossom and the new growth on all the plants . And I suddenly thought about how vulnerable we are to illness or viruses . So I decided that the figure should be naked to symbolise the defenceless feelings a lot of us have had , during this pandemic . I also pictured him in luxuriant foliage . I was , no doubt , influenced by the scene in the garden I was walking through !
I think I was gradually working towards this idea . Just have a look at this mixed media journal page I created in March this year , to cheer myself up. I called it ‘ A Brighter Day ‘ It was very intuitive , but afterwards I realised it was a picture of hope , breaking through like a glorious sunrise .
My ‘ Progress of Mankind ‘ Series
And the other stage in the process was , of course , my ‘Paradise ‘ painting . Here I portrayed the Earth as a wonderful , unspoilt world in the trilogy that I created for a commission proposal earlier this year.
You could say that ‘ Paradise ‘ was Part 1 , then ‘ Hell on Earth ‘ Part 2 came next , followed by ‘ Free Spirit ‘Part 3 . You can see the whole story in this post here . But now I can see that ‘Light at the End of the Tunnel ‘ Part 4 comes next in the story . I’ll show you Part 5 in a little while . None of this was planned . But I realise , with hindsight , that my intuitive inspiration was steadily moving through these past events and helping me to cope . I wonder if anyone else has noticed any effects on their art practice ?
An Intuitive Abstract Composition in Pink and Green
This is the first painting in a set of three that I mentioned a couple of posts ago .And I called this one ‘Paradise ‘ . I think I must have imagined a tropical scene or a scene in a jungle . The colours I was drawn to – luscious pinks and vibrant greens – definitely fitted into this theme . I tried really hard not to paint anything too figurative and realistic . But when I stood back from my easel, I saw suggestions of a bird , an insect , perhaps an animal, flowers and leaves . So I realized that I was going to make this this acrylic abstract composition semi-abstracted not purely abstract . But that’s ok. To be honest , I often find that my paintings decide what they want to be . And , sometimes without a lot of input from me ! I even turned this one upside down several times to paint it and the motifs still appeared ! I wonder if you can see any signs of life in this jungle ( as well as the luxuriant foliage , that is ) ?
Paradise – Birds , Flowers and an Insect ? – details from my acrylic abstract
I believe that the term ‘ paradise ‘ has its origins in a word which meant ‘garden’ , a place with lush growth and plenty of water , a place where you could rest and gaze upon a beautiful scene . When I painted this , I was thinking about the story I was telling in a series of three canvases for a commission proposal : this is the first one ‘Paradise ‘. And the second one ‘ Hell on Earth ‘ was shown in a previous post in May here and it carries the story forward .. All will become clearer soon when I reveal the third part !
This is an intuitive abstract acrylic painting on canvas from a few weeks ago on a 2 foot square canvas . Actually , this is the largest size I have ever painted. It took me a while to learn how to adapt the size and shape of the design to the square format . But , that came after the initial free expressive part of the painting . Of course , some semi-abstracted shapes crept in , but that was ok . Mainly because it fitted in well with the story I was developing over three canvases . These form a triptych which I entered in a commission to produce artwork for a chapel gallery in a local stately home . Unfortunately , I wasn’t successful but I felt it was a very useful exercise and I learned a lot about describing and presenting my work whilst doing the submission .
However , now this work can now go public and here it is in a virtual exhibition called ‘ On a Washing Line ‘ . This is presented by a group of local artists that I belong to. We were due to exhibit our recent work in the real world but this is the next best thing . And a lot of fun too !
To let you into a bit of a secret , I called the piece ‘Hell on Earth ‘ the second of three paintings on canvas . It’s a story about the difficulties the world seems to be going through just now. A dramatic piece to catch the eye and make a bold statement in a large space. But , don’t worry , the ending is hopeful and I will tell the tale in a while over a couple more posts .
You’ll see more of my abstract acrylic painting on canvas in the gallery section Abstracts here