In the Hot, Dry Desert

In the hot, dry desert, an old shack in the afternoon heat.
In the Outback

Good morning everyone. Well, I must admit that I was quite pleased with the way I painted this acrylic of the hot, dry desert. As you might know, it is another of the projects in the Learn to Paint Academy course I am following. And the photo was taken by Rod Moore (our tutor) when he took a trip into the outback. Apparently, the temperature was rising to 44° on that particular afternoon! So, it really is a good job that I don’t live in Australia. Because I would just melt into a small puddle!

Home in the Hot, Dry Desert.

Closeup of “In the Outback

As I hope you can see, the heat was positively bouncing off the corrugated iron roof. And this derelict old house with chimney, stove and veranda must have provided a refuge from the heat for someone. Actually, I enjoyed painting this scene- it was something different for me, living as I do in rainy Britain. In fact, trying to put some perspective in that expanse of sand was quite a challenge. And when I added the dense areas of shade around the house it was very satisfying.

A Camel – Ship of the Desert?

A Camel waiting for tourists in the Egyptian desert, next to a pyramid. In gouache.
Ship of the desert – photo by Jose Ignacio Pompe on Unsplash

Now, quite by chance, I painted this in gouache paint a couple of weeks ago for my Beginner Gouache group on Mewe. As the theme for the month was Egypt, I chose a photo of a camel and the handler. And they were waiting for tourists who, after a tour of the pyramid site, were eager for a ride into the hot, dry desert.

Obviously, I cropped the photo right down to get a quirky view of the animal. And then, just to complicate matters, I set myself the challenge of painting in an abstract style. To explain, I would treat each shape as a separate block of colour and texture. And, hopefully, I would not distort the sense of the image too much. Just an artistic experiment!

Have a look at this post here to see a different type of desert – “Drylands” , more of a science fiction scene, really.

Looking at the Great Dufy

My study of an abstract painting by the great Dufy.  Showing boats jumbled up in a Mediterranean harbour, with sizzling colours.
My study of Raoul Dufy’s “Boats at Martigues”

Good morning everyone. Today I’d like to show you the study I made of a superb painting by the great Dufy. Actually, I did this while following a good online tutorial run by Art Enthusiasts London. Perhaps you remember my post about making a study of a Paul Klee abstract composition with the same tutor (see here ).

Unfortunately I haven’t got a lot of background about this painting. Raoul Dufy, 1877- 1953, was well known for his colourful paintings, influenced by Matisse, Cezanne and Monet. And I have long admired his bright, elegant scenes of smart seaside resorts in early 20th century France. Obviously here you can see a jumble of boats in the harbour- maybe on the Mediterranean coast.

The S Shaped Composition of the Great Dufy

Just look at how Dufy has simplified the shapes into ovals and straight lines. And then arranged them into a reverse S shaped composition, starting from bottom right and including all the boats. Masterly!

However, we also concentrated on the juxtaposition of the glorious colours the artist decided to use. No doubt they were inspired by the actual real details he could see at the quayside. But he then arranged them for maximum effect on the canvas. For example, he used complimentary colours green and red, blue and orange to make really sizzling combinations. As you can imagine, I found this exercise perfect for me – I don’t call my art activities ‘A World of Colour’ for nothing!

My Dufy Inspired Acrylic Abstract

My abstract composition,  possibly hinting at a coastal scene. Using colours and structure inspired by the great Dufy.
Coastline

To tell you the truth, I was so inspired that I straight away (well next day anyway) started do an intuitive abstract . I had a print-out of the original in front of me for colour reference. And then I just let my hand paint away. But that was stage one. Then came two more sessions adding and subtracting material, balancing shapes and colours. Until the picture said ” I’m finished “. What a satisfying experience!

I hope you like my little tribute to Dufy. And you can see more abstracts in my Gallery here. All my paintings are for sale at reasonable prices. Just go to the Contact Me page here and use the form to email me.

Rainy Day Painting in Acrylic

A dreamy, misty view through the trees to the hills on a rainy day .
Rainy Day

Good morning everyone. I thought I should show you this rainy day painting today. Because it’s part of the online course I’m following and I have painted a couple since this! Anyway, the challenge in this simple scene is how to make all the different shades of green make sense. In fact, our tutor Rod Moore helped us through this by reminding us of the principles of colour perspective.That is, colours in the distance become cooler in the sense that there is more blue in the mix. In practice, the greens further away are greeny blue and those in the foreground are yellowy blue. To be honest, it’s actually much more tricky than it sounds and it involves a lot of careful colour mixing.

The Greens in the Foreground

Rainy Day – a closeup of the foreground grasses

The second big challenge in this acrylic painting is how to convey the idea of rain and dampness in the air. Well, I tried to blur the colours and shapes by using some indistinct brush strokes. But, if you go too far with this, you’re in danger of losing too much detail. And then the scene just looks confusing. So, although the features in the composition are relatively simple (trees, distant hills and a path) it wasn’t easy!

The Distant Hills in my Rainy Day Painting

A close up of the line of hills in the mist of a rainy day.
Rainy Day – a closeup of the hills and the mist

Finally, I hope you can see in this closeup how I indicated damp, misty conditions. In order to do this I brought the pale sky colour over the line of the wooded hills. And this really helped with the illusion of misty dampness I was trying to create. In effect, this is the only view of Australia in the rain that we have painted on the course. For example, take a look at this sun drenched scene here that I painted a few weeks ago.

My Abstract Impression of English Rain

Raindrops on the Window

See this post here for the story behind this picture!

Mood and Atmosphere in Abstracts

An abstract composition,  reminiscent of a bright woodland scene with a paved path to follow. A cheerful mood and atmosphere.
Down the Path

Good morning everyone. Today I’d like to talk about mood and atmosphere in intuitive abstracts. And, just to make it clear, by intuitive this is what I mean. Simply that I sit down to paint a smallish abstract work in my art journal. And I don’t have any idea about the colours and shapes I’m going to use in the composition. In other words, I work instinctively. On the other hand, that doesn’t mean to say that I am not influenced by what’s happening around me.

Also, I notice more and more often that I unconsciously choose colours and sometimes styles that I may have admired in other artist’s work. In addition I seem to include the contrasts and textures I have noticed in the natural world. But, as I said before, none of this is by deliberate choice.

Bright Mood and Atmosphere

In this little piece, I think my mood must have been upbeat. Because I went for cheerful yellow and glimpses of blue sky. Then trees and branches popped up so I went with the idea of a forest, one of my favourite motifs, actually. And, although I worked on this by rotating it round all four ways, the path was clearly obvious. So I guess my subconscious was showing me that there’s still a way to go. So, keep on keeping on!

Cheerful Optimism and Determination?

A close up of the paved path, stretching out before you, leading to the sun.
The Path

Incidentally, I wonder if this scene makes you feel the same as me? Because, of course, I have only discussed the intention and reaction of the artist. However, the reaction of the viewer is also very important. And, with a loose work like this, you can interpret it any way you like. I am sometimes quite fascinated when I talk to friends who visit my exhibitions. Naturally, at the moment this is not possible in the real world. Thank goodness I can show you my work virtually like this! And, we have all got to walk down that path a little bit further yet. Stay well.

If you want to see more of my little intuitive abstracts in mixed media, see this post here.

Studying Old Masters – Acrylic Painting

A Study by me of “A Small Rhythmic Landscape by Paul Klee

Good morning everyone. Over the years I have done my fair share of studying old masters, in paint and pencil. In fact, I have always considered it a very useful exercise. And you can learn quite a lot by trying to recreate some of the effects produced by the artist. Actually, this seems to work whether you use the same materials or not. For example the type of paint e.g oils or acrylic, or support (canvas or paper) and so on. In my opinion, there’s always something to be gained by looking closely at the composition, choice of colours and the actual brushstrokes.

And, in my experience, it doesn’t matter which stage you are at in your painting journey. But, the key point is to approach the exercise with the intention to learn . And not to put too much pressure on yourself to paint an exact copy. But it is more enjoyable all round if you choose an artist you admire, or even love! Ok, I confess, I’ve got quite a few ‘ Van Gogh’s ‘ in the archive!

Studying Old Masters – Joachin Sorolla

A study by me of a joyful, bright abstract landscape by Paul Klee with hills, trees and flowers. Studying old masters.
A study by me of ‘ Lowtide – Elena at Biarritz ‘ by Joaquin Sorolla

Well, this is the study I painted in acrylics a few days ago whilst following an online tutorial. Actually, see here for my post on a John Sell Cotman study I completed with this same tutor. To be honest, I’m very fond of this Spanish artist, Joaquin Sorolla, and he is very well-known for painting light. As you can see, I attempted to show the glare of the hot summer sun at the beach. In particular, the extremely subtle play of light on the white cotton material of the young girl’s dress. Admittedly, not an easy task, but it really made me practise mixing slight shifts in tone. And, I will need to improve this skill if I want to progress in my painting. In effect, this is the value in studying old masters.

My Study of Paul Klee’s Abstract Landscape

A study by me of ‘ A Small Rhythmic Landscape ‘ by Paul Klee

Finally, I’d like to show you my study of a fab abstract landscape by Paul Klee. He was a Swiss artist who taught at the famous Bauhaus school of art and design. And I love everything he painted! In order to recreate this work in the class I followed online, we first laid down the grid of lines . As you might imagine, these represent the contours and field boundaries of the land. Then came the fun part. First of all, a soft , hazy background of light brown. Then we treated each section separately using a limited palette of yellow ochre, cobalt blue, crimson, black and white. And the finishing touches were the ‘lollipop’ trees and the tiny flowers.

To sum up, whilst working on this piece, I concentrated on choosing harmonious combinations of the colours obtained from the limited palette. Also, I had to think very carefully about the placement of the features in this tightly controlled composition. If you want to see some of my much less tightly controlled abstracts, see this post here. But, I just love studying like this – an unexpected bonus of having lots of free time at the moment.

Three Mixed Media Abstracts from my Artjournal

A jumble of sharp, jagged shapes and urgent flashes of red - a mixed media abstract showing anxiety and fear.
Jagged

Hello everyone. Today I’d like to show you the work I’ve been doing in my art journal – some mixed media abstracts. Actually, I’ve continued using this journal since last March, when our first period of lockdown began. To be honest, I turn to it when I’m feeling a bit overwhelmed. As you can see in the image above, this intuitive abstract composition is quite dark and sombre looking. And there are some spiky shapes and touches of bright red to indicate danger. In fact, I used gouache paint, pencil and pen, and afterwards I felt much better!

An Experimental Mixed Media Abstract

Yellow and Grey

This drawing above is a good example of how I also use my journal to experiment with different techniques. As you can see, here I limited myself to lemon yellow and medium grey. Because I wanted to create a piece for a challenge in the Triwing Challenge group on Mewe. In truth, I would probably never have chosen this combination of colours. But it was very enjoyable and concentrated my mind on texture. You see, I had seen some fab work online with really densely applied layers. And, I used pencil, marker and oil pastel in this drawing. There’s a great freedom in scribbling in a journal. In addition, it’s therapeutic too!

A compact,crowded abstract composition of organic shapes in orange, yellow and dark green.
New Style Abstract

Finally, I’m quite proud of this little painting/ drawing. For, I tried a new style – a composition centred in the middle of the paper, with lots of white paper showing. Obviously, it’s quite different to my usual style which completely covers the space on the paper. And I tried adding graphic marks on top of acrylic paint with markers and biros. Watch out, I feel a series of mixed media abstracts coming on!

If you would like to see more Lockdown Artjournal experiments, see here and here.

A Covid Art Journal – Work in Progress

Good Day – Bad Day

Hello everyone. I’d like to tell you all about the Covid art journal we are putting together. When I say we, I mean the Rotherham Roar group of artists that I am a member of. Obviously, we have not been able to hold our meetings in person since March now. And, as for the exhibition we were planning to put on together, that’s been put on hold. However, we’ve been meeting on Zoom. And we decided to make a record of our feelings during this strange time. For most people this has taken the form of work on paper in a sketchbook.

My Contribution to the Covid Art Journal

A bright , cheerful abstract gouache painting. My Covid art journal page.
Good Day

This is the first half of my double page spread. You see, I decided to highlight the way my mood fluctuates from one day to the next. So here we have ‘Good Day ‘ and it shows optimism, hopefully. Perhaps this day the sun is shining and I’ve been out for a walk in the fresh air. And I’ve been counting my blessings and feeling confident that things will work out well. To explain, I tried to show the beauty of the world and hope for a bright future.

The Second Half of my Pandemic Art Journal Contribution

A dark, sinister abstract with spiky shapes,  dark shadows and uncomfortable contrasts of colour. Showing the mood of a bad day for my page in the Covid art journal.
Bad Day

As you can tell, this gouache painting represents those unhappy feelings that we have probably all experienced recently. To be honest, I had fairly sad things on my mind when I painted this . And I tried to show this in the spiky shapes, gloomy shadows and uncomfortable atmosphere of the piece. Anyway, that’s enough of doom and gloom for the moment. But, I must admit that the situation and free time has given me the opportunity to do a lot of creative work. So, it’s not all bad!

Some Happy Pages from my Own Covid Art Journal

Under the Sea
Cheerful

This mixed media piece ‘ Cheerful ‘ was painted back in March, and it certainly cheered me up at the time ! You might like to have a look at more of my art journal ideas here .

See myThree Art Journal Abstracts

Frantic

Hello everyone. This morning I’d like to show you some of the art journal abstracts that I’ve been painting over the past week or so. My art journal has been such a lifeline to me during the pandemic. For example, when I felt that everything was beyond my control, I would turn to my journal. Then I would grab the nearest materials to hand and just randomly create. Invariably, I would have some precious time engrossed in painting or drawing and not dwelling on problems. And , afterwards, I would feel better !

The Ceramics Patterns One

A softly coloured,  calming abstract composition in watercolour and gouache.  Muted palette of green, gold purple and fawn. One of my art journal abstracts.
Patterns

I painted this one above very quickly in watercolour and gouache. Actually, it was only afterwards that I realised how much I had been influenced by the beautiful ceramics on display at Cannon Hall. In fact, I can also see echoes of the colours in the pieces – soft green, gold, purple and fawn. As it happens, that’s quite an attractive combination of colours to inspire feelings of calm, I think.

The Ink Drop Art Journal Abstract

A chaotic jumble of shapes, half glimpsed figures and patterns in orange and red acrylic inks, fineliner and watercolour wash. One of my art journal abstracts.
Frantic

To tell you the story behind this picture, I had watched an interesting documentary about the British artist Maggie Hambling. And she explained how, every morning she sat down and ‘ doodled ‘ or scribbled very quick sketches using acrylic inks. Interestingly, without pen or brush – just moving the ink around with the dropper in the bottle. But, as she explained, this was an exercise to loosen up before spending the rest of the day painting. As you can see, my small abstract clearly reflects my agitated state of mind ! However, I really enjoyed the process, especially adding marker and watercolour afterwards. So, having a sketchbook and a few art materials handy enables me to follow any inspiration straight away and on the spot ! ( The dining table, actually )

The Graphite Mark Making One

Making Marks

Obviously, my mind was still running on pattern in this one. But I had also been looking at art blogs online where people had been experimenting with pencil and marker. So, I had a go and, I must say, it was very soothing to do. And, I quite like the black and white movement around the page in this example of my art journal abstracts. Well, that’s another reason to keep an art journal – a little safe space to experiment and practice different media and techniques. And I was also quite pleased with some of the collage that I experimented with in my journal. See here – my underwater scene. To be honest, my journal is almost full up, but I’ve got another one, all ready in the wings and waiting to be put to good use!

Curved shapes in Acrylic Abstract Painting

An abstract composition, soft organic  shapes in coral contrasted with interlinking lines in teal.
Trapped

Hello everyone. This morning I thought I’d like to show you the latest in my series of acrylic abstracts. And this one, yet again is largely made up of curved shapes. Perhaps you can see in this painting how I was influenced by the present situation. In a sense, you could interpret it as organic creatures confined behind the mesh structure. Possibly a reflection of lockdown ? But, that’s not the whole story. To be honest, I was also thinking about my ‘stained glass ‘ theme which I was developing a few months ago. And, as you can see, I really got carried away with the beauty of the soft, amorphous coral coloured masses . And, what a glorious contrast they make against the teal blue.

More Curved Shapes

Curved Shapes in Gouache

This is just a quick doodle in gouache – part of my experiments to understand how to handle the paint. However, I was struck by the fact that I automatically draw rounded shapes, inspired by nature or imagination . Very rarely do I want to include many geometric or straight edge shapes in my compositions. And , I must admit, I do sometimes feel out of step with the modern trend in abstract painting . Because it seems to be composed of squares, rectangles, angles and straight edges. In fact, the very opposite of my soft, curved shapes !

The First Big Rounded Abstract

Breakthrough  - an abstract composition in yellow, gold and vibrant blue.
Breakthrough

I wonder if you remember this one from July this year ? Actually, this is the one that set me off on my mission to go larger with my round, gestural shapes. If you want to see more of the story behind this acrylic abstract see here .

Art for Sale

Trapped – in Coral and Teal

But, to go back to the star of the show, this painting is now for sale ! It’s in acrylic on paper, 16 by 20 inches, unframed. And, it’s at the very reasonable price of £60 plus shipping . I’m based in the UK and you can pay by PayPal. So, just go to the Contact page here and send me an email. Then you can have this in your home and look at it and lose yourself in the calm, comfortable, soothing atmosphere.

Floating on Air – an Acrylic Painting

A peaceful scene , beautiful white flower-like shapes floating on air in a warm, pink sky.
Floating on Air

Hello everyone. I finished this acrylic painting quite recently. But I had started it a few weeks ago . And I had begun seeing pictures in my mind a little while before that. Pictures of things floating on air – first of all fluffy, cold snowflakes drifting down from a peaceful , warm sky . Then I visualized white flowers or petals slowly sinking on to a dry, dark landscape. To be honest, the inspiration for this idea was easy to see. Because every time I look out of my kitchen window, I see glorious, blooming begonia flowers in the windowbox. Actually I was inspired earlier by my flowers in another planting arrangement here – a painting in a very different mood.

Blooming Begonias

Begonias in the Windowbox

As you can see, these beautiful flowers with their delicate layers of petals are very appealing. However, when I picked up my paintbrush, I had decided on the main idea of something white , drifting down. Also, I was clear that that I wanted a subtle pink sky above a grey expanse – perhaps landscape or rolling waves ? After all, that’s the image that came to me. But, I kept seeing snowflakes or clouds, balloons or parachutes. And that’s what took me so much time to plan this painting. Well, a long time for me anyway.

The Close Ups

Floating on Air

I hope that I managed to capture the light, drifting quality of these white objects. In effect, I was thinking of all of the ideas I had at first. For example, clouds, snowflakes and petals, and so on. Although, obviously, the actual form they took was the shape of flowers.

A Flower Floating on Air

A close up of a flower with ruffled,  layered petals , floating on air.
White on White

As it happens, the actual painting of the white flower shape was quite difficult. In order to give it some idea of form, I had to introduce other colours to suggest the layers of ‘ petals ‘. Hopefully, you can see this in the detail above. Well, I tried ! But , I don’t think this particular inspiration has finished with me yet. And, I might have to work with it again !

New Paintings for our Exhibition

A bright, colourful abstract composition in orange and blue. One of the new paintings for our exhibition
Sunshiny Day

Last Friday I went to look around our gallery in the Ridings Shopping Centre in Wakefield. Perhaps you may remember that I am a member of an artists group called Northern Fringe Artists. And we have a lovely gallery in a shop unit there. So I took some new paintings for our exhibition. Obviously, we like to change things around so that visitors have something fresh to look at. Actually, I’m quite fond of this painting – Sunshiny Day . In fact, I painted it quite simply to cheer myself up last year . Because we were in the middle of a dark , damp winter and I was longing for some sunshine! Incidentally, I borrowed the title from the lyrics of a song by Bill Withers ‘ Lovely Day ‘, an old favourite of mine.

Elephant Festival

Another One of the New Paintings for Our Exhibition

To be honest, this was great fun to do. In my opinion, elephants are fascinating animals to paint. I could really go to town on the pinkish tinge of the skin on the elephant’s face and ears. Actually , I’ve done another sketch of a model of an elephant in battle armour . It’s somewhere about -I’ll find it and show you soon. As I recall, I was at the Leeds Armouries Museum, back in January, with Urban Sketchers Yorkshire. Do you remember those days when being out with a group of friends was a pleasant, stress-free experience?

The Apple and Pear Harvest

A semi abstract scene showing apples rolling on the grass under the tree - green and red.
Apples Falling

When Inspiration Strikes

As you can probably see, I used this painting for one of the online posters I made for my solo exhibition. Have a look at this post here to see the other paintings on show in January this year. However, this painting does have a nice back story. Well, we went to Cannon Hall Museum, Park and Gardens last year to join in the celebrations on Pear Day. There are lots of heritage varieties of pear trees in the Walled Garden there. And, it’s usually quite a jolly day. As usual, I took my sketchbook with me. And , in spite of all the luscious pears on display, a box of apples, spilling out over the grass caught my eye. A couple of watercolour sketches and a few photos later, I went home and started painting an acrylic painting of the scene. You see, when inspiration strikes, you’ve just got to go with the flow!

Playing with Gouache Paint

Bathing in the River – Early Morning – reference photo by Frank Holleman from Unsplash

Hello everyone. I thought you might be interested to know what else I have painted while playing with gouache paint. First of all, I tried using a better quality watercolour paper. Because I wasn’t really satisfied with the mixed media paper I used for this painting here of a woman, carrying water home . To be honest, I put so many light washes on places that I rubbed the surface off ! So, I experimented on a small piece of smooth watercolour paper in this painting below.

Playing with Gouache Paint on Smooth Paper

A colourful abstract in gouache applied with watercolour techniques.
Abstract Gouache Experiment

As you can see, I put several washes on some areas to darken and strengthen them. And, the paper would easily take three or four. Also, I tried to apply dark colours over light too and that was quite successful. I must admit , I might use this as an idea for a larger, acrylic painting. And, people seemed to like it on my Instagram account here . So, next I used good watercolour paper for this painting of a figure bathing in the river. Actually, this was done for the India theme we are following in the Beginner Gouache group I belong to.

Gouache Experiment for India Theme

More Experiments – Acrylic Style

I was quite pleased with this painting and I enjoyed trying to show the early morning light on the water. In fact, I think it might be the Ganges river but I’m not sure. Anyway, I’m not really a watercolourist, so my next painting is different. And, this time, I’m using the gouache paint more as I would use acrylic paint . Obviously, gouache paint is very versatile. And, I am much more in my comfort zone when putting on thicker layers of paint ! Of course, I’ll show you the picture when it’s finished . So, that’s all for now.

Experiments in Gouache

An abstract in  bright jewel like colours divided by a diagonal line. One of my Experiments in gouache.
On Either Side of the Divide

This is the very first of my experiments in gouache paint. Because, as you might know, I paint mostly in acrylic and also sometimes in watercolour and mixed media. Anyway, I picked up a couple of very cheap starter sets of gouache paints. Actually, as far as I can tell, the paint is watercolour as a base and then body colour is added. Hopefully, I’ve got that right – I’m no expert! In fact, the combination of the two elements makes the paint opaque instead of translucent. And then, obviously, it doesn’t behave on the paper exactly like watercolour. As you might be able to see, I tried to apply it as acrylic on this painting. But , it isn’t acrylic either, so I couldn’t layer it on thickly as I tried to do. I’m not sure where this leaves me, which is why I am calling these paintings experiments in gouache!

More Experiments in Gouache

Fetching Water – reference photo by Ibrahim Rifath in Unsplash

This is a little painting I did on unsuitable paper in my art journal for a great new group I have joined. Well, it’s called ‘Beginner Gouache’ and it’s on a new media platform MeWe – new to me , anyway. To be honest, I like it because we can pass on useful tips to each other about the painting process . Also, because it’s a lovely group, we can encourage and support each other at the same time. However, to get back to the unsuitable paper, it’s mixed media paper in my art journal. And it does a pretty good job of handling most of what I throw at it – see this post here . But very wet gouache paint is a step too far for it, as I have found out in my experiments in gouache. And, if you want to watch a good tutorial on using gouache, click here . As you will see, the medium is very versatile ( and the artist Shari Blaukopf is very good too! )

Another Abstract in Gouache

Doodle Abstract

I really enjoyed working on this. Actually , I was reading a good book on abstract composition which reminded me about the ‘ doodle and fill it in’ approach. But the book also taught me about the importance of colour balance in abstracts. And I tried to put it into practice in this painting. To sum up, I really like using gouache. However, I do consider myself to be a beginner. And I’ll probably show you a few more of my experiments as I go along!

Flash – an Acrylic Painting

Three red zigzag lines flash on a soft blue sky  over a strange ochre coloured wave
Flash

This is just a quick post today, to keep you up to date with what I have been painting- Flash. So have a look at my latest 16 by 20 inch acrylic composition. To be honest, I am getting really comfortable with this size of paper. To explain ,it’s not so small as to cramp my gestural style of painting. And also, it’s not so large that it seems a bit of a chore to cover all the canvas with paint. Hopefully, you can see what I mean . In addition, the paintings are done more quickly. And I do enjoy finishing off a piece in roughly three sessions. But sometimes I like to take my time and develop a piece gradually. Perhaps, it’s a sign of the times that I am too restless to commit to anything that will take more time and concentration. I wonder if anyone else has felt that the Covid situation has altered their art practice?

Artist’s Inspiration for Flash

The idea for this piece literally came to me ‘ in a flash ‘ ! Suddenly , I saw some red, zigzag flashes on a beautiful, blue sky. Apparently, there was also some kind of ocean wave or strange sort of rolling landscape underneath it all . So , I just picked up my paintbrushes and started ! I must make it clear that I don’t create all my abstracts in this way. Actually, I might write a post all about it soon – so stay tuned ! Click here to see more abstracts, intuitive or otherwise !

Flash

Please don’t forget, all of my art is for sale at reasonable prices. This painting is acrylic on paper, 16 by 20 inches . It’s unframed and without a mount. I’m selling it at £60 plus shipping. And I’m based in the UK. If you feel like treating yourself . So, go to the Contact Me page and send me an email for more details.

Flowers in the Rain – Acrylic Painting

A huge bright yellow bloom crowded up against three purple pansies . The colours really glow in the wet weather  - flowers in the rain .

This is just a quick post to show you my latest acrylic semi – abstract painting . You might remember that I have recently ‘ gone large ‘ . That means that I have started painting on bigger canvases and sheets of paper . In fact , this composition Flowers in the Rain is 16 by 20 inches on good watercolour paper

Going Large with Flowers in the Rain

You might think that this isn’t very large . But , you see I felt sort of blocked earlier on this year with all the worrying things that were happening. So now , I feel a bit more relaxed and I am revelling in using paint freely on bigger supports . And , I do hope you can see that joyfulness in this flower picture.

Flowers in the Rain – a close up of the beautiful yellow begonia .

Interestingly , I was fascinated by the soft , folded petals of the large bloom that I indicated here . In fact , I got so carried away with painting it , that it grew larger and larger !

Flowers in the Rain – detail of a deep purple pansy glistening in the rain .

To tell the truth , my main inspiration for this piece was the way that the drizzle intensified the colours . The leaves and flowers in the rain were sparkling with light ! I even allowed this to spread onto the fence panels in the background. Of course, they were really a dullish brown . If you want to see some more paintings of lovely flowers, just go to my gallery here .

All my paintings are for sale at reasonable prices. I’m selling this painting for £50 , including shipping in the UK . It’s 16 by 20 inches ( which is not too big , or too small ) . The piece is unframed , so you can choose your own frame . And I think that most people prefer this . If it really calls out you and you need to have it , just send me an email by using the form on the contact page

Online Exhibitions in August 2020

A watercolour sketch of the impressive Piece Hall in one of my online exhibitions.  The golden sandstone glows on a sunny day .
The Piece Hall at Halifax

The lovely people at the Skelmanthorpe Community Library Gallery have given me the opportunity to display my work on their Facebook page here . I’m the featured artist for a fortnight with one of my online exhibitions ! They are doing their very best to support and showcase local artists during the pandemic . I’m sure that as soon as it is safe , the gallery will be open again. Until then , we can enjoy taking part and also looking at other artists’ work in this way .

The Piece Hall – in my online exhibition

A detail from The Piece Hall watercolour sketch

The Piece Hall is a very famous site in Halifax, West Yorkshire. It is a Grade 1 listed building . It was the place where handloom weavers sold their pieces of woollen cloth in the 18th Century. As you can see , the building itself is very beautiful . So I couldn’t resist standing on the first floor balcony and doing a small watercolour sketch . Afterwards , at home I used the sketch as a reference along with a couple of postcards to create this larger piece . But , I worked fairly quickly and tried to keep the plein air feeling .

A Reworking of an Old Acrylic Painting – now in one of my online exhibitions

Coffee and Cake

Perhaps you have seen this acrylic painting in one of my blog posts . Or , if not , you might want to go and have a look at the story behind the picture here.

A Spring Painting in one of my Online Exhibitions

An early Spring painting  , showing a walker admiring snowdrops in a picturesque park . On show in one of my online exhibitions
Snowdrops

I painted this acrylic painting just after Christmas, earlier this year for the Springtime in Yorkshire exhibition at Skelmanthorpe Gallery . But of course , as it was due to open in March it was cancelled due to the pandemic . So , it was a great chance to show the picture in my featured fortnight on the Village Art Facebook page in one of my online exhibitions. It shows a figure ( my husband actually ) on a cold day in February, admiring the Snowdrops in the big rockery at Wentworth Castle Gardens . This is a beautiful place where we quite often like to walk.

Art for Sale

All of these paintings, along with eleven more , are available to see on the display on Village Art Facebook page and to buy . If you see anything you like , send me an email , using the form on the Contact Me page

The Lockdown Art Exhibition

Family

And , finally , I was so pleased to be included in this Fronteerlockdown art exhibition on Instagram. This is my intuitive abstract and I’ve called it ‘Family’. You see , Fronteer are a husband and wife team who promote the arts in Sheffield see here. You certainly ought to look up the whole exhibition on Instagram if you can . It’s top class and , if I’m lucky , I might be included in the real life show selection as soon as it can be staged in their Gallery. I’m keeping my fingers crossed ! That’s all the news on my online exhibitions for now , but , I’ll keep you posted !

Virtual Exhibition of New Work

Blue and Yellow

This is my latest acrylic intuitive abstract and it’s on show in my virtual exhibition on Artsteps . It was put together for me by my great friend Matt Butt of Rotherham Roar artists , a wonderful artists collective that I belong to . And this acrylic painting on paper is my first example of working in a larger format for a long while . To tell you the truth , I don’t think I shall ever go smaller now !

Flower Paintings in my Virtual Exhibition

A close up acrylic painting on canvas.  Cone flowers  - red against green foliage . In my virtual exhibition
Cone Flowers

I painted this canvas as the last of a set of four – you’ll get the full set in the virtual exhibition, together with Sunflower, Oriental Poppy and SeaThistle . Look for the link at the bottom of this page to see my show. This fantastic app ‘Artsteps’ allows you to create your own exhibition in a virtual gallery . And then you can ‘ walk ‘ around using the arrow keys .

An intuitive abstract suggesting flight and release - blue shapes floating across a pale yellow sky. Part of my virtual exhibition
Free Spirit

The Progress of Mankind

You’ll also see the last part of my triptych ‘ The Progress of Mankind ‘ – the painting above which I called ‘ Free Spirit ‘ . The other two parts (One and Two) are on show in the virtual exhibition and they really look good hanging together in the gallery . To tell you the truth , that’s the first time I’ve seen them together and it’s amazing what a sense of satisfaction I got from ‘ seeing ‘ them hanging on the wall online . Just imagine , I would never taken up this opportunity of displaying artwork online if not for the pandemic ! And you can also read my post all about this triptych here .

Lockdown Art in my Virtual Exhibition

Pigeon

To finish off this little review , I will include a watercolour and pencil mixed media piece . Well , this came about as a result of watching birds in my garden during early Lockdown. The pigeon continued strutting around as if nothing was amiss . Strangely , this made me feel a lot more optimistic at the time.

Although you can’t visit my show in person , at least you can see my work laid out virtually this way . If you follow this link here , you can see my exhibition. Use the arrow keys or WSAD keys to navigate around . Click on any picture to get a close up and better lighting . Anyway , there are twenty paintings to see and it’s great fun virtually walking around the gallery. This works best on a PC rather than a phone or tablet , unfortunately . All my paintings are available to buy at reasonable prices . So just send me an email using the form on the Contact Me page , if you want to know more.

Painting Plants At the Allotment

An abstract composition suggesting a tangle of vegetation in a wood. Mixed media.
Among the Trees

We have been working very hard in the garden for a few weeks now . The summer season is in full swing and the crops are growing furiously in this weather . The glorious sunshine and lots of rain have certainly helped ! There’s lots of inspiration for painting plants.

Taking a Break – Painting Plants

Drawing Runner Beans

I don’t often find time to take a break when we are up at the allotment . There are always so many chores to do at this time of year . But , I couldn’t resist it any longer and I just had to draw the tangle of leaves and flowers twining their way up the garden canes ! As you can see in the sketch above , I did a working sketch of the runner beans . To explain , the sketch is a quick record of the scene – about twenty minutes. And it is intended as a reference for me to use later when I have time to do a larger painting.

Drawing Runner Beans – a close up

My Notes on Painting Plants

Hopefully , you can read the notes that I scribbled on my drawing here . They are just reminders of the colours for when I paint the bigger picture . I do also take one or two photos , but the memory of actually drawing this first will be more useful to me . I did observe the shapes of the leaves and flowers quite carefully too .

Tangled vegetation

Painting Plants - a window box crammed full of polyanthus flowers - yellow,  purple and green . Abstract composition
Spring Flowers

I have been quite fascinated by tangled leaves and flowers for a couple of years now . In this mixed media painting of flowers in a windowbox above , I tried to show the crowding of the plants in a small space . And the painting at the top of the page is my impression of how I felt after a walk in a wood in early summer last year. There was a real jungle of growth and I just had to spend some time painting plants . So much inspiration and so little time ! ( see more abstract flower paintings here )

Watercolour and pencil work showing a runner bean plant with scarlet flowers  -painting plants .
Runner Beans in Colour

I took ten minutes later on in the day to add some watercolour to my runner beans . To be honest , I haven’t decided yet whether to turn this into a semi abstracted composition or a design . Stay tuned to find out !

Abstract Flower Painting in Summer

A very large pink and red abstract flower painting,  slightly abstracted in style , surrounded by relief prints of leaves in purple and olive green.
Big Pink Abstract Flower

Last week I was inspired by the combinations of colours that I saw in the summer flowers I was planting in our window boxes . Pink and red caught my eye and I worked with these to create an abstract flower painting . I had been talking to a friend online about simple printing . So I had a go at relief printing some leaves . I used the easiest , non-tech method ! After coating the back of the leaf with acrylic paint , I pressed it gently on to the painting , using a sheet of clean paper to protect everything from my painty fingers . Then I experimented with the amount of paint I used and the pressure I applied to get different effects . I also made a second print with the same painted leaf and the resulting print has quite a faint , dreamy quality that is very pleasing . The possibilities are endless ! I quite liked the result .

Windowbox Flowers – mixed media

You might have seen this mixed media piece earlier on in the year. I just loved the colours of the Spring flowers back in April or May .For this abstract flower painting I used watercolour , pen and coloured pencil.

Another Abstract Flower Painting

This watercolour painting is one of my own favourites , Sweetpeas from the Allotment. I liked it so much that I chose it for the poster to advertise my solo exhibition back in January at the Skelmanthorpe Gallery in West Yorkshire. You can read all about it in this post here .

Abstract flower painting of sweetpeas in pink  , purple and green
Sweetpeas from the Allotment

Actually , I have realized just recently that I prefer doing an abstract flower painting now , rather than in realistic style . So , watch this space for more experiments !

All my paintings are available to buy at reasonable prices . For more information , go to the contact page and use the form to send me an email .

Acrylic abstract painting – Break Through

Abstract Composition in Acrylic

Acrylic abstract composition in lemon,  green , ultramarine blue and a touch of maroon.  Big , gestural marks.
Break Through acrylic abstract painting

I’m very proud of this painting – let me explain why . It’s been about six or seven weeks since I felt like painting anything bigger than a small journal page. To be honest , after finishing off a large acrylic abstract begun before Lockdown and then creating just one more ( because the idea wouldn’t give me any peace until I did , see here ) I found that I could only work in a small art journal given to me as a gift . It was an absolute godsend . I could use it to make me feel calmer , and , also to express some of the feelings that I couldn’t say in words , as in this one .

Bunch from the Allotment – watercolour

Back in the studio

However , I really missed painting and , this Monday , I dragged myself to the ‘studio ‘ ( just a small bedroom really ) and , once I started working , I couldn’t stop ! A break through ! It was glorious- painting all day . I’ve decided to work larger now , I was feeling too cramped , trying to work too small so this piece is 16 by 20 inches , on paper . I completed it in two sessions of an hour and a half, on the same day . This abstract composition has been rattling around in my head about four weeks or so . So now it’s finished , I can relax .

Break Through – detail 1
Abstract composition in lemo ,green , ultramarine blue and a touch of  maroon . Big , gestural marks.
Break Through – detail 2

The colours are dynamic and vibrant – they make me feel positive and buoyed up . I don’t think you will be able to see the small , subtle details and texture – perhaps you can see them better in these close- ups .

I hope you enjoy looking at my paintings – all of my artwork is for sale at reasonable prices. There are lots of interesting examples of acrylic abstract painting on my Gallery page too.. If you want to know more about prices and so on , go to the Contact page and send me an email using the form.

Break Through