New Australian Landscape in Gouache

Just Before Sunset

Hello everyone. At last I can write a new post! After a few tension filled days when I couldn’t get into my website! But my host provider did a great job and banished all the glitches promptly. Thank goodness. And here is my new Australian landscape in gouache. In fact, there is a story behind this painting. Perhaps you remember that I follow a great course online by Rod Moore here . And we have just been on a virtual trip into the Outback with him. Well, virtual for us and very real for Rod. Along the way we watched the travel videos and sketched and painted the spectacular views. Actually it was very enjoyable and quite inspiring. Of course, I don’t know much about this type of landscape, as I’ve never been to Australia. However, I feel I know it a bit better now. And I really enjoyed the challenge of portraying the dry soil and the faded vegetation in my new Australian landscape. Because of course it’s winter there at the moment. Well, that’s all for now and I’ll show you my next gouache of Australia as soon as it is finished.

Meanwhile, here is my favourite of all the landscapes of Australia that I’ve painted on this course.

Look at this Wintry Scene

Cold Day

Good morning everyone. I decided to show you my acrylic painting of this wintry scene. Although it might seem a little odd in the middle of summer! Anyway, I started painting it a few weeks ago and I enjoyed the ruggedness of the trees. Also, the cool colours of the icy cold stream. Well, I reached this stage of the painting after two sessions and then decided to leave it a while. As usual, I left it in full view in the living room to try to assess it. But quite a bit of time passed by and I had spotted all the bits I could smooth out. However, I realised that if I carried on ‘improving’ it, it might look over painted. And then, in my opinion, it wouldn’t reflect my style. So, for the first time ever, I decided to leave it and show it as finished. I hope you see my wintry scene as finished too!

There are more landscapes in all weathers and seasons in my gallery here. And, finally, I found my other painting of a brook, this time in gouache paint. And, this time in summer!

The View over to the Mountains

Half Way Through Our Exhibition

A Big Back Garden

Good morning everyone. As it says in the title, we are about half way through our exhibition at the ‎Mirfield gallery. So I thought I would show you one of my paintings that you may not have seen before. Actually, I painted this after a lovely holiday in the English Lake District. And, I’ll tell you the idea that inspired me. When people in the farm house looked out of the window at the back, they would see this glorious view. In fact, this hill is part of the Langdale Pikes, if I recall. And, it would be part of their back garden, in my imagination.

Elephant Festival

By the way, this painting makes me smile every time I look at it. And, I remember how much I enjoyed painting it. Of course, the challenge was to make the skin of the animal appear real, varying the colour from shades of brownish grey to delicate pink. Just to finish this quick post, I include here two snapshots of the launch party. Firstly, me and a friend discussing subtle effects of paint, and how to achieve them.

Animated Arty Chat

And here you can see some of our members, deep in discussion about our exhibition. If you look carefully, you can see my elephant in the background! Perhaps you would like to see my post about the launch here.

Another Arty Chat

Look at this Small Abstract

Big Brain

Hi everyone. This is a very short post indeed, all about a small abstract. To be honest, I’m so busy at the moment, gardening and arty business. Not to mention just running my life! Anyway, I just couldn’t stand missing my art fix another day. So I found my small drawing pad, watercolour kit and a few pencils, oil pastels etc. And then let a few colours run into each other. Next I added some small, precise marks and accents. And all this without a single conscious thought, a small abstract. Afterwards, I found out which way up I preferred it. Only then did I notice a head in profile and I had a strong idea come into my head! Namely, we need someone with a brain this big to get us out of the mess we are all in. Well, on that cheerful note, I’ll sign off and hope to write a longer, more optimistic post soon. (There is a more cheery abstract here !)

See Australian Landscapes in Gallery

Sunlight on the Crags

Good morning everyone. We had our last meeting before the summer break at Art Society last Tuesday. And, as we usually do we had a pop-up gallery evening. And everyone brought a picture or two to show off to the other members. If you want to see my report on Facebook click here. Even if I say so myself, the work was outstanding! Anyway, I chose two Australian landscapes that I completed on the online course I follow. Actually, I said a few words about the most difficult challenge in this scene, as I saw it. And that was creating the illusion of distance with the crags at the back. Because this is something I find quite difficult to do when the wooded slopes are very green. But, overall I was pleased with the end result, especially the bare rock, visible through the vegetation.

A Beach Day

Next I showed everyone another of my Australian landscapes. And this time it was an idyllic scene of a hot, lazy day spent on the beach in Queensland. However, the main problem for me was the aerial perspective of the lush green headland. And how to give that feeling of it receding into the background when it’s a warm green colour. Hopefully I managed to make it sit back by muting the green.

Secondly, I was pleased with the tiny figures on the beach as I always find people hard to draw. Happily, everyone felt confident enough to say a few words about their artwork in this supportive group. And the evening went very well. Finally, click here to see another one of my Australian landscapes, at present in the Summer exhibition, Open Gallery, Halifax.

How to Paint a Castle

Somewhere in Portugal

Good morning everyone. As you may know, I love painting castles and old ruins. So, when I saw an article in a painting magazine about how to paint a castle in poster style, I had to have a go!

A Castle in Spain

Actually, the instructions in this article by Andy Walker in the Leisure Painter magazine were very clear and helpful. First, we had to restrict ourselves to a very limited palette of colours – blue, yellow ochre, deep red and white. Of course, these suited the subject very well. In particular the dull greens of late summer vegetation and the weathered stone of the castle. Next we had to simplify the composition and the shadow areas. And, finally, restrict added detail to a minimum, the most difficult part for me! But, I must admit, I’m really pleased with the painting. It’s a strong, appealing image and people really seem to like it. And, there’s a lesson in there somewhere for me – don’t complicate or over elaborate! Therefore, I had to paint another castle. However, as you might have noticed, this next one is in my own painterly style.

The Next Step in my How to Paint a Castle Mini Course

Somewhere in Portugal

In fact, for this gouache painting, I remembered the tuition about restricted palette and simplifying the composition. But when it came to painterly details, I followed my instinct and added as many as I wanted! For me that’s really a lot of the pleasure of painting.

A close up.

Well, the next step in my project on how to paint a castle is an attempt to put these new principles into my painting. But also to retain some of my own approach and style. So I’ll show you this unfinished gouache, and I’ve not yet decided how to complete this. What do you think, how much more should I add?

A Castle in Scotland

And, while you are thinking that over, have a look at this happy, sunshiny watercolour painting of a castle here.

New Techniques in Floral Abstract

Blue with Flowers

Good morning everyone. This is just a quick catchup post, to show you what I’ve been enjoying painting, a floral abstract. Actually, I’m working my way through a course by Suzanne Allard, see here. In fact, I have experimented with loose floral abstracts before, as you may have noticed on this blog. And, I’ve used other media over the paint. But I never felt like I knew what I was doing. So I’m very pleased that I found Suzanne’s tuition on line. Because she guides me through the myriad possibilities of adding crayon, oil pastel, ink and so on. And in a way that I can understand.

Blue with Flowers – a closeup

To be honest, I created the background for this painting a while ago, for a different project. However, I thought that it would work well. And I muted the intense colour of the acrylic paint with oil pastel in places where it needed it. As can perhaps see in this close up. You can see another loose floral abstract in my own style in this post here.

New Exhibition of Story Paintings

New Exhibition Poster

Good morning everyone. This is the fantastic poster for our new story paintings exhibition at Creative Arts Hub, Mirfield in West Yorkshire, UK. Actually Mark Milnes, the curator put this poster together back in 2018 when I arranged the exhibition. And when Covid intervened, the show was postponed until now! So, we are really looking forward to seeing the work up on the wall. It’s all about story pictures. And we would like to invite you to the launch on Saturday morning 18th June, 1.30 till 3pm. If you are in the area, of course!

The Boy and the Bird

This is one of my paintings for the show and I decided to put the explanation all in the title. Then, people can look and make up their own story, there is plenty of inspiration there, I think. In addition to this one, I have entered a few more without any further text. But, I have added a short explanation for some of my work. Because I feel that they will be better appreciated that way. For example, you may know this story, or you may not. Let’s see!

The Silk Princess, one of my Story Paintings

The Silk Princess

Perhaps you know this legend about the princess in China a long time ago? When she travelled to another country to marry the ruler there, she hid silkworms in her large headdress. And smuggled them out of China, effectively taking the secret of silk making with her. Because you see, until then it was known only to her people. Anyway, it’s a good story. And, using artistic licence, I added to it here by showing the ‘silk’ road leading to Bradford, Yorkshire UK. Where there still stands the Manningham Mills building, once the largest silk mill in Europe.

Manningham Mills

Incidentally, can you spot the silk worm, the silk moth and the white roses of Yorkshire in these two paintings?

Maybe you would like to read more about this painting here.

New Painting at Halifax Gallery

Warm Afternoon in Queensland

Good morning everyone. I’m so delighted, my new painting has been accepted for the Summer show in the Open Gallery in Halifax! And this is a new gallery, so I’m really looking forward to seeing it and the current show on the walls. By the way, the theme actually is Summer, so I thought that this painting would fit in very well. In fact, I created this while I was studying a module in an online course. And the tutor, Rod Moore lives in Queensland, Australia. So, most of the reference photos he provides are of his local area. Maybe you can see that I tried to create an atmosphere of heat rising from the fields in the late afternoon. And a hint of heat haze on the distant mountains.

Of course, we have to deliver it soon, so we can spend a morning walking around historic Halifax. And perhaps potter around the wonderful Piece Hall, as I described in my post here. And you can read all about this Grade 1 listed building.

The Piece Hall, Halifax

If you’re in the area, please join us at the opening event on Saturday 25th June, 5 till 7pm.

Painting Old Houses in Watercolour

Old Houses in West Yorkshire

Good morning everyone. I don’t think I have shown you this watercolour, where we were painting old houses at art society. Actually, Tony Burke, a local artist, came to our evening meeting and led us through this painting step by step. It was quite a challenge but very enjoyable. And we found this curved row of houses in a small village very unusual and inspiring. So, the perfect subject for painting old houses. In fact, this was the first time for ages that we invited a guest artist to work with us. Of course, the society was closed a long time during the pandemic. And it’s taken us a while to get back to normal. Anyway, in this exercise I learned how to blend a sunset colour into my sky. Also, Tony taught us how to add character into trees by twisting the brush when painting foliage.

Top Withens

This is another old house in West Yorkshire, but this time it’s a more famous one! Perhaps you remember this post here. Where I explained that this ruin is widely accepted as the inspiration for ‘Wuthering Heights ‘ by Emily Bronte. And I painted it for our Northern Fringe Gallery exhibition, Yorkshire Makers Inspired by Yorkshire Writers. Firstly we showed our work in Creative Arts Hub, Mirfield. Then in Queen’s Mill, Castleford. And now Skelmanthorpe Library Gallery have invited us to exhibit in a week’s time. It was a lovely surprise. What a shame you can’t all come to our preview event – you would be very welcome!

Catching Up with my Paintings

Pumpkin Seedlings

Good morning everyone. At last, I’m really pleased that I managed to do some catching up and finish this gouache painting. In fact, I started it off about four weeks ago at our art society meeting. And the subject was “food” so I chose to paint these pumpkin seedlings we were growing. Well, I called it future food, so it fitted in! Anyway, the way it almost looked like an abstract composition seen from above inspired me. Because of the circles, I suppose. But I didn’t let it take over, and I made sure I painted in quite a realistic style. Another goal I had in mind was to apply the paint more thickly and I did succeed to some extent. However, I will need more practice on this. If you want to check up on the progress of the plants, they are all now in the ground, flourishing and underneath some netting. It’s a rabbit problem, don’t ask! If you want to see a drawing of last year’s harvest, have a look at this post here .

The Last Tree

Finally, more catching up,here’s one of my new style abstracts, using passages of colour to provide interest in the background. So, the first stage was done ages ago and was sitting on my dining room table, reproaching me. For, I couldn’t think of a suitable motif to be the top layer. Nonetheless, inspiration eventually came, and I quickly drew in a lifeless tree. See more live trees here .

Some Beautiful Old Stone Buildings

Kirkham Priory

Good morning everyone. I thought I would show you the last of the three watercolour sketches I did on our mini holiday. ( See the other two here) Perhaps you have noticed how much I love painting old stone buildings. So, here’s another one! In fact, I did this as we were driving home from the coast. And we stopped for an hour to eat a sandwich at Kirkham Priory, a beautiful ruin looked after by English Heritage. Well, this was the view from the picnic table and we we were in the old gatehouse. Obviously, I couldn’t resist sketching this section of the massive wall and a glimpse through the door. Meanwhile, my husband walked around the site with a guidebook, trying to imagine the splendid buildings as they once were.

Conisbrough Castle

Actually, we seem to do a lot of this, trying to imagine what old stone buildings once looked like. But, just to show you the exception to the rule, here is the keep at Conisbrough castle which is completely restored. As I recall, when we visited in November last year, we saw all three floors. Then we climbed up to the viewing platform at the top, to see a glorious view over the town. If you want to see another historic English castle, see this post here.

A Day by the Sea

North Landing, Flamborough

Good morning everyone. We’ve just spent a lovely few days by the sea. And I painted this quick watercolour sketch looking down at North Landing Bay at Flamborough on the Yorkshire coast. Although it looks deserted in my sketch, there were actually some families playing on the beach. And the snack bar was open and doing a roaring trade. Also, a small boat came back to the shore, with a few crates of fish. Then they pulled the boat up the ramp to the boat house. After I had finished my sketch, (about 30 minutes) we walked a short way along the cliff path on the headland. Actually, we were looking out for puffins, but they were all hiding! What a beautiful way to spend an afternoon.

In fact, I had paddled in the sea on the beach at Scarborough that morning, in freezing cold water. And when I got back to the flat I decided to do an intuitive abstract. So I painted an impression of the movement of the water, as the tide receded around my feet. If you look at this post here from last year, you’ll see another sketch of this coast.

The Tide

See my Spare Time Abstracts

Doodle 1

Good morning everyone. I think the title says it all, really, because I’m very busy at the moment. And, this is all the art I can manage to fit in at present – spare time abstracts! Actually, I saw a few things online about doodling, which seems to be very popular just now. But, to be honest, I’ve been scribbling little designs and patterns all my life. So, it seems to be quite natural to me. However, I noticed lots of ideas suggesting doing these small drawings over a background of watercolour marks. So, nothing could be easier, I use my little travel set of colours and it dries fast. Then, a little bundle of markers to choose from, and off I go!

Although, I must say the notion of using lots of surface pattern over paint is still new to me. But, that’s the fun part. And, as most of my marker pens are waterproof, it seems natural to add a bit more emphasis on top with thicker paint. Next, I have a look at the design for any ugly bits and correct them. And now I’ve done another spare time abstract! Right, back to the allotment gardening! There is some more fun doodling in this post here, using a slightly different technique.

Doodle 2

Another Fine Day

Another Fine Day

Good morning everyone. I really enjoyed painting this landscape in gouache, Another Fine Day. And it was one more step in my journey in mastering this medium. Perhaps if I painted solid for a few weeks I could get more confidence in using gouache. But, because I adore using all sorts of media and paint all kinds of subjects, my progress will be slow. Actually, what do you think – is this a disadvantage or instead, is this a gift? Anyway, I posted this on our MeWe group and then started another one!

A close up

Drawing the Figure in Movement

Figure in Movement

Good morning everyone. This is another page in the art journaling course Sketchbook Revival by Karen Abend. And I really enjoyed this tutorial by Barbara Baumann all about the gestural method of sketching the figure. That is, concentrating on the figure in movement. Basically, you sketch out the direction of the limbs, the torso and the head. Most importantly you study the angles of the tilt of the head and torso. Also, the direction of the outstretched arms and legs. Obviously the photo reference for this sketch was ideal – the pose was quite extreme. Also, unbelievably high off the ground!

The Proportions of the Body

After that, the really hard part! To be honest, I already knew about planning out the shoulders, elbows and knees as circles. But in the lesson I learned about the shapes of the upper and lower torso. And that is new to me and extremely helpful. In addition, I appreciated the tips about creating a background of dynamic lines and splodges. In my opinion is does suggest the figure in movement, which is not easy.

Ballerina in Flight

As you may know if you follow my blog, I have attended life drawing classes for a few years now. And I’ll finish up with one of my favourite drawings, done from life when we were also thinking about Matisse. In fact, a lot of his later cut- out work is very gestural. So, here’s my tribute to that great French artist. Actually, you could see more of my paintings of the figure in People, a section of my gallery.

Model in Blue

Discover Shapes in Paint Doodles

Flight

Good morning everyone. This is a fun exercise I did in the tutorial by Charlie O’Shields in the Sketchbook Revival course by Karen Abend. And I tried to discover shapes in simple paint doodles, following the method described by Charlie. To be honest, it was easy to follow. First, scribble some marks with clean water on your brush, on watercolour paper. Most importantly, leave some blank spaces and don’t cover all the sheet. Next, quickly drop in some very wet paint and allow it to mingle. As you can probably tell, my paint blotches did start to dry a little. So I added more and ‘grew’ a few cauliflowers! But, it didn’t matter and just added to the design. When it’s thoroughly dry, take a bit of time to study it. Then pick out the outlines of anything you see in pen or fine marker. Just let your imagination go wild!

Actually, I did enjoy this playing with paint and ideas, and I felt it was a good antidote to worrying about all the sad things I hear on the news. So, if you want a little chuckle, have a look at the other daft doodles I produced.

In the Depths of the Sea
Night Time
Puppy

Finally, here’s an example of a ten minute doodle (done last night). And this shows my usual method of doodling abstracts and how to discover shapes. In fact, I draw or paint colours and shapes at random and then develop it from there. In this case, first, chop courgettes for the dinner, then sit down with marker pens, oil pastels, a biro and tiny notebook!

Courgettes for Dinner

Trying New Approaches with Flowers

The Tulips on the Table

Good morning everyone. Lately I have been working my way through the excellent tutorials in the free Sketchbook Revival course with Karen Abend. Actually, it’s finished now, but I will certainly look out for it next year. In particular I have enjoyed the sections on painting flowers. And I have been trying the new approaches introduced by several of the tutors. For example, using a looser painting technique when observing flowers from life.

Bouquet with Roses

To be honest, this was quite difficult to do, as I have always observed each flower carefully before. And then attempted to paint all details on each bloom separately. But here I observed closely first. And then tried to paint the different elements and shapes into flowers that were pleasing in the overall design. Anyway, this was my first attempt and things can only get better! In fact, this exercise ‘Mixed Media Floral Study’ was led by Joy Ting.

Trying New Approaches in Design

Flower Design 1

This was another exercise that I enjoyed, a simple flower design by Viddhi Saschit. And the tutor broke it down into easy steps, so that I created this reasonably attractive design. Afterwards I felt that I could try to paint another little pattern by myself.

Finally, I just wanted to show you The Tulips on the Table, which I did quite spontaneously in watercolour and oil pastel. And, I like to think that I put into practice some of the new ideas that I learnt. You could see more of my flower pictures here.

Look at my Group Projects

Amazonian Waterlily Pond

Good morning everyone. I did a bit of tidying yesterday, because we could hardly move in the living room and hall. And all because I brought my stuff back from two exhibitions and failed to store it away! Anyway, to be honest, the space was already packed to capacity with sketchbooks and loose pieces on paper. And while I was shuffling paper, I came across some work I had done for my group projects. Somehow, this kind of painting ranks a bit lower in my mind than my own self lead creations. Actually, I shouldn’t really think that way, so, to make up for it, here they are in the spotlight.

Gouache Paintings of Brazil – one of our Group Projects

As you can see, the title says it all and this was for our Beginner Gouache group on the Mewe platform. In fact, we are a friendly bunch. None of us claim to be experts and we help each other along the way. And help is very welcome when you’re trying to make progress with this challenging medium!

The House for a Folding Book of a Street Project

While I was tidying up, I found these paintings I created for some of my group projects. I love the variety of inspiration they give me for my art work.
A House for the Street

This is my second offering for the street and it is also in gouache paint. (Because it is so easy to take out and use at our art society meetings). If you would like to see my first house, look at this post here and keep watching this channel for an update on the book. In construction as we speak!

An Unfinished Project

Reading

Finally, here’s a finished painting for one of the group projects I intended to enter, but never quite completed. To be honest, I didn’t think it was quite good enough, the brief for the open call was very restricting. And the image I ended up with didn’t inspire me. So, this princess stayed at home! And now I’ll get back to finding space to store all of these paintings I’ve “tidied”!

Paintings Inspired by Online Tuition

Dominant

Good morning everyone. When I have ten minutes or so spare, I will always do a quick sketch.( In between finishing off online tuition projects!). On this occasion I quickly sketched a doodle in watercolour, limiting myself to three colours. When it was dry, I doodled some more, adding some black calligraphic marks on top. Later on, I strengthened these marks with one of my new soft oil pastels. Of course, you may have realised that this was influenced by the Painting with Yvette course that I am following. Otherwise I never would have tried putting this kind of a motif on top of a background.

Butterfly Wings

Now this idea is something else that I picked up from online tuition. But unfortunately I can’t remember the details, I look at so much lovely stuff online. Anyway, I did in fact take the idea and do my own version. And the method is to take images of motifs you have chosen to use as inspiration for an abstract composition. Then incorporate them into a design, without doing a realistic painting of them. For example, for this piece I sourced good photos of butterflies and flowers. Then I isolated the shapes and colours that pleased me and tried to make a harmonious pattern. Actually, it does fry your brain a bit in the process! But, I’m still keen to do more. See more intuitive abstracts in this post here

Butterfly Wings – a detail