Good morning everyone. We had a very enjoyable morning at my Meet the Artist event on Saturday at my solo show. And it was great to show family and friends my exhibition at Darfield Museum. Actually, we all imagined travelling the world while looking at the paintings. In fact, it was fascinating to hear people’s thoughts on exactly where the scenes were set. Because there were no labels on the wall next to the paintings, my visitors didn’t know the titles or locations of the scenes. For example, I described the image above as ‘Sandstone Bluff, Australia’. But a friend of mine said it reminded him of a ruined Crusader castle, somewhere in Europe!
Travelling the World, the Story Behind the Picture
Similarly, another friend was convinced that this was a painting of a town in Italy! Well, it definitely was France, see this post here for the story. However, I must admit that I did miss out the distinctive French 2cv cars on the road. So that the scene was a more simplified composition. Anyway, we both came to the conclusion that the town must have been near the French – Italian border. Perhaps you will have noticed that the tower in the distance is reminiscent of Italian architecture.
Finally, just one more example of a painting that set people off virtually travelling and reminiscing. In reality, this is the scene of a very distinctive rock formation at Brimham Rocks in the Yorkshire Dales. Yet, my friends assured me that it was: a local crag on a moor, another rocky area in the Dales or a beauty spot in Devon in the south of England! And this gave me food for thought, is it better to display a label with title and explanation or not? What do you think?
Good morning everyone. This is the acrylic painting that I put on the poster I made to promote my latest exhibition. Well the show opened yesterday and, I must admit that I was very pleased with the way it looked.
Actually, the museum cafe gallery is a lovely, intimate space and we sat quite a while, looking at my paintings. In addition, the cakes are all homemade and delicious, so the time passed quite pleasantly!
Then I took some photos, but the lighting on the paintings reflected and defeated my camera. So, apologies for that!
Perhaps you might have seen this gouache painting before in this post here. However, I don’t think you know this acrylic I did a few years ago. In case you can’t tell (!) it’s my allotment.
After we had looked at my latest exhibition, we went into the courtyard garden to admire the scarecrows. If I could explain, it was the village Scarecrow Festival. Just a bit of fun for the children at the end of summer. Finally, we walked over the road to the church, All Saints. And it’s very picturesque, sited in a peaceful church yard. Actually there is a public footpath at the edge of the graveyard which takes you past the site of the medieval fish ponds. To be honest, the site is not restored but there is a line of willow trees that trace the line of the banks. What a pleasant afternoon out! I will probably post a bit more about my latest exhibition after the Meet the Artist event next week. Incidentally, if you are in the area, you are very welcome to join us, details on the poster.
Good morning everyone. Today for this very quick post I’m showing you these paintings that you may not have seen before. When I packed them up for delivery to Darfield Museum for my solo show, I realised that they might be new to you.
As you perhaps can guess, this is a scene in the afternoon heat in a small town, somewhere in the south of France. Actually, I spent a year in a town much like this back in the seventies. And I well remember walking through the streets early afternoon, going back to work after lunch break. As the heat was intense, everyone walked carefully in every patch of shade, no matter how small. Obviously, coming from a cool North of England, this was a new experience for me. Alas, with climate change, I’m getting more used to higher summer temperatures now.
In complete contrast, I painted this scene of the Yorkshire coast in memory of lots of strolls along this beach. And, we have walked so many of them in summer mist, or a sea fret as we call it. Which seems to be a band of mist clinging to the coastal strip, when a few miles inland, the sun shines down strongly! Here you can also see the iconic Grand Hotel in the background.
Anyway, both of these paintings will be in the show at Darfield Museum in September. And there are lots more on display in my Gallery.
Good morning everyone. If you follow this blog, perhaps you may know that I belong to a great group called Northern Fringe Gallery. And we have just decided to start a new group project ‘Industry and Yorkshire’. However, that’s only a working title, this project will probably evolve as it goes along.
Anyway, this is my version of a very evocative black and white photo from a book all about coal mining. Actually, my dad was a miner all his life, but not quite in conditions like these, thank goodness! Well, I painted this a few years ago, but I think it fits our theme very well. So I had it framed all ready for our show. Now have a look at the second one.
In fact, I have posted this watercolour painting before, see here. However, I’ll just explain that this World Heritage site in Halifax was originally a place where weavers sold their cloth. And, because the cloth was called a ‘piece’ that’s the origin of the name, Piece Hall. So you can see why I chose this for the theme. By the way, weaving was a very big industry in West Yorkshire, just as we were all about coal mining here in South Yorkshire where I live. However, spinning and weaving were also practised here too and my auntie worked in a wool spinning mill.
Of course, I shall paint a couple more for the show too. But, more of that later!
Good morning everyone. As you can tell, I’m so pleased that my elephant painting has sold from our art society exhibition. And it went off to its new home. The lovely buyer wanted to have it for a splash of colour in a newly decorated hallway in his home. So I know it will be looked after. In fact, we did quite well and four paintings were sold, which is good, I think, in the present state of affairs. Anyway, it’s not the main purpose of putting on our exhibition which was to enjoy showing off our work to each other, friends and family. And, from that point of view it was a huge success.
The two images above were painted in gouache paint during our first Covid lockdown in 2020, photos from Unsplash. Obviously, they are also scenes from life in India, like my elephant painting. And they were part of a monthly challenge in a painting group I joined. To be honest, it was a godsend to virtually meet up and work with other artists at that time. And the group is still going strong – Beginner Gouache Group over on Mewe. As you can see, connecting with fellow artists is always important to me. And, of course, that’s why I love writing this blog and being a part of this artists’ community. You could click here to see my painting of a bluebell wood, which sold at my last solo exhibition in March.
Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.
Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.
Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.
Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.
Good morning everyone. Yesterday I went to see my acrylic painting at Fronteer Gallery, Sheffield and I was very pleased with it. Such a good exhibition of a variety of excellent painters, showing how to paint the sea.
In fact, there were oil, acrylic and watercolour paintings, resin, textiles, ceramics and photos. And what a thrill to be exhibited with them. And a nice opportunity to paint the sea.
Finally, here’s another of my seascapes, I’m taking it to be framed this afternoon. Then it’s all ready for my solo show next month. But more of that later! Meanwhile, here is another seascape to look at.
Good morning everyone. As it says in the title, we are about half way through our exhibition at the Mirfieldgallery. So I thought I would show you one of my paintings that you may not have seen before. Actually, I painted this after a lovely holiday in the English Lake District. And, I’ll tell you the idea that inspired me. When people in the farm house looked out of the window at the back, they would see this glorious view. In fact, this hill is part of the Langdale Pikes, if I recall. And, it would be part of their back garden, in my imagination.
By the way, this painting makes me smile every time I look at it. And, I remember how much I enjoyed painting it. Of course, the challenge was to make the skin of the animal appear real, varying the colour from shades of brownish grey to delicate pink. Just to finish this quick post, I include here two snapshots of the launch party. Firstly, me and a friend discussing subtle effects of paint, and how to achieve them.
And here you can see some of our members, deep in discussion about our exhibition. If you look carefully, you can see my elephant in the background! Perhaps you would like to see my post about the launch here.
Good morning everyone. We had our last meeting before the summer break at Art Society last Tuesday. And, as we usually do we had a pop-up gallery evening. And everyone brought a picture or two to show off to the other members. If you want to see my report on Facebook click here. Even if I say so myself, the work was outstanding! Anyway, I chose two Australian landscapes that I completed on the online course I follow. Actually, I said a few words about the most difficult challenge in this scene, as I saw it. And that was creating the illusion of distance with the crags at the back. Because this is something I find quite difficult to do when the wooded slopes are very green. But, overall I was pleased with the end result, especially the bare rock, visible through the vegetation.
Next I showed everyone another of my Australian landscapes. And this time it was an idyllic scene of a hot, lazy day spent on the beach in Queensland. However, the main problem for me was the aerial perspective of the lush green headland. And how to give that feeling of it receding into the background when it’s a warm green colour. Hopefully I managed to make it sit back by muting the green.
Secondly, I was pleased with the tiny figures on the beach as I always find people hard to draw. Happily, everyone felt confident enough to say a few words about their artwork in this supportive group. And the evening went very well. Finally, click here to see another one of my Australian landscapes, at present in the Summer exhibition, Open Gallery, Halifax.
Good morning everyone. On our way back from the Yorkshire Dales, we made a detour to Halifax. Because I wanted to see one of my Australian landscape paintings in the Open Gallery. And I was pleased to see it in a good position in a smart new gallery.
Unfortunately, we were not able to attend the preview, so it was good to have a chat with Alina, the curator. In fact, the show was full of really interesting works. Also I had the chance to catch up with another artist about the art scene in the north of England. So, all in all, a very enjoyable visit.
Finally, we managed to find time to dash to Hoylandswaine church, to see my paintings in the village festival art exhibition. Actually, it’s a very good show. To tell the truth, we haven’t been so active during the pandemic. So I really enjoyed being with fellow members of the Arts Group in the beautiful setting of St. John the Evangelist church.
As you can see, the church is quite beautiful, with a stained glass window by William Morris. And a mural by John Roddam Spencer Stanhope. And I was pleased to show my paintings there, work very different from my Australian landscape paintings (see here for another).
Good morning everyone. This is just a quick post today – as the title says, it’s been a busy week delivering paintings. Because not only am I catching up furiously in the veg garden. But also I delivered my paintings to two galleries, well, one gallery and a church! Actually, we went to Fronteer Gallery yesterday with the seascape for their exhibition ‘The Sea’. I can’t wait to see that one, Fronteer exhibitions are always interesting, I love a theme for a show.
We also went to St. John’s church at Hoylandswaine delivering paintings because the art group in the village invited me. In fact, I have belonged to this group a number of years. Admittedly, I couldn’t go to the meetings during the worst of the pandemic. But, fingers crossed, I am gradually going out more now and things are looking more normal, socially speaking.
To be honest, I am taking part in five exhibitions at the moment (I know!) So a lot of my work is already out on the road, so to speak. However, this abstract is a favourite of mine. And I’d like to see it in a lovely exhibition again, so the village festival show seems like a good thing to be involved in. Got to run, but if you want to see more of my abstract painting see here.
Good morning everyone. Here are two more of my paintings from our exhibition ‘Every Picture Tells a Story’, on now at Mirfield. And these two in particular are all about women’s stories. For example, in the one above, I wanted to explore the reality behind living a secluded life. As I painted I thought of the women living where the culture requires them to stay indoors most of the time. Hopefully, you can see the loneliness this woman feels, peering at the outside world through the window. While she always must remain indoors.
Next I chose to exhibit this painting which highlights another one of my women’s stories. And the story here is rooted very firmly in time – a period of respite in the recent pandemic. In fact, here in the UK, restrictions had been lifted, only to be reimposed shortly after. During that time, people seemed to sit quite nervously in cafes, socially distanced. However, they didn’t stay long and soon hurried out, with a sigh of relief. Just like this woman, with her coffee and cake. You could see more stories about women’s lives here and here.
Good morning everyone. This is a quick post today, I’m insanely busy right now. Why is it that you wait two years for an exhibition and then five come along at once! Anyway, I wanted to show you another two of my narrative paintings. And, as we speak, this should be hanging on the wall at Creative Arts Hub Gallery, Mirfield. Well, I hope so, it’s the launch of our art society show ‘Every Picture Tells a Story’ in the morning!
Actually, you may have seen this on this blog before, along with the next part of the story, in this post here and here. In fact, I did paint five pieces to tell the tale of ‘ The Progress of Mankind ‘. As illustrated by me! Simply put, this first chapter shows the unspoilt paradise that the earth once was. Perhaps you can see the suggestions of an insect, a bird, a butterfly and a flower.
And here is part two – my interpretation of the way our world is almost destroyed by the exploitation of all our resources. Perhaps you think it’s pretty bleak. But by Chapter Five of my narrative paintings, things are a little bit more hopeful.
I’m really looking forward to seeing all the other stories on the wall tomorrow morning.
Good morning everyone. This is the fantastic poster for our new story paintings exhibition at Creative Arts Hub, Mirfield in West Yorkshire, UK. Actually Mark Milnes, the curator put this poster together back in 2018 when I arranged the exhibition. And when Covid intervened, the show was postponed until now! So, we are really looking forward to seeing the work up on the wall. It’s all about story pictures. And we would like to invite you to the launch on Saturday morning 18th June, 1.30 till 3pm. If you are in the area, of course!
This is one of my paintings for the show and I decided to put the explanation all in the title. Then, people can look and make up their own story, there is plenty of inspiration there, I think. In addition to this one, I have entered a few more without any further text. But, I have added a short explanation for some of my work. Because I feel that they will be better appreciated that way. For example, you may know this story, or you may not. Let’s see!
The Silk Princess, one of my Story Paintings
Perhaps you know this legend about the princess in China a long time ago? When she travelled to another country to marry the ruler there, she hid silkworms in her large headdress. And smuggled them out of China, effectively taking the secret of silk making with her. Because you see, until then it was known only to her people. Anyway, it’s a good story. And, using artistic licence, I added to it here by showing the ‘silk’ road leading to Bradford, Yorkshire UK. Where there still stands the Manningham Mills building, once the largest silk mill in Europe.
Incidentally, can you spot the silk worm, the silk moth and the white roses of Yorkshire in these two paintings?
Maybe you would like to read more about this painting here.
Good morning everyone. I’m very busy at the moment, arranging exhibitions, visiting galleries and so on. So I don’t seem to have had much time to do any bigger painting projects. And I have also been finishing art society projects. Not to mention planting things at the allotment garden. But I did complete this quick watercolour abstract, thank goodness. As you may know, I hate leaving work unfinished. Anyway, this is quick abstract number 8. Actually, for this one I had a picture in my mind beforehand of hexagonal shapes. And, that along with the golden colour made me think of the shape of honeycomb. However, that was as far as the similarity went. As I painted, I got more interested in blending the gold and mauve together harmoniously. Of course, these two produce a range of soft browns. Therefore, brown was my third colour – I prefer to restrict myself to a few colours in abstract work now.
Areas of soft blending in my quick abstract
Then I decided to do the surface pattern over the soft background. On another day, in a ten minute slot of free time. Perhaps you can see that I used oil pastel, coloured pencil and markers for this stage. Frankly, the problem is knowing when to stop! Well, I added an accent of red and scribbled in some small pattern with black ink. Incidentally, I don’t think I am quite finished with this idea, so I may visit it again. Possibly with acrylic paint this time. As you may have seen on this post here, I am quite fond of the yellow and purple combination!
Finally, I can’t sign off without a mention that our Northern Fringe Gallery exhibition ‘Yorkshire Makers Inspired by Yorkshire Writers ‘ opens tomorrow at Skelmanthorpe Library Gallery. And it’s presented by Village Art. To be honest, this is the third venue on our tour! And this is one of my pieces – Top Withens, the ruined farmhouse near Haworth. Widely agreed to be the inspiration for Wuthering Heights, the famous novel by Emily Bronte.
Good morning everyone. I’m so delighted, my new painting has been accepted for the Summer show in the Open Gallery in Halifax! And this is a new gallery, so I’m really looking forward to seeing it and the current show on the walls. By the way, the theme actually is Summer, so I thought that this painting would fit in very well. In fact, I created this while I was studying a module in an online course. And the tutor, Rod Moore lives in Queensland, Australia. So, most of the reference photos he provides are of his local area. Maybe you can see that I tried to create an atmosphere of heat rising from the fields in the late afternoon. And a hint of heat haze on the distant mountains.
Of course, we have to deliver it soon, so we can spend a morning walking around historic Halifax. And perhaps potter around the wonderful Piece Hall, as I described in my post here. And you can read all about this Grade 1 listed building.
If you’re in the area, please join us at the opening event on Saturday 25th June, 5 till 7pm.
Good morning everyone. I don’t think I have shown you this watercolour, where we were painting old houses at art society. Actually, Tony Burke, a local artist, came to our evening meeting and led us through this painting step by step. It was quite a challenge but very enjoyable. And we found this curved row of houses in a small village very unusual and inspiring. So, the perfect subject for painting old houses. In fact, this was the first time for ages that we invited a guest artist to work with us. Of course, the society was closed a long time during the pandemic. And it’s taken us a while to get back to normal. Anyway, in this exercise I learned how to blend a sunset colour into my sky. Also, Tony taught us how to add character into trees by twisting the brush when painting foliage.
This is another old house in West Yorkshire, but this time it’s a more famous one! Perhaps you remember this post here. Where I explained that this ruin is widely accepted as the inspiration for ‘Wuthering Heights ‘ by Emily Bronte. And I painted it for our Northern Fringe Gallery exhibition, Yorkshire Makers Inspired by Yorkshire Writers. Firstly we showed our work in Creative Arts Hub, Mirfield. Then in Queen’s Mill, Castleford. And now Skelmanthorpe Library Gallery have invited us to exhibit in a week’s time. It was a lovely surprise. What a shame you can’t all come to our preview event – you would be very welcome!
Good morning everyone. This is a painting I did for this month’s theme in our Beginner Gouache group, Of course, the theme is Japan and I looked up works by Hiroshige and Hokusai, two masters of the woodblock printing technique. Actually, in this art work inspired by Japan, I did change some of the elements in the design when I painted this tribute to the artist. And I just loved working in this gorgeous limited palette of colours, a couple of blues, black and white. Perhaps you agree with me how effective these choices can be, creating a mood of calm and serenity.
You may remember seeing this acrylic painting before, if you like to look at this blog. Anyway, I painted this in response to a theme for a Northern Fringe Gallery exhibition a couple of years ago. In fact, we chose from a long list of a hundred objects selected from the marvellous British Museum collection. And I chose that well-known print by Hokusai, The Great Wave. But I set it in a local beauty spot, so that the keen fisherman on the bank was blissfully unaware of the coming deluge!
Another Art Work Inspired by Japan
Finally, I couldn’t miss out this acrylic painting of the familiar iconic view of Mount Fuji. It shows the view from over the water. And this painting is at present on display at Rotherham Roar Buzz Gallery. (Incidentally, we take it down next Wednesday, the month is nearly up). So, I found at least three paintings inspired by Japan. And there are two more in existence, if only I could find them!
All my paintings are for sale at reasonable prices. To find out more, go to the Contact Me page and send me an email and we can have a chat.
Good morning everyone. Well, it really feels like spring is here, for this week at least! And I love to have spring flowers in the house. As soon as these daffodils opened up, I just had to paint them! So I practised some of the watercolour techniques I have learned from an online course. In fact, after years of trying, I finally managed to loosen up a little with watercolour. That means, more water in the mixture and just nudge it into place, instead of controlling it more tightly. Actually, I was really pleased with the end result. In fact, I succeeded better conveying the papery texture of the petals this time, I feel. Hopefully, you can see that in my photo.
Because it was so sunny and bright, we went to Brodsworth Hall for a few hours. Perhaps you remember some of the other sketches I have shown you in this blog, we do go to this garden often. As you might know, the gardens are spectacular, in all seasons. By the way, I must admit that I definitely took artistic license with this view. Because I completely missed off the main building , being far too interested in the trees and the daffodils, tiny points of golden light that studded the grass. Perhaps I will use this quick sketch in watercolour and pen in plein air as a study for a larger painting.
Finally, I couldn’t sign off without giving a mention to my acrylic painting of spring flowers. At the moment, Daffs at my Allotment is part of my exhibition Picturing the Landscape at Rotherham Roar , see this post here . Alas, very soon to come down, so there’s just a few days to see it! Well, nothing lasts for ever, not even spring!
Good morning everyone. Today I’d like to show you the way my abstract painting is changing. The image above is one of my new abstracts, experiments I am creating as I follow a great online course. It’s calledPainting with Yvette. And, I’m really enjoying it. Because the colours and compositions are quite different from my own intuitive abstracts.
The picture above is one of the sections in my current solo exhibition at Rotherham Roar. Actually, I am pleased with the way they came together. And each one has a particular meaning to me which evolved as I painted it. In contrast to that way of creating, my new abstracts are of course suggested by the tutor. Nonetheless, the brush marks are full of significance to me the artist. Perhaps in a more subtle way than in my earlier paintings. For example, the painting at the top of this post, The Path of Life, developed out of the suggestions by Yvette on colours to choose and techniques to use. I’m very often out of my comfort zone but I do feel that I am moving on.
Another of my New Abstracts
Anyway, I’m learning new approaches and techniques on this course so that I can apply them in my own work. So, it’s all part of a learning curve and I love it!
What do you think, is this old or new? Find out more in this post here.