Good morning everyone. Well, the title says it all – I’ve not much time for painting at the moment. So I’ll just show you my works in progress. For example, I’ve spent about an hour and a quarter so far on this Australian landscape. Perhaps another 30 minutes will complete it and it’s 7by 9 inches, gouache on paper. Note to self: I must dull down the colours a bit more!
Please don’t laugh (yet!) This was done very quickly at a charcoal drawing workshop. And I’ll tell you all about it later, in my next post. Oh, by the way, this was drawn in very low light, in order to cast strong shadows on the face. So, that’s another excuse! Anyway, I’ll show you both of these when they are finished.
Good morning everyone. I wanted to ask you a question – do you choose to paint in realistic or abstract style? Or, if you aren’t an artist yourself, which style do you prefer to look at and admire? Actually, this is what we were discussing last week at a ROAR artists meeting. Well, to be honest, it was a topic I introduced when it was my turn to show my artwork.
Perhaps it isn’t so obvious in these images. But this started off as an intuitive abstract and morphed into a seaside themed painting. However, in no way could it be called realistic.
Now this one was intended from the outset to be realistic, it’s an Australian landscape. If you read my blog you have probably seen me write about the course I’m following by tutor Rod Moore. And this is the result of one of his tutorials using his own photo. In fact, in addition to learning loads of useful stuff, I found my painting style was really tightening up. Of course, this wasn’t due to the excellent teaching at all. Just an outcome of concentrating very hard on accuracy of detail. Anyway, for me, this is an extremely realistic style .
So, realistic or abstract – which do you find yourself drawn to? Or, which do you spend most time painting? If you want see more of my abstract paintings, have a look at my gallery here – I’ve just updated it.
Good morning everyone. I’ve finished another of my small countryside scenes at last! Actually, I left this one lying around quite a while, it didn’t seem quite right. Thanks to Regina Shrively for the lovely reference photo, on this site here . In fact, I accentuated the red colour of the barn and put more sunshine into the weather. Just because I wanted to (artistic licence!). And I think it makes a very pleasing and colourful composition. Anyway, the most difficult bit was the sky, I still find this tricky with gouache. But, it’s fun to practise.
Next I’ll show you the latest of my countryside scenes, one from my Australian photo gallery, thanks to Rod Moore. To be honest, I really enjoy doing these dry landscape scenes. Although, this one looks pretty green and luscious. Actually, I’ve never been to Australia, so I feel a little unselfconfident. However, one or two visitors to my shows have said my paintings remind them of visits to that country. So, I can’t be too far off the mark. Anyway, I enjoyed painting the variations of colour of the bark on the tree. Also, the patches of sunlight on the path, but they are more realistic in real life than in this image.
Please have a look in my gallery if you like this. All my work is for sale at reasonable prices. For example, I’m letting The Red Barn go for £30 plus shipping , it’s 11 by 7 1/2 inches, on paper, unframed and without a mount.
Good morning everyone. We had a very enjoyable morning at my Meet the Artist event on Saturday at my solo show. And it was great to show family and friends my exhibition at Darfield Museum. Actually, we all imagined travelling the world while looking at the paintings. In fact, it was fascinating to hear people’s thoughts on exactly where the scenes were set. Because there were no labels on the wall next to the paintings, my visitors didn’t know the titles or locations of the scenes. For example, I described the image above as ‘Sandstone Bluff, Australia’. But a friend of mine said it reminded him of a ruined Crusader castle, somewhere in Europe!
Travelling the World, the Story Behind the Picture
Similarly, another friend was convinced that this was a painting of a town in Italy! Well, it definitely was France, see this post here for the story. However, I must admit that I did miss out the distinctive French 2cv cars on the road. So that the scene was a more simplified composition. Anyway, we both came to the conclusion that the town must have been near the French – Italian border. Perhaps you will have noticed that the tower in the distance is reminiscent of Italian architecture.
Finally, just one more example of a painting that set people off virtually travelling and reminiscing. In reality, this is the scene of a very distinctive rock formation at Brimham Rocks in the Yorkshire Dales. Yet, my friends assured me that it was: a local crag on a moor, another rocky area in the Dales or a beauty spot in Devon in the south of England! And this gave me food for thought, is it better to display a label with title and explanation or not? What do you think?
Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.
Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.
Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.
Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.
Hello everyone. At last I can write a new post! After a few tension filled days when I couldn’t get into my website! But my host provider did a great job and banished all the glitches promptly. Thank goodness. And here is my new Australian landscape in gouache. In fact, there is a story behind this painting. Perhaps you remember that I follow a great course online by Rod Moore here . And we have just been on a virtual trip into the Outback with him. Well, virtual for us and very real for Rod. Along the way we watched the travel videos and sketched and painted the spectacular views. Actually it was very enjoyable and quite inspiring. Of course, I don’t know much about this type of landscape, as I’ve never been to Australia. However, I feel I know it a bit better now. And I really enjoyed the challenge of portraying the dry soil and the faded vegetation in my new Australian landscape. Because of course it’s winter there at the moment. Well, that’s all for now and I’ll show you my next gouache of Australia as soon as it is finished.
Meanwhile, here is my favourite of all the landscapes of Australia that I’ve painted on this course.
Good morning everyone. On our way back from the Yorkshire Dales, we made a detour to Halifax. Because I wanted to see one of my Australian landscape paintings in the Open Gallery. And I was pleased to see it in a good position in a smart new gallery.
Unfortunately, we were not able to attend the preview, so it was good to have a chat with Alina, the curator. In fact, the show was full of really interesting works. Also I had the chance to catch up with another artist about the art scene in the north of England. So, all in all, a very enjoyable visit.
Finally, we managed to find time to dash to Hoylandswaine church, to see my paintings in the village festival art exhibition. Actually, it’s a very good show. To tell the truth, we haven’t been so active during the pandemic. So I really enjoyed being with fellow members of the Arts Group in the beautiful setting of St. John the Evangelist church.
As you can see, the church is quite beautiful, with a stained glass window by William Morris. And a mural by John Roddam Spencer Stanhope. And I was pleased to show my paintings there, work very different from my Australian landscape paintings (see here for another).
Good morning everyone. Today I thought I would feature some of the paintings at present on show in the Buzz Gallery at Rotherham Roar. And I think this must be my favourite, the tin roofed little house in the Outback. Actually, I did feel the heat as I was painting it, in my imagination at least. This was just one of my adventures in virtual travelling in Australia.
Another one of the paintings I enjoyed painting was this beautiful view over the rocky, exposed crags . To be honest, I learned a useful tip from our tutor Rod Moore here. In order to achieve that effect, I painted the red rock colours with horizontal strokes and then dragged a dry brush downwards, carefully over the paint.
Incidentally, I painted the Mary River picture on Rod’s course too. But this time in gouache, not acrylic. However, it didn’t make the final cut into the show. So, here it is for you to see.
Well, I hope you enjoyed my virtual travelling along with me. It certainly lifted my spirits during the past two years, as you can see in this post here.
All my work is for sale at reasonable prices. For example, the Mary River painting is £40 plus shipping, unframed. Just go to the Contact Me page and send me an email for more details.
Good morning everyone. Today I wanted to show you another one of my sunshiny paintings – finished at last! As you have probably realised, I like to complete projects fairly promptly, before I forget all my ideas. And, this one was started a couple of months ago. So, it only needed a few finishing touches and at last I got round to it.
For example, I strengthened the figures so that you can spot them better.
And I also tried to make the background recede further back by blurring the vegetation on the headland. In addition, I dulled the colour of the sand near the cliff, so that it seemed more distant.
As you may have guessed, this is a bay in Australia, somewhere, sadly, I have never been. But, I really enjoyed painting this as part of the online course I am following. Plus the fact that , in these dull, cold winter days, it cheers me up just looking at it! Actually, I might frame it and hang it on my wall so that I can feel its warmth everyday.
Finally, here’s another of my sunshiny paintings. In fact, I did this a couple of years ago and, there is some memory painted into it. Because I visited France many times and well remember walking down streets like these. Always on the shady side of the street!
In case you didn’t know, all my paintings are for sale at reasonable prices. Just go to the Contact Me page and send me an email for details.
Good morning everyone. I suddenly realised that I hadn’t shown you my latest Australian landscape. Actually, I finished Morning Sunshine on the Crags a couple of weeks ago. But my life is quite busy just now and it slipped through the net. However, I like to use this blog as a record of my painting life so I had to find a space for it.
Apparently this location is Kenilworth Bluff, somewhere in Australia, but that’s all I know! If you know more, please tell me. Anyway, I sort of projected my own story on to it. And I imagined myself going out for an early morning walk across the sun burned grass of the fields. Obviously, this is where the path enters the cool inviting trees and then on to the slopes.
As you can see, the rocky crags sparkle in the sunshine – the view must be spectacular from up there. Unfortunately though, I must turn back, go home and get started on my chores. So, perhaps another day I’ll walk up to the tops.
That’s it for today – all of my artwork is for sale. Just go to my Contact Me page here for enquiries. Of course, there are lots more landscapes with stories in my Gallery here.
Good morning everyone. As promised, here is my Australian landscape, finished only yesterday afternoon. And, I must admit, I’m really quite pleased with it. Actually, I feel now as if the tuition I’ve had access to on this course is finally coming together. If you’ve been following my blog, you will have seen many of my practice paintings of Australian landscape. I will confess that I felt out of my comfort zone with some of them. Perhaps the advice on using a restricted palette and simplifying the shapes was a lot to take in at first. Not to mention the unfamiliarity of the Queensland countryside. However, I would fully recommend this course, the Moore Method of Painting here.
At last, I’m beginning to pay attention to the pattern of light and shade in the scene. Also to use different kinds of brushstroke to indicate grasses, leaves and so on.
Anyway, I definitely feel like I’m making progress, at last and I’m really looking forward to my next project, possibly an English landscape scene. Incidentally, there are some interesting paintings in my Gallery. And, if you like this one, it’s for sale. Acrylic on paper, 12 by 16 inches, unframed and without a mount. Go to the Contact Me page and drop me a line. Affordable Art, at reasonable prices. It’s £50 plus shipping , free in UK.
Good morning everyone. I love painting mountains and high hills. And this is my latest acrylic painting for the online course I’m following. As you can see, it’s a beautiful view over to a craggy peak in Australia. And in the foreground there is some rough pasture and a couple of shearing sheds. Admittedly, I didn’t know what the buildings were until our tutor Rod made it clear. To be honest, I’m quite out of my comfort zone with some of these scenes, having no personal knowledge of the country. But, I love the challenge! (My apologies for the fuzzy picture – that’s the last painting on poor paper, because I’ve acquired something better now!)
Mountains and High Hills in Home Territory
Actually, you may have seen this painting before, if you follow my blog. Because I posted it in December last year. And I explained how I altered the lie of the land and the colour emphasis. So that it was more reminiscent of the Pennine Hills in Yorkshire. Of course, these are really high hills and they can be very bleak and devoid of much vegetation. In fact, in sharp contrast to the thickly wooded peaks in the Australian landscapes. But we are encouraged to make the paintings our own, so that’s ok! If you look closely, I have even added a gorse bush, a spikey shrub that grows delicious little yellow blossoms in Spring.
Finally, this is an acrylic painting of a view that I made up in my head. And, that’s quite an achievement for me, as my visual imagination is not that strong. But I tried here to show how the highest peaks in a mountainous landscape can remain snow capped for a lot of the year. Also, here I experimented with applying the acrylic with a palette knife. However, I found it very difficult as the paint dries very quickly. But I’d like to try again – does anyone have a tip for this?
As usual, I’ll just remind you that all my original art is for sale at reasonable prices. Just have look at my Gallery- Landscapes here and if you like what you see, visit my Contact Me page here . And send me an email.
Good morning everyone. This is the first of a little series of studies from the online course I’m enrolled on. Actually, I’ve been wanting to paint these mountain studies for a while, but my other projects kept getting in the way! For example, here is the post on dogs for my MeWe gouache group . And here is my work on old masters with Care Visions Healthy Aging . Incidentally these classes are free. So you can see I have been busy!
Here is the full sheet of small studies from a module in the course covering landscape features. And, you might remember that I have already completed the sections on skies and trees. Incidentally, I must say that this is a very useful exercise even though I don’t enjoy doing it as much as painting a whole picture.
We began with a vista of mountain ranges unfolding increasingly nearer to the viewer. Admittedly, the acrylic sketch is pretty basic. But the main teaching point was to show aerial perspective by using darker and lighter tones . This makes the faraway peaks look distant and the nearer ones look close. Easy peasy ( when someone explains it to you! )
If you look closely, you can see that I have tried to show how the background hills recede.But the grassy slope although nearer is still a good distance away. In fact, I indicated this by the cool tones of the green. I need more practice here, I think! Please try not to get too distracted by the poor quality paper. ( Note to self : Use the best. )
Alpine Mountain Studies in Acrylic
Now, this was the fun part! To be honest, I had never tried to paint high peaks and had thought it was too difficult. However, I’m quite pleased with this attempt. And I learnt how to describe form using a dark tone for deep shadow, a dull blue white for the shady side of the snow. And, finally, a brilliant white for the sunlit peaks.
The Rocky Outcrop
Lastly, a lovely scene of a rocky outcrop, in an Australian landscape where the rock is a strong red colour. Actually, the crags were the challenge in this study and I achieved them using a dragging motion of the brush. And then I modelled them with lighter and darker tones of the sandstone colour.
As you can see, I did learn a lot in this section and I do really appreciate the tutor – Rod Moore of the Learn to Paint Academy. So much so that I was exhausted after it and had to have a rest! Now, back to painting whole landscapes.