Good morning everyone. A couple of days ago we went for a walk in Brodsworth Hall gardens. They have evolved over the years, being brought gradually back to their Victorian splendour. And I particularly love this section, the quarry garden. The day was quite cold and the gardeners had been busy planting winter bedding which looked very healthy. I have painted just here a few times en plein air. But quick watercolour sketches don’t seem to be enough, so, on this occasion I took a few photos. Then I invented a scene and painted it in gouache at home, a small work only 8 by 11 inches.
Good morning everyone. As you might have noticed, I’m still fairly locked out of Jetpack and the reader, so I can’t see much of your posts. Anyway, this is just a quick catchup post of the Christmassy paintings I’ve been busy with.
Firstly, this is my interpretation of a stained glass panel. In fact, this was the theme of our last meeting before Christmas at our art Society. And, everyone created something quite unique. For example, I took inspiration from some stained glass panels done by Henri Matisse, one of my favourite artists. Actually, it was great fun to do, largely intuitive in my case, starting off with collage. And then improvising with gouache paint.
Secondly, I created this interpretation of an angel for the online gouache group I belong to. To be honest, I introduced the topic myself, being keen to see how other artists would portray the subject. As well as being eager to research the theme and try something new for Christmassy paintings. Well, there was some fabulous inspiration on line. And I chose this modern style and put my own twist on it. Unfortunately, I couldn’t find the names of the original artists, so I can’t give them a mention. Sorry about that!
Well, that’s a round up of my seasonal painting this year. Hopefully, I can be in better contact with you all in the new year.
Good morning everyone. I’ll just make this a short post because I’m not sure whether it will succeed. In fact, I’m having loads of trouble with my blog and I apologise if I don’t see and like your posts. Actually, I’m very limited with what I can do, with no hope of any progress until the beginning of January. Anyway, we went to the Christmas fair at Urban Commune and, for the first time ever, I had a stall! And this is a gouache painting that I finished while I was minding the stall.
As you can see, I had a great time – met some lovely people and connected with new artists. I even got a chocolate sweet from Caribbean Santa!
Also, there was some fab live music (even some dancing!). So, what a great start to Christmas.
Good morning everyone. Here’s another beautiful Dales landscape in gouache, Yorkshire Dales, that is. Actually, this is just a quick post today, to keep you all updated on the artwork I have finished. And I really enjoyed painting the luscious foliage in this sunlit view. To be honest, it reminds me of many walks that we did in this part of the world. Because we have returned to this delightful place over many years, camping and staying in youth hostels. And, now, renting cottages. In fact, the area is not really so big, but each small area is very distinctive and the landscape is quite varied.
As you can see, this view is of the valley bottom, but still quite high up. Of course, the hills are not far away and the view is, in my eyes, very pleasing. At times, the weather can be challenging, even in summer. However, in my painting you can almost feel the heat rising from the grass. Also, in my imagination, I can hear the insects busily buzzing around. Incidentally, the last walk we did in Wharfedale this summer was in sun till halfway round. Then hailstones and heavy rain for the other half! But, that’s part of the charm, I suppose. Anyway, in my opinion, you can have a beautiful Dales landscape in any weather.
Now this is something quite different, a quick intuitive abstract made in marker pen, oil pastel and pencil. And it took me about three sessions of ten minutes each while I was doing chores. And, I felt a great deal better when I finished it! How satisfying to do some art therapy in snatched moments of time. As you may know, if you read my blog. I do rely upon these abstract sketches to cheer me up. See another post here for more examples of occasions when I only had time for sketches.
Good morning everyone. We had our exhibition launch on Saturday morning and there was work by thirteen artists on display. And this was the first time Rotherham Roar had a group show in a long while. Well, we had a great party, had coffee and donuts too! Happily, I met up with old friends and made some new ones.
And this all took place in a unit at Rotherham market. In fact, it was an interesting mix of paintings in watercolour, gouache, acrylic and oil. Also, there were prints, textile art, digital prints, ceramics and sculptures. Really, something for everyone!
Actually, I entered three gouache paintings into the show, the one at the top of the post ‘Swaledale Barn’ and these two as well.
To be honest, it’s also quite a while since I went to a meeting where we could chat and relax. (See this post here for a report of my own solo show in our HQ gallery a while ago) And, more importantly, share ideas, plan projects and show our work to fellow artists. So, I came home with my head full of ideas, plans and a lovely feeling of encouragement. My idea of heaven!
Good morning everyone. Well, the title says it all – a week of arty stuff! For example, today I went to two galleries in Wakefield where some of my work is on display. And I was particularly pleased to see this one – Mary River, Queensland, on show with two other Australian landscapes. Actually, we took them down from a pop-up exhibition at another gallery. And now they are on show in our Northern Fringe Gallery artists display space in the Ridings Shopping Centre.
Then we went to the lovely volunteer led Urban Commune Gallery in another part of town, to help out a bit and show support. Actually, I have two mini displays on show at the moment , see this post here. And it’s a real pleasure to be part of a group of artists, dedicated to the promotion of art in the community.
Finally, I’ll just say that tomorrow I’ll be going to the launch of the Rotherham Roar exhibition in the indoor market. And I’m really looking forward to meeting my fellow artists and chatting to interested members of the public. More arty stuff. After all, that’s what it is all about!
Good morning everyone. This is just a quick catchup post of my art therapy paintings this week. Well. that’s what my art sometimes feels like, when my life is busy and demanding. But, I’m really glad that I can turn to creating art to calm my nerves. Honestly, I wouldn’t be without it! Anyway, this painting is probably a portrait of all the different thoughts taking up space in my head. And, this time, instead of editing out some of the busyness and explosions of colour, I left everything in. Normally, I keep an eye on the design and overall shape of the composition. And prune back quite a lot to streamline it. So, here is the un- edited version and it means more to me now, but I might feel differently tomorrow.
And, just for a bit of fun, here is my Halloween painting, a bit late, I know. However, this is it, I tried hard to make it look scary. But me and my art buddies have decided to call it ‘Halloween Date Night’. (Not really one of my art therapy paintings, but, a great pleasure to paint)
Good morning everyone. I’d like to show you these two new paintings, finished at last! Firstly, this beautiful Mediterranean scene, based on a photo from Landscape Reference Photos for Artists, here , by Penny Wohler – Stone. And this was such a pleasure to paint! In addition, gouache paint seems made for a scene which cries out for delicious textures and vibrant colours. Of course, this painting also fits in with my theme of hot, dry landscape and Australian scenes. (See here ) In fact, it’s turning into a collection now! To be honest, I couldn’t really see the point of doing a series before. But this one seems to have grown itself! Now I’ll have to think about displaying it together somewhere. Anyway, I’ll just paint a few more first.
Secondly, a completely different intuitive abstract in watercolour, pencil and marker pens. Actually, I found this little painting when I was tidying up some sketchbooks. And, I remember trying out a tip about keeping watercolours moist – I think I proved here that it does work. Because, as you can see, the paint didn’t need much encouragement to wander across the paper nicely. So, I was pleased with it, and when it was dry, I stashed it away.
Anyway, I looked at it from all angles and embellished it with patterns and markings. Then I noticed something in it that suggested a face to face composition – I wonder if you can see it too?
So, there you have it – two new paintings, finished at last.
Good morning everyone. I have felt so inspired lately by the beautiful colours of autumn and I wanted to show you my latest gouache painting. Actually, we were working on the theme of The Colours of Autumn at Art Society this week. So, I decided to do an impressionistic design of leaves drifting to the ground, whilst still keeping their glorious colours. Of course, these colours only last a short while, so, enjoy them while you can. Perhaps you can tell that this little painting is in gouache. Because the creamy texture and soft blending are typical of this medium. Incidentally, can you spot the gold-coloured paint on the two brown leaves? If you would like to see the very. very simple, short video I made about this painting, look here.
Maybe you have seen this plein air watercolour before? In fact, I painted this whilst sitting in my son’s garden last year. And, I particularly wanted to capture the vibrant copper leaves of the Virginia Creeper. Happy Days, sitting on the patio, painting, coffee and cake and good company! Or, here are some more of my happy memories from the year before. When we were admiring the colours of the pumpkin harvest in Wortley Hall gardens, in this post here .
Well, this is just a glimpse of an acrylic painting I started yesterday, based on a fabulous photo by Viktoria Stockmal from Landscape Reference Photos for Artists. And I’ll show you the progress as I go along, I haven’t painted in acrylic for a while. And I’m really enjoying being creative in this simply gorgeous season of the year.
Good morning everyone. I’ve finished another of my small countryside scenes at last! Actually, I left this one lying around quite a while, it didn’t seem quite right. Thanks to Regina Shrively for the lovely reference photo, on this site here . In fact, I accentuated the red colour of the barn and put more sunshine into the weather. Just because I wanted to (artistic licence!). And I think it makes a very pleasing and colourful composition. Anyway, the most difficult bit was the sky, I still find this tricky with gouache. But, it’s fun to practise.
Next I’ll show you the latest of my countryside scenes, one from my Australian photo gallery, thanks to Rod Moore. To be honest, I really enjoy doing these dry landscape scenes. Although, this one looks pretty green and luscious. Actually, I’ve never been to Australia, so I feel a little unselfconfident. However, one or two visitors to my shows have said my paintings remind them of visits to that country. So, I can’t be too far off the mark. Anyway, I enjoyed painting the variations of colour of the bark on the tree. Also, the patches of sunlight on the path, but they are more realistic in real life than in this image.
Please have a look in my gallery if you like this. All my work is for sale at reasonable prices. For example, I’m letting The Red Barn go for £30 plus shipping , it’s 11 by 7 1/2 inches, on paper, unframed and without a mount.
Good morning everyone. Why do I love red? Well, that’s a good question, and I’m not really sure of the answer. But I thought I would show you this acrylic painting from a few years ago and try and explain. For example, I was inspired by an old black and white photo of children playing on ‘the backs’. That is, behind the terraced row of houses in a pit village where they live. Obviously the colours were black, grey and white. However, I wanted to show the brightness and hope children bring to a community. So I painted them in colour. In my opinion, the touch of red draws the eye most and makes my point perfectly.
Perhaps you may be wondering how I chose this subject for this post? Actually, it was the theme for our latest meeting at our art society. And, it really inspired us all, so picked out some of my own paintings featuring red. Incidentally, this is my unfinished effort from Tuesday’s meeting. And it is a farm building with a tin roof, in gouache. When it’s propenly finished, I will show you . Anyway, in my opinion, the redness forms a strong focal point and also makes the scene look cheerful!
So, why do I love red? Because it can be cheerful and it helps the composition by being a strong focal point. In fact, it can also heighten the drama of a scene. How about the effect in this one?
Personally, I think this is quite dramatic! Finally, of course, red can suggest blood and danger. And I do have some drawings done in the pandemic which reflect this. I’ll show them in another post, I think.
All my work is for sale at reasonable prices, simply email me on the Contact Me page for further details.
Good morning everyone. We had a very enjoyable morning at my Meet the Artist event on Saturday at my solo show. And it was great to show family and friends my exhibition at Darfield Museum. Actually, we all imagined travelling the world while looking at the paintings. In fact, it was fascinating to hear people’s thoughts on exactly where the scenes were set. Because there were no labels on the wall next to the paintings, my visitors didn’t know the titles or locations of the scenes. For example, I described the image above as ‘Sandstone Bluff, Australia’. But a friend of mine said it reminded him of a ruined Crusader castle, somewhere in Europe!
Travelling the World, the Story Behind the Picture
Similarly, another friend was convinced that this was a painting of a town in Italy! Well, it definitely was France, see this post here for the story. However, I must admit that I did miss out the distinctive French 2cv cars on the road. So that the scene was a more simplified composition. Anyway, we both came to the conclusion that the town must have been near the French – Italian border. Perhaps you will have noticed that the tower in the distance is reminiscent of Italian architecture.
Finally, just one more example of a painting that set people off virtually travelling and reminiscing. In reality, this is the scene of a very distinctive rock formation at Brimham Rocks in the Yorkshire Dales. Yet, my friends assured me that it was: a local crag on a moor, another rocky area in the Dales or a beauty spot in Devon in the south of England! And this gave me food for thought, is it better to display a label with title and explanation or not? What do you think?
Good morning everyone. This is my new silver birch painting in gouache. Well, I thought it was about time I created my version of the silver birch woodland scene. Of course, I wanted to make mine a little bit different from the many excellent dark, atmospheric paintings I have seen. So I went for a feeling of slender tree trunks, shimmering in the hazy light. And, the colour of the grass is sharp and bright, just like it is after a shower. As for the sky, I exaggerated the mauve tones, to please myself actually! But, it really makes me want to step into the picture and see what is round the bend in the path!
By the way, I am starting to feel a little bit more confident with gouache paint now, at long last! In fact, I do like painting with it very much. And, I am getting used to the way it moves around on the page and how the colours settle after a while. But, it can still surprise me when one colour can ‘merge’ into another over night! And that’s what happened to these silver birches with the white highlighting. As regards the shift in colour as they dry, I suppose it is becoming a little more instinctive. And, I must have gone through this when learning how to handle acrylic paint. However, I probably forgot about the learning stage as soon as I was through it. But, I must say I am now trying a different type of paper, a more smooth finish. And I’ll show you the first painting when I’ve finished it.
Finally, you must have noticed how much I love painting trees, see this post here . So here are one or two examples. Firstly in watercolour and pen and then in oil pastel and watercolour.
Good morning everyone. This is the acrylic painting that I put on the poster I made to promote my latest exhibition. Well the show opened yesterday and, I must admit that I was very pleased with the way it looked.
Actually, the museum cafe gallery is a lovely, intimate space and we sat quite a while, looking at my paintings. In addition, the cakes are all homemade and delicious, so the time passed quite pleasantly!
Then I took some photos, but the lighting on the paintings reflected and defeated my camera. So, apologies for that!
Perhaps you might have seen this gouache painting before in this post here. However, I don’t think you know this acrylic I did a few years ago. In case you can’t tell (!) it’s my allotment.
After we had looked at my latest exhibition, we went into the courtyard garden to admire the scarecrows. If I could explain, it was the village Scarecrow Festival. Just a bit of fun for the children at the end of summer. Finally, we walked over the road to the church, All Saints. And it’s very picturesque, sited in a peaceful church yard. Actually there is a public footpath at the edge of the graveyard which takes you past the site of the medieval fish ponds. To be honest, the site is not restored but there is a line of willow trees that trace the line of the banks. What a pleasant afternoon out! I will probably post a bit more about my latest exhibition after the Meet the Artist event next week. Incidentally, if you are in the area, you are very welcome to join us, details on the poster.
Good morning everyone. Well, I’ve finished it at last! My new outback painting in gouache. Actually, it was three quarters finished a week ago, but I put it on our dining table . And then I looked at it a lot! Eventually I realised that there were too many clouds for the balance of the design to be pleasing.
So I used the ‘Draw’ function on the editing system and covered up the excess clouds on the image of my painting. Until it looked good, then I altered the painting itself. In my opinion, this is a great way to try out variations without using a paint brush. In fact, it’s really useful when painting in gouache as it is quite difficult to alter on the paper. Obviously it’s not as forgiving as acrylic when it comes to ‘mending’ mistakes. But you can learn how to do it by trial and error.
Another part of my process that is different when using gouache is adding trees over a background. Normally, I would paint the tree in right from the beginning. Then ‘cut’ the paint of the sky, for example, around it. After that I would progress all parts of the painting at the same time. To my eyes this looks better. However, here I simply put down the lower tree trunk as a marker and painted all the rest of it later. And it felt very strange!
Anyway, I felt pleased with how it turned out, because it’s all a learning process. If you want to see how I painted one of my earlier gouache paintings, see here. Hopefully you can see a bit of improvement? But the beauty of painting with gouache is feeling a definite sense of achievement after each one you do.
Good morning everyone. Just as it says in the title, a very quick catchup post. In fact, I’ve not really had much time to paint lately. So these two pieces are quite literally small works done in snatches of time. To be honest, I started this gouache in five minutes before starting on breakfast! Well, you get the picture. Anyway, quite unusually for me, this was straight out of my imagination. And, I don’t really feel like it’s finished, but to add any extra elements now would look too artificial. So I’ll consider it as a study, a practice in using gouache paint.
Now, as you can see, this one in my quick catchup post is completely different. Of course, it’s a doodle, but also a picture of my state of mind at the time. What do you reckon, anger, anxiety, bewilderment ? All of the above. We are living in such strange and difficult times and I usually try to keep my worries under control. However, sometimes they break out and I suppose there’s less harm done if it’s contained within a painting. Actually, oil pastel is really good for this kind of art therapy. Because you can pound it into the paper and get rid of all those uncomfortable feelings. Honestly, I’ve no idea what it is or if it means anything. But,I definitely felt better after I’d done it! And there’s another post here with more art therapy exercises that you may not have seen before.
Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.
Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.
Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.
Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.
Good morning everyone. What inspires you to paint or create? Actually, this is what we were discussing yesterday on our Art Society trip. In fact, we went to the town gallery to study and sketch the gorgeous drawings and sculptures of local artist Graham Ibbeson here . And over good strong coffee and delicious scones, the conversation turned to how we feel inspired.
So, one of my art buddies likes to take elements from an old master painting and work them into his surreal style of painting. Another friend likes to try out different media and styles for inspiration. And I talked about seeing an image in my mind’s eye, out of the blue. And then using it as the basis for a painting, which is exactly what happened here. Because I saw vaguely hexagonal shapes, the golden colour of honey and beautiful purple.
Incidentally, after I had thought about using this image for my post, it reminded me of another intuitive abstract. Also the inspiration for this earlier one had just come to me as an arrangement of shapes and colours. Usually when I’m half asleep or daydreaming.
Well, I do have ideas about other kinds of paintings too, this was just for abstract composition. But I’ll maybe talk about that in another post. If you want to see some more intuitive abstract paintings, see this post here. Anyway, what inspires you to paint?
Hello everyone. At last I can write a new post! After a few tension filled days when I couldn’t get into my website! But my host provider did a great job and banished all the glitches promptly. Thank goodness. And here is my new Australian landscape in gouache. In fact, there is a story behind this painting. Perhaps you remember that I follow a great course online by Rod Moore here . And we have just been on a virtual trip into the Outback with him. Well, virtual for us and very real for Rod. Along the way we watched the travel videos and sketched and painted the spectacular views. Actually it was very enjoyable and quite inspiring. Of course, I don’t know much about this type of landscape, as I’ve never been to Australia. However, I feel I know it a bit better now. And I really enjoyed the challenge of portraying the dry soil and the faded vegetation in my new Australian landscape. Because of course it’s winter there at the moment. Well, that’s all for now and I’ll show you my next gouache of Australia as soon as it is finished.
Meanwhile, here is my favourite of all the landscapes of Australia that I’ve painted on this course.
Good morning everyone. I decided to show you my acrylic painting of this wintry scene. Although it might seem a little odd in the middle of summer! Anyway, I started painting it a few weeks ago and I enjoyed the ruggedness of the trees. Also, the cool colours of the icy cold stream. Well, I reached this stage of the painting after two sessions and then decided to leave it a while. As usual, I left it in full view in the living room to try to assess it. But quite a bit of time passed by and I had spotted all the bits I could smooth out. However, I realised that if I carried on ‘improving’ it, it might look over painted. And then, in my opinion, it wouldn’t reflect my style. So, for the first time ever, I decided to leave it and show it as finished. I hope you see my wintry scene as finished too!
There are more landscapes in all weathers and seasons in my gallery here. And, finally, I found my other painting of a brook, this time in gouache paint. And, this time in summer!