New Gouache Paintings for Exhibition

Dry Country

Good morning everyone. As I promised, this is one of my new gouache paintings for my solo exhibition in September. By the way, I apologise for the fuzzy quality of the photo – I forgot to photograph the painting before I took it to my framer. In fact, I finished it Tuesday morning at art class and took it straight there! Perhaps you spotted that it’s another Australian scene from my tutor’s Outback trip. And, I just love painting these dry landscapes.

Here are the four pictures just back from John, my lovely framer. Actually, I left six more with him to be framed soon, a selection of acrylic and gouache.

Anyway, there will be a nice mixture of brand new gouache paintings and some slightly older acrylics. But, all in all, a lot of stuff that I haven’t shown before to my artfriends. I wonder if you remember my painting (Somewhere in France) here, this is in the show too.

Finally, just a little look at one of my new favourites that I completed to be a part of Rod’s project. And there are loads more photos at my disposal to be painted when I have time.

High Bluff in the Outback

What Inspires You to Paint?

Golden

Good morning everyone. What inspires you to paint or create? Actually, this is what we were discussing yesterday on our Art Society trip. In fact, we went to the town gallery to study and sketch the gorgeous drawings and sculptures of local artist Graham Ibbeson here . And over good strong coffee and delicious scones, the conversation turned to how we feel inspired.

So, one of my art buddies likes to take elements from an old master painting and work them into his surreal style of painting. Another friend likes to try out different media and styles for inspiration. And I talked about seeing an image in my mind’s eye, out of the blue. And then using it as the basis for a painting, which is exactly what happened here. Because I saw vaguely hexagonal shapes, the golden colour of honey and beautiful purple.

Incidentally, after I had thought about using this image for my post, it reminded me of another intuitive abstract. Also the inspiration for this earlier one had just come to me as an arrangement of shapes and colours. Usually when I’m half asleep or daydreaming.

Golden, original

Well, I do have ideas about other kinds of paintings too, this was just for abstract composition. But I’ll maybe talk about that in another post. If you want to see some more intuitive abstract paintings, see this post here. Anyway, what inspires you to paint?

New Australian Landscape in Gouache

Just Before Sunset

Hello everyone. At last I can write a new post! After a few tension filled days when I couldn’t get into my website! But my host provider did a great job and banished all the glitches promptly. Thank goodness. And here is my new Australian landscape in gouache. In fact, there is a story behind this painting. Perhaps you remember that I follow a great course online by Rod Moore here . And we have just been on a virtual trip into the Outback with him. Well, virtual for us and very real for Rod. Along the way we watched the travel videos and sketched and painted the spectacular views. Actually it was very enjoyable and quite inspiring. Of course, I don’t know much about this type of landscape, as I’ve never been to Australia. However, I feel I know it a bit better now. And I really enjoyed the challenge of portraying the dry soil and the faded vegetation in my new Australian landscape. Because of course it’s winter there at the moment. Well, that’s all for now and I’ll show you my next gouache of Australia as soon as it is finished.

Meanwhile, here is my favourite of all the landscapes of Australia that I’ve painted on this course.

Look at this Wintry Scene

Cold Day

Good morning everyone. I decided to show you my acrylic painting of this wintry scene. Although it might seem a little odd in the middle of summer! Anyway, I started painting it a few weeks ago and I enjoyed the ruggedness of the trees. Also, the cool colours of the icy cold stream. Well, I reached this stage of the painting after two sessions and then decided to leave it a while. As usual, I left it in full view in the living room to try to assess it. But quite a bit of time passed by and I had spotted all the bits I could smooth out. However, I realised that if I carried on ‘improving’ it, it might look over painted. And then, in my opinion, it wouldn’t reflect my style. So, for the first time ever, I decided to leave it and show it as finished. I hope you see my wintry scene as finished too!

There are more landscapes in all weathers and seasons in my gallery here. And, finally, I found my other painting of a brook, this time in gouache paint. And, this time in summer!

The View over to the Mountains

How to Paint a Castle

Somewhere in Portugal

Good morning everyone. As you may know, I love painting castles and old ruins. So, when I saw an article in a painting magazine about how to paint a castle in poster style, I had to have a go!

A Castle in Spain

Actually, the instructions in this article by Andy Walker in the Leisure Painter magazine were very clear and helpful. First, we had to restrict ourselves to a very limited palette of colours – blue, yellow ochre, deep red and white. Of course, these suited the subject very well. In particular the dull greens of late summer vegetation and the weathered stone of the castle. Next we had to simplify the composition and the shadow areas. And, finally, restrict added detail to a minimum, the most difficult part for me! But, I must admit, I’m really pleased with the painting. It’s a strong, appealing image and people really seem to like it. And, there’s a lesson in there somewhere for me – don’t complicate or over elaborate! Therefore, I had to paint another castle. However, as you might have noticed, this next one is in my own painterly style.

The Next Step in my How to Paint a Castle Mini Course

Somewhere in Portugal

In fact, for this gouache painting, I remembered the tuition about restricted palette and simplifying the composition. But when it came to painterly details, I followed my instinct and added as many as I wanted! For me that’s really a lot of the pleasure of painting.

A close up.

Well, the next step in my project on how to paint a castle is an attempt to put these new principles into my painting. But also to retain some of my own approach and style. So I’ll show you this unfinished gouache, and I’ve not yet decided how to complete this. What do you think, how much more should I add?

A Castle in Scotland

And, while you are thinking that over, have a look at this happy, sunshiny watercolour painting of a castle here.

Look at my Group Projects

Amazonian Waterlily Pond

Good morning everyone. I did a bit of tidying yesterday, because we could hardly move in the living room and hall. And all because I brought my stuff back from two exhibitions and failed to store it away! Anyway, to be honest, the space was already packed to capacity with sketchbooks and loose pieces on paper. And while I was shuffling paper, I came across some work I had done for my group projects. Somehow, this kind of painting ranks a bit lower in my mind than my own self lead creations. Actually, I shouldn’t really think that way, so, to make up for it, here they are in the spotlight.

Gouache Paintings of Brazil – one of our Group Projects

As you can see, the title says it all and this was for our Beginner Gouache group on the Mewe platform. In fact, we are a friendly bunch. None of us claim to be experts and we help each other along the way. And help is very welcome when you’re trying to make progress with this challenging medium!

The House for a Folding Book of a Street Project

While I was tidying up, I found these paintings I created for some of my group projects. I love the variety of inspiration they give me for my art work.
A House for the Street

This is my second offering for the street and it is also in gouache paint. (Because it is so easy to take out and use at our art society meetings). If you would like to see my first house, look at this post here and keep watching this channel for an update on the book. In construction as we speak!

An Unfinished Project

Reading

Finally, here’s a finished painting for one of the group projects I intended to enter, but never quite completed. To be honest, I didn’t think it was quite good enough, the brief for the open call was very restricting. And the image I ended up with didn’t inspire me. So, this princess stayed at home! And now I’ll get back to finding space to store all of these paintings I’ve “tidied”!

Art Work Inspired by Japan

Full Moon, inspired by Hiroshige

Good morning everyone. This is a painting I did for this month’s theme in our Beginner Gouache group, Of course, the theme is Japan and I looked up works by Hiroshige and Hokusai, two masters of the woodblock printing technique. Actually, in this art work inspired by Japan, I did change some of the elements in the design when I painted this tribute to the artist. And I just loved working in this gorgeous limited palette of colours, a couple of blues, black and white. Perhaps you agree with me how effective these choices can be, creating a mood of calm and serenity.

The Great Wave

You may remember seeing this acrylic painting before, if you like to look at this blog. Anyway, I painted this in response to a theme for a Northern Fringe Gallery exhibition a couple of years ago. In fact, we chose from a long list of a hundred objects selected from the marvellous British Museum collection. And I chose that well-known print by Hokusai, The Great Wave. But I set it in a local beauty spot, so that the keen fisherman on the bank was blissfully unaware of the coming deluge!

Another Art Work Inspired by Japan

Mount Fuji

Finally, I couldn’t miss out this acrylic painting of the familiar iconic view of Mount Fuji. It shows the view from over the water. And this painting is at present on display at Rotherham Roar Buzz Gallery. (Incidentally, we take it down next Wednesday, the month is nearly up). So, I found at least three paintings inspired by Japan. And there are two more in existence, if only I could find them!

All my paintings are for sale at reasonable prices. To find out more, go to the Contact Me page and send me an email and we can have a chat.

Still Life in the Kitchen

Old Kitchen Scales

Good morning everyone. I really enjoyed painting this gouache portrait of old kitchen scales at art group last week. One of our members brought in loads of fascinating old objects to inspire us to do a still life. And I decided to paint quickly, like I do when I’m out urban sketching. First I did a very quick pencil sketch to set the general shape. Then I drew with the brush, something I love to do. Also, I tried to show the grime and wear and tear on this well used weight scale. Which wasn’t all that easy , actually! And it felt good to paint from life – photos obviously have their place in my art practice. But, I feel that observing and recording an object sharpens up my drawing skills.

Old Saucepan

If I remember correctly, I painted this in the Victorian kitchen of our local stately home . Back in the day when sketching groups were encouraged to linger and draw ( about two years ago!) Anyway, I used pen and watercolour and chose this little group of utensils on the old shelf near the big, black range. By the way, one of the best days to visit is when they fire up the range and demonstrate baking for the big house.

Still life in my Kitchen

Finally, here’s a painting of a fish, caught at sea by a friend of a friend and being prepared for cooking. Acrylic on box canvas, I put it on my kitchen wall! And here’s another food still life you might like to see, this time fruit.

Fish

In fact, making this post reminded me that it’s high time I updated my Still Life and Flowers section in my gallery. Oh well, that will have to be something for another day- I’m far too busy painting today!

More Abstract Experiments in Gouache

Moving On

Good morning everyone. As I promised, here is the next one of my abstract experiments in gouache. And, you wouldn’t believe how many different versions I painted until I arrived at this final one!

To begin at the beginning, our tutor asked us to sketch potential compositions using shapes. I chose rectangles and a spiral and I painted in some of the soft colours suggested. And this is how it went.

Moving On – version 1

Well, this was ok but it didn’t look all that different from my usual type of abstract. Also, I thought it looked too busy. And so I decided to make more of the painting a restful creamy white.

Moving On – version 2

Now, I thought this looked better, but it still wasn’t right. So I added some gold – this is the part I love!

Moving On – version 3

Actually, I was quite pleased with this result of my abstract experiments. However, meanwhile, I had read the next lesson in the course. And I had begun to think about areas of colour forming the composition, as well as shapes. Honestly, I put down so many layers of gouache paint that I thought it might crack. Nonetheless, I struggled on and gradually eliminated the spiral, bit by bit. Until I arrived at the final version.

The Final Version of my Abstract Experiments

Moving On – the end result

Now I’m happy! Perhaps you’ve noticed that I also rotated it to find the best view. Immediately after that, I started painting two more! Of course I will show you these later. But I must point out that the moral of this story is: don’t change direction midway into a painting! Because it costs an awful lot of paint and also, it makes your brain hurt! Ah, let’s go back to the carefree days of quick, intuitive abstract painting like this here ! Only joking, I love it really.

Two New Style Abstract Paintings

Waves

Good morning everyone. Well, as I promised, I’d like to show you the first abstract composition I painted from Painting with Yvette. And it’s a new style abstract painting, for me, that is! Actually I found out about this course by chance, just at the very time I was feeling that I needed a change of direction. To be honest, as you might have noticed, the shapes and composition are not all that different from the ones I often use in my paintings. But, first of all, the colours are very different, or, in different combinations – see this post here. Secondly, there is a lot more empty space between the elements. As you might say, a bit more breathing space. Lastly, there are more definite calligraphic marks. In fact, our tutor Yvette St Amant is very generous with her advice and guidance. So I try not to reproduce her work, but to use the ideas and develop them into my own style.

However, I find it quite difficult to achieve and, I spend a few hours on each painting, but I do feel that I am learning. Indeed, I think this is the only way to achieve progress, to spend time practising.

Another New Style Abstract

Pink and Gold

Actually, have a look at the image this way round, I’ve just this minute noticedthat in this view, a totally different idea springs to mind. To me it suggests new things on the horizon.

A New Horizon

I think I like it better this way! And, putting gold paint on a painting and having it make sense in an abstract way is a first for me! So, I’m working on a couple more of these new direction abstract compositions at the moment. But quite slowly. And I will show you when they are ready. (By the way, these are gouache not acrylic)

Painting Houses for our Street

John Knox House

Good morning everyone. On Tuesday evening at our art society meeting we started a new project – painting houses for ‘our’ street. In fact, we are each taking a sheet of paper and painting or drawing a house or building. Then we will make a folding, concertina book of our street. Actually, we do a group project like this once or twice a year. And, it feels very good to be involved in something together. Especially a book which we can enjoy looking at and showing off afterwards.

Anyway, I chose this scene as my contribution – I’m guessing it’s in Edinburgh, Scotland (image from Unsplash). If you’ve got very good eyesight, the placard reads John Knox House. And now the original dwelling serves as a museum, no doubt telling the story of this religious leader in the 1500’s.

John Knox House – a closeup

As you can see in this image, I applied the paint lightly and delicately in a watercolour technique, but it was actually gouache paint. Usually with gouache I layer it on thickly and use lots of white paint to achieve that gorgeous chalky look. Instead, I painted wet on wet and encouraged the paint to be more transparent. And here are some houses in gouache, using the thicker technique.

Painting Houses in Gouache

Harbour in Norway

As I was looking at all the photos of my paintings, I realised I had actually painted loads of houses and other buildings. So, that gave me the idea to make a section for them in my gallery here – I let you know when it’s ready. Meanwhile, there are more houses here and here.

Green and Gold Gouache Landscapes

On the Lakeshore

Good morning everyone. Now that everything is getting back to ‘normal ‘ after the festive season, I am catching back up. So, here is a little green and gold scene I painted in gouache, back in November. As I recall, the reference photo was a touristy one I saw somewhere. But I altered it quite a bit and added a figure. That’s me, standing on the rock in the cool morning air with my cagoul hood up. And, I’ve probably got my field sketching kit in my rucksack. Perhaps you’ve noticed that I’m looking at the leafless tree on the left. Unfortunately, a much more common sight now when we’re out walking. Anyway, I still managed to fit in plenty of green and gold to cheer me up. Also, it was good practice to paint in gouache and I am gradually getting more used to manipulating the paint.

In a Park, Somewhere in Wales

Actually, the title says it all! For this scene, I used an old watercolour sketch I did when we were in Wales. However, I can’t remember the location other than it was a lovely ornamental park in North Wales. And, we had the place practically to ourselves. Because the season had been quite wet, all the late spring flowering shrubs were really blooming.In addition, the foliage was glistening after a brief shower. On the technical side, the paint was gouache and I built the painting from my watercolour sketch and , surprisingly, a bit of memory. In fact, it’s really addictive and I have a huge archive of sketches to mine!

The Flowering Shrub in my Green and Gold Gouache Landscape

Incidentally, there’s another uplifting green and gold painting in this post here , this time a woodland scene.

As ever, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for further details.

Our Solstice Exhibition Now On

Good morning everyone. Today I’d like to tell you all about our Solstice exhibition – now on show at Fronteer Gallery in Sheffield, UK. Well, we had a great launch on Monday evening, despite the Covid regulations. Of course, we had to wear masks and only ten people were allowed in the Gallery at one time. Nevertheless, I managed to have a good look around the show. And to have a nice chat with Michael and Sharon, who set the whole thing up. Actually, it’s not been the best time to open an art gallery in the pandemic, but they have done it!

I took this snap in a sort of an open space in front of the gallery which is traffic free. In fact, it’s an ideal performance area. And we watched a bit of street theatre by Pink and grAy. Sun Circle, referencing Ra, the sungod, bringing light to the world. Incidentally, this is the theme of my gouache painting too! Also, the abundance of food produced by its energy, represented by a basket of oranges.

The Artwork in Our Solstice Exhibition

Egyptian Temple

Honestly, it was a real pleasure to see my own painting up on the wall in this super gallery. It’s been so long since I could chat to people looking at my work. In addition to that I had actual contact with the other artists too! Here is just a taster of the wonderful artwork on display. I did take lots of photos, but the lighting in the rooms was too much for my little phone camera!

Julie Massie
Nicky Scott-Francis

At last, my artworld is slowly returning.

The solstice exhibition is on this week and next. Just see the poster for the dates and times it is open. And, with its wide variety of media and interpretation of the summer sun, it’s well worth a visit.

If you want to have a look at the beautiful exhibition catalogue, see here.

Summer Painting for Sheffield Exhibition

Egyptian Temple

Good morning everyone. Well, ok, I have shown you this gouache painting before. But, I am really pleased with myself because I entered it in a Summer painting open call. And Fronteer Gallery in Sheffield, UK accepted it! Then they will actually hang it on a wall, for two weeks in June. Somehow, I can’t quite believe it will really happen, but I’m keeping my fingers crossed.

My Summer Painting – All Framed and Ready

Back from the Framer’s

Of course, we are planning a launch, but it will all depend on government regulations and infection rates. But, I can look forward to it anyway. Honestly, it feels so good to be involved in shows and sketch trips again.

In fact, Fronteer Gallery opened up just before the pandemic and they’ve worked very hard to keep it open. To be honest, I really enjoy being able to support a gallery like theirs. Because they are giving us, the ‘little’ artists, a chance to show work.

The Goddess Isis

Finally, I have created lots of Egyptian themed paintings over the past two years. And, I chose this for my favourite, which I based on a photo of a wall decoration in a tomb. Another hot, summer painting. Just like this one here, but in quite a different interpretation.

I sell all my work at reasonable prices. If you see anything you like, go to the Contact Me page and send me an email to find out the details – there’s no obligation to buy!

Autumn Colours- a Gouache Painting

A beautiful old tree in autumn colours,  next to St. Mary's church in churchyard.
St. Mary’s

Hello everyone. Don’t you think the autumn colours have been beautiful this year ? Happily, this charming church in its tranquil garden churchyard is about five minutes walk from my house. To be honest, you wouldn’t think it was right in the middle of a busy town . Yes, I know it isn’t as busy as usual right now. But even when there are no restrictions, it still has that air of peace and quiet.

In fact, there are some glorious trees in the garden , each with its own unique character and shape . Of course, I can enjoy the sight of them all year round, in every season. However, the trees in their autumn colours have to be the most impressive sight of all.

The Dancing Leaves in Autumn Colours

The Dancing Leaves

So, in this closeup of my gouache painting, I really tried to show how the subtle yellow green leaves flickered and gleamed in the autumn sunshine. Well, I tried but it was an impossible task really.

More Autumn Colours

A basket of ripe, red apples in a basket - autumn colours in the harvest.
The Apple Harvest

As it happens, this is an oil pastel drawing of last year’s harvest. But the tree is very reliable and we usually get to eat these delicious fruits all winter ! Actually, this painting was on display for a few months in the Rotherham Art Cafe here .

A bright, impressionistic sketch of a tree in a beautiful garden, full of autumn colours.
View from the Glasshouse Window

Finally, something completely different. To explain , I went to a printing workshop in the elegant Victorian conservatory at Wentworth Castle Gardens last year . It was part of our Inktober 2019 activities. And, this is my impressionistic painting of the show of autumn colours in the garden, through the window. And, if I remember correctly, I used some acrylic inks to do a quick sketch, while my print was drying !

In my opinion, this time of year is truly beautiful. And, the display doesn’t last so long. So, get out and enjoy it while you can !