This Week’s Art Therapy Paintings

Cells

Good morning everyone. This is just a quick catchup post of my art therapy paintings this week. Well. that’s what my art sometimes feels like, when my life is busy and demanding. But, I’m really glad that I can turn to creating art to calm my nerves. Honestly, I wouldn’t be without it! Anyway, this painting is probably a portrait of all the different thoughts taking up space in my head. And, this time, instead of editing out some of the busyness and explosions of colour, I left everything in. Normally, I keep an eye on the design and overall shape of the composition. And prune back quite a lot to streamline it. So, here is the un- edited version and it means more to me now, but I might feel differently tomorrow.

Halloween Date Night

And, just for a bit of fun, here is my Halloween painting, a bit late, I know. However, this is it, I tried hard to make it look scary. But me and my art buddies have decided to call it ‘Halloween Date Night’. (Not really one of my art therapy paintings, but, a great pleasure to paint)

New Paintings, Finished at Last

On the Beach

Good morning everyone. I’d like to show you these two new paintings, finished at last! Firstly, this beautiful Mediterranean scene, based on a photo from Landscape Reference Photos for Artists, here , by Penny Wohler – Stone. And this was such a pleasure to paint! In addition, gouache paint seems made for a scene which cries out for delicious textures and vibrant colours. Of course, this painting also fits in with my theme of hot, dry landscape and Australian scenes. (See here ) In fact, it’s turning into a collection now! To be honest, I couldn’t really see the point of doing a series before. But this one seems to have grown itself! Now I’ll have to think about displaying it together somewhere. Anyway, I’ll just paint a few more first.

Encounter

Secondly, a completely different intuitive abstract in watercolour, pencil and marker pens. Actually, I found this little painting when I was tidying up some sketchbooks. And, I remember trying out a tip about keeping watercolours moist – I think I proved here that it does work. Because, as you can see, the paint didn’t need much encouragement to wander across the paper nicely. So, I was pleased with it, and when it was dry, I stashed it away.

Anyway, I looked at it from all angles and embellished it with patterns and markings. Then I noticed something in it that suggested a face to face composition – I wonder if you can see it too?

Encounter – a close up

So, there you have it – two new paintings, finished at last.

On the beach – a close up

Look at this Small Abstract

Big Brain

Hi everyone. This is a very short post indeed, all about a small abstract. To be honest, I’m so busy at the moment, gardening and arty business. Not to mention just running my life! Anyway, I just couldn’t stand missing my art fix another day. So I found my small drawing pad, watercolour kit and a few pencils, oil pastels etc. And then let a few colours run into each other. Next I added some small, precise marks and accents. And all this without a single conscious thought, a small abstract. Afterwards, I found out which way up I preferred it. Only then did I notice a head in profile and I had a strong idea come into my head! Namely, we need someone with a brain this big to get us out of the mess we are all in. Well, on that cheerful note, I’ll sign off and hope to write a longer, more optimistic post soon. (There is a more cheery abstract here !)

New Techniques in Floral Abstract

Blue with Flowers

Good morning everyone. This is just a quick catchup post, to show you what I’ve been enjoying painting, a floral abstract. Actually, I’m working my way through a course by Suzanne Allard, see here. In fact, I have experimented with loose floral abstracts before, as you may have noticed on this blog. And, I’ve used other media over the paint. But I never felt like I knew what I was doing. So I’m very pleased that I found Suzanne’s tuition on line. Because she guides me through the myriad possibilities of adding crayon, oil pastel, ink and so on. And in a way that I can understand.

Blue with Flowers – a closeup

To be honest, I created the background for this painting a while ago, for a different project. However, I thought that it would work well. And I muted the intense colour of the acrylic paint with oil pastel in places where it needed it. As can perhaps see in this close up. You can see another loose floral abstract in my own style in this post here.

Three More Quick Little Abstracts

Quick Abstract 5

Good morning everyone. I’m showing you a catch up post about my series of quick little abstracts. Well, if I call them a series it makes it sound more serious! But it’s really because I’m so busy at the moment, and only seem to have time for small works. In retrospect, in this one I must have been greatly influenced by dark thoughts about the war in Ukraine. Perhaps it’s a cliche, but the red looks like blood to me, with something scary raining down on the city from above. Actually, I mentioned in my last post in this series that I only notice these things after the sketch is finished.

Quick Abstract 6

In fact, you may have seen this watercolour sketch before, as I included it in my post about our holiday in Scarbrough here. And I painted it after having paddled in the cold North Sea. Honestly, I found it fascinating to spot the different patterns created by the receding tide on the shore. So I had a lot of scope for decorative patterns in ink over the top of the background.

Quick Abstract 7

Finally I painted this one after a day’s work at the allotment garden, Where I immersed myself in greenery, vegetation etc. Obviously, I don’t have to tell all you gardeners out there about the rapid growth. And how all plants grow so quickly in the UK at this time of year. Admittedly, we have to work very hard weeding and cutting back, but it’s quite glorious really. If you want to see more of the greenery in my plot of land, look here. Just another one of my quick little abstracts for the series.

See my Small Watercolour Abstracts

Doodle 3

Good morning everyone. This is a quick catchup post, just to show you more of my small watercolour abstracts. Well, I’m still producing quite a few of these. And I’ve noticed that they definitely reflect my painting interests and colour choices at the time. But I don’t notice this till afterwards! For example, in this one above I’m exploring more restrained and sparse patterns, as a contrast to the busier designs of the previous little abstracts seen here.

Doodle 4

On the other hand, I noticed after I had completed this one above that it was connected to my current large acrylic. And also, the softer colours and bold black calligraphic marks are in the style on my online course. Who knew? Actually, my subconscious painting brain surprises me more every day, especially in my small watercolour abstracts!

Doodle 4 – a closeup

See my Spare Time Abstracts

Doodle 1

Good morning everyone. I think the title says it all, really, because I’m very busy at the moment. And, this is all the art I can manage to fit in at present – spare time abstracts! Actually, I saw a few things online about doodling, which seems to be very popular just now. But, to be honest, I’ve been scribbling little designs and patterns all my life. So, it seems to be quite natural to me. However, I noticed lots of ideas suggesting doing these small drawings over a background of watercolour marks. So, nothing could be easier, I use my little travel set of colours and it dries fast. Then, a little bundle of markers to choose from, and off I go!

Although, I must say the notion of using lots of surface pattern over paint is still new to me. But, that’s the fun part. And, as most of my marker pens are waterproof, it seems natural to add a bit more emphasis on top with thicker paint. Next, I have a look at the design for any ugly bits and correct them. And now I’ve done another spare time abstract! Right, back to the allotment gardening! There is some more fun doodling in this post here, using a slightly different technique.

Doodle 2

Look at my Framed Abstracts

Up

Good morning everyone. I finished this small watercolour painting yesterday and, with a bit of magic, it’s now one of my new framed abstracts. Isn’t science wonderful? Only a few minutes work, and there it is , in a frame and on the wall of a virtual room!

Up in the Dining Room

Not only does it boost my confidence to see my work displayed on the wall. But also I can then easily assess the work and make mental notes how to progress in the next one.

Perhaps you might not be aware, but I can see quite a lot of influence here from the Painting with Yvette course I am following. For example, the general movement of the colour red across the paper. Also, I have used both thin, washy paint and more thickly applied coats in this composition. In addition, I have applied patches of fine surface pattern on the top layer. Obviously, this might not be all that easy to see in these images of one of my framed abstracts. But, close up it is more effective and I learned all this from this excellent course.

In the Shadows

Finally, I couldn’t resist ‘hanging’ this little abstract on the wall. And I like the way the dark, moody colour of the background complements the mysterious feeling of the painting. In fact, when I look at it now, I think of a passage back into the light from a dark place, perhaps a cave? However, it was an intuitive composition, with no planning beforehand. If you would like to see more of my abstract work, see here.

Discover Shapes in Paint Doodles

Flight

Good morning everyone. This is a fun exercise I did in the tutorial by Charlie O’Shields in the Sketchbook Revival course by Karen Abend. And I tried to discover shapes in simple paint doodles, following the method described by Charlie. To be honest, it was easy to follow. First, scribble some marks with clean water on your brush, on watercolour paper. Most importantly, leave some blank spaces and don’t cover all the sheet. Next, quickly drop in some very wet paint and allow it to mingle. As you can probably tell, my paint blotches did start to dry a little. So I added more and ‘grew’ a few cauliflowers! But, it didn’t matter and just added to the design. When it’s thoroughly dry, take a bit of time to study it. Then pick out the outlines of anything you see in pen or fine marker. Just let your imagination go wild!

Actually, I did enjoy this playing with paint and ideas, and I felt it was a good antidote to worrying about all the sad things I hear on the news. So, if you want a little chuckle, have a look at the other daft doodles I produced.

In the Depths of the Sea
Night Time
Puppy

Finally, here’s an example of a ten minute doodle (done last night). And this shows my usual method of doodling abstracts and how to discover shapes. In fact, I draw or paint colours and shapes at random and then develop it from there. In this case, first, chop courgettes for the dinner, then sit down with marker pens, oil pastels, a biro and tiny notebook!

Courgettes for Dinner

Two More Nice Bright Abstracts

Sunshine and Rain

Good morning everyone. I did this one of my nice bright abstracts before Christmas and I’m quite pleased with the way if turned out. Again, I had no plan beforehand, except perhaps to incorporate lots of lovely, juicy colour! And, on this one I particularly enjoyed splashing the flashes of white across the gold and bronze.

Sunshine and Rain – a closeup

In fact, I noticed that I have been featuring a lot of round, globe shaped objects in my abstracts lately. Of course, if you paint them yellow your mind interprets them as the sun. And dark clouds creeping up in the background can then suggest imminent rain. So, that’s how I found the title! Anyway, I suppose this led me to thinking that it was time for a bit more development of my abstract work. However, more of that in later posts. Meanwhile, here is another of my nice, bright abstracts, completely intuitive and in a watercolour sketch book.

Afternoon in the Garden

Now, this was a lovely art therapy exercise – a quick watercolour sketch in a few spare moments. And then, some flourishes with oil pastel, ink and white gel pen. I wonder if you can see anything in it? I wonder if you see the same as me? There’s another intuitive abstract in this post here for you to puzzle out!

If you like my abstracts, I just updated my abstracts page in the gallery here. And, don’t forget, I shall be showing you some new style compositions soon.

Mixed Media Art Therapy Sketch

Bright Life

Good morning everyone. This is just a catch up of the quick art therapy watercolour sketches that I do in my sketchbooks. Actually, this particular one took a little bit longer, as I wanted to add more after the initial twenty minutes or so. Well, I made some shapes and colours with my travel watercolour set, which I keep very handy in my living room. And, I usually do this when I have gone a whole day without arty activities! In fact, it never fails to lighten my mood, however I’m feeling. So, I consider it a very useful way to look after my mental wellbeing. Also, it is almost entirely stress free because I make no demands on myself as regards the quality of the work. And, it’s purely experimenting and, of course, you need not show it to anyone, unless you choose to. Perhaps you could try this easy art therapy sometime! And let me know how you get on.

Anyway, after the first pass, I put the little sketchbook on the table till next day. And looked at it a lot. Then I strengthened the yellow,green and brownish red with oil pastel. Next I doodled a bit with marker pen and white gel pen to bring it together. And, it definitely cheered me up!

Bright Life – a closeup

More Art Therapy

Finally, this is another another quick piece done to calm my nerves and I did this in one pass and left it as it was. If you want to see more, have a look at this post here.

Green Veg and Purple Flowers?

Work for our New Exhibition

Ready to Go On

Good morning everyone. Well, I have been quite busy again doing “art” business. In fact, I’ve realised that I’ve made myself just a bit too busy. But, in my own defence, it’s probably a natural reaction to the situation. First, no art activity for a long time. Then, say yes to every opportunity that comes along! Anyway, what could be nicer than taking part in Rotherham Roar artists’ group exhibition? Because it’s the first one we’ve had for quite a while. And so, I took these two pencil and watercolour sketches I did at life drawing class ages ago , for our new exhibition.

Ready to Go On
Thinking

In fact, the space we are exhibiting in at Rotherham Market Hall is like a wall of glass. So, works on paper and unframed are the way to go. Therefore I choose these two prints.

Working in my Allotment
Clematis at Dusk

As I recall, the flower painting was part of a project at my art society to capture the colours of flowers as the light faded. See here for more of my flower paintings.

And, finally, these last two made the final choice for our new exhibition. Up first is my version of a microscope photo of a neuron (one of those things in your brain that makes everything possible).

Neurons

And, finally, one of my favourites, a mixed media piece I call a semi abstracted memory of a walk in the woods.

A Walk in the Woods

To be honest, I’ve probably got enough work to fill the whole wall, not that I’m an excessive painter or anything! But, for now, six is enough!

Big Tree in my Garden

The Big Tree

Good morning everyone. Well, it’s finished at last! And, to be honest, I don’t really know why I didn’t complete the Big tree in my Garden earlier. Actually, I started this big painting back in the spring, after doing at least two other studies. In fact, you may remember these mixed media versions, because I think I did post them.

Study 1 for The Big Tree

As I remember, I painted the twisting shapes of the branches, still really visible in spring, before the leaves grew thicker. And I found these fascinating, at the same time realising that we had created them ourselves. Simply by hacking the growth back every year in a vain attempt to keep the tree small for our modestly sized town garden. Anyway, I sketched first in charcoal and then I worked in oil pastel.

Study 2 for The Big Tree

Now, this is the second version that I sketched in charcoal and then added watercolour and pen for finishing touches. By the way, I sketched both of these through the living room window. And, as you can see,the season is moving on!

The Big Tree

But, to get back to the bigger painting, I decided to paint the tree quite simply and make sure that it dominates the space. But I also wanted to give emphasis to the rather fine building on the other side of my garden wall. At present it is used as offices, but, using my artistic licence, I show it as the grand family home that it once was.

And, I daydream about the people who live there, do they watch my house from their windows? And, what is there over the hill that the house sits on top of? So, as you have realised, I have created an imaginary scene from the reality I live in. Because, there’s always more than meets the eye, in my imagination anyway!

The Big Tree – a closeup

Finally, this acrylic painting on paper is 16 by 20 inches and the price is £80 plus postage, free in UK. Just email me on my Contact Me page here. And, if you want to see more of my trees, see here.

Drawing Small Animals from Life

The Billy Goat

Good morning everyone. Last week I went with my art group to Silkstone, a picturesque village nearby. We wanted to spend some time drawing small animals. And one of the attractions for us was the opportunity to observe farm animals and birds up close. I used all my powers of persuasion on my artbuddies to encourage them to draw living creatures. As you probably know, it’s quite a difficult task, because they won’t keep still! Actually, the sheep did doze off quite nicely in the shade, convenient for us sketchers.

Anyway, I sketched hens, sheep, goats and a peacock. For the most part, these were quick sketches, trying to capture the shape of the body. Also attempting to show the posture and perhaps some of the attitude.

Drawing Small Animals

Sheep and Goats

Then I spent a bit of time observing this mature male goat, pacing around his own field. Speaking of attitude, he was clearly in charge of all his family, even though they were the other side of the fence. And most impressive of all was his beard, long and luxuriant, sweeping down to the ground.

The Billy Goat

Finally, I’d like to show you a mixed media painting I did en plein air at Wigfield Farm. This was a couple of years ago when our sketch group visited this teaching farm, with some beautifully cared for animals. Luckily for me, this rabbit stayed still every minute or so. Sometimes it wandered around, investigating all the corners, and snacking. As I recall, I was using pen and oil pastel – these are rather unforgiving media, so expect a few mistakes I couldn’t correct. Even when I tried watercolour on top! Anyway, it was great fun and I’m sure we will go again. After all, practice makes perfect ( so they say!)

And if you want to see some paintings of dogs, you’ll find them here.

The Black Rabbit

A Charcoal and Pastel Sketch

The View through the Window

Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!

To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?

You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.

A Charcoal and Pastel Sketch of the Camelia Bush

The View through the Window – a closeup

Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!

Fishes Swimming in the Deep Blue Sea

Swimming Free

Good morning everyone. This is my latest little gouache painting for our Beginner Gouache group on Mewe. And I painted these fishes swimming among the coral for our March theme – Aquatic Life. If you want to see the other gouache of a lily pond that I did for the theme, see here . To be honest, I try to paint at least two each month for this group. Because it’s a great group and well worth supporting – the work we produce is really rather good. Also, I find that joining in like this is helpful for my development as an artist. For example, I think that the themes are quite inspiring (this month’s challenge is ‘Garden’). In addition, I am still quite a beginner with this medium and I do benefit from the practice of a new skill.

Fishes Swimming among the Coral

A gouche painting of tropical fish, swimming through the coral.
Photo reference by David Cloade in Unsplash

Actually, I did rather enjoy painting the faces of the fish, much to my surprise. And, I did somehow manage to put a little bit of character into them! But, we are, happily, allowed some artistic license in this group!

Swimming Free – a closeup

I was quite pleased with this effort, 11 by 8 inches in my sketchbook. However, I was disappointed that I didn’t work out how to add more vibrant flashes of green on the fish. Perhaps I need a better quality of paints, or more variety of colours. Or, maybe just more practice! I do find gouache more tricky to work with than acrylic. But I just love the chalky quality and the colours.

Fishes in a Tropical Sea

A watercolour background of sea and coral with collaged fish in black and white.
Under the sea

Finally, here’s another sketchbook page of collage fishes swimming in a watercolour sea, with some imagined coral! Well, I created this last year in deep Lockdown, hoping to cheer myself up. And, it still makes me smile! If you want to read more about this post, see here .

Stories of Strong Women in Acrylic

A symbolic view of a woman with wings confined in a cage, ready to break free. one of my strong women.
The Caged Bird

Good morning everyone. Today I’d like to delve into the archive and show you some of my paintings of strong women. These are from a couple of years ago. And as I looked at loads of images, I realised that I quite often work on themes, sometimes without really being aware. Actually, I did this painting ‘The Caged Bird’ for an exhibition ‘Vote 100 – A Century of Change?’ . And it was to mark the one hundredth anniversary of votes for women in the UK. Honestly, I was so thrilled to be included in the show (and even more thrilled when it sold!) But then the curator asked me for more images of women for another exhibition. And I realized how many paintings and drawings I had on this theme of strong, brave women.

Purple, Green and White – the Colours of Strong Women

Incidentally, in this painting I wanted to show how the suffragettes broke free of a confined, stifling life. And then they led the way for all women to claim equal rights. Of course, this was just the beginning of female emancipation here in Britain. As you might have noticed, she is reaching out to a flower painted in the suffragette colours of purple, green and white. Just before she breaks out of the cage. Apologies for the poor image – I have since thrown that camera away!

The Problems of Modern Life

A mixed media painting of a modern woman struggling with the problems in her life - one of my strong women.
Woman Fighting Chaos

Finally, this is a mixed media piece, including oil pastel, chalk pastel, acrylic and ink. And I created it in response to a callout for a show about women facing the problems of modern life. In fact, I did the basic drawing at Life Drawing class – back in the day! Oh how far away that time seems now! Anyway, I found this model very inspiring and I made a few works based on her really dynamic poses. But, perhaps I’ll do another post with those pieces, plus more paintings of strong women. (You could look at Gallery – People for a sneak preview) Watch this space!

Winter Landscapes, in my Sketchbook

An instinctive,  semi abstract composition of trees in the mist, one of my winter landscapes. In graphite pencil, acrylic and ink.
Trees in the Mist

Good morning everyone. I thought I’d like to share with you some winter landscapes I’ve painted quite recently. In fact, I realized I’d better hurry up, as everyone is now spotlighting the signs of Spring!

Well, the image above is a mixed media piece I did instinctively straight after a short drive in local countryside. As you can see, the mist was fairly thick, and the sun just peeped through briefly in a couple of spots. Actually, I was quite fascinated by the tangle of bare, tree branches looming in and out of focus . And all this against the thick, soupy consistency of the off-white sky.

Closeup of Trees in the Mist

Winter Landscapes – Part One, the Instinctive Semi Abstract

Firstly, I scribbled some trunks, branches and random lines with a graphite pencil. And this gave me very strong marks, just what I wanted. Then, my idea was to lay in shapes in the negative spaces between the branches with acrylic paint. But the paint wouldn’t quite cooperate – I think it’s time I tried water mixable oils! However, I used what I had, sketched in some grasses and so on. Then I put some detail into the tree trunks with sepia ink, applied with a tiny brush.

A Winter Scene – Part Two , the Plein Air Sketch

A quick, en plein air sketch in watercolour.  One of my favourite winter landscapes,  Wentworth Castle Gardens.
Wentworth Castle – the Folly

And this is the other one of my winter landscapes – a watercolour sketch I did en plein air. To be honest, the ‘air’ was very cold! So I spent 20 minutes sketching from life, then painted more layers of washes at home. Again we have the bare branches against the beautiful, subtle greys of the sky. But I hope you can see the difference between the two approaches to the similar subject matter. That is, an impressionistic, imagined painting and an on the spot sketch, staying close to reality. Which style do you think gives a more effective record of a scene?

We often walk in the grounds of Wentworth Castle Gardens (NT) and I love to paint the mock castle here and the other features, such as the rockery, see here if you’d like to enjoy the views.

Mood and Atmosphere in Abstracts

An abstract composition,  reminiscent of a bright woodland scene with a paved path to follow. A cheerful mood and atmosphere.
Down the Path

Good morning everyone. Today I’d like to talk about mood and atmosphere in intuitive abstracts. And, just to make it clear, by intuitive this is what I mean. Simply that I sit down to paint a smallish abstract work in my art journal. And I don’t have any idea about the colours and shapes I’m going to use in the composition. In other words, I work instinctively. On the other hand, that doesn’t mean to say that I am not influenced by what’s happening around me.

Also, I notice more and more often that I unconsciously choose colours and sometimes styles that I may have admired in other artist’s work. In addition I seem to include the contrasts and textures I have noticed in the natural world. But, as I said before, none of this is by deliberate choice.

Bright Mood and Atmosphere

In this little piece, I think my mood must have been upbeat. Because I went for cheerful yellow and glimpses of blue sky. Then trees and branches popped up so I went with the idea of a forest, one of my favourite motifs, actually. And, although I worked on this by rotating it round all four ways, the path was clearly obvious. So I guess my subconscious was showing me that there’s still a way to go. So, keep on keeping on!

Cheerful Optimism and Determination?

A close up of the paved path, stretching out before you, leading to the sun.
The Path

Incidentally, I wonder if this scene makes you feel the same as me? Because, of course, I have only discussed the intention and reaction of the artist. However, the reaction of the viewer is also very important. And, with a loose work like this, you can interpret it any way you like. I am sometimes quite fascinated when I talk to friends who visit my exhibitions. Naturally, at the moment this is not possible in the real world. Thank goodness I can show you my work virtually like this! And, we have all got to walk down that path a little bit further yet. Stay well.

If you want to see more of my little intuitive abstracts in mixed media, see this post here.

Little Hand Painted Cards or Prints?

Two blooms on a gold background,  one of my hand painted cards.
Blue Flower Card

Good morning everyone. Today I thought I’d show you two little hand painted cards I made a couple of weeks ago. Well I had been looking at YouTube and thought I could try it out. The flower is just intuitively painted, but the challenge for me was the tiny size of the paper. In fact, only three and a half inches by five. And that’s tiny for me! Also, the other technique I tried out here was to put down the background first, something I never do. Actually, there’s gold paint on here too, to give the whole thing a bit of sparkle. But, you maybe can’t pick that out on the screen.

The sunflower, another of my hand painted cards.

A bold, graphic sunflower on a dreamy, blue and white background.  One of my hand painted cards.
The Sunflower Card

To be honest, I love painting flowers, especially the ones I pick from my own garden – see here . But I made this one up – not something I do often, because my visual imagination is quite poor.

Any way, I practised laying down a background first and this one was in watercolour wash with a subtle design in white pen. If I remember correctly, the flower itself was in acrylic. To tell you the truth, often when I’m doing mixed media, I grab anything on my workspace. It all gets added to the mix, then I forget what I used!

The Printed Card

Looking down on a fish pond, just catching a glimpse of several fish rising to the top. One of my printed cards.
The Fish Pond

Finally, do you prefer the hand painted cards or the print? This is one I had printed last year from an acrylic painting of carp rising to the surface of the water to be fed. Actually, my intention was to try to show the bodies of the fish covered by a thin film of water. As I recall, the theme of our Art Society project was ‘Under Water’. Undoubtedly, the cards made by hand are more special, but I have found that people also really appreciate a print. Fortunately, you don’t have to make your mind up. Because you can just do both!

Happy Monday!

If you want to see more flowers, have a look at my gallery here . And, don’t forget, if you find anything you like, go to the Contact Me page on the menu and send me an email. Because, everything is for sale at reasonable prices!

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