Good morning everyone. This is just a quick catchup post, to show you what I’ve been enjoying painting, a floral abstract. Actually, I’m working my way through a course by Suzanne Allard, see here. In fact, I have experimented with loose floral abstracts before, as you may have noticed on this blog. And, I’ve used other media over the paint. But I never felt like I knew what I was doing. So I’m very pleased that I found Suzanne’s tuition on line. Because she guides me through the myriad possibilities of adding crayon, oil pastel, ink and so on. And in a way that I can understand.
To be honest, I created the background for this painting a while ago, for a different project. However, I thought that it would work well. And I muted the intense colour of the acrylic paint with oil pastel in places where it needed it. As can perhaps see in this close up. You can see another loose floral abstract in my own style in this post here.
Good morning everyone. I’m showing you a catch up post about my series of quick little abstracts. Well, if I call them a series it makes it sound more serious! But it’s really because I’m so busy at the moment, and only seem to have time for small works. In retrospect, in this one I must have been greatly influenced by dark thoughts about the war in Ukraine. Perhaps it’s a cliche, but the red looks like blood to me, with something scary raining down on the city from above. Actually, I mentioned in my last post in this series that I only notice these things after the sketch is finished.
In fact, you may have seen this watercolour sketch before, as I included it in my post about our holiday in Scarbrough here. And I painted it after having paddled in the cold North Sea. Honestly, I found it fascinating to spot the different patterns created by the receding tide on the shore. So I had a lot of scope for decorative patterns in ink over the top of the background.
Finally I painted this one after a day’s work at the allotment garden, Where I immersed myself in greenery, vegetation etc. Obviously, I don’t have to tell all you gardeners out there about the rapid growth. And how all plants grow so quickly in the UK at this time of year. Admittedly, we have to work very hard weeding and cutting back, but it’s quite glorious really. If you want to see more of the greenery in my plot of land, look here. Just another one of my quick little abstracts for the series.
Good morning everyone. This is a quick catchup post, just to show you more of my small watercolour abstracts. Well, I’m still producing quite a few of these. And I’ve noticed that they definitely reflect my painting interests and colour choices at the time. But I don’t notice this till afterwards! For example, in this one above I’m exploring more restrained and sparse patterns, as a contrast to the busier designs of the previous little abstracts seen here.
On the other hand, I noticed after I had completed this one above that it was connected to my current large acrylic. And also, the softer colours and bold black calligraphic marks are in the style on my online course. Who knew? Actually, my subconscious painting brain surprises me more every day, especially in my small watercolour abstracts!
Good morning everyone. I think the title says it all, really, because I’m very busy at the moment. And, this is all the art I can manage to fit in at present – spare time abstracts! Actually, I saw a few things online about doodling, which seems to be very popular just now. But, to be honest, I’ve been scribbling little designs and patterns all my life. So, it seems to be quite natural to me. However, I noticed lots of ideas suggesting doing these small drawings over a background of watercolour marks. So, nothing could be easier, I use my little travel set of colours and it dries fast. Then, a little bundle of markers to choose from, and off I go!
Although, I must say the notion of using lots of surface pattern over paint is still new to me. But, that’s the fun part. And, as most of my marker pens are waterproof, it seems natural to add a bit more emphasis on top with thicker paint. Next, I have a look at the design for any ugly bits and correct them. And now I’ve done another spare time abstract! Right, back to the allotment gardening! There is some more fun doodling in this post here, using a slightly different technique.
Good morning everyone. I finished this small watercolour painting yesterday and, with a bit of magic, it’s now one of my new framed abstracts. Isn’t science wonderful? Only a few minutes work, and there it is , in a frame and on the wall of a virtual room!
Not only does it boost my confidence to see my work displayed on the wall. But also I can then easily assess the work and make mental notes how to progress in the next one.
Perhaps you might not be aware, but I can see quite a lot of influence here from the Painting with Yvette course I am following. For example, the general movement of the colour red across the paper. Also, I have used both thin, washy paint and more thickly applied coats in this composition. In addition, I have applied patches of fine surface pattern on the top layer. Obviously, this might not be all that easy to see in these images of one of my framed abstracts. But, close up it is more effective and I learned all this from this excellent course.
Finally, I couldn’t resist ‘hanging’ this little abstract on the wall. And I like the way the dark, moody colour of the background complements the mysterious feeling of the painting. In fact, when I look at it now, I think of a passage back into the light from a dark place, perhaps a cave? However, it was an intuitive composition, with no planning beforehand. If you would like to see more of my abstract work, see here.
Good morning everyone. This is a fun exercise I did in the tutorial by Charlie O’Shields in the Sketchbook Revival course by Karen Abend. And I tried to discover shapes in simple paint doodles, following the method described by Charlie. To be honest, it was easy to follow. First, scribble some marks with clean water on your brush, on watercolour paper. Most importantly, leave some blank spaces and don’t cover all the sheet. Next, quickly drop in some very wet paint and allow it to mingle. As you can probably tell, my paint blotches did start to dry a little. So I added more and ‘grew’ a few cauliflowers! But, it didn’t matter and just added to the design. When it’s thoroughly dry, take a bit of time to study it. Then pick out the outlines of anything you see in pen or fine marker. Just let your imagination go wild!
Actually, I did enjoy this playing with paint and ideas, and I felt it was a good antidote to worrying about all the sad things I hear on the news. So, if you want a little chuckle, have a look at the other daft doodles I produced.
Finally, here’s an example of a ten minute doodle (done last night). And this shows my usual method of doodling abstracts and how to discover shapes. In fact, I draw or paint colours and shapes at random and then develop it from there. In this case, first, chop courgettes for the dinner, then sit down with marker pens, oil pastels, a biro and tiny notebook!
Good morning everyone. I did this one of my nice bright abstracts before Christmas and I’m quite pleased with the way if turned out. Again, I had no plan beforehand, except perhaps to incorporate lots of lovely, juicy colour! And, on this one I particularly enjoyed splashing the flashes of white across the gold and bronze.
In fact, I noticed that I have been featuring a lot of round, globe shaped objects in my abstracts lately. Of course, if you paint them yellow your mind interprets them as the sun. And dark clouds creeping up in the background can then suggest imminent rain. So, that’s how I found the title! Anyway, I suppose this led me to thinking that it was time for a bit more development of my abstract work. However, more of that in later posts. Meanwhile, here is another of my nice, bright abstracts, completely intuitive and in a watercolour sketch book.
Now, this was a lovely art therapy exercise – a quick watercolour sketch in a few spare moments. And then, some flourishes with oil pastel, ink and white gel pen. I wonder if you can see anything in it? I wonder if you see the same as me? There’s another intuitive abstract in this post here for you to puzzle out!
If you like my abstracts, I just updated my abstracts page in the gallery here. And, don’t forget, I shall be showing you some new style compositions soon.
Good morning everyone. This is just a catch up of the quick art therapy watercolour sketches that I do in my sketchbooks. Actually, this particular one took a little bit longer, as I wanted to add more after the initial twenty minutes or so. Well, I made some shapes and colours with my travel watercolour set, which I keep very handy in my living room. And, I usually do this when I have gone a whole day without arty activities! In fact, it never fails to lighten my mood, however I’m feeling. So, I consider it a very useful way to look after my mental wellbeing. Also, it is almost entirely stress free because I make no demands on myself as regards the quality of the work. And, it’s purely experimenting and, of course, you need not show it to anyone, unless you choose to. Perhaps you could try this easy art therapy sometime! And let me know how you get on.
Anyway, after the first pass, I put the little sketchbook on the table till next day. And looked at it a lot. Then I strengthened the yellow,green and brownish red with oil pastel. Next I doodled a bit with marker pen and white gel pen to bring it together. And, it definitely cheered me up!
More Art Therapy
Finally, this is another another quick piece done to calm my nerves and I did this in one pass and left it as it was. If you want to see more, have a look at this post here.
Good morning everyone. Well, I have been quite busy again doing “art” business. In fact, I’ve realised that I’ve made myself just a bit too busy. But, in my own defence, it’s probably a natural reaction to the situation. First, no art activity for a long time. Then, say yes to every opportunity that comes along! Anyway, what could be nicer than taking part in Rotherham Roar artists’ group exhibition? Because it’s the first one we’ve had for quite a while. And so, I took these two pencil and watercolour sketches I did at life drawing class ages ago , for our new exhibition.
In fact, the space we are exhibiting in at Rotherham Market Hall is like a wall of glass. So, works on paper and unframed are the way to go. Therefore I choose these two prints.
As I recall, the flower painting was part of a project at my art society to capture the colours of flowers as the light faded. See here for more of my flower paintings.
And, finally, these last two made the final choice for our new exhibition. Up first is my version of a microscope photo of a neuron (one of those things in your brain that makes everything possible).
And, finally, one of my favourites, a mixed media piece I call a semi abstracted memory of a walk in the woods.
To be honest, I’ve probably got enough work to fill the whole wall, not that I’m an excessive painter or anything! But, for now, six is enough!
Good morning everyone. Well, it’s finished at last! And, to be honest, I don’t really know why I didn’t complete the Big tree in my Garden earlier. Actually, I started this big painting back in the spring, after doing at least two other studies. In fact, you may remember these mixed media versions, because I think I did post them.
As I remember, I painted the twisting shapes of the branches, still really visible in spring, before the leaves grew thicker. And I found these fascinating, at the same time realising that we had created them ourselves. Simply by hacking the growth back every year in a vain attempt to keep the tree small for our modestly sized town garden. Anyway, I sketched first in charcoal and then I worked in oil pastel.
Now, this is the second version that I sketched in charcoal and then added watercolour and pen for finishing touches. By the way, I sketched both of these through the living room window. And, as you can see,the season is moving on!
The Big Tree
But, to get back to the bigger painting, I decided to paint the tree quite simply and make sure that it dominates the space. But I also wanted to give emphasis to the rather fine building on the other side of my garden wall. At present it is used as offices, but, using my artistic licence, I show it as the grand family home that it once was.
And, I daydream about the people who live there, do they watch my house from their windows? And, what is there over the hill that the house sits on top of? So, as you have realised, I have created an imaginary scene from the reality I live in. Because, there’s always more than meets the eye, in my imagination anyway!
Finally, this acrylic painting on paper is 16 by 20 inches and the price is £80 plus postage, free in UK. Just email me on my Contact Me page here. And, if you want to see more of my trees, see here.
Good morning everyone. Last week I went with my art group to Silkstone, a picturesque village nearby. We wanted to spend some time drawing small animals. And one of the attractions for us was the opportunity to observe farm animals and birds up close. I used all my powers of persuasion on my artbuddies to encourage them to draw living creatures. As you probably know, it’s quite a difficult task, because they won’t keep still! Actually, the sheep did doze off quite nicely in the shade, convenient for us sketchers.
Anyway, I sketched hens, sheep, goats and a peacock. For the most part, these were quick sketches, trying to capture the shape of the body. Also attempting to show the posture and perhaps some of the attitude.
Drawing Small Animals
Then I spent a bit of time observing this mature male goat, pacing around his own field. Speaking of attitude, he was clearly in charge of all his family, even though they were the other side of the fence. And most impressive of all was his beard, long and luxuriant, sweeping down to the ground.
Finally, I’d like to show you a mixed media painting I did en plein air at Wigfield Farm. This was a couple of years ago when our sketch group visited this teaching farm, with some beautifully cared for animals. Luckily for me, this rabbit stayed still every minute or so. Sometimes it wandered around, investigating all the corners, and snacking. As I recall, I was using pen and oil pastel – these are rather unforgiving media, so expect a few mistakes I couldn’t correct. Even when I tried watercolour on top! Anyway, it was great fun and I’m sure we will go again. After all, practice makes perfect ( so they say!)
And if you want to see some paintings of dogs, you’ll find them here.
Good morning everyone. I have literally just finished this sketch. (And wiped all the pastel chalk dust off the table! ) As you can see, I made a charcoal and pastel sketch of the view through my window. Well, I have distorted the perspective slightly. But, your eye should travel down the garden, over the fence and the lovely, old brick wall. Then you get a glimpse of the rather fine sandstone office building to the left. And one of the small trees in my crowded shrubbery garden is featured, dominating the space. Actually, it’s an overgrown pyracantha, very hacked about over the years, in an effort to keep it in its place!
To be honest, I sketched this rather impetuously , and I don’t claim to have any skill with pastel painting. You see, I had been browsing the net and I found a great post by kestrelart, all about sketching quickly outdoors. The artist very generously described trying charcoal for capturing the scene and then adding colour with pastel. Or, watercolour and also spraying the paper in some places and leaving others dry. What fun! In fact, I couldn’t wait to try it out. By the way, does any one else use these materials together?
You can see how well the artist uses this technique if you look at his latest post here. As for me, I’ll keep on practising and I’ll definitely take charcoal and pastel out with me next time I go out plein air sketching.
A Charcoal and Pastel Sketch of the Camelia Bush
Here I have attempted to paint the camelia bush – it flowered really well this year. However, we’ve been having some late frosts recently and, at the moment, the blooms are partly brown and crispy! But, this is all part of the trials of life as a gardener, as some of you will know!
Good morning everyone. This is my latest little gouache painting for our Beginner Gouache group on Mewe. And I painted these fishes swimming among the coral for our March theme – Aquatic Life. If you want to see the other gouache of a lily pond that I did for the theme, see here . To be honest, I try to paint at least two each month for this group. Because it’s a great group and well worth supporting – the work we produce is really rather good. Also, I find that joining in like this is helpful for my development as an artist. For example, I think that the themes are quite inspiring (this month’s challenge is ‘Garden’). In addition, I am still quite a beginner with this medium and I do benefit from the practice of a new skill.
Fishes Swimming among the Coral
Actually, I did rather enjoy painting the faces of the fish, much to my surprise. And, I did somehow manage to put a little bit of character into them! But, we are, happily, allowed some artistic license in this group!
I was quite pleased with this effort, 11 by 8 inches in my sketchbook. However, I was disappointed that I didn’t work out how to add more vibrant flashes of green on the fish. Perhaps I need a better quality of paints, or more variety of colours. Or, maybe just more practice! I do find gouache more tricky to work with than acrylic. But I just love the chalky quality and the colours.
Fishes in a Tropical Sea
Finally, here’s another sketchbook page of collage fishes swimming in a watercolour sea, with some imagined coral! Well, I created this last year in deep Lockdown, hoping to cheer myself up. And, it still makes me smile! If you want to read more about this post, see here .
Good morning everyone. Today I’d like to delve into the archive and show you some of my paintings of strong women. These are from a couple of years ago. And as I looked at loads of images, I realised that I quite often work on themes, sometimes without really being aware. Actually, I did this painting ‘The Caged Bird’ for an exhibition ‘Vote 100 – A Century of Change?’ . And it was to mark the one hundredth anniversary of votes for women in the UK. Honestly, I was so thrilled to be included in the show (and even more thrilled when it sold!) But then the curator asked me for more images of women for another exhibition. And I realized how many paintings and drawings I had on this theme of strong, brave women.
Purple, Green and White – the Colours of Strong Women
Incidentally, in this painting I wanted to show how the suffragettes broke free of a confined, stifling life. And then they led the way for all women to claim equal rights. Of course, this was just the beginning of female emancipation here in Britain. As you might have noticed, she is reaching out to a flower painted in the suffragette colours of purple, green and white. Just before she breaks out of the cage. Apologies for the poor image – I have since thrown that camera away!
The Problems of Modern Life
Finally, this is a mixed media piece, including oil pastel, chalk pastel, acrylic and ink. And I created it in response to a callout for a show about women facing the problems of modern life. In fact, I did the basic drawing at Life Drawing class – back in the day! Oh how far away that time seems now! Anyway, I found this model very inspiring and I made a few works based on her really dynamic poses. But, perhaps I’ll do another post with those pieces, plus more paintings of strong women. (You could look at Gallery – People for a sneak preview) Watch this space!
Good morning everyone. I thought I’d like to share with you some winter landscapes I’ve painted quite recently. In fact, I realized I’d better hurry up, as everyone is now spotlighting the signs of Spring!
Well, the image above is a mixed media piece I did instinctively straight after a short drive in local countryside. As you can see, the mist was fairly thick, and the sun just peeped through briefly in a couple of spots. Actually, I was quite fascinated by the tangle of bare, tree branches looming in and out of focus . And all this against the thick, soupy consistency of the off-white sky.
Winter Landscapes – Part One, the Instinctive Semi Abstract
Firstly, I scribbled some trunks, branches and random lines with a graphite pencil. And this gave me very strong marks, just what I wanted. Then, my idea was to lay in shapes in the negative spaces between the branches with acrylic paint. But the paint wouldn’t quite cooperate – I think it’s time I tried water mixable oils! However, I used what I had, sketched in some grasses and so on. Then I put some detail into the tree trunks with sepia ink, applied with a tiny brush.
A Winter Scene – Part Two , the Plein Air Sketch
And this is the other one of my winter landscapes – a watercolour sketch I did en plein air. To be honest, the ‘air’ was very cold! So I spent 20 minutes sketching from life, then painted more layers of washes at home. Again we have the bare branches against the beautiful, subtle greys of the sky. But I hope you can see the difference between the two approaches to the similar subject matter. That is, an impressionistic, imagined painting and an on the spot sketch, staying close to reality. Which style do you think gives a more effective record of a scene?
We often walk in the grounds of Wentworth Castle Gardens (NT) and I love to paint the mock castle here and the other features, such as the rockery, see here if you’d like to enjoy the views.
Good morning everyone. Today I’d like to talk about mood and atmosphere in intuitive abstracts. And, just to make it clear, by intuitive this is what I mean. Simply that I sit down to paint a smallish abstract work in my art journal. And I don’t have any idea about the colours and shapes I’m going to use in the composition. In other words, I work instinctively. On the other hand, that doesn’t mean to say that I am not influenced by what’s happening around me.
Also, I notice more and more often that I unconsciously choose colours and sometimes styles that I may have admired in other artist’s work. In addition I seem to include the contrasts and textures I have noticed in the natural world. But, as I said before, none of this is by deliberate choice.
Bright Mood and Atmosphere
In this little piece, I think my mood must have been upbeat. Because I went for cheerful yellow and glimpses of blue sky. Then trees and branches popped up so I went with the idea of a forest, one of my favourite motifs, actually. And, although I worked on this by rotating it round all four ways, the path was clearly obvious. So I guess my subconscious was showing me that there’s still a way to go. So, keep on keeping on!
Cheerful Optimism and Determination?
Incidentally, I wonder if this scene makes you feel the same as me? Because, of course, I have only discussed the intention and reaction of the artist. However, the reaction of the viewer is also very important. And, with a loose work like this, you can interpret it any way you like. I am sometimes quite fascinated when I talk to friends who visit my exhibitions. Naturally, at the moment this is not possible in the real world. Thank goodness I can show you my work virtually like this! And, we have all got to walk down that path a little bit further yet. Stay well.
If you want to see more of my little intuitive abstracts in mixed media, see this post here.
Good morning everyone. Today I thought I’d show you two little hand painted cards I made a couple of weeks ago. Well I had been looking at YouTube and thought I could try it out. The flower is just intuitively painted, but the challenge for me was the tiny size of the paper. In fact, only three and a half inches by five. And that’s tiny for me! Also, the other technique I tried out here was to put down the background first, something I never do. Actually, there’s gold paint on here too, to give the whole thing a bit of sparkle. But, you maybe can’t pick that out on the screen.
The sunflower, another of my hand painted cards.
To be honest, I love painting flowers, especially the ones I pick from my own garden – see here . But I made this one up – not something I do often, because my visual imagination is quite poor.
Any way, I practised laying down a background first and this one was in watercolour wash with a subtle design in white pen. If I remember correctly, the flower itself was in acrylic. To tell you the truth, often when I’m doing mixed media, I grab anything on my workspace. It all gets added to the mix, then I forget what I used!
The Printed Card
Finally, do you prefer the hand painted cards or the print? This is one I had printed last year from an acrylic painting of carp rising to the surface of the water to be fed. Actually, my intention was to try to show the bodies of the fish covered by a thin film of water. As I recall, the theme of our Art Society project was ‘Under Water’. Undoubtedly, the cards made by hand are more special, but I have found that people also really appreciate a print. Fortunately, you don’t have to make your mind up. Because you can just do both!
If you want to see more flowers, have a look at my gallery here . And, don’t forget, if you find anything you like, go to the Contact Me page on the menu and send me an email. Because, everything is for sale at reasonable prices!
Hello everyone. I’d like to tell you all about the Covid art journal we are putting together. When I say we, I mean the Rotherham Roar group of artists that I am a member of. Obviously, we have not been able to hold our meetings in person since March now. And, as for the exhibition we were planning to put on together, that’s been put on hold. However, we’ve been meeting on Zoom. And we decided to make a record of our feelings during this strange time. For most people this has taken the form of work on paper in a sketchbook.
My Contribution to the Covid Art Journal
This is the first half of my double page spread. You see, I decided to highlight the way my mood fluctuates from one day to the next. So here we have ‘Good Day ‘ and it shows optimism, hopefully. Perhaps this day the sun is shining and I’ve been out for a walk in the fresh air. And I’ve been counting my blessings and feeling confident that things will work out well. To explain, I tried to show the beauty of the world and hope for a bright future.
The Second Half of my Pandemic Art Journal Contribution
As you can tell, this gouache painting represents those unhappy feelings that we have probably all experienced recently. To be honest, I had fairly sad things on my mind when I painted this . And I tried to show this in the spiky shapes, gloomy shadows and uncomfortable atmosphere of the piece. Anyway, that’s enough of doom and gloom for the moment. But, I must admit that the situation and free time has given me the opportunity to do a lot of creative work. So, it’s not all bad!
Some Happy Pages from my Own Covid Art Journal
This mixed media piece ‘ Cheerful ‘ was painted back in March, and it certainly cheered me up at the time ! You might like to have a look at more of my art journal ideas here .
This is my latest acrylic intuitive abstract and it’s on show in my virtual exhibition on Artsteps . It was put together for me by my great friend Matt Butt of Rotherham Roar artists , a wonderful artists collective that I belong to . And this acrylic painting on paper is my first example of working in a larger format for a long while . To tell you the truth , I don’t think I shall ever go smaller now !
Flower Paintings in my Virtual Exhibition
I painted this canvas as the last of a set of four – you’ll get the full set in the virtual exhibition, together with Sunflower, Oriental Poppy and SeaThistle . Look for the link at the bottom of this page to see my show. This fantastic app ‘Artsteps’ allows you to create your own exhibition in a virtual gallery . And then you can ‘ walk ‘ around using the arrow keys .
The Progress of Mankind
You’ll also see the last part of my triptych ‘ The Progress of Mankind ‘ – the painting above which I called ‘ Free Spirit ‘ . The other two parts (One and Two) are on show in the virtual exhibition and they really look good hanging together in the gallery . To tell you the truth , that’s the first time I’ve seen them together and it’s amazing what a sense of satisfaction I got from ‘ seeing ‘ them hanging on the wall online . Just imagine , I would never taken up this opportunity of displaying artwork online if not for the pandemic ! And you can also read my post all about this triptych here .
Lockdown Artin my Virtual Exhibition
To finish off this little review , I will include a watercolour and pencil mixed media piece . Well , this came about as a result of watching birds in my garden during early Lockdown. The pigeon continued strutting around as if nothing was amiss . Strangely , this made me feel a lot more optimistic at the time.
Although you can’t visit my show in person , at least you can see my work laid out virtually this way . If you follow this link here , you can see my exhibition. Use the arrow keys or WSAD keys to navigate around . Click on any picture to get a close up and better lighting . Anyway , there are twenty paintings to see and it’s great fun virtually walking around the gallery. This works best on a PC rather than a phone or tablet , unfortunately . All my paintings are available to buy at reasonable prices . So just send me an email using the form on the Contact Me page , if you want to know more.
I started this week’s art journal mixed media piece with no particular subject in mind , except that I wanted to create something light and colourful. Then , without planning it , I sketched out the under the sea scene in watercolour and afterwards added collage. The corals and plants are in fact drawn from my imagination . It was done quite quickly and then I thought about how to make the fish really stand out from the background . So I decided that collaged paper could be the answer . I have seen so many great ideas on line about creating your own collage papers . So l took a sheet of cartridge paper and scribbled some black lines with a marker pen . Then I used a simple template for the cut out fish and arranged them in a pleasing shape . And I have some collage paper leftover for another project !
I hope you feel a bit cheered up by my whimsical under the sea scene – it certainly lifted my spirits !
A bonus picture – Sunflowers
A quick sketch in pencil and watercolour in my tiny sketchbook. I finished this in about fifteen minutes – ( almost ) instant art . See more flowers in mygallery .