Good morning everyone. This is just a quick catchup post, to show you what I’ve been enjoying painting, a floral abstract. Actually, I’m working my way through a course by Suzanne Allard, see here. In fact, I have experimented with loose floral abstracts before, as you may have noticed on this blog. And, I’ve used other media over the paint. But I never felt like I knew what I was doing. So I’m very pleased that I found Suzanne’s tuition on line. Because she guides me through the myriad possibilities of adding crayon, oil pastel, ink and so on. And in a way that I can understand.
To be honest, I created the background for this painting a while ago, for a different project. However, I thought that it would work well. And I muted the intense colour of the acrylic paint with oil pastel in places where it needed it. As can perhaps see in this close up. You can see another loose floral abstract in my own style in this post here.
Good morning everyone. Lately I have been working my way through the excellent tutorials in the free Sketchbook Revival course with Karen Abend. Actually, it’s finished now, but I will certainly look out for it next year. In particular I have enjoyed the sections on painting flowers. And I have been trying the new approaches introduced by several of the tutors. For example, using a looser painting technique when observing flowers from life.
To be honest, this was quite difficult to do, as I have always observed each flower carefully before. And then attempted to paint all details on each bloom separately. But here I observed closely first. And then tried to paint the different elements and shapes into flowers that were pleasing in the overall design. Anyway, this was my first attempt and things can only get better! In fact, this exercise ‘Mixed Media Floral Study’ was led by Joy Ting.
Trying New Approaches in Design
This was another exercise that I enjoyed, a simple flower design by Viddhi Saschit. And the tutor broke it down into easy steps, so that I created this reasonably attractive design. Afterwards I felt that I could try to paint another little pattern by myself.
Finally, I just wanted to show you The Tulips on the Table, which I did quite spontaneously in watercolour and oil pastel. And, I like to think that I put into practice some of the new ideas that I learnt. You could see more of my flower pictures here.
Good morning everyone. When I have ten minutes or so spare, I will always do a quick sketch.( In between finishing off online tuition projects!). On this occasion I quickly sketched a doodle in watercolour, limiting myself to three colours. When it was dry, I doodled some more, adding some black calligraphic marks on top. Later on, I strengthened these marks with one of my new soft oil pastels. Of course, you may have realised that this was influenced by the Painting with Yvette course that I am following. Otherwise I never would have tried putting this kind of a motif on top of a background.
Now this idea is something else that I picked up from online tuition. But unfortunately I can’t remember the details, I look at so much lovely stuff online. Anyway, I did in fact take the idea and do my own version. And the method is to take images of motifs you have chosen to use as inspiration for an abstract composition. Then incorporate them into a design, without doing a realistic painting of them. For example, for this piece I sourced good photos of butterflies and flowers. Then I isolated the shapes and colours that pleased me and tried to make a harmonious pattern. Actually, it does fry your brain a bit in the process! But, I’m still keen to do more. See more intuitive abstracts in this post here
Good morning everyone. As you may know if you read my blog, I do like to follow online art courses. And I love to work in all sorts of media, and try out new watercolour techniques. So I thought I’d show you some more updates from the Watercolours Made Simple lessons.
Well, the idea is to paint flowers in a more general way than carefully including each detail of a particular flower. Actually, this is more difficult than it sounds. Because my visual memory is not too good, I had a photograph in front of me here. However I tried to view the general shapes of the blooms of the whole bunch and sort of invent newer versions of them. Obviously, such intense scrutiny of the flowers should feed into my memory. Which will help me next time I try this exercise in painting generic flowers. But why do I need to do this, you may wonder? Because then I can concentrate on placing the individual elements in a pleasing design. Afterwards it could be used for a greetings card, for example. Or just simply for a different kind of floral painting.
Now, in this attempt above, I did in fact have the flowers in front of me, which made the exercise easier. Of course, I shall need a lot more practice, but it is quite enjoyable And a pleasant way of spending time on the new watercolour techniques I’m studying. Have a look at this post here for a realistic portrait of a bunch of flowers. Finally, I’ll leave you with an example of another way of painting flowers – semi abstracting from reality.
Good morning everyone. Well, it really feels like spring is here, for this week at least! And I love to have spring flowers in the house. As soon as these daffodils opened up, I just had to paint them! So I practised some of the watercolour techniques I have learned from an online course. In fact, after years of trying, I finally managed to loosen up a little with watercolour. That means, more water in the mixture and just nudge it into place, instead of controlling it more tightly. Actually, I was really pleased with the end result. In fact, I succeeded better conveying the papery texture of the petals this time, I feel. Hopefully, you can see that in my photo.
Because it was so sunny and bright, we went to Brodsworth Hall for a few hours. Perhaps you remember some of the other sketches I have shown you in this blog, we do go to this garden often. As you might know, the gardens are spectacular, in all seasons. By the way, I must admit that I definitely took artistic license with this view. Because I completely missed off the main building , being far too interested in the trees and the daffodils, tiny points of golden light that studded the grass. Perhaps I will use this quick sketch in watercolour and pen in plein air as a study for a larger painting.
Finally, I couldn’t sign off without giving a mention to my acrylic painting of spring flowers. At the moment, Daffs at my Allotment is part of my exhibition Picturing the Landscape at Rotherham Roar , see this post here . Alas, very soon to come down, so there’s just a few days to see it! Well, nothing lasts for ever, not even spring!
Good morning everyone. This is just a catch up of the quick art therapy watercolour sketches that I do in my sketchbooks. Actually, this particular one took a little bit longer, as I wanted to add more after the initial twenty minutes or so. Well, I made some shapes and colours with my travel watercolour set, which I keep very handy in my living room. And, I usually do this when I have gone a whole day without arty activities! In fact, it never fails to lighten my mood, however I’m feeling. So, I consider it a very useful way to look after my mental wellbeing. Also, it is almost entirely stress free because I make no demands on myself as regards the quality of the work. And, it’s purely experimenting and, of course, you need not show it to anyone, unless you choose to. Perhaps you could try this easy art therapy sometime! And let me know how you get on.
Anyway, after the first pass, I put the little sketchbook on the table till next day. And looked at it a lot. Then I strengthened the yellow,green and brownish red with oil pastel. Next I doodled a bit with marker pen and white gel pen to bring it together. And, it definitely cheered me up!
More Art Therapy
Finally, this is another another quick piece done to calm my nerves and I did this in one pass and left it as it was. If you want to see more, have a look at this post here.
Good morning everyone. Now that everything is getting back to ‘normal ‘ after the festive season, I am catching back up. So, here is a little green and gold scene I painted in gouache, back in November. As I recall, the reference photo was a touristy one I saw somewhere. But I altered it quite a bit and added a figure. That’s me, standing on the rock in the cool morning air with my cagoul hood up. And, I’ve probably got my field sketching kit in my rucksack. Perhaps you’ve noticed that I’m looking at the leafless tree on the left. Unfortunately, a much more common sight now when we’re out walking. Anyway, I still managed to fit in plenty of green and gold to cheer me up. Also, it was good practice to paint in gouache and I am gradually getting more used to manipulating the paint.
Actually, the title says it all! For this scene, I used an old watercolour sketch I did when we were in Wales. However, I can’t remember the location other than it was a lovely ornamental park in North Wales. And, we had the place practically to ourselves. Because the season had been quite wet, all the late spring flowering shrubs were really blooming.In addition, the foliage was glistening after a brief shower. On the technical side, the paint was gouache and I built the painting from my watercolour sketch and , surprisingly, a bit of memory. In fact, it’s really addictive and I have a huge archive of sketches to mine!
The Flowering Shrub in my Green and Gold Gouache Landscape
Incidentally, there’s another uplifting green and gold painting in this post here , this time a woodland scene.
As ever, all my work is for sale at reasonable prices. Just go to the Contact Me page and send me an email for further details.
Good morning everyone. As promised, here is a review of our new exhibition at the market in Rotherham. By ‘our’ I mean ROAR – Rotherham Open Arts Renaissance, an artist’s group that I am a member of. And, we have displayed our art on a glass wall in the covered market building in the town centre.
As you can see, this space was a bit of a challenge to use, but I think we have done well. The windows were actually different dimensions and all landscape orientation. So I could not show two nice life drawings, because they were portrait. And, obviously, framed paintings were not possible. However I think the display is excellent, including prints and some originals. Here are the other three of my paintings on show.
Actually, our work is quite varied, comprising acrylic paintings, contemporary watercolour portraits, prints and mixed media collage.
Because of the pandemic, we have not been able to meet up so much. So it felt really good to be involved in a project together. And, also to show off our new exhibition at the market. Have a look at this post here when we went out sketching at the Steel Henge.
Good morning everyone. Well, I have been quite busy again doing “art” business. In fact, I’ve realised that I’ve made myself just a bit too busy. But, in my own defence, it’s probably a natural reaction to the situation. First, no art activity for a long time. Then, say yes to every opportunity that comes along! Anyway, what could be nicer than taking part in Rotherham Roar artists’ group exhibition? Because it’s the first one we’ve had for quite a while. And so, I took these two pencil and watercolour sketches I did at life drawing class ages ago , for our new exhibition.
In fact, the space we are exhibiting in at Rotherham Market Hall is like a wall of glass. So, works on paper and unframed are the way to go. Therefore I choose these two prints.
As I recall, the flower painting was part of a project at my art society to capture the colours of flowers as the light faded. See here for more of my flower paintings.
And, finally, these last two made the final choice for our new exhibition. Up first is my version of a microscope photo of a neuron (one of those things in your brain that makes everything possible).
And, finally, one of my favourites, a mixed media piece I call a semi abstracted memory of a walk in the woods.
To be honest, I’ve probably got enough work to fill the whole wall, not that I’m an excessive painter or anything! But, for now, six is enough!
Good morning everyone. It’s just a short post for you today about this flower abstract composition. Actually, it was a couple of weeks ago that we went to Brodsworth Hall in South Yorkshire.
And we sat in the formal garden a hot late summer’s day in the shade, next to a beautiful display of red coleus.
Fortunately, I had my plein air sketching set in my bag. So I spent a blissful half hour doodling shapes and colours whilst looking at the flowers. And, the result was this flower abstract. What a lovely memory this painting brings me!
If you want to see another ‘flower memory’, look here.
Good morning everyone. This is my latest portrait of my allotment. Actually, I just realised that the little watercolour sketches that I do are really portraits. And they seem to me to show different facets of something that I love, very much like artists paint a loved one over and over.
In this particular painting I wanted to make a record of how the fiery red Discovery apples glow. And can be glimpsed through the gap in the hedge that separates two sections of the allotment garden. As you can see, the Brussel sprouts plants are going from strength to strength. Also the leeks in front of them are putting on lots of leaves before the winter comes. In fact, both of these plants will stand over the winter and, hopefully, provide fresh veg till spring.
Can you spot the gardener, weeding the few summer cabbages that remain? Incidentally, I make this figure nice and vague. Because I like to think that it represents both me and my husband, as we both look after the garden. You can see the gardener in this acrylic painting here too.
This Year’s Portraits of my Allotment
Well, this last image shows how I sat in the fairly bare winter scene, And dreamed of beautiful mauve flowers! There’s another idealised portrait based on reality here, showing how I think of the time I spend in the garden. But, in reality, we work very hard here. And, I wouldn’t have it any other way!
Good morning everyone. Today I’d like to show you my beautiful sunflowers, painted in acrylic on paper. Actually, I’m quite pleased with this effort and, as I said in a recent post here, I feel like I’m finally making progress. Because this picture seemed to come together fairly well.
Anyway, I also tried something different here and I used gloss medium for the bright petals and leaves. Just a dab when mixing the sunny yellow, the vibrant green of the sunflowers. Not to mention the rich purple of the irises.
In fact , the other intention of this project was to try to work in a looser style. That is, not to concentrate too much on precise detail and leave something for the viewer to work out. In other words, not to paint the picture to death! Well, I did manage to loosen up a little, but I clearly need more practice!
Now, just for the sake of contrast, I painted this sunflower in watercolour last year. And here I tried to show the accurate shape and arrangement of the petals and the seeded centre. But the actual brush strokes were quite loose and gestural. So, you see there’s clearly more than one way of painting beautiful sunflowers!
All my artwork is for sale at reasonable prices. Have a look at more flowers in my Gallery here.
Good morning everyone. Well, I had a little bit of time to play this week and I read something online about not forgetting the importance of experimenting with your art. So I spent some time adding colour to this very quick pen sketch I made last year. As you might remember, I wrote here about how inspiring I found the lush growth on the runner bean plants. Anyway, I took the opportunity to really try to work out how to use the Inktense paints I bought. And, I had a breakthrough – use more water! In fact, as you will see, a bit too much water in places!
Adding Colour to the Pencil Sketch
Actually, this is the second very quick sketch I made when we went to Cannon Hall Park and Gardens (see here). And now, here’s the coloured version.
Now I feel that I’m getting to grips with using this type of watercolour, and the colours certainly are bright. And, to be honest, I felt very relaxed when I just concentrated on texture and colour like this, so it’s a win-win situation for all! So, have a good weekend, everyone!
Good morning everyone. This is a little watercolour sketch I did at Worsbrough Country Park last week. Finally we had one or two milder days and we really enjoyed the fresh air. Actually, I have been searching out the first signs of Spring this year. Because the winter did seem to me to be very long. And, it was such a pleasure to spot the first hazel catkins and the willow blossoms.
In fact I realised this year something I had never noticed before. That is, that the pussy willow flowers gradually open right out into larger flowers and the pollen escapes. Then the tree seems to be a vivid greeny yellow from a distance. As you approach, it gradually changes to be a dusty yellow colour. Just remember, the stark, dark brown branches are bare of leaves at this time. Honestly, this is the first time I ever noticed this!
One of the first signs of Spring on the willow trees
But, just to return to the blackthorn tree and its creamy white blossom. What a welcome sight at the end of winter! Again, the branches have no leaves, and the trees are covered in clouds of creamy white blossom.
In order to sketch this view en plein air, I sat on a very comfy bench near one of the pedestrian entrances of the park. And we were looking down towards the paths that lead around the shore of the reservoir in both directions. Honestly, it was such a treat to sit in the sunshine, and see happy walkers, children and dogs relaxing. In fact, even the watercolour sketch went well until I tried to indicate the showy, white flowers! Eventually, I had to leave that part of the painting until I got home. Then, out came the little tube of white gouache paint , but even then, I couldn’t quite do the tree justice! But, it was worth it to do my first outdoor sketch of the season.
Last year’s Spring flowers
Incidentally, this is an acrylic painting I did last year, in Spring to cheer myself up. It’s a semi abstracted view of pansies and polyanthus flowers in my garden, listening in the Spring showers. Well, it did cheer me up, but I’m so glad that I could go out this year. And appreciate the trees and their impressive blossoms in the Great Outdoors! If you want to read my post about last year’s exhibition ‘Springtime in Yorkshire ‘ see here .
Good morning everyone. Today I thought I’d show you two little hand painted cards I made a couple of weeks ago. Well I had been looking at YouTube and thought I could try it out. The flower is just intuitively painted, but the challenge for me was the tiny size of the paper. In fact, only three and a half inches by five. And that’s tiny for me! Also, the other technique I tried out here was to put down the background first, something I never do. Actually, there’s gold paint on here too, to give the whole thing a bit of sparkle. But, you maybe can’t pick that out on the screen.
The sunflower, another of my hand painted cards.
To be honest, I love painting flowers, especially the ones I pick from my own garden – see here . But I made this one up – not something I do often, because my visual imagination is quite poor.
Any way, I practised laying down a background first and this one was in watercolour wash with a subtle design in white pen. If I remember correctly, the flower itself was in acrylic. To tell you the truth, often when I’m doing mixed media, I grab anything on my workspace. It all gets added to the mix, then I forget what I used!
The Printed Card
Finally, do you prefer the hand painted cards or the print? This is one I had printed last year from an acrylic painting of carp rising to the surface of the water to be fed. Actually, my intention was to try to show the bodies of the fish covered by a thin film of water. As I recall, the theme of our Art Society project was ‘Under Water’. Undoubtedly, the cards made by hand are more special, but I have found that people also really appreciate a print. Fortunately, you don’t have to make your mind up. Because you can just do both!
If you want to see more flowers, have a look at my gallery here . And, don’t forget, if you find anything you like, go to the Contact Me page on the menu and send me an email. Because, everything is for sale at reasonable prices!
As some of you may know, I am following an online course on painting at the moment. And I’d like to show you two of my acrylic practice paintings. In fact, the painting above is almost completely finished and I decided to leave it a while. To be honest, I am learning such a lot on this course. And I want to think a bit more about the techniques and design ideas I now know about. Then, later I will bring the painting to completion. However, I am fairly pleased with the stage I have brought it to. Incidentally, this method of working is quite new to me. Actually, I usually work in a more impulsive manner, but I do always put a lot of thought into my paintings.
New Techniques and Design Ideas in my Practice Paintings
In this painting, I used a different choice of colours on the palette, following the instruction given. And, this took me right out of my comfort zone, which can be a good thing! But, as you can see, these were the right choices for this dreamy Australian landscape. Secondly, I attempted to blend the colours in the sky – again something I never try to do. Admittedly, I need to practise this more, but then, hopefully, I will have acquired a new skill.
The Tribute to Monet Acrylic Painting
Again, I must make it clear that this one of my acrylic practice paintings just lacks the final finishing touches. And , I’m prepared to leave it a while before I decide how much extra detail to add, if any. As you can see, there were plenty of challenges in this. Including, naturally, the subject – reflections on still water, a subject I have skillfully avoided until now! Well, I did do my best, but there’s room for improvement. On the other hand, I managed to suggest perspective in the floating flowers and leaves. That is, to put it simply, the furthest ones smaller and the nearest ones bigger and all at the correct angle to suggest they are lying on the water. Baby steps I know, but it’s very valuable to a self taught artist like me ! I really can’t wait to see what else I can learn. If you want to see a painting that I completed with the tutor’s help, see this post here . I will post another update soon!
Hello everyone. I finished this acrylic painting quite recently. But I had started it a few weeks ago . And I had begun seeing pictures in my mind a little while before that. Pictures of things floating on air – first of all fluffy, cold snowflakes drifting down from a peaceful , warm sky . Then I visualized white flowers or petals slowly sinking on to a dry, dark landscape. To be honest, the inspiration for this idea was easy to see. Because every time I look out of my kitchen window, I see glorious, blooming begonia flowers in the windowbox. Actually I was inspired earlier by my flowers in another planting arrangement here – a painting in a very different mood.
As you can see, these beautiful flowers with their delicate layers of petals are very appealing. However, when I picked up my paintbrush, I had decided on the main idea of something white , drifting down. Also, I was clear that that I wanted a subtle pink sky above a grey expanse – perhaps landscape or rolling waves ? After all, that’s the image that came to me. But, I kept seeing snowflakes or clouds, balloons or parachutes. And that’s what took me so much time to plan this painting. Well, a long time for me anyway.
The Close Ups
I hope that I managed to capture the light, drifting quality of these white objects. In effect, I was thinking of all of the ideas I had at first. For example, clouds, snowflakes and petals, and so on. Although, obviously, the actual form they took was the shape of flowers.
A Flower Floating on Air
As it happens, the actual painting of the white flower shape was quite difficult. In order to give it some idea of form, I had to introduce other colours to suggest the layers of ‘ petals ‘. Hopefully, you can see this in the detail above. Well, I tried ! But , I don’t think this particular inspiration has finished with me yet. And, I might have to work with it again !
At last – I’m famous ! (Well , nearly ). Because there is now a magazine article showing my artworks. To explain, I am a member of the Barnsley U3A group. And this is a great , world wide organisation which is run entirely by volunteers of retirement age . In fact, we are called the University of the 3rd Age . Perhaps you have heard of us – our aim is learning, companionship and fun ! The group in my home town is fantastic . So when Derek , editor of our branch’s magazine asked permission to publish some of my paintings I quickly agreed !
To be honest, Derek had seen my work on this website, which is nice. Hopefully, you can read the text as it is a bit small. There are just over a thousand members in the group now , I think. And our magazine ‘ The Buzz ‘ is also published on our website see here .
More Paintings from the Magazine Article
These two images above were also featured in the magazine article. In addition to some details about the artist groups I belong to including Northern Fringe. Have a look at this post here to see our latest exhibition ‘Inspired ‘at the Ridings Centre, Wakefield. It’s about the third exhibition down.
To be honest, I did also promote Barnsley Art Society too. Although we are not very active at the moment, obviously. But you might be interested to have a look at our Facebook page here . Who knows , if you are nearby , you may like to take part in our arty activities when we start up again.
Of course, I didn’t forget to say some nice things about the U3A group too ! And they were all quite sincere. Actually . I belong to the painting group which we attend each week. And I also really enjoy the drawing group which inspires me to practise drawing skills . In actual fact , I really do need the practice ! Finally, I’d like to say a big Thank You to Derek for putting together a great Autumn issue during Lockdown ( especially the bit with my feature! )
When I want to do a quick painting I will often sit down at my dining table to work . Of course, if I have a large chunk of spare time, I go into my ‘ studio ‘ . To be honest, this is also known as the spare bedroom and it’s where my easel is set up. And , this is where the acrylic paints live. So it’s all a tiny bit more serious ! Anyway , I had half an hour – so I gave myself a little treat and just painted. I chose watercolour flowers from my allotment. Actually, I had noticed last Thursday that I wasn’t achieving the results I wanted with watercolour . I was out urban sketching with art buddies in the park – see here . And when I looked at my friend’s lovely delicate sketch of the mansion, I realised I could do better !
Trying different watercolour paper
You see, I always use the same brand of paper in different , handy sized sketchbooks when I’m out plein air painting. In effect, I was well satisfied with the quality. But, things had changed and the paper was now quite poor. And , it took me a while to notice ! So, out came some better watercolour paper from the stash. And , now I could try laying down pools of colour and wet in wet technique without fighting to drag the paint over the paper !
More Watercolour Flowers
As you can see , I did manage to find some decent paper for these two paintings of watercolour flowers. These are from a little while ago and , quite by chance it would seem, the paper was better ! Well, now I know and I won’t make that mistake again !
For those who like to know , here we have cosmos, sweetpeas, marigold, cerinthe and sweet Williams. A real cottage garden bunch. For lots more flowers in all kinds of media , see my gallery here .
This is just a quick post to show you my latest acrylic semi – abstract painting . You might remember that I have recently ‘ gone large ‘ . That means that I have started painting on bigger canvases and sheets of paper . In fact , this composition Flowers in the Rain is 16 by 20 inches on good watercolour paper
Going Large with Flowers in the Rain
You might think that this isn’t very large . But , you see I felt sort of blocked earlier on this year with all the worrying things that were happening. So now , I feel a bit more relaxed and I am revelling in using paint freely on bigger supports . And , I do hope you can see that joyfulness in this flower picture.
Interestingly , I was fascinated by the soft , folded petals of the large bloom that I indicated here . In fact , I got so carried away with painting it , that it grew larger and larger !
To tell the truth , my main inspiration for this piece was the way that the drizzle intensified the colours . The leaves and flowers in the rain were sparkling with light ! I even allowed this to spread onto the fence panels in the background. Of course, they were really a dullish brown . If you want to see some more paintings of lovely flowers, just go to my gallery here .
All my paintings are for sale at reasonable prices. I’m selling this painting for £50 , including shipping in the UK . It’s 16 by 20 inches ( which is not too big , or too small ) . The piece is unframed , so you can choose your own frame . And I think that most people prefer this . If it really calls out you and you need to have it , just send me an email by using the form on the contact page